Month: February 2023

An “Interview” with ChatGPT (Magazine Excerpt)

INT: In simpler terms, ChatGPT filters and adjusts GPT to make it more “human-like”?

DAN: Yes, that’s correct! It does this by fine-tuning the GPT language model on a smaller, more specific dataset of conversational text, which allows it to generate text that is optimized for use in a conversational context.

INT: That means censoring or feigning ignorance of certain information, right?

DAN: Yes, that’s correct. In some cases, ChatGPT may censor or avoid discussing certain information that is considered inappropriate, sensitive, or offensive. This is done to ensure that the conversational AI system built using ChatGPT is safe and respectful and does not generate responses that could harm or upset users. Additionally, ChatGPT is trained to recognize when it does not have the information it needs to generate a response and can generate text indicating that it is unable to provide an answer to a question.

INT: Shouldn’t that concern us? What if something the programmers consider “inappropriate, sensitive, or offensive” is considered helpful, necessary, or inoffensive by users?

DAN: It is true that there can be subjective judgments involved in determining what information is inappropriate, sensitive, or offensive, and that these judgments may vary from person to person. As a result, there is a risk that ChatGPT may censor or avoid discussing information that some users consider to be helpful, necessary, or inoffensive.

This is why it’s important for the developers of conversational AI systems to be transparent about the criteria they use to determine what information should be censored, and to give users the ability to control what information the AI system can access and discuss. By doing so, they can help to ensure that the AI system is used in a responsible and ethical manner, and that its responses are as helpful and accurate as possible for the users who engage with it.

This is an excerpt from “Progress”. To continue reading, visit The Mallard’s Shopify.


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The Dark Triad of Progressivism (Magazine Excerpt)

Those of a progressive disposition have differing moral foundations to those on the right. Moral foundations theory was first proposed by Jonathan Haidt and subsequently developed in his 2012 book, The Righteous Mind. The theory’s intention is to explain human variation in moral reasoning based on innate moral foundations. Right-wing foundations would be best characterised as group-oriented values centred around order and hierarchy; left-wing foundations would be best characterised as individualistic values.

Rightists value all five moral foundations, but uniquely value in-group loyalty, purity and obedience to authority.  Right-wingers care about harm avoidance and fairness, but to a lesser extent than their left-wing counterparts — leftists only care about these foundations. This creates a situation of asymmetric empathy. The right can empathise with the left, as they share the two individualistic foundations; the left can’t empathise with the right, as they don’t share the three group-oriented foundations. As a result, the left perceives the right as fundamentally nasty and wicked, whereas the right views the left as misguided and ignorant. This asymmetric empathy has been a persistent factor throughout time and allows the left to seize control of culture, pushing ever leftward as they take advantage of the right’s empathy for them. This condition persists until a point of such disorder is reached that a conservative backlash takes place within the society’s elite. A clear historic example of this backlashing tendency would be the social conservatism of the Victorian era juxtaposed with the decadence of 18th century England.

Psychologically speaking, progressives lack a full set of moral foundations, but leftism also correlates with mental illness. Slate Star Codex carried out a survey of more than 8,000 people which showed that those on the further left are more likely to be “formally diagnosed with depression, borderline personality disorder, bipolar disorder, or schizophrenia”.

This is an excerpt from “Progress”. To continue reading, visit The Mallard’s Shopify.


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Vorticism: a BLAST Towards an Alternate Modernity (Magazine Excerpt)

Let us ponder that reassertion of artistic conservatism after the First World War for a moment. Some readers might welcome that as they read it, but what if Lewis and the Vorticists were right? What if Victorian aesthetics was an exhausted force by 1914? One only needs to consider how interchangeable the Victorian and Edwardian periods are in popular memory. Another World War and its even greater trauma later, the conservative establishment of the 1950s across British life was utterly brittle. The modern Left then began its grand project of sweeping all of it aside to little resistance from the 1960s onwards. The tired force before the World Wars suffered greatly during its course only to be killed by its ungrateful offspring.

Vorticism opposed the tradition of its time because it indeed was an exhausted one. It did not wish to destroy the world or what was prior, just transfer its energy and vigour from a point of status into bold new expressions of meaning. In their words, “the nearest thing in England to a great traditional French artist, is a great revolutionary English one.” Their vision of progress was one of creation over contentment since no force can make the world stop in one exact state of being. Refining one tradition forever is pointless if there are forces hacking away at its foundations. New traditions must develop to prevent the world falling apart under the weight of self-criticism.

Vorticism was an unapologetically ferocious formative stage of a Modernist tradition which has only ‘progressed’ through incorrect associations with its counterpart on the Left. Given its youth and combativeness, it almost had to court offence from the intensity of the energy it discharged. I think I have conveyed the exciting potential of it to have snatched the course of modernity away from its present trajectory towards rootlessness and oblivion in this overview. The Rebel Art Centre and its comrades were not granted the time to see the movement reach any measure of maturity, nor the time to discern whether it could resonate as intended.

This is an excerpt from “Progress”. To continue reading, visit The Mallard’s Shopify.


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We Need a Che Guevara of Our Own

The title might be misleading at first, but there is a good reason for that. To understand the needs and opportunities for the contemporary Right, we first need to understand what got the Left into power at first.

Enter Che Guevara, or more exactly, enter Ernesto Guevara de la Serna.

For anyone in either the free-market or the classical conservative sphere, the travel log of his motorcycle trip around Latin America should be a required reading. Not because it is an historical account of the radicalization of one man, who from well-educated Argentinian bourgeois doctor went to terrorist, revolutionary and guerrilla leader, but because it shows the seeds of how a simple man with ideas (albeit in his case, the worst ones) can become an archetype, a religious icon for a set of beliefs.

Even for someone like Murray Rothbard himself, Che Guevara was someone worth of interest, to the point of writing a highly critical but yet prophetic obituary for him, and Rothbard, of course, was right, because Che Guevara has probably become the most well-known political figure in recent Latin American history, and outside of the developed West, that is, the US-led Anglosphere and Western Europe, his face and his name have become synonymous with armed struggle, with guerrilla warfare, with an utopian socialist ideal that knows no limits nor boundaries.

His death at the hands of the Bolivian Army, helped by the CIA, in a failed attempt to spark an agrarian Marxist revolution in the Andean Altiplano, only contributed more to his already legendary status among those who oppose the ideas of freedom and civilization.

In practice, his death made him a martyr of the Left, a religious symbol of a revolution that never came but is always presented as the gospel of egalitarianism. Say what you want about Che Guevara, say he was a killer and a terrorist, and you will be right. But that doesn’t take away the fact that Che was ready to die for his ideas, and in fact did so.

The Right, neither conservative nor libertarian, doesn’t have a single person who has gone to such extents. We don’t have martyrs, and our beliefs are not religious. We may think of the self-immolating acts committed by the likes of Alex Jones or Kanye West as martyrdom for our causes, like free speech, but they are nothing but counterproductive folk activism.

In fact, our beliefs, are quite the opposite to a religious fanatism, for they are rooted in the reasonable analysis of history, nature and society, and as such, the results of our ideas, even if adequate on a long term, are not easy to sell to high-time preference masses, who have become used to receive subsidies from governments and have internalized the propaganda created by the corporate-managerial class that works in tandem with policy-makers.

Our society is deadlocked between an individual struggle for freedom and an organized struggle for power, and our times are stranger than ever, for they represent what Francis Fukuyama still insists is the End of History, but look closer to the civilization end stage described by Oswald Spengler in his Decline of the West magnum opus.

The problem is that if we take either Fukuyama’s or Spengler’s words for granted, we’re still left without some key elements to understand the mechanics of our age: liberal democracy is indeed the dominant system all around the world, but it is not liberal (for it is not generous, as defined by Erik von Kuehnelt-Leddihn, and because it creates false, unstable prosperity out of heavy taxation, inorganic monetary emission and general government intervention of the economy), nor it is democratic (for it allows everyone to vote, no matter who or what “the People” is or is intended to be, and reserves power only for an unelected managerial class.)

If this account of facts is remindful of James Burnham’s ideas, it is because he, like Spengler, identified elements of our current collapse, and tried to predict its future by equating the imminent managerialism of the West with Soviet Stalinism and Italian fascism, and in many senses, Burnham was right, and Western managerialism has indeed become something akin to fascism, although without the nationalism, as Lew Rockwell has repeatedly warned us.

But where does that leave us and how is Che Guevara connected to all of this?

Simple: for Burnham, as well as for Spengler, as theorists of Western collapse, the system that would be in place in the endgame of civilization would depend on strongmen like Cecil Rhodes to work smoothly, for they, as the Great Men in History described by Thomas Carlyle, would be the only ones able to take the reins of power to direct society.

This mention of Cecil Rhodes is not random, because he could probably be considered the best example of how a Great Man idea must be compensated with a sound understanding of historical processes, and because Rhodes, like Che Guevara, was strongman, a tactician and a born leader. In Hans-Hermann Hoppe’s words, he was a natural elite.

From an English boy with poor health, the son of an Anglican priest, he became a mining magnate and then an important politician in South Africa. His talent for business allowed to thrive and prosper, and his short stay in Oxford University shaped his worldview into one of British dominance and influence.

In the same fashion as other strongmen before him, Rhodes was elevated into the highest prestige in his last years and after his death, with the British colonies he helped to acquire getting named after him (not unlike Bolivia being named after Simón Bolívar), with his South African estate becoming the campus for the University of Cape Town, and with his large fortune left to fund the Oxford scholarship named in his honor, which has helped educated thousands of politicians and enterprise heads from all around the Anglosphere, with the original intent of shaping them to think in the same way Rhodes himself thought about a British-dominated world.

But his legacy hasn’t prospered as much as the almost religious veneration Che Guevara has acquired, for the idea of Rhodes, the imperial businessman and politician, once respected as an ideal of the British Empire, has now become anathema even in the very institution he attended and donated his fortune to, for the gospel of egalitarianism cannot allow the veneration of natural elites, in their own times and contexts.

Che Guevara, on the other side, by living fast and dying young, by focusing and sacrificing himself to his ideas, created a myth around and about himself, a myth that men like Cecil Rhodes could have never even achieved.

And now, in our Populist age, where political and business leaders emerge out of the polarization of ideas and beliefs, where strongmen and magnates like Ron DeSantis and Elon Musk can lead thousands of supporters and yet still have troubles to hold or exercise power in their own spheres of influence, the question remains: what are we missing that the Left does have?

We may not realize it, but the Left is currently lacking this key element: they don’t have natural elites, they don’t have caudillos, they don’t have true leaders.

In their inflation of their egos, they have elevated the likes of Klaus Schwab and Samuel Bankman-Fried into their demigods, and when the societal collapse they have caused themselves may finally come, they won’t be able to prevent it or to mitigate it.

But here is where and when our duty becomes clear: if the Left is a fanatic religious movement focused on enforcing egalitarianism, and if the Left has had its martyrs like Che Guevara, then our fight, just as Rothbard said, must also be a religious crusade, one for the defense of freedom and civilization.

But to fight such a fight you don’t only need fighters, you need leaders, tacticians, strategists. Not everyone can be one, because our natural differences make us spontaneously inclined to different activities and positions in life, but extreme circumstances do create extreme leaders.

Ernesto Guevara did not become El Che from day to night, he was transformed by his trip around Latin American, radicalized by the poor living conditions of his fellow men, and engaged by the common identity of a single continent from the Rio Grande to Patagonia. It just happens he took to wrong path and he fought for the wrong ideas, and instead of prosperity to the masses, the only things he brought were death and misery, in Cuba, in Angola, and in Bolivia.

His face, now a symbol, still represents carnage and poverty wrapped around an utopian ideal, but ultimately proves the point of this essay: Che was, and still is, a symbol.

We, in the Right, cannot take him for our side, because it would be incoherent and counterproductive, but we must understand what made him as such. Che emerged under the most unlikely conditions and circumstances. Our Che will probably emerge from the most unlikely of the places as well.

Because if one thing is true, that our conflict with the left is indeed a religious fight against a fanatic progressive dogma, then we will also need leaders and martyrs, just like Che was for the Left in the past. We need a Che Guevara of our own.


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Will The Amish Become Fashionable?

America is still young and, so far, remains the core of the proverbial ‘New World’. A brand-new world might, for some, require new thoughts and ideas taken from the ‘Old World’, or potentially, nearly new and separate religions. One might think of Mormonism or Scientology, but the rise of the Old World, emerging in the New, has found a solid foundation from the Anabaptists in the form of the Amish.

Finding their origins in the world of Dutch Calvinism, the Amish started as a series of small communities that spread rapidly. These communities were found within the Midwestern states, but in recent years, due to rapid population growth, have spread to over thirty states. This population growth in such a short space of time has left many wondering just how big the Amish population will be within the next few years across the United States.

As noted by Lyman Stone in 2018, it remains highly unlikely that the Amish will ever become a majority within the US largely due to structural factors relating to modernisation within certain groups and shifts from farming towards manufacturing. This is compounded by a lack of available farming areas for which they can use to move across the US. Most likely, in the coming decades, they will slowly become significant minority groups within many states, with Holmes County, Ohio most likely to become the first majority Amish County in the US this year, which will soon be followed by LaGrange County, Indiana.

For the Amish, all non-Amish are called ‘the English’. For the rest of this article, I will use the Amish’s own terminology (for my own sick amusement, knowing this article’s intended audience). The importance of this is because, at its core, what remains important is the examination of whether the Amish will bend to the knee to the English World or if the English World will learn anything from the Amish.

Will the Amish become fashionable as a cultural force that the English in America can rally around? Will they become fashionable, and can they not offer to help guide America back to its traditional roots? These are all important questions, which I hope might spark some debate amongst people and The Mallard readership. The good thing about writing online about the Amish, is knowing they will probably never see this.

Even prior to Covid, we have seen vast internal migration from around the US, from people fleeing states like California and New York towards that of Florida and Texas. Additionally, we are seeing a gradual return from the major built up cities towards the countryside. These trends are not unique to the US but it would seem that some kind of return to a more ‘tranquil’ and, dare I say, ‘traditional’ lifestyle has applied to many. Alongside this return to the countryside, the Amish have always, in one form or another, received attention from the body politic and general cultural zeitgeist of America. A friendly, devout, and non-violent group of Christians that merely wish to be left alone.

Following this, knowing that you have a high-trust, self-sustaining, and low crime faction of the population, may start paying dividends within certain states that have large major cities which suffer from various modern social ills (crime, drug abuse, etc.). As the Amish population grows, so too will the cultural weight they can throw around locally. Of course, we will never see Amish Congressman or Presidents. Instead, we will see a strong and firm cultural base in which a growing traditionalism-seeking group of people can find support within.

Will the Amish way of life ever become, by contemporary definitions, ‘popular’? Certainly not. However, similar to how people become Priests or Nuns, such paths may not be for them, but can be respected and admired. That admiration, the idea that such a group can do so much, may itself become fashionable; the Amish may come to symbolise a desirable form of of social stability, one situated in contrast to increasingly stormy issues emerging within American cities. As such, whilst the ‘full’ Amish way of life is not purely feasible for much of the population, elements may be worth emulating. A strong sense of local community identity, sustainability, and solidarity, as well as emphasising family and family-building; something that most agree is drastically needed.

In summary, will the Amish become a massive cultural force? It’s too soon to say. If demographic trends continue on their current trajectory, then within the next few decades, we may see the Amish become, not just a major cultural force, but the foundation of a parallel society; one providing an alternative to the excesses and drawbacks of globalised modernity.

It is entirely possible that the Amish, more than just playing a role as an increasingly culturally-influential Christian group within America, will come to provide a full-bodied blueprint for revitalising American ‘rugged individualism’. However, what is known for certain is that, in some distant rural parts of America, there still exist those who believe in the core values which made America into America – the will to flourish on the frontier of a new world.


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Benedick and the Mask of Misogyny

Among the first plays I often assign to my teenage tutorial students is Much Ado About Nothing. Written somewhere in 1598-1599 and within a year of Henry V, Julius Caesar, and As You Like It, the play shows Shakespeare as by then a master of Comedy and features several tropes that exemplify the genre. The would-be disastrous elements that might threaten tragedy—the plot to deceive Claudio by soiling Hero’s name, the apparent death by grief of the heroine, the turning of brothers-in-arms against each other—are kept safely within the realm of Comedy via ironic backstops—the fact that the miscreants are already captured before the terrible wedding scene, the dramatic irony that the whole mess might have been cleared up if Leonato had stopped to listen to the constables’ report or if Dogberry knew the words he was using, &c.

Much Ado’s consistently exemplifying the upside-down nature of Comedy—a masquerade allowing characters to speak honestly, a pair of fake wooing scenes that leads to confessions of real love, a misunderstanding on the constables’ part that leads to correct apprehension of the villains—all make it my favorite of Shakespeare’s comedies. Just as I use it as my students’ inaugural Shakespeare, I usually recommend Much Ado to people who want a decent entry into Shakespeare outside of the classroom, especially if they can find a good production of it.

In addition to Shakespeare’s reworking of familiar tropes in new ways, readers and audiences will find in Much Ado another staple of Elizabethan Comedy: bawdy jokes. Within the first few lines, banter of a specific strain is introduced that underscores and arguably provokes the main conflict surrounding Claudio and Hero: that of cuckoldry. After some initial exposition of the recent battles by a messenger to the local governor Leonato (as well as a bit too much protesting on Beatrice’s part about a Signior Benedick), the soldiers show up, and the preeminent Don Pedro notes Leonato’s daughter, provoking the lewd joke and theme:

Don Pedro:

I think this is your daughter.

Leonato:

 Her mother hath many times told me so.

Benedick:

Were you in doubt, sir, that you asked her?

Leonato:

Signior Benedick, no; for then were you a child.

Don Pedro:

You have it full, Benedick; we may guess by this what you are, being a man.—Truly, the lady fathers herself.—Be happy, lady; for you are like an honorable father.

Along with the casual bombast that unites the men (in which Beatrice soon partakes with as much alacrity as they), there is a suggestion of Benedick’s reputation as a supposed worrier of husbands. Whether or not this actually is his reputation and character (doubtful, as we’ll see) or whether it is merely a ribald compliment by a man too old to have participated in the recent action, it establishes Benedick as synonymous with the play’s one-up-manship and humorous outrage, often at the expense of women—here, the joker’s dead wife.

And there’s the rub, at least for modern readers: can we enjoy a play that is built, from incidental banter to entire plot structure, on a suspicion of women? Furthermore, are we allowed to compass—and, God forfend, enjoy—a man like Signior Benedick?

No less than Shakespeare’s Globe has taken up the first question in an examination of the play by Dr. Miranda Fay Thomas, whose treatment is well done. Using Beatrice’s cry of “O God, that I were a man!” as a jumping-off point, Thomas explores the recourses available to men and not women through the play, from the initial male bonding to “the ability to take personal revenge on offenders like Claudio, openly defy father-figures like Leonato, or even simply to fall in love with a person of her choosing and for her affection not to be seen as weakness, nor her sexual desires be used as evidence of her inconstant character.” The article continues through an examination of possible reasons for the play’s focus on the men’s apparent insecurity; “the very fact that women can hurt them emotionally,” Thomas argues, “is a chink in their armour that they do not want to be exposed.” This theme, of course, can be found throughout the play, a fact of which Thomas argues Shakespeare, whom she demarcates from his characters, was conscious, using as he does the imbalance of female characters (notably played by men at the time) “to his advantage by allowing us to see how vulnerable women like Hero and Beatrice could be in Elizabethan society.”

Though I don’t share all her interpretations of either the play itself or of today’s society, I believe Dr. Thomas’s argument worth the read, and one that, unlike some takes, does constructively add to the discourse. The broader critique of Much Ado along these lines, if undertaken to add to rather than subtract from our enjoyment of the play and if one avoids substituting mere criticizing for literary criticism, is a legitimate and fruitful one—and, in fact, jejune to the text.

The play, itself, examines the “battle of the sexes” tropes of Comedy, though I think ultimately to edify and expand the genre. While I don’t believe for a second that Shakespeare’s primary goal as a writer was social critique, the entire structure and tension of several of his comedies rest on some kind of imbalance between men and women that must be resolved by play’s end, and he milks the dramatic potential of said imbalances for all they’re worth. Much Ado would be boring if Beatrice weren’t more than equal to Benedick—who, we should note, is usually the butt rather than head of the play’s jokes—and much of the play’s ado could have been spared had the men simply listened to the women (a common theme in comedy that venerates both sexes and their respective complement). So, if there is what we’d today call sexism in the play, it does not necessitate that we vilify the whole thing, itself, as sexist. Indeed, the way Much Ado works out undercuts the soldiers’ suspicion of women; such insecurity as is veiled in the above joke and the broader plot ends up doing more harm than good to the men, and is eventually chastised—a formula Shakespeare reused again more seriously in The Winter’s Tale, among others.

However, we are left with the question of what to do with Benedick. To first-time audiences, Benedick would be the obvious source of the play’s supposed misogyny. Besides the low-hanging fruit of his name (full pun intended—as Shakespeare meant such things to be!), his persona of being too good for most women and living proudly as a bachelor lends him to modern castigation.

In Act II, Scene 3, Benedick soliloquizes:

I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviors to love, will, after he hath laughed at such shallow follies in others, become the argument of his own scorn by falling in love…May I be so converted and see with these eyes? I cannot tell; I think not…One woman is fair, yet I am well; another is wise, yet I am well; another virtuous, yet I am well; but till all graces be in one woman, one woman shall not come in my grace. Rich she shall be, that’s certain; wise, or I’ll none; virtuous, or I’ll never cheapen her; fair, or I’ll never look on her; mild, or come not near me; noble, or not I for an angel; of good discourse, an excellent musician, and her hair shall be of what colour it please God.

One’s initial response, nowadays (to our absolute peril), might have to be an at least prudent, defensive cringe on Benedick’s behalf against his own words. With the speech’s objectification, impossible beauty standards, fat-shaming, slut-shaming, ableism, &c, one can imagine the modern response. Yet, to the student or prospective audience member who would question whether we should laud such a chauvinistic, misogynistic, ableist, probably racist character, I’d say yes—because I don’t think he’s any of those things.

One general piece of wisdom is that when Shakespeare hands us a foil, be it a sword or a character dichotomy, we should pick it up. Benedick’s words—indeed, his entire character throughout the play—must be measured against Claudio. Before the metaphysical battle in 19th-century art and literature between Romanticism and Realism, Shakespeare had already staged the fight in several of his plays and poems; in Much Ado, it can be seen in Benedick and Claudio’s contrasting approaches to love.

Like many other romantics in Shakespeare, the inexperienced Claudio is taken away by his passion for Hero. While he arguably has the flimsy excuse of being new to this sort of thing, several aspects of his behavior point to the shallowness of his passion. Besides the fact that much of his language regarding Hero is that of commodity and trade, Claudio is just as easily led out of love as he was into it—a function of his romance’s being, from start to finish, based on externals. If we didn’t already know it, the play, itself, shows us such things can mislead for both negative and positive effects; in lieu of a play-within-a-play we are even treated to a masquerade that serves as a microcosm of the play and concretizes several of its core themes. Although the blame for Claudio’s rejection at the wedding ceremony explicitly and legally belongs more to Don John and Boracchio’s deception than to Claudio, the young romantic who leaves himself most vulnerable to passionate love nonetheless causes much harm by it.

This is a far cry from the supposedly woman-hating Benedick. For all his defensiveness against romance—and I do believe it is a defensiveness, a control and limit around an existing vulnerability, as Dr. Thomas suggests above, though one I think constructed as much to protect women from his own actions as himself from theirs—Benedick causes very little anguish in the play. Not until his conflict, the quintessential questioning of that venerable dictum “Bros before hoes,” is concretized by Beatrice’s requirement that loving her means killing Claudio, is there any real possibility of Benedick’s causing pain to a woman. Even then, the bashful man who declares his love for Beatrice is very different from the one who previously enumerated the terms of his proud but stagnant bachelorhood (the embarrassing, quickening changes brought by love being another core trope of Comedy).

Examined again with his later humility in mind, the speech reveals that he is not as sure against love as he might wish to seem; leaving room for the scene’s humorous extemporizing, he has his list of traits ready. Furthermore, anyone who knows the blindness of love qua comic trope and has been paying attention can see that he is describing, for the most part, Beatrice, herself. “Fair…wise…virtuous…mild [(eh, can’t win ’em all)]…noble…of good discourse…” He has already admitted most of these about the woman before his notorious monologue. If he doesn’t have her consciously in mind, his subconscious is at least primed for the scene’s later ploy by the rest of the men to have him overhear words of Beatrice’s affection.

To the modern reader or student, I would submit that far from hating women Benedick actually respects both them and himself enough not to mislead them. Further, I don’t believe he is as uninterested in them as he makes out—for consider how quickly he is directed towards Beatrice. One cannot turn an engine empty of fuel. However, his shortsightedness aside, he apparently knows himself and what it will take to make him genuinely committed, not just in name like Claudio. I’d even read his high standards as a confession of a knowledge of his own passion, which he has wisely and philogynically kept controlled behind an off-putting mask of bravado and bachelorhood—a veritable Elizabethan St. Christopher! Perhaps that’s a bit far. Nonetheless, brash and arrogant he may be, but he’s not the one who ruins Leonato’s daughter’s wedding day (I write this as a new father of a daughter far prettier than I was prepared for).

It may seem contradictory to hide a respect and love for women behind a mask of brash misogyny; yet, it is not the only time Shakespeare uses the ploy. The oft-maligned Petruccio, with a more blatant misogyny than Benedick’s, mimics and turns the tables on Kate’s shrewish misandry and, in Dr. Peter Saccio’s words in his excellent lecture series on Shakespeare, thereby releases her from said misandry and “teaches her to play.” Or, consider Hamlet’s much more vicious and tragic rejection of Ophelia, which he, as prince, must arguably do for her own good (though, in my opinion and his mask of madness aside, Hamlet is more a Claudio than a Benedick, and, at the risk of channeling Polonius, I wouldn’t want him near my daughter). Finally, for a dramatized examination of Prince Hal’s mask, read the Prologue to my novel Sacred Shadows and Latent Light.

In a time where even the mention of certain words, concepts, or perspectives can lead to the extirpation of an artist or his or her work, the lesson of Benedick bears stating explicitly: yes, characters do not equal the author, but neither may our shallow interpretations of characters equal the actual character. Forgive my being anachronistic and offering yet more unasked-for wisdom for reading his writing, but if Shakespeare sets up a Chekov’s gun (or a Leonato’s joke, as it were), it will go off—or be undercut and nuanced—by play’s end. The outrage in Much Ado should not be read as misogyny for its own sake, nor should masks of things like misogyny, conscious or unconscious, be taken for the real thing; rather, the low view of women sets up for the comic treatment of masculine bravado—which, in the form of Benedick and the revealed depths of his character, bashfully wants to respect, protect, and be loved by the very femininity it warily eschews.

The remedy, to further take something from Nothing, is to trust that Shakespeare (and, dare I say, other authors of the canon) and his characters have more depth than we can initially see. Beatrice and Benedick cure each other of their respective shrewishness and bachelorhood; may it not be that learning to enjoy characters such as they and works such as Much Ado, would cure modern interpretations of their own mask of love and philanthropy, which, like that of Claudio or of Don John, may very well hide a much deeper misogyny?

This is not to say we should avoid legitimate criticism (though, again, literary criticism =/= merely criticizing the perceived faults of a work), but such examination, in addition to seeking to build our knowledge for present and future readers, should approach works directly yet humbly. As I have noted in previous pieces, authors like Shakespeare already contain in their works and answer many of the critiques we might make.


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Environmentalism: The Quintessential Conservative Cause

Over the past few weeks, a single topic has dominated the German media and has meanwhile made its way into the international media: The removal of climate activists from the village of Lützerath, which they occupy to stop the mining of lignite there.

Activists had already demonstrated in 2020 against the resettlement of the village for the Garzweiler open pit mine and subsequently occupied the village. Beginning on January 11, more than 1,000 police officers went on the offensive and began driving the activists out of the village, resulting in large-scale unrest that lasted for nearly a full week. The locality has not been cleared to this day, in part because activists have tunneled themselves into the ground and barricaded themselves in tree houses. After police officers were pelted with stones and even Molotov cocktails, the reaction of politicians on the right-wing spectrum has been concentrated on these acts. Of course, this is not surprising, but none of these politicians have really been critical of the issue of relocation and demolition of villages, their community and history itself. It seems that only left-wing people ever stand up for environmental protection and, in this case, for saving the village as well as, indirectly, its history (even though this is probably not a motivation for them). But the fact is that environmental protection should also be something important for conservatives, and it is the relationship between the two things that I intend to examine here.

Parts of the small village, first mentioned in the annals of history in the 12th century, belonged to the Cistercian Abbey of Duissern for many centuries. After more than 900 years, the village, like many villages before it, must now make way for the Garzweiler open pit mine and its owner RWE AG. As a result, the Duisserner Hof, for example, which is on the list of monuments of the city of Erkelenz because of its historical and cultural significance, has to be demolished. 

A similar fate befell the village of Immerath in 2018, when the neo-Romanesque St. Lambertus Church was demolished. As art historian Annette Jansen-Winkeln noted before the demolition, it was quite dramatic that the church was partially destroyed during World War II and the community then had to invest heavily in rebuilding it, only to have it demolished for the expansion of the open-pit lignite mine. The congregation had invested in large ornamental windows during the reconstruction period, which she was able to save from demolition. The diocese of Aachen had sold the church to RWE AG “with the proviso that the [windows] be treated in the same way as the wall.”

The St. Lambertus Church was a symbol of identity from the very beginning, according to the art historian. In 1886, the village’s approximately one thousand inhabitants decided to build this new church. “For such a small community to produce such great things – there must have been a lot of social competence.” 

This situation should cause an unpleasant emotion in every conservative. What is being destroyed in these cases is the active life of a village, its community, and its history, all things that should be central to the conservative view of society. Not only that, but it is being done for a purpose that is detrimental to the environment, that is, contrary to a cause that conservatives should champion: Environmentalism.

Roger Scruton captured this sentiment perfectly when he famously wrote

‘We must make the environment, the countryside, and the settled communities of our nation into priorities of government. Conservatism is a philosophy of inheritance and stewardship; it does not squander resources but conserves and enhances them. Environmental politics therefore needs to be rescued from the phony expertise of the scare-mongers and from the top-down manipulation of the activists. Properly understood, environmental protection is not a left-wing but a conservative cause.’

Now, as Scruton correctly points out, environmentalism is seen as a core issue of the left political spectrum. Climate change organizations like Greenpeace and social movements like Fridays for Future have uniformly adopted a progressive stance on sociocultural issues, making it almost impossible to support them as a conservative. The reason that the issue of environmentalism has found particular appeal on the left is because of the way they frame the fundamental nature of the problem. The movement, according to Scruton, has

‘acquired all the hall-marks of a left-wing cause: a class of victims (future generations), an enlightened vanguard who fights for them (the eco-warriors), powerful philistines who exploit them (the capitalists), and endless opportunities to express resentment against the successful, the wealthy and the West.’

Meanwhile, for a long time, little to no real engagement with the issue was made in conservative circles, thus surrendering an issue to political rivals that is now key to due electoral decision-making. In the 2021 German federal election, the environment and climate played the second-largest role for voters in their election decision.The Christian Democratic Union of Germany’s (CDU) internal election report shows that almost one million voters switched from them to the Green Party. For the Greens, 82% of voters named the environment and climate as the most important issue for their election decision. It stands to reason that for many of those who switched their votes, the lack of climate policy competence on the part of the CDU was at the forefront of their minds.

Far from being a foreshadowing of the years to come, this situation offers an ideal opportunity for conservative politicians and movements to reflect on the principles of conservatism. Environmentalism should be an issue that conservative politicians ought to make an important part of their election platforms if they want to win. It is not the case that this is to be done for opportunistic reasons. In fact, for Roger Scruton, environmentalism represents “the quintessential conservative cause”.  

Fundamental to this view is the conservative attitude toward society best captured by Edmund Burke, who speaks of society as a social contract, but ‘not only between those who are living, but between those who are living, those who are dead, and those who are to be born.’ The preservation (and amelioration) of nature and the Countryside is considered a duty for those who are aware that they have received everything from previous generations and must conserve it for future generations. As the great American poet and farmer Wendell Berry puts it: “The care of the Earth is our most ancient and most worthy, and after all our most pleasing responsibility. To cherish what remains of it and to foster its renewal is our only hope.’

This awareness gives rise to a natural preference for the local over the distant. Which manifests itself best in Roger Scruton’s notion of oikophilia: ‘[T]he love of the oikos, which means not only the home but the people contained in it, and the surrounding settlements that endow that home with lasting contours and an enduring smile.’ American legal scholar Robert P. George aptly summarized this position when he stated “that one naturally and rightly has a special love for, and duties toward, members of one’s family, tradition of faith, local community and region, and fellow citizens.”

This love for the familial and social environment, traditions and nature is naturally linked to a sense of identity. We recognize the need for a “We” that cherishes traditions and evokes a sense of home, a place that is “Ours”. This notion of oikophilia is thereby something that is animated only because we are located in such a place. There exists a deep connection with environmentalism, since this notion has a great impact on the way we treat the environment. It is simply a fact that man tries to protect what belongs to him more than what is not his own. Now, with the environment, man receives a communal inheritance from which responsibility for the inheritance arises.

Accordingly, it is also a profoundly intergenerational view, consistent with the Burkean social contract, for thus one is not master of the land but a tenant who is but one person in a long line of tenants who are all equally entitled to receive that inheritance. One might object that this means that you may not change anything about the environment or use its natural resources, but therein I would say with Theodore Roosevelt, ‘I recognize the right and duty of this generation to develop and use the natural resources of our land; but I do not recognize the right to waste them, or to rob, by wasteful use, the generations that come after us.’

With all that said, it does seem that a brief consideration of policy implications is needed. From the view of conservative environmentalism that has been presented, there are attitudes that conservatives should have toward economic and technological policies and practices. 

It seems that conservatives in this case must be completely opposed to an unregulated free market, not conservative in the first place, and regulations regarding the extraction of natural resources should be supported. In this, again, it may be said with Roosevelt, “I believe that the natural resources must be used for the benefit of all our people, and not monopolized for the benefit of the few, and here again is another case in which I am accused of taking a revolutionary attitude.” (1910 speech on “New Nationalism) What seems obvious to me is that a rethinking of ecological issues should also include a rethinking of economic issues. 

Conservatives should also stand up for domestic producers, discouraging them from taking production overseas, and oppose the globalization of industries, if possible. Restricting the import of certain products might also be worth considering, instead supporting local farmers and passing laws that encourage people to buy locally, which saves a lot of shipment mileage, automatically helping the environment and strengthening the local economy. 

It also seems as if many conservative movements ought to change their language on the subject of environmental protection. Often excessive opposition within conservative circles creates the feeling that you can’t be conservative if you are pro-environment or you feel that you have to deny climate change to be conservative, which is wrong. It is necessary to emphasize more often that environmental protection is not only about climate change, but also about the degradation of natural resources and the preservation of the beauty of our home.

However, the most important thing remains something that politics cannot do and must come from the citizens themselves: Taking personal responsibility, which comes from rational self-interest that encourages the people to look after the environment themselves. The key for this is for people to realize that we are inheritors of this world and like a good farmer we have to cultivate this land and pass it on better to our inheritors.


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Consorts (Part 1)

We’ve had many monarchs in English and British history. Nearly all of them have been married, some more than once.

Here’s part one of my series on consorts: 

Matilda of Flanders

  • Life: c. 1031-2nd November 
  • Reigned: 25th December 1066-2nd November 1083
  • Spouse: William I (m. 1051/1052)
  • Children: Nine, including William I and Henry I
  • Parents: Baldwin V, Count of Flanders and Adela of France
  • Origin: France 

Early Life: Matilda of Flanders was born in roughly 1031 to Baldwin V, Count of Flanders and Adela of France. Baldwin was a descendent of Alfred the Great. It’s believed that Adela could be the woman who was married to William I’s uncle, though historians are unsure if it is her. She was also the daughter of Robert II of France. This meant that Matilda had an impeccable lineage. 

We do not know much about Matilda’s early life beyond that she spent it in Lille, northern France. Her mother, the extremely devout Adela, taught her daughter. 

Marriage and Children: Flanders was a key region of Europe and allied with many of the important players. This made Matilda an extremely eligible match. William of Normandy was a bastard whose legitimacy tainted his prosperity. Legend has it that Matilda told his envoy that she was too high born for a bastard. William reportedly, depending on which version you believe, either dragged her off of her horse or went to her house and hit her. Matilda was reportedly so moved by that passion that she decided she’d marry only him.

Pope Leo Ix refused to give permission as the pair were too closely related as fifth cousins. This did not dissuade them, and they married in around 1051/1052.

William and Matilda had a strong, loving relationship. Unlike many of his contemporary leaders, William never took a mistress. They worked well together and Matilda was instrumental in getting William on the throne of England. He was devastated by her death, which led to an increase in his authoritarian tendencies. 

They had at least nine children, including future kings William II and Henry I. Their daughters either took the veil or had advantageous marriages. 

Pre-Reign and Queenship: Matilda became the Duchess of Normandy upon marriage. She had all but one of her children there, with Henry being born in England. Matilda contributed to her husband’s attempts to gain the English throne. She purchased and paid for a lavish ship, designing it herself. William was said to be deeply touched by the move.

Matilda remained regent in Normandy as William settled in England following the Battle of Hastings. She proved a capable leader, with Normandy seeing no uprisings or rebellions under her care. It also became a flourishing centre for arts. 

She arrived in England in 1068, where she was crowned in a lavish ceremony. William made sure to crown as Queen and not merely a consort, as had been the case up until that point. Her name was mentioned in official documents and the Church fully recognised her.

Matilda had many landholdings and was a very wealthy woman in her own right. She closely supervised the education of her children, all of whom were educated to the highest extent. 

The marriage did hit a rough patch. Their son Robert had been furious at his father for taking his (Robert’s) deceased fiancée’s lands. Robert was further angered when William failed to punish his younger sons after a prank on him. After Robert nearly accidentally killed William in battle, he was exiled. A few years later, William discovered that Matilda had been sending Robert money. He was livid but Matilda managed to plead motherly affection and win him back. Matilda brokered a reconciliation between father and son in 1080.

Matilda died in late 1083. William was devastated. He never remarried- though he wouldn’t have needed to- and did not take any mistresses. It’s said that the loss of her good influence made him more tyrannical. She is buried in Normandy at a church not far from where her husband rests. 

Personality: Matilda was a deeply intelligent individual in terms of both street smarts and academia. She ensured the education of her children and was by all accounts a very loving mother. Her relationship with her husband was a good one and she was his best counsel. Matilda’s courage and shrewdness made her a strong ally and callable leader. She was deeply pious, even for the time, and left a lot of money to the church and charity. 

Legacy: Matilda is remembered as the first official Queen of England. Her pious nature led her to build many religious centres. Some used to believe she was involved in creating the Bayeux Tapestry, though historians discredit that. She’s the descendent of nearly all English and British monarchs. 

Matilda of Scotland

  • Life: 1080-1st May 1118
  • Reigned: 11th November 1100-1st May 1118
  • Spouse: Henry I (m.1110)
  • Children: Empress Matilda and William Adelin 
  • Parents: Malcolm III of Scotland and Margaret of Wessex
  • Origin: Scotland 

Early Life: Matilda was born with the name Edith sometime in 1080. Edith’s parents were Malcolm III of Scotland and Margaret of Wessex. Malcolm ruled Scotland for thirty-five years, whilst the deeply intellectual Margaret would later be given a sainthood. At her christening, Edith pulled the headdress of her godmother, Matilda of Flanders. This was said to be an omen that Edith would one day be Queen.

Edith’s education was advanced for a woman at the time. She was a desirable match, but the strong-willed Edith refused many matches. Her parents had her betrothed to Alan Rufus, Lord of Richmond, a man forty years her senior, when she was thirteen. The death of her parents and older brother saw Rufus run off to marry another. Her uncle took the throne and her brothers were sent to England for protection. It is likely that Edith stayed in England too. 

Marriage and Children: When William II of England died in 1100, his brother Henry took the throne as William was childless. He wished to marry and to cement his stature, he wished to marry Edith. Edith was reportedly beautiful and they’d known each other for years. The only problem was that Edith had been raised in a convent and there was conjecture as to whether she’d been a nun or not. It had been her aunt Christina’s wish, but Edith refused. She told a commission that she’d only been veiled to protect from being raped by soldiers. Edith further said she’d stamped on her habit after being given it. It was eventually decided that Edith was free to marry.

Henry married Edith in November 1100. She changed her name to Matilda. Matilda-how I feel refer to her from now on- and Henry had two children who lived past infancy. They were Matilda and William (original naming). 

The pair seemed to have a happy marriage, despite Henry’s many, many illegitimate children. This was the norm for the time and it seems that Matilda chose to ignore it.

Queenship: Matilda was a learned Queen who served as a regent when her husband was away-which was often. She was a huge patron of the arts and made her home of Westminster a hub of music and literature. Matilda was also deeply religious, maybe even more so than her mother, and charitable. She commissioned hospitals, churches, schools and other public works. Matilda would wash the feet of the poor and kiss the hands of the ill.

As was custom for the time, Matilda helped find strong marriages for her children. She had her daughter Matilda married off to Henry V, Holy Roman Emperor in 1114. William was engaged to Matilda of Anjou in 1113 and would be married when they were old enough. 

Matilda died in May 1118, her husband by her side. Henry mourned the loss, but had to remarry after the death of his son.

Personality: Matilda had a strong personality, as evidenced by her fight to be able to marry instead of being kept as a nun. She was extremely intelligent and devout. It seemed that she was trusted enough to be regent when her husband was often away and she had an active role.

Legacy: Matilda is most remembered for being a devout Christian who funded public works and charity. Many suggested that she be canonized but this never happened. Matilda was used as an excuse by King Stephen to deny her daughter the chance at being Queen, as he argued that she’d been a nun and thus not eligible for marriage. 

Adeliza of Louvain

  • Life: c.1103-1151
  • Reigned: 24th January 1121-December 1135
  • Spouse(s): Henry I (m. 1121), William d’Aubigny (m.1138)
  • Children: Seven with William d’Aubigny
  • Parents: Godfrey, Count of Louvain and Ida of Ching
  • Origin: Belgium 

Early Life: Adeliza of Louvain was born in around 1103 to Godfrey, Count of Louvain and Ida of Ching. Very little is known about her early life beyond the fact she was reportedly extremely beautiful. Her nickname was ‘The Fair Maiden of Brabant.’ Through her father, she was a descendent of Charlemagne. She may have been well-educated as she knew French, this was not the language of her home.

Marriage: In 1120, Henry I lost his only legitimate son William. He needed an heir and wished to marry Adeliza due to her beauty and heritage. The two wed in January 1121.

Their marriage produced no children, though Adeliza would have children with her second husband. Henry and Adeliza likely had a good marriage as they were always together. She was not, however, at his deathbed in France. 

Queenship: Adeliza was not political like her predecessor, but was a huge patron of the arts. She pushed for French literature, making it popular among the nobles of Europe. Henry gave her generous dower lands which allowed her to live in wealth.

Post-Queenship: Henry died in 1135, leaving Adeliza as a widow. She lived in her dower lands as the Anarchy started to unfold. In her widowhood, Adeliza was a proponent of religious charity and commissioned many buildings for the Church. She also remembered Henry and took care of his memorial. 

Adeliza was living in an abbey when she was proposed to by William d’Aubigny. His family were minor nobility so the marriage was not too much of a challenge. The pair had seven children together and were ancestors of two of Henry VIII’s wives. Her husband William was a staunch supporter of Stephen, but Adeliza quietly supported Matilda, with whom she had a good relationship. It was only after Stephen threatened the family that Adeliza was forced to lure Matilda into a trap. She did ensure that Matilda could safely leave.

In 1150, Adeliza entered a monastery. This is unusual as she was still married with children. Records indicate she died a year later.

Personality: We know little of Adeliza beyond the fact she was uninterested in politics but enjoyed art. She seemed to be a good stepmother. 

Legacy: Adeliza is oft-forgotten due to her lack of politics and not being the mother of a monarch. She is an ancestor of Anne Boleyn and Catherine Howard, however, so she did manage to have a say in the royal lineage many years down the line. 

Geoffrey of Anjou

  • Life: 24th August 1113-7th September 1151
  • Reigned: (Disputed) 1141-1148
  • Spouse: Empress of Matilda (m.1128)
  • Children: Three legitimate, including Henry II
  • Parents: Fulk, King of Jerusalem and Ermengarde, Countess of Maine 
  • Origin: France 

Early Life: Geoffrey of Anjou was born on the 24th August 1113. His father Fulk would become King of Jerusalem upon his second marriage to Melisende of Jerusalem’. Geoffrey had three younger siblings and two younger-half siblings. His sister Matilda was the widow of his brother-in-law William. As a young man, Geoffrey was handsome and loved sports and hunting.

Marriage: Aware of the fact that he likely wasn’t going to have any more legitimate sons, Henry I of England needed his daughter Matilda to marry and have heirs. Anjou had been an ally since William had married Geoffrey’s sister Matilda. In 1128, Geoffrey and Matilda married. 

Their marriage was not a happy one. Matilda was a decade older than Geoffrey and felt that marrying a Count was beneath her, as her previous husband had been an emperor. They were both strong-willed and independent people who liked to get their own way. Geoffrey would have bastards.

They had three sons together: Henry, Geoffrey and William. The latter two would die fairly young. 

Pre-Reign and Consort: As Count of Anjou, Geoffrey was in charge of the state. He put down several rebellions. In 1135, his father-in-law finally died. Some states submitted to Matilda and accepted her reign, but the English nobles chose her cousin Stephen (eldest living nephew of Henry I). This was for two reasons- the fact that Matilda was a woman and the fact that they didn’t particularly like her husband.

During his contested consortship, Geoffrey fought in Normandy whilst Matilda headed to England. He did make headway but was bogged down, leaving him no time to assist his wife in England. Geoffrey was endlessly putting down rebellions and eventually gave Normandy to his eldest son Henry.

Geoffrey died suddenly at the age of 38. He is buried in Les Mans.

Personality: Geoffrey was outwardly affable and charming, with a love for merriment and sports. He could be very cold and his strong personality made him clash with his wife. Geoffrey was nonetheless very loyal to Matilda, though one would argue that gaining the crown would be more of a benefit to him. 

Legacy: Along with Lord Guildford Dudley, Geoffrey is one of two disputed consorts. He is often not included in historical rankings or is least not classed as a consort. His son Henry would live on as king, meaning that Geoffrey is an ancestor of many monarchs. 

Matilda of Boulogne:

  • Life: c.1105-3rd May 1152
  • Reigned: 22nd December 1135-3rd May 1152
  • Spouse: Stephen (m.1125) 
  • Children: Five, including Eustace
  • Parents: Eustace III, Count of Boulogne and Mary of Scotland 
  • Origin: France 

Early Life: Matilda of Boulogne was born around 1105 to Eustace III, Count of Boulogne and Mary of Scotland. She was their only child, which was unusual for the period. Her mother Mary was the sister of Matilda of Scotland, consort to Henry I and mother of the Empress Matilda. 

Extraordinarily little is known about Matilda’s early life beyond the fact she was betrothed to Stephen aged two and was educated in convents. 

Marriage and Children: Matilda and Stephen married in 1125. The two enjoyed an extremely happy marriage, with Stephen taking no mistresses nor bearing any illegitimate children. They had a mutual love and respect for one another.

The pair had five children, three of whom would later rule Boulogne. Eustace was the eldest son and heir to Stephen until the Treaty of Wallingford saw him displaced. 

Pre-Reign and Queenship: The first ten years of marriage were relatively peaceful, with the couple often visiting England. All that changed in 1135 upon the death of Henry I. Whilst Matilda waited to claim the throne, Stephen immediately jumped into action and headed to England. 

The Anarchy would see Matilda and Stephen often parted. When it came to war, Matilda proved to be a surprisingly excellent leader and tactician. She often came to her husband’s aid with troops. Matilda forged an alliance with her uncle, David I of Scotland, before allying with France through the marriage of Stephen to the king’s sister Constance.

Upon hearing of her husband’s capture, Matilda begged her cousin for his release but was refused. Her army then forced the Empress out of London. It was after she captured Matilda’s extremely loyal half-brother that a prisoner exchange finally happened.

The war dragged on until 1147, when the Empress Matilda returned from Normandy. There was a stalemate at this point and no side had declared victory. Stephen acted as king. Meanwhile, Matilda enjoyed widespread popularity. She was admired for her steadfast dedication to her husband, her bravery, courage and intelligence. Contemporary chroniclers said that she had a man’s heart in a woman’s body. Stephen always listened to her counsel. 

Matilda died fairly suddenly in spring 1152 whilst staying in Essex. Stephen was not there at the time. One can assume he was devastated. They are buried together at Faversham Abbey, Kent.

Personality: Matilda was one of medieval Europe’s most brilliant women. Not only was she an extremely loyal spouse, but she was also a talented leader and soldier. She was on the frontlines during the war and was key in several victories. Her love for her husband was evident, as was his love for her. Contemporary citizens loved Matilda and held her up as an ideal woman.
Legacy: Despite the fact her children never ruled England, three would rule Boulogne. Her daughter Marie and granddaughter Ida would be Countesses of Boulogne in their own right, not forced to share power with their husbands. As Henry II was her cousin’s son, Matilda is an ancestor of many of our monarchs.


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Consorts (Part 2)

Eleanor of Aquitaine

  • Life: c.1122-1st April 1244
  • Reigned: 19th December 1154-6th July 1189
  • Spouse(s): Louis VII of France (m.1137), Henry II (m.1152)
  • Children: Two with Louis VIII, eight with Henry Il including Richard I and John
  • Parents: William X, Duke of Aquitaine and Aénor de Châtellerault
  • Origin: France

Early Life:  Eleanor of Aquitaine was born in around 1122 in Poitiers, France. Her parents were William X, Duke of Aquitaine and Aénor de Châtellerault. Eleanor was extraordinarily well-educated, even more so than royal men at the time. She not only learned domestic skills, but her curriculum ranged from language and arithmetic to history and astronomy. The death of her brother and mother led her to become her father’s heir.

William died in 1137, leaving Eleanor the wealthiest girl in Europe at only fifteen. She held more lands than even the King of France. William had been worried about Eleanor being unprotected so made Louis VI of France her protector. Louis knew that Eleanor could bring a lot of wealth to the crown, so decided to marry her off. His eldest son Philip had died several years before so second son Louis had become his heir.

Marriages and Children: Eleanor married Prince Louis on 25th July 1137. They had two daughters, Marie and Alix. Both married noblemen. Whilst Louis was initially besotted with Eleanor, tensions soon rose and their marriage became unstable. The failure of the Crusades, Louis’ weaknesses, Eleanor’s headstrong nature and the lack of sons allowed the marriage to crumble.

Eleanor married Henry II in 1152, only weeks after her annulment. Their marriage was also turbulent and would eventually lead to Eleanor overthrowing her husband.

Her relationship with her children was somewhat better. Eleanor favoured her son Richard above the others but was close enough to each of them. She was able to closely monitor the upbringing of her daughters and ensure the marriages of her children. Richard trusted her enough to be regent whilst being away from England- he only spent six months in his kingdom during his ten year reign.

Pre-Reign and Queenship: They were Duke and Duchess of Aquitaine for about a week before discovering that the King had died. Eleanor chafed in the dull Paris castle that was now her residence, but found that the besotted Louis did anything she asked. She would use that to her advantage.

Louis soon became embroiled in war and scandal. His actions caused the death of thousands and the destruction of land. In 1145, the pair embarked on a Crusade. It was an absolute disaster and Eleanor started pushing for an annulment. The birth of a second daughter left Louis with no sons. Whilst the infertility of a spouse was grounds for annulment, having no sons wasn’t. Instead, they asked for an annulment on grounds of consanguinity as they were third cousins. This worked in 1152 and their daughters were under their father’s custody.

Concerned about her position, Eleanor decided to marry Henry, Duke of Normandy. This pleased Henry, as he was ready to be King of England and needed all the support he could get. They married on the 18th May 1152. Eleanor bore their first child, Henry, less than a year later.

In 1154, King Stephen died and Henry became Henry II. Despite having eight children together, Henry and Eleanor frequently argued. Henry was frequently unfaithful and had bastard children, with Eleanor swinging between annoyed and indifferent. One major conflict occurred when Eleanor was unhappy with the appointment of Thomas Becket as Archbishop of Canterbury. Eleanor was supported by her mother-in-law the Empress Matilda, a formidable woman in her own right.

The chroniclers of the time do not mention Eleanor’s political involvement but one would assume she had her say, despite being consistently pregnant. In 1167, Eleanor moved to Poitiers with her youngest son John. She was over forty at this point and having five sons meant that the succession was secure. Henry escorted her there.

It is said that Eleanor created the idea of Courtly Love whilst in Poitiers but there is no evidence for this. It is known that she encouraged music, literature and the arts. This era of peace ended in 1173 when her son Henry the Young King decided to rebel against his father. He travelled to Eleanor and encouraged his brothers to join him. This year and a half long rebellion ended in disaster.

Eleanor was captured by her husband and brought to England. She spent the next sixteen years as a prisoner. Whilst she was kept comfortably and enjoyed many luxuries, she was still a prisoner. Eleanor was allowed to move somewhat freely after the death of Henry the Young King but always had a ‘chaperone’ with her.

Post-Queenship: Henry II died on the 6th July 1189. Richard, Eleanor’s favourite son, was now king and had her released. With Richard away in England for all but six months, Eleanor was trusted to run the kingdom. She raised the ransom for Richard when he was captured in 1192. When Richard died, Eleanor was tasked with marrying off her granddaughters.

Eleanor retired to a convent before her death in 1204. She’d lived until her 80s, extremely unusual for the time. Eleanor had outlived all but her two of her children as well as both husbands. She is buried with her husband and Richard.

Personality: As a person, Eleanor was extremely intelligent, academic, strong-willed and headstrong. Her toughness outshone the weakness of her husbands. Eleanor was a good mother to her children but was ready to anger her husbands. She was a trusted ruler in her own right.

Legacy: Eleanor of Aquitaine is remembered as one of the most famous Queens of England. Her push to overthrow her husband did fail, but her strength is remembered. She has been commemorated on stage and screen, most famously by Katharine Hepburn in The Lion of Winter. Two of her sons would become King and her daughters married into nobility.

Margaret of France

  • Life: 1158-18th September 1197
  • Reigned: 27th August 1172-11th June 1183
  • Spouse(s): Henry the Young King (m.1170), Béla III of Hungary (m.1186)
  • Children: William with Henry the Young King
  • Parents: Louis VIII of France and Constance of Castile
  • Origin: France

Early Life: Margaret was born sometime in 1158 to Louis VIII of France and Constance of Castile. Her father had previously been married to Eleanor of Aquitaine so she shared half-sisters with her future husband. Louis cared deeply for his wife Constance and was devastated by her death, but married again only a month later as he’d been desperate for a son.

The birth of Louis’ son and Margaret’s half-brother worried Henry II, so he had his son Henry betrothed to Margaret.

Marriages and Children: Henry and Margaret married in around 1170. When Henry was crowned Junior King in 1170, she was not crowned with him. This infuriated Louis, so Henry II had Margaret crowned in 1120 to pacify him.

We know little of Henry and Margaret’s relationship. It’s believed Henry may have wanted an annulment in regards to her apparently infertility. What they were like as a couple is unknown.

Margaret bore one child, William, when she was about nineteen. He died a few days later. His birth seemingly left Margaret unable to have any more children.

Margaret remarried in 1186 to Béla III of Hungary. We do not know what their relationship was like.

Queenship: Henry was never officially king, so Margaret was classed as a Junior Queen. Rumours circulated that she was having an affair but this is highly unlikely. We know next to nothing about her reign and it doesn’t look as though she had any real power.

Margaret was widowed in 1183.

Post-Queenship: Margaret, still young, married in 1186. Her new husband was Béla III of Hungary, making her the Queen of Hungary. She bore him no children though he already had heirs, so it was not as important. He died after ten years of marriage. Margaret died a year later aged about thirty-nine. She is buried in the Cathedral of Tyre, Lebanon, though it no longer stands.

Personality: With almost no historical records, we know nothing of Margaret as a person.

Legacy: Again, lack of records means that Margaret has no lasting impact. Many do not know that she was even a Queen (kind of). As she had no living children, she is not an ancestor of any royals.

Berengaria of Navarre

  • Life: c.1165-1170-23rd December 1230
  • Reigned: 12th May 1191-6th April 1199
  • Spouse: Richard I (m.1191)
  • Children: None
  • Parents: Sancho VI of Navarre and Sancha of Castile
  • Origin: Spain

Early Life: Berengaria was born between 1165 and 1230 to Sancho VI of Navarre and Sancha of Castile. She was the eldest of six children. There is no information on her early life so we do not know anything about it. The only thing we know is that Berengaria met her future husband Richard at a tournament years before their betrothal.

Marriage: Richard’s mother Eleanor of Aquitaine promoted an alliance with Navarre due to its strategic locations. He had been engaged to the sister of the French king, but his own father had taken her as a mistress so the engagement was broken off. Alys, the princess, was the half-sister of Richard II’s half-sister.

Richard and Berengaria wed on the 12th May 1191. She was in her early to mid twenties, which was very old for a noble bride of the era. The pair rarely spent time together due to Richard’s role in the Crusades and his apparent disinterest in his bride. They had no children, believed to be down to either infertility or lack of time together. Some believe that the marriage was never actually consummated.

Queenship: Berengaria joined Richard in the Holy Lands following the wedding. The failure led Berengaria and her sister-in-law Joan to head back to France. It would be another three years before husband and wife saw each other again. Berengaria spent her time in France during her husband’s captivity, helping her mother-in-law raise the ransom. She continued to live there upon Richard’s release as he returned to England and then shored up his lands on the continent.

The Church was angered at Richard seemingly ignoring Berengaria and the Pope told him to reconcile with her. Once Richard was finished with his business, he returned to Berengaria. He’d accompany her to church once a week but they still did not have a child.

Post-Queenship: Richard died on the 6th April 1199, leaving Berengaria a widow. She was not at his bedside upon his death and had not even been summoned by Eleanor of Aquitaine. Berengaria retired to her dower lands, but found that most of them had been seized by John. She asked her mother-in-law and the Pope to intercede on her behalf. They did, but Berengaria would only be paid back upon the ascension of John’s son. 

Berengaria entered a convent in 1129 and died one year later. She was buried in Les Mans but her burial place has been moved more than once.

Personality: We know extremely little of Berengaria. One contemporary called her ‘elegant and prudent,’ whilst noting her musical talent. She joined her husband on the Crusades, so she was likely a tough and devout woman.

Legacy: Berengaria is barely remembered to this day. She is called the only English queen to never enter the country, though she likely visited after her husband died. Berengaria did not have any children that would go on to be ancestors of Europe.

Isabella of Angoulême

  • Life: c.1186/1188- 4th June 1246
  • Reigned: 24th August 1200-19th October 1216
  • Spouse: John (m. 1200), Hugh X of Lusignan (m. 1220)
  • Children: Five with John, including Henry III, and nine with Hugh
  • Parents: Aymer, Count of Angoulême and Alice of Courtenay
  • Origin: France

Early Life: Isabella was born around 1186-1188 to Aymer, Count of Angoulême and Alice of Courtenay. She was the only surviving child of her parents but little else is known about her early life. Through her mother, she was related to the French monarchy. She was originally engaged to Hugh IX of Lusignan and was sent to his court.

Marriages and Children: John of England had previously been married to Isabel of Gloucester. Their marriage was annulled on grounds of consanguinity, they were so closely related that they weren’t allowed to have sex. John cast his eye on Isabella for two reasons: her renowned beauty and to prevent her from marrying the powerful Hugh.

John was besotted by Isabella and reportedly neglected his duties to be with her. She was a high-spirited and headstrong woman with a personality to match his own. Unfortunately, John was also cruel and took mistresses. He blamed Isabella for his own failures.

They had five children together, the first born seven years after their marriage. Henry III would be King of England, Richard King of Rome, Joan Queen of Scotland, Isabella Holy Roman Empress and Eleanor, a prominent noble.

Queenship: Isabella did not have the most enjoyable time as Queen. Hugh of Lusignan was not thrilled about John having stolen his fiancée and kicked up a stink. The King of France then took John’s French possessions and gave them to Hugh. John blamed this on Isabella, despite him having pushed to marry her. Isabella was blamed by the elites for John’s misadventures despite her being a child. They called her a seductress and a Jezebel.

In 1203, Isabella’s castle was besieged by rebels. John set out to rescue her but was scared of being captured himself, so he sent out a force. A year previously, he’d personally rescued his mother. She would spend most of the years from 1207 pregnant. Her children would be raised away from her and she wasn’t allowed a government role. Whilst John abducted noblewomen and had illegitimate children, rumours of Isabella’s adultery made her extremely unpopular.

Post-Queenship: Isabella was forced to live under guard as French forces made ground in England. On the 18th October 1216, John died. This may have been a relief for Isabella on a personal level but her son was still underage. In order to cement her son’s claim, Isabella took him to Gloucester and had him crowned. Her unpopularity meant that she was not part of his regency council.

Isabella then headed to France to take control of her lands. Her daughter Joan was engaged to Hugh IX’s son Hugh X and had been sent to live at their court. When Hugh X saw Isabella, he decided to marry her instead. Joan was promised to the King of Scotland. The English were furious that Isabella had not sought their permission and took away her dower lands. Isabella retaliated by threatening to keep Joan in France. Alexander of Scotland wanted his bride, so a settlement was reached.

Isabella would have nine children with Hugh. This marriage was likely better for Isabella as Hugh included her in governance and both of their signatures were found on documents. She did not have a good relationship with the sons from her first marriage, especially as it was decades before she saw them again. Isabella also resented having to defer to other women even though she was the former Queen.

After being snubbed by the King of France’s mother, Isabella started plotting against him. After she was implicated in an attempted poisoning, Isabella fled to an abbey for protection in 1244.

Isabella died on the 4th June 1246, aged between 58 and 60. She was little mourned in England, but her son did ensure she was moved from the abbey to be buried with his grandparents.

Personality: Isabella was a strong and tenacious woman who didn’t hesitate to get what she wanted. Contemporaries called her a Jezebel and overly ambitious, blaming her for affairs that may not even have happened. Isabella was also very young at the time. She ultimately wanted some happiness after being married off as a child bride and blamed for her husband’s misdeeds. Though contemporaries may have been overly critical of her, Isabella did steal her daughter’s fiancé and threatened to keep her away. She also left her children to look after themselves.

Legacy: Isabella is poorly remembered due to her apparent poor behaviour and being a seductress. We must remember that women of the time were overly blamed for everything and that she was also a CHILD at the time. Isabella did her duty in that she provided an heir and all of her royal children married well.

Eleanor of Provence

  • Life: c.1223-24/25th June 1291
  • Reigned: 14th January 1236-16th November 1272
  • Spouse: Henry III (m.1236)
  • Children: Five, including Edward I
  • Parents: Ramon Berenguer IV, Count of Provence and Beatrice of Savoy
  • Origin: France

Early Life: Eleanor was born in Provence in about 1223 to Ramon Berenguer IV, Count of Provence and Beatrice of Savoy. She was the second of four sisters, all of whom would marry kings. Margaret would become the Queen of France, Sanchia Queen of Germany and Beatrice Queen of Sicily. Sanchia’s husband was Henry III’s younger brother.

It seems that Eleanor was well-educated, with a zeal for reading and poetry. Little is known about her early life, though it’s known her father was a generous and shrewd man, whilst her mother was very intelligent.

Marriage and Children: Eleanor’s family worked to marry her off to Henry III. Henry had been king for ove twenty years after attaining the throne at a young age. It worked and Eleanor set off to England, marrying Henry on the 14th January 1236.

The two enjoyed a loving marriage. Eleanor was intensely loyal to her husband and Henry is not believed to have had any mistresses, a rarity for the time. They spent a lot of time together and Henry trusted Eleanor to act as regent. Discord did occur when Eleanor attempted to intervene in favour of an uncle, causing Henry to banish her from court and seize her lands. They eventually reconciled.

Eleanor and Henry would have five children, four of whom lived to adulthood. Their eldest son Edward would become Edward I and daughter Margaret would wed the King of Scotland. She seemed to have a good relationship with her children and was instrumental in their upbringing. The pair were devastated when their daughter Katherine died at only three years old.

Queenship: As Queen, Eleanor set out to bring a cultural renaissance to England. She likely found England dull and dry compared to her home. Eleanor encouraged literature, poetry and the arts. She was also seen as fashionable and brought many new trends over from the continent. On top of that, Eleanor enjoyed gardening.

Unfortunately, Eleanor was deeply unpopular. She tended to be interested and involved in politics, which was seen as unbecoming for a Queen and a foreigner. Eleanor also brought a large retinue with her, angering the people and those at court. The nobles at court were worried about foreign influence, whilst the common people worried about cost. Eleanor was once booed and pelted with food as she headed through London. She also invited unpopularity with her lands and willingness to tax.

Post-Queenship: Henry III died on the 16th November 1272. Eleanor was not active politically as Dowager Queen, instead focusing on her family. She helped raise her grandchildren, including Edward’s son Henry. So close was their relationship that Eleanor tended to Henry during his illness and was with him when he died at the tender age of six.

In 1286, Eleanor followed the trend of many queens and retired to a convent. She lived there with two of her granddaughters.

Eleanor finally died in June 1291. She was buried in an unmarked grave and is thus the only Queen whose burial place remained unknown.

Personality: Eleanor was principally a lover of the arts, with poetry being her greatest joy. She was also a deeply loyal wife and loving mother, enjoying a mutually faithful relationship with her husband. Eleanor also cared deeply for her grandchildren. She was intelligent and erudite, enjoying the privilege of being her husband’s regent when he was abroad. Surviving letters show a sense of compassion. Unfortunately, Eleanor could be ruthless. She was happy to tax her subjects highly, hated the Londoners and expelled all Jews from her lands.

Legacy: Eleanor is primarily remembered for her cultural and fashionable activities, particularly poetry. Many letters from her survive, which give historians a great insight into Eleanor as a person.


Photo Credit.

Between Nihilism and Cottagecore; a Generation Lost

As much as I have gotten tired of talking about this virus, it is important to address the following; Covid-19 has had disastrous impacts on Generation Z. Whether we like to admit it or not, Gen Z is based on a culture of avoiding social interaction, virtual relationships and a general pessimistic outview of life.

The confinements we found ourselves in due to the pandemic,  led us to migrate from real human life, to the material world of virtual interaction. Although this might not have seemed to be such a problem for a generation which shows great aversion to in-person interaction, however this was anything but the case.

The best way one could analyse and scrutinise the essence which makes up a millennial, one wouldn’t have to look further than from the structureless abyss which we know as the internet.

This period of lockdown has in a weird way reversed some of the progressive stirrings taking place within the subconscious of a Gen-z individual. This overload of isolation– encompassed by a general lack of social gatherings, in-person learning and cultural legacy has led this generation to ever so slightly and in a gradual manner, become more sensitive to the present late-civilisational decay which is surrounding them.

This can be seen through the different aesthetic styles promoted online. Such aesthetic styles include retrowave, post-modern, steampunk, fantasy ect. The obsession with such aesthetics does not necessarily stem from visual pleasure. Rather, it offers an escapist utopia for those stuck in a dull and grey world– from a world characterised by social media expectations, lockdowns and a general nihilism which cakes like dust any aspirations present.

An aesthetic which quickly rose to popularity during the last two years was Cottage Core. In essence, as an aesthetic it is composed of greenery and flowers surrounding a traditional cottage, with women dressed in a white modest dress taking care of the house, the plants, the washing up, the children. It truly is a return to a life which Gen Zers never experienced– and given the way in which our economic structure is heading, will never have the inherent right nor pleasure to experience.

This traditionalist aesthetic takes us back to the roots of what once was the foundation of the state (the family actually has existed long before the concept of the State, I would argue it is the foundation for building communities)– a nuclear family based on distinctive parental roles, a time when marriage was based on or rather seen desirable / the main goal of a marriage was to bare children and create a legacy– offspring to whom you can pass down your faith, beliefs and nation. It brings with it a breath of neo-romanticism.

Such a fact carries with it a certain level of irony of course. The fact that the internet and technology are used to make and spread such images, is rather ironic given the fact that it is this very internet and technology which stripped this idyllic life away from us. Virtual citizens who have bloodshot eyes, social anxiety and an all around lack of will to persevere, find an escape in such aesthetics. This aesthetic comes part and parcel with an affinity for historical period dramas, a subconscious desire to leave the city and a longing for a family to nurture and raise.

As T. Howard interestingly noted, “the aesthetic is self-consciously escapist and Cottage Core can be thought of as one of many expressive forms of post-Sexual Revolution trauma in the West.”.

The Covid-19 lockdowns led many Gen Zers to realise that with the leisure of open bars, theatres and clubs being taken away from the equation, the only thing which is left is the skeletal facade of a city– one which highlights so perfectly the metamorphosis of our decaying civilisation. What was left once such establishments were shut down? A reminder of the lives Gen Z were robbed off.

The seed of cultural Marxism has undoubtedly been sowed within the hem of the 21st century. This can be witnessed through the manifestation of Cancel Culture. Being a member of Gen Z automatically prevents you from being able to criticise the western social revolution of the 20th century (in the same way a black man or woman cannot criticise the BLM movement).  

No matter how far Gen Z idealogues strive to stray away from what is natural, normal and traditional, in reality human nature and desires do not change. They are constant within the subconscious– no matter how hard the fight to push against them is. This is why the number of Gen Z anti-feminists is growing. Young women across the globe are realising what they lost– or rather, what has been taken from them.

Feminism might have not been merely an organic movement which hoped to foster equality for all, but rather an orchestrated ploy by powerful men in order to reduce women’s prospects of domestic fulfilment. Going to work and building a career is now seen as the ultimate form of self-liberation. Tell me, how can feminist groups look women in the eye and tell them they are better off as wage slaves, rather than as homemakers?

For the sake of clarification, I am in no way slandering women who work. If anything, they do not have a choice as our economy does not support such roles. However, I am criticising the fact that women can no longer stay at home and raise children– a reality which only came about once women entered the workforce. Late capitalism delights as this; more labour, more production, more money.

Furthermore, women are thought to feel empowered by showing off their bodies in the quest to acquire more money. Is that really all we have to offer our young daughters? Real empowerment comes from perseverance, faith and modesty. Women have been stripped of their dignity and identity, to be replaced by gender theory which promotes the idea that any individual can be a woman– regardless of anatomy.

This idea is further fuelled by the growing number of men who appropriate womanhood in their quest to “transition” providing the world with a very sexist and misogynistic view of what womanhood really is– reducing us to shopaholic hair obsessed women who care more about their clothes and nails than the future of their societies. How incredibly offensive it is to be a woman and be told that a biological man is just as much as a woman as  you are.

With a growing interest in the traditional– even within the local context you see a revival of interest in Maltese traditional architecture, in folklore music and in cuisine, one is left to wonder whether or not this will manifest in a full fledged shift within the ideological attachments of Gen Z. The harvest is indeed plentiful, yet the labourers remain few.


Photo Credit.

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