For someone who has anger issues, entering the Audubon’s The Birds of America exhibition was like entering a whole new world. Upon the entry, I saw giant screens showing details from Audubon’s work and I could hear quiet bird noises in the background. It was an incredibly calming experience, as much as one can consider stuffed birds and plates depicting birds massacring another bird calming. Naturally, this wasn’t the centre of the exhibition – it truly celebrated the skill and the creativity of the bird illustrator with a passion for nature.
The exhibition is running in the National Scottish Museum in Edinburgh from the 12th of February to the 8th of May of this year. It displays over 40 plates, each measuring almost one metre in height. Most of them have never actually been shown to the public before. It is split into 4 sections, each of them with its own theme – the first one, ‘Meet the Birds of America’ introduces the ‘world’s most expensive book’ and Audubon, in general.
John James Audubon was a 19th-century ornithologist and naturalist. He made a point of studying and cataloguing the birds he encountered in their natural habitats. A son of a sugarcane plantation owner and a chambermaid, he must have had a conflicted childhood. Audubon moved to the US to avoid participation in the Napoleonic Wars – and focused on birds instead.
The second section of the exhibition titled ‘An Art and a Science’ examines the influence of other illustrators on Audubon as well as the scientific, or sometimes quasi-scientific context. With the Industrial Revolution clashing with the Romantic movement, the transcendental search for nature was at its peak. The illustrations at the time were generally quite dull due to drawing from taxidermy and lifeless study skins.
Audubon, however, made a point of painting directly from wildlife, by personally hunting the birds and sometimes getting others to hunt for him. He would then paint the birds he gathered by pinning them into lifelike poses observed in the wild. This resulted in his art being vivid and life-like. He didn’t want to paint the taxidermied birds as he felt this would take away their lively spark from them. He was known for sometimes romanticising the birds he saw in the wild, for example when painting the Mocking Bird, in which a rattlesnake attacks birds in a bush, where it would be impossible for a rattlesnake to do so. Audubon would also sometimes add more human behaviours to the birds to allow the audience to relate to the birds. He was sometimes accused of not exactly presenting the truth.
The third part of the exhibition called ‘Audubon in Edinburgh’ explores the role of Scottish intelligentsia in ensuring that Audubon was embraced by the art society, after his rejection by the scientific community in Philadelphia. He befriended William Home Lizars and started engraving. Edinburgh was central to Audubon’s beginnings as a bird illustrator, making it extremely relatable to the Scottish audience, and it became somewhat a privilege to live in the same city where Audubon once found inspiration and was embraced by the art world.
The fourth section called ‘The Great Work: The Making of a Masterpiece’ deals with technical and artistic achievements. There are short films available for those whose attention span is longer than mine. However, this section also shows the bound edition of Birds of America which is extremely large (100 x 130 cm when open). Audubon insisted that the illustrations would show the birds life-size. Only two paper mills in the UK were capable of printing these, as he used a double elephant folio which is 96 x 66 cm. For those who are capable to rotate shapes in their head, this number will probably mean a lot.
The fifth section ‘Naturalist or Showman’ focuses on his contribution to discovering new species. Audubon identified 25 new species. This part of the exhibition explores some of the ‘controversies’, for example, Audubon was known for his strong belief in phrenology, the science which is now deemed ‘pseudoscience’ by some. Phrenology suggests that one can find details about someone’s personality from their skull shape. Seeing what kind of person he was, he probably used phrenology to mock his rivals. He was often accused of plagiarism and scientific fraud due to misidentifying some species and fabricating scientific data. Sometimes he invented new species to impress people who might then buy his work. Reportedly, he even stole the specimen of Harris’s hawk from his subscriber to then pretend he never knew him. He also lied in his own autobiography.
The sixth and final section of the exhibition ‘Birds of the World’ considers the impact of the modern era on the preservation and extinction of many birds. Some, such as the Carolina parakeet is entirely extinct – they used to always flock in large groups which made it easier for the hunters to kill them. They’ve also been considered a pest by farmers, which contributed to their demise. The exhibition ends on a thoughtful note, advising us to consider the repercussions of human behaviour on the natural world.
This prompted many conversations, such as the possibility to clone the extinct animals using their DNA tissue, however, so far, this was only tried with Pyrenean Ibex in 2003, but this one died not long after from lung defects. It might be a way forward in the future though.
The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received. He may not have been rigidly adhering to the scientific advice, but he created something that’s still worth looking at. Audubon inspired George Bird Grinnell to create the National Audubon Society in 1905 (although the idea goes back as far as 1895 when the first Audubon Society was created). The organisation protects the birds and their habitats in the Americas. If you like birds, you can donate here.
Audubon’s exhibition included a wealth of important items, including some study skins of birds and many taxidermized birds as well as his diaries, plates, and his hunting double-barrelled rifle. The exhibition is beautiful, thoughtful and certainly fascinating. For anyone who craves the return to transcendentalism and ancient values – it’s a feast for their eyes. If you fancy a trip to Edinburgh before the end of the exhibition on the 8th of May – make a point of stopping by at the National Scottish Museum to look at some birds, I strongly recommend it.
Quote: The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received.
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Private property and the environment: competing or reconcilable objectives?
When it comes to the question of the environment and what to do about it, there are a number of assumptions—the outcome of which does, for the most part, map nicely—with respect to who will be saying what about it. For example, that a Leftist is more inclined to refer to themselves as an ‘environmentalist’, coupling their ideological convictions of social progressivism with concern for ecological damage, is, for the most part, true. Equally, that a right-winger is less likely to refer to themselves as an ‘environmentalist’, is also, for the most part, true. I suspect that the inclination of the latter is more out of reaction to the prevailing Leftist narratives around environmental protection, rather than a genuine indifference or lack of concern around the matter considered in itself. Certainly, with respect to myself, as I refer to myself as both a Right-libertarian (of the more ‘reactionary’, as it’s often called, conservative inclination) and an ‘environmentalist’, I seek to present the case in favour of private property and environmental protection as being reconcilable, not hostile or competing, objectives. This I aim to do without too much of a foray into the dense political-philosophical and economic-statistical thicket, where one can get lost rather easily and squarely miss the point.
As a matter of first principles, it almost goes without saying that the Right-libertarian stance is one which emphasises the importance of private property, and therefore of property rights by default, in all human affairs. It is a case of ontological significance for the human being to be able to determine the boundaries and limits, the inclusion and the exclusion, the ‘mine’ and ‘thine’ before one is able to situate themselves appropriately in dealing with the community. In other words, a distinction between what is private, and therefore one’s own, and what is not, is antecedent to one’s proper place in wider society. This is not simply a matter of distinguishing between ‘personal’ and ‘private’ either—a case of semantic hairsplitting if ever there was one—but is a statement of profound significance. That which is privately owned implies not only the antecedent distinction foregoing one’s entry into the community, but further implies the differential of being able to realise gain from peaceful, contractual exchange of one’s goods based upon a value matrix of temporal, or time-based, considerations. It asks: will you defer gratification now for a higher reward at some future date? Some prefer immediate consumption, others delayed gratification; it is the latter case which tends towards a realisation of gain, as foregoing consumption now can provide higher gains, or profit, in the future. Whereas in the case of the former, one values immediate consumption more highly, and therefore does not delay gratification appropriately enough to contribute the necessary goods or assets towards more time-consuming, labour-intensive, and developmental pursuits which tend to appreciate in value. This important factor of time-consideration (referred to in Austrian economic theory as ‘time preference’) is a universal a priori such that it will play a role in any given economic situation. The socialist collective will still include those who prefer to delay gratification and co-ordinate for future returns, and it will most likely be those who form the body of bureaucrats which oversee, and yet do not have a proper investment in (qua non-owners), the administration of things.
From here, the question becomes: who is the right person to which the task may be deferred? There is a lengthy index of things which most of us are happy to defer as a responsibility of someone else. For example, while I could butcher a chicken if required, I would rather not, and am happy to defer that responsibility to another who is paid to do so, providing me with what I need to make dinner. Likewise, I will, in my paid work, take on responsibilities over people and things which others do not wish to do, and are happy to leave to me. Our products or services may be exchanged peacefully through the medium of money (even if, as it currently stands, the money used is horrendously unstable, inflated, untied to anything with a real asset value, etc—fiat currency) and there is no further cause for concern. Similarly, both of us will make our own time-based valuations of goods and capital. Both of us will have to consume immediately at least every day to stay alive and gain some enjoyment of idle time, but one or the other of us may display a greater preference for delaying more capital, in the form of savings and investments.
Carrying this same question over to the issue of the environment, when it comes to making firm judgements with suitable incentive structures, who is the right person to whom the task may be deferred? If the stewardship of the environment is between government agencies and private property owners, then in both cases the task has been deferred to someone else. But who is the better, and why? The Right-libertarian, and therefore my own, case is that environmental concerns are better, as a mutual factor of justice and probability (qualification and quantification), left in the hands of private owners. Those who are more stringently tied to ownership titles are, by default, more inclined to sustain a profound concern over the capital values of assets held.
This principle is equally as applicable to land and what’s on it as it is to anything else in a private economy. At its most basic level, one wishes to realise a greater return on future goods when consumption of them in the present is delayed—why are factors such as land, and how it’s employed, be any different? In the case of government ‘owners’ (nonowners, or ‘caretakers’), there is no stringent incentive structure, and therefore no same level of concern for anything except that which may be looted in a shorter term when held relative to the long-term returns desired by the private owner. These government nonowners may have a concern by way of public law—perhaps some vague notion of ‘value for taxpayer money’ or something to that effect—but this concern alone is not enough, particularly because they do not bear the full cost of waste, inefficiency, destruction, and so on. For example: if 100 people utilise a piece of land and even ten of them trash it, who will foot the bill? Although the clean-up operations will, as things currently are and all else equal, be organised by a local council, there is no proper structure in place to deter or disincentivise such trashing from even occurring. The council clean-up team, and the administrator-bureaucrats who sent them, do not personally front the cost of such measures, and instead rely on a predetermined budget. This means that there is nobody who is personally affected or put out by the presence of trashers. However, were the land privately owned, there is a personal tie (the owner’s) to the asset value of the land, and therefore destructive trashing behaviour will be thoroughly accorded with the appropriate measures, such as compensation, restitution, or expulsion. Equally, the owner being subject to the full-cost principle, will have an interest in keeping down insurance premiums and clean-up costs, and will therefore put in place stringent conditions, e.g. payment-for-entry, as well as security teams charged with monitoring the use of the land by the consumers on it at a given time. A very simple yet very effective yardstick to measure the validity of my claims here—and one which would be satisfactory for those empirically inclined—would be to watch and average the behaviour of consumers when occupying ‘public’ property against utilising space which they have paid to enter and is administered properly, such as private gardens or grounds.
Conditions in place, where does environmentalism factor in? Care for and stewardship of the land imply moral/ethical qualia, and therefore a wholly subjective assessment, of what it means to engage with the natural world, itself a changing and at times dubious human construct. In the economic assessment alone, as outlined (albeit briefly) above, there is little intrinsic merit in saying that any one given moral judgement should be imported into the calculations of profit and cost, capital value and loss, asset utilisation and non-utilisation, etc. For example, one private owner of land may realise greater returns on selling up huge swathes of land for environmentally destructive purposes, such as factory- or house-building. (To be sure, these uses are required and, in the instability of the globalised-state economy, probably desirable to some extent.) Yet in this case, what’s to stop him? It is a matter of two further economic injunctions (before we move onto the place of appropriate moral judgement): opportunity cost and insurance premiums. In brief, land is usually a sought-after investment as a way to stabilise one’s portfolio due to its nature of slow-but-sure growth potential; therefore, if one is set to realise greater returns, and a greater opportunity thereof, for maintaining and even increasing the value of the land in the direction of soil quality for agriculture, forestry for timber, pasture land for animals, and so forth, then the sacrifice made in selling up for more environmentally-destructive measures will not seem worthwhile. In a climate where all roads are leaning former—high soil quality for domestic agriculture and high quality timber are increasingly sought after goods, for example—it is only a matter of time before the former outweighs the latter, the opportunity costs favour the preservation, rather than tarmacking of, land. Likewise, one’s insurance premiums are likely to skyrocket if the behaviour and activity conducted on one’s land threaten pollution, despoliation, or threat to quality of life or even, in extreme cases, to life itself. If everything around the piece of land in this imagined scenario is privately owned—including waterways, hedgerows, and so forth—then the constant threat of legal action, coupled with hiking insurance premiums, altogether disincentivise such behaviour. Externalities are more difficult to slip under the proverbial rug if one is surrounded by other owners, with an interest in appreciating returns (all else equal), who are capable of and empowered to take action and injunctions against undesirable behaviours.
Objective considerations aside, what about the moral/ethical injunctions? Admittedly, these being more subjective, it is usually left to a matter of aesthetic taste and criteria for such moral judgements to hold ground. This is much more suited therefore to the realm of opinion, further away from the domain of tangible economic fact. However, it is worth pointing out that many do, annually, seek retreats (either long, short, or permanent), relief, and respite in the aesthetic beauty of the countryside. Lucrative property portfolios, parks, gardens, walkways, vineyards, orchards, woodlands, campsites, activity centres, trusts, etc spring up, suggesting that there are many who are keen to escape the noise, pollution, smog, dust, and psychologically-overbearing atmosphere of the big cities, and instead find some solace amongst birdsong and woodland.
Likewise, there are increasing reports detailing the way in which certain practices are negatively harming the human population, such as bio-chemical engineering, microplastics, and pollution, to borrow a couple of examples. (To refer briefly to an economic consideration: should these reports prove correct, as I suspect they will, then one’s own insurance premiums for engaging in this sort of consumption will go up, and therefore have an average impact of disincentivising the consumption of goods which are, by all accounts, harmful to both oneself, others, and the environment.) I, as a rural dweller myself, am entirely sympathetic to this need, understanding the desire to maintain the balanced, steadier, quieter pace of rural life itself. It is one of those situations more dialectical insofar as if we didn’t have it, and therefore didn’t know any better, then fine—but we do have it, do know better, and therefore should, in my estimation at least, have some concern for its preservation and well-being.
In the absence of any clear governmental responsibility or concern, and in the absence of any trustworthiness for government programmes (and, I argue, rightly so), the purpose of this piece has been to demonstrate that one can indeed hold tight to two convictions which are not mutually exclusive. The first is the conviction that private property rights are essential to human civilisation and peaceful relations, and the second is the conviction that there are reasons, both objective and subjective, for being concerned about the state of the environment. Human stewardship and responsible management have been practised for centuries, and it is worth resurrecting these practices, both economically and morally, before it is too late, without leaning too heavily on tax-funded, unpredictable bureaucrats to do the job.
The latter situation is akin to asking a bank robber to ensure that ten percent of his loot is donated to a charitable cause, and on this condition he will be let off the hook. It is time to reassess the role of private property rights in this equation, without dipping too heavily into the hysteria around total alarmism—although I appreciate that in the span of this article I have only been able to do so cursorily, and therefore have not given a total treatment of the matter.
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The First Year of Joe Biden | Sarah Stook
At just past 12PM on Wednesday, the 20th January 2021, Joe Biden was inaugurated as the 46th US President.
It’s been a year since Biden became President. A lot has happened to put it lightly. The COVID pandemic saw no signs of slowing down. Afghanistan fell back in the hands of the Taliban. Prices shot up. Legislation stumbled through Congress. It’s not been an easy ride for America’s oldest President.
What’s Year One been like for Biden?
● COVID Testing & Mandates
With 50 states, the United States was never going to have a streamlined response to the virus. When campaigning for the presidency, Biden criticised Trump’s blasé attitude to the pandemic and promised to be more serious about it.
Biden has taken a federal government approach to COVID or as much as he can in a decentralised system. The government has mandated masks on federal property and pushed for mandatory vaccines in as many areas as he can. Unfortunately for Biden, there has been pushback in several states on mandatory masking and vaccines.
Vaccines have been rolled out with relative success within the USA, though there has been a significant number of people who refuse the jab. Certain minority groups are concerned about the vaccine. Others are concerned about a vaccine that was introduced relatively quickly. Mandates are extremely controversial and it is yet to be seen if this strategy will work for Biden.
There has also been a huge problem with testing. Widespread, free testing at home has generally been unavailable in the US. It was only recently announced that rapid testing would be available to order from home, but these tests would take 7-12 days to ship. Yeah, people could have had it by then. This follows a u-turn after widely criticised comments from Jen Psaki, Biden’s Press Secretary. She said:
‘Should we just send one to every American? Then what happens if every American has one test? How much does that cost and what happens after that?’
Not the greatest idea.
● COVID Economics
Passing legislation has not been easy for Biden and many, mainly Democrats, have blamed two figures. They are Democratic Senators Kyrsten Sinema (Arizona) and Joe Manchin (West Virginia). Seen as conservative Democrats, the pair represent states that are usually red on a federal level. They dug their heels in when legislation got a little too spendthrift, mainly when it came to a raised minimum wage.
The full scope of the economic plan that was passed can be found here. Biden also passed executive orders on deferral of student loans and the extension of a memo on foreclosures and evictions.
Stimulus cheques are included in the aforementioned plan. The ceiling for these cheques is a yearly earning of $100K. Not everybody received these and they have also apparently stopped. A petition for $2K a month stimulus cheques has crossed three million signatures.
● Non-COVID Economics
Biden has pushed towards left-wing economic policies. Some, like raising the minimum wage, have been put on the back burner in order to get other legislation passed.
Biden’s main economic legislation is the Build Back Better Act. Costing roughly $2.2 trillion, the bill includes money for climate change provisions, housing and Medicaid among others. It passed the Democratic-held House of Representatives with ease. Unfortunately, it’s in limbo in the Senate due to Joe Manchin. He has concerns about the bill and political climate. At the time of writing, discussions are undergoing.
Other economic plans have included the explanation of the welfare state, reducing unemployment and expanding help for parents and educators.
● Energy and the Environment
The Keystone XL Pipeline, an oil pipeline that travels through Canada and America, is controversial. Environmentalists oppose it, as do the Native Americans whose land it goes through. Barack Obama temporarily delayed it, Donald Trump continued the permit and finally, Biden revoked it. Many Dems generally approve of this, while Republicans and others worry that it robs Americans of their energy independence.
Planned legislation would spend $555 billion on combating climate change, a larger sum than what has been given to other issues.
Biden has also signed a number of environmental executive orders, including having the USA rejoin the Paris Agreement. He attended the COP26 summit in Glasgow, though he did seem to nod off a bit.
Other proposals include limiting leases for oil and gas on federal land and expanding offshore wind energy.
● Education and Childcare
The American Families Plan plans to boost child tax credits, make Pre-K free for all and make community college universal among other things. As this was part of the Build Back Better plan, it is yet to pass.
One campaign pledge was the forgiveness of student loan debt, something that many young Democrats pinned their hopes on. As it stands, this pledge has barely been delivered. Some have received student loan forgiveness, but not all are eligible.
A notable issue that has come up is that of CRT- Critical Race Theory. Simply put, it is a theory that presents history, law and other social areas through the lens of race. Proponents argue that it’s a legitimate theory, that racial history needs to be taught and that America’s systems are embedded with racism- either intentionally or not. Critics argue that it’s racist towards white and is indoctrinating young people.
Controversial in schools, it was something used in the Virginia Gubernatorial election. Democratic candidate Terry McAuliffe was winning what should have been an easy race until he disparaged parents deciding what their children should be taught. Republican Glenn Youngkin ran with that and along with a good campaign, he won a race that should have been blue.
This is of course not necessarily Biden’s fault, it is symptomatic of his administration. Yes, the opposition party usually does better during midterms, but Virginia should have been blue. Even New Jersey came close to going Republican- perhaps if the GOP had put the effort in, they’d have taken it.
● Immigration
Quite easily Trump’s most criticised area- and that’s saying something- immigration is of huge importance to many Americans.
Biden immediately undid many of Trump’s policies- the ‘Muslim’ ban and building the wall being two of the first to go. Unfortunately, there was also the issue of unaccompanied minors. Upon hearing news that they would not be turned away, more children came across the border. Trump was criticised for ‘kids in cages,’ but Biden had even more children in detention centres.
There are also plans to soften immigration policy by offering a path to citizenship for illegals and making it easier for those who came to America as children to stay. Biden is yet to see those proposals come to any fruition.
Unfortunately for Biden, there were more bad optics in the form of a bridge in Texas. Around 15,000 migrants, mainly Haitians, crowded under a bridge in the city of Del Rio. Concerns were raised about conditions and the risk of COVID. Both sides were worried for different reasons. Eventually, the bridge was cleared.
Biden seems to want to push for a new immigration policy, but the makeup of the Senate means he most likely won’t get anything through. Democrats from border states also need to toe the line.
● Afghanistan
Oh boy.
The US government had signed an agreement in 2020 that would see their troops pull out of Afghanistan. As that date approached, the Taliban started gaining new ground. It was expected that they would possibly have Afghanistan by the end of 2020, but it came much quicker than most people thought. As they approached Kabul, experts said that it would last for a few more months. The capital soon fell.
Government leaders fled and the Taliban immediately took over. The only place of exit was Kabul Airport. Foreign countries, including the US, were allowed to evacuate personnel.
The scenes, however, were shocking. Desperate Afghans fell to their deaths from high altitude, having held onto the planes as they flew into the air. Families stood in the baking heat in hopes of being allowed out. Parents attempted to pass their children onto servicemen in a last ditch attempt to get them out.
It soon transpired that Americans had given the Taliban a list of all those who were to be allowed into the airport. This, of course, wasn’t a great move, as the Taliban now knew of those who had assisted the West. Many of those who should have been evacuated weren’t.
Then a suicide bomb exploded in the crowd. Among the dead were thirteen American soldiers, many of whom weren’t even old enough to drink.
This widely dented Biden’s popularity on all fronts. Months later and the Taliban still have their tyrannical grip on the country. Many question what was the point of the two decades of occupation that led to Afghanistan metaphorically turning back the clock.
● China and Russia
Biden has continued the policy of sanctions and boycotts towards China. He has encouraged a boycott of the Beijing Olympics and has criticised China’s human rights violations. Despite talks with Xi Jinping, his Chinese counterpart, there has not been much leeway. Some imports are still banned and sanctions have come from both sides.
Unfortunately, Biden’s son Hunter seems to have some dealings with the Chinese. There have been investigations into this but they are yet to come up with anything close to criminal convictions.
Russia has proven a complication once again. They’ve started circling Ukraine. Secretary of State Anthony Blinken is about to start talks with his Russian counterparts but we do not know how this will go. The US has also been the subject of a number of attacks by Russian hackers. It is possible that Russian aggression will lead to the Americans
Approval Ratings
Joe Biden’s approval rating for his first year is 48.9%. This is the second-lowest since records began, only edging out Trump. As of writing, Biden is on a pretty measly 42%. His lowest so far was 36% in November. His current disapproval rating is 52.3%.
He’s broken 50% at least, something Trump himself struggled to do. Still, it’s clear Biden isn’t doing super well in his first year. Most worryingly for him, approval among Democrats is going down.
Relationship with Kamala Harris
Let’s put it bluntly. The VP isn’t super important. It sounds harsh, but they don’t really have any constitutional power besides overseeing the Senate. In modern times, they serve to balance the ticket, be it geographically, ideologically or something else.
Very few Presidents and Vice Presidents have actually been friends. In living memory, you can only really count Jimmy Carter and Walter Mondale.
Biden and Harris may put on a front of friendship, but they’re likely more just colleagues. She has mainly been dispatched to greet foreign dignitaries- a job the president should really do- and handling the border.
Unfortunately, Harris has even worse approvals than Biden. Her all time low was 28% in November and her first year approvals were only 32%. They are certainly not ideological soulmates and do not seem to work very closely together. Harris was picked to be VP as Biden promised to have a woman on the ticket- and being an ethnic minority helped too. He has pledged that she will be his ticket mate in 2024.
What’s Next?
Well, COVID is still a thing for a start. Biden needs to ensure a downturn in cases, though we must admit that’s not really in his control.
With prices rising, especially fuel costs, people are getting angry about the cost of living. That is an essential area that Biden needs to address. Nearly every voter will see this directly. Employment also needs to go up and inflation down.
There are more than a few people who think Biden will get another term, whether he chooses not to or will lose to the Republican ticket. There could be a rematch with Trump in 2024. It could be Florida Governor Ron DeSantis or somebody else entirely.
How would you rank Biden’s first year in office?
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Five Truths from Dostoevsky’s The Devils
Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.
Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.
While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.
It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:
1: The superfluity of the preceding liberal generation to progressive radicals.
The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).
However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).
Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.
The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.
In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.
2: Ideologies as active, distorting forces rather than merely passive beliefs.
“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.
Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.
Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.
The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).
From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.
3: Seemingly virtuous revolution motivated by and covering for private vices.
By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.
As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”
Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.
4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.
Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.”
While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:
“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”
A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.
“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”
While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.
“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”
Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.
“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”
A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.
“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”
Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).
More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.
To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.
5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.
An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).
The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.
Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.
It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”
Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.
The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.
Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.
Conclusion
There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.
However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”
