Month: July 2023

In Conversation with Curtis Yarvin III (Political Testosterone and BBC Pidgin)

Curtis Yarvin, known by his pen name ‘Mencius Moldbug’, is one of the most prominent social critics and reactionary writers of the contemporary era. Yarvin’s blogs, ‘Gray Mirror’ and ‘Imperial Melodies’, can be found on Substack.

Yarvin’s words are in light.


Are you familiar with my favourite institution of journalism? As you know, Orwell worked at the BBC, a great service. I used to listen to BBC short wave as a kid in Cyprus. It used to go ‘beep, beep, beep, beep’, you know, but there’s another part of the BBC that most people don’t know.

Oh!

It’s BBC Pidgin.

Yes! I knew you were going to say that.

[*Laughing*]

You know how many people’s minds you can blow when you show them BBC Pidgin?

Oh my God, oh my God, it’s like the sophisticated version of Rick Rolling.

Oh, it’s so good.

You send them to a story, I’ve been sending people to the BBC Pidgin story about FTX, right?

It is impossible, this is the thing, it’s impossible to read it without sounding like you’re doing something incredibly transgressive.

No, no, no [*Reading from an article on BBC Pidgin], “Dis na as rumours say di FTX and oda firms wey im own bin dey shake financially cause pleti pipo to start to try to dey comot dia money from di platform wey dem dey take buy and sell digital tokens. As mata come tie am rope for neck, Oga Bankman-Friend bin try to organise bailout but e no work.” [*Laughing*] and um…

Oh my God. I’m going to have to type out that transcription.

Yeah, yeah, yeah, yeah, I would start with a Google and get it right, like the poem. You know, you don’t wanna [*inaudible*] oh my God. Yeah, but in any case, like, it’s, it’s, you know, the easiest way to explain, like, how like, Mary Tudor, you know, would look at England today, would be like…she’d have the same response to everything that we have to BBC Pidgin. And, and, right –

Even the Victorians, even the Victorians.

Even the Victorians.

It’s like, you know, Blockbuster still exists but its last outlet is in some pointless town in Wisconsin or something.

Yeah, yeah, yeah.

That is basically the United Kingdom today. It’s uh…

Yeah, but it doesn’t have to be. Knowing that decline is just a consequence of a form of government should be this endlessly exciting, invigorating, hope, where like, absolutely no hope seems to exist. The fact that no hope seems to exist means that sort of all of these bullshit paths toward hope like Brexit have been exhausted and no energy should be diverted into them, which is good, because they’re traps, and like, the energy of a complete collapse is not really the energy of a collapse, it’s the energy of a reinvention. It’s like, you know, this amazing, joyous, recreation of the modern world, kind of shaking off its 20th Century birth pangs. It’ll be incredible. And it’ll be incredibly wonderful and exciting and glorious and certainly not violent in any particular way because…

Because it doesn’t need to be.

It doesn’t need to be. You know, and, and, and, Sir Arthur Scargill is no longer in the building, let alone like, you know, the workers of London will rise up and there will be a new Peterloo. So, you know, like the clack of history turns, and it turns for them as well as for us.

There’s not enough testosterone for anything like that anyway.

There’s not enough testosterone and actually, you know, literally, there’s not enough testosterone as well as figuratively in many ways, and so you’ll just see these old regimes just crumble like East Germany. And it’s like…people will be like “Why didn’t that happen earlier? Because it could have happened earlier, but it didn’t”.

And, yeah, so, you know, the extent to which the problem of like, spreading this picture, and especially spreading this picture in a way which doesn’t scare anyone, you know, because there’s nothing scary about it. Like, you know, and there’s absolutely nothing scary about it and this is the job of we, the dark elves, on both sides of the Atlantic.

It’s been a huge pleasure. I’m getting a little bit tired.

Curtis, thank you very much for your time.

It has been a great pleasure talking to you and thank you for listening.


Photo Credit.

Between Tradition and Modernity: A Review of “British Conservatism: 2024 to 2044”, by Richard Cruston

This lively volume follows the development of right-wing thought in Britain between the beginning of the premiership of Labour’s Keir Starmer and the end of the presidency of Mark Hall of the United Party.

Richard Cruston, Professor of Political Theory at Trinity College, Cambridge, is a learned scholar who has written biographies of Edmund Burke, Roger Scruton and Jacob Rees Mogg. His deep knowledge of ideas and personalities were clearly essential in developing this book.

His story begins with the astonishing electoral failure of Prime Minister Rishi Sunak in 2024 — ending almost fourteen years of more or less unrivalled Conservative success. In exile, the Conservatives found themselves fragmented, both politically, with the Johnson loyalists in a fiery campaign to make the unenthusiastic former Mayor of London and Prime Minister of the United Kingdom Leader of the Conservative Party, and ideologically, with “post-liberals”, “national conservatives” and “classical liberals” vying for influence.

If conservative ideas mattered at all, it was in their influence on the Labour government. Professor Cruston is an authority on the development of post-liberalism — a communitarian trend which earned support in the wake of the 2028 London riots — which spread from the capital across provincial England — as its emphasis on order and localism chimed with the state’s management of societal division. Cruston suggests that there might have been the faint whiff of opportunism in the combination of communitarian rhetoric and neo-authoritarian security measures — with more of an emphasis on “community hubs” and “peace enforcement” than on family and faith —  but it was politically successful.

The 2030 blackouts were considered the beginning of the end for the Labour government. Prime Minister Meera Devi won the 2032 elections on a platform that some commentators called “neo-Thatcherite” — promising economic liberalisation, energy reform and closer links with what became known as “the younger powers”. Professor Cruston disapproves of what he describes “the fetishisation of the market” — though he doesn’t say where the power was meant to come from.

Devi’s government placed significant emphasis on character and individual responsibility. “Disciplining yourself to do what you know is right and important,” she was fond of saying, quoting Britain’s first female prime minister, “Is the high road to pride, self-esteem, and personal satisfaction.” Regrettably, her time in power was dogged by scandal, with ministers being accused of cocaine addiction, using prostitutes, doing cocaine with prostitutes and being addicted to doing cocaine off prostitutes.

Ashley Jones’ Labour premiership offered conservatives a chance to regroup. Had they forgotten the ends of politics as well as the means? Were they too focused on economics and not culture? Cruston is informative on the subject of the traditionalist “Lofftism” which flourished in the late 2030s, only being interrupted by the “Summer of Crises” which finally led to the United Party taking power in March 2039.

Conservative thought flourished in the early years of the 2040s, with generous funding being invested in private schools, universities, think tanks and private clubs. Here — if you were fortunate enough to be invited — you could hear about great right-wing minds from Hayek to Oakeshott, and from Kruger to Hannan. It was a time of intellectual combat but also intellectual collegiality. Millian liberals could debate Burkean conservative and yet remain friends. You could say anything, some intellectuals joked, as long as you didn’t influence policy.

With the unexpected departure of President Hall on the “New Horizons” flight the future of British conservatism looks mysterious. Professor Cruston counsels that we return to Burke — a voice that spoke in a time of similarly great upheaval. Perhaps we should heed his words.


Photo Credit.

In Conversation with Curtis Yarvin II (American Gorbachev and The Duke of Croydon)

Curtis Yarvin, known by his pen name ‘Mencius Moldbug’, is one of the most prominent social critics and reactionary writers of the contemporary era. Yarvin’s blogs, ‘Gray Mirror’ and ‘Imperial Melodies’, can be found on Substack.

Yarvin’s words are in light.


Well, to be honest, I’m an American, and I write for Americans, and, you know, my view is that revolution only comes from the top. The collapse of the Soviet bloc did not start in Poland, it did not start in Czechoslovakia, it did not start in East Germany, although those countries were in a way culturally ahead of the Soviet Union, but the collapse had to come from the top down. And, so, you know, realistically, I think was that means is that if you saw a dissolution of the American Empire – you’d need a president to do it in the United States, you have a similar situation because the executive branch is technically under the command of the president, but in fact the wires have been completely cut – almost completely cut – and so those wires would have to be restored with more conflict but, again, you have the fact that opinion in the security forces is still – except at the very top levels – is still basically patriotic. There still is this patriotic backbone, there’s still soldiers who know how to fight, there’s still, you know, there’s still something there, of course, as you know.

And, then, you know, how does that get from there to England? If you have an American Gorbachev Doctrine, what you’re basically seeing is Washington saying to basically every capital around the world “Hey, guess what? You used to have pretend independence but now you have real independence”.

What real independence – let’s say you’re talking to the government of France. You’re like…

“Hey France, guess what? You have real independence now, we’re selling the American embassy, we’re sending everyone home. They can stay if they want and in future we’re going to follow – actually the text in the original Monroe Doctrine address – in regard to your country, and what that says is that we will take no interest in any conflicts among it, we will buy your wine, we do not care what your form of government is, we will buy your wine nonetheless, whether you’re ruled by, you know, Louis XX or the French Communist Party, or French Hitler, or, you know, we don’t care. We will buy your wine. You’ll watch our movies. Everything will be fine and if there’s some kind of need for international relations – sometimes issues come up – you know, for example, birds, when they migrate, they typically go north, south, north, south, they go up and down. Sometimes there’s a storm, the birds get lost, right? And a bird that should be in the Americas will get blown and it will wind up in France, and someone will catch the bird and they’ll be like [*flawless French accent*] ‘oh, this bird, it does not belong here’, and they’ll put it through some kind of AI recognition programme and they’ll say [*flawless French accent again*] ‘oh, this is the American bird’, and then you have international relations because basically the bird, [*French accent*] ‘the bird, of course, where do we send the bird? How do we feed the bird in the package?’ You know um, these details need to be worked out, OK? And I would suggest that these details could be worked out either by email or maybe on a Zoom. You could Zoom, or you could do it in the metaverse. You could do it in the Metaverse. You could have a really big imposing embassy but in the metaverse. And, and, I think that’s really quite sufficient to deal with problems, like that, of the bird.”

Let’s say you say that to France, and you’re like…

“Hey France, you want your colonies back? You want Algeria back? It’s up to you. You want to take all the Algerians into France, up to you. You want to send all the Algerians back to Algeria? Up to you. You want to reconquer, you know, French West Africa? Up to you. You want to reconquer Mexico? Restore the dynasty of Maximilian. Up to you, because, you know, that’s not the United States, uh, and we have adopted the position that we’re going to respect classic international law and we’re abandoning the global Monroe Doctrine, we’re even abandoning the local Monroe Doctrine. Hey, Brazilian army, you want to rebuild your country? You want to get rid of the favelas? You want to, you know, go full dictator and send the Communists home? Not a problem. Hey, Brazilian Communists gangs, you want to seize the country and like, re-enact, you know, the Jacobins in Paris? Not our business.”

You know, and, and, and –

Fire up the helicopters! Sharpen the guillotines!

Yeah, right, right, and what you’d see in a country like Mexico, you’d see an almost instantaneous reassertion of order as the army realised it could just get rid of the drug gangs and govern the country. Bang. Nothing to stop them, no reason to stop. Bang, they do it, the place is cleaned up and Mexico City is as safe as Tokyo. I exaggerate slightly. I exaggerate slightly at four in the morning at the worst districts you might still want to be a little bit careful. You might see a little bit of trash somewhere occasionally. Someone might have thrown an orange. You know, should you eat off the street, I would probably not advise eating off the street. But, you know, yeah, you could restore the Porfiriato, you know, in Mexico. You could basically roll back all of these revolutions.

You know, England seeing that, basically realising that all around the world, every country in the world, was getting fixed up by kings…

You know, in Africa, Paul Kagame got like special dispensation to be a king. The like, international community felt so guilty about having, you know, abetted the genocide that they’re like “OK, you know, normally we’re against strongmen. We don’t have strongmen, your country needs to be run by weak men. No strongmen. No, you can’t have one strongman, you’ve got to have a lot of weak men. Your country is going to be a filthy, corrupt, vile, disgusting mess. Um, that’s just how it is, it’s called ‘freedom’. Freedom is very important and don’t worry, we’ll send lots of aid money and lots of aidocrats. Of course there are far more aidocrats than there ever were imperialists. We’ll send all these people, you know, to help you out, but you’re country has to be a mess. Rwanda…OK, fine, you can govern yourselves, you can have a big man. You can have a king in all but name. You can have Paul Kagame, and you can have streets…OK, I wouldn’t eat off the streets in Kigali either, but I would walk through any part of Kigali at four in the morning. [*Chuckles*] And you’re just like this one exception to the global extended super Monroe Doctrine”.

And, like, the worst Goddamn country in Africa, at a certain point, cleans itself up, and becomes the Japan of Africa. And, it’s just like so…so obvious when you think about it.

At that point a royal restoration in the UK would be like peer pressure. Like Charles, Charles and Prince William, OK, they’re fashion followers. Guess what? Fashion changes, they’re going to follow a new fashion. They’re gonna be like “Wow! Louis XX has sure made Paris nice again. Wow! I can actually take the RER, you know, from the airport without putting my life at risk. Uh, wow, could we try something like that? You know, in the UK? And boy, sure we could, uh, wow, you know, all I know how to do is hand out the Big Issue and look imposing in the tabloids. I’d better hire a capable CEO to run…how about Demis Hassabis, OK?”

And call him the Duke of wherever the fuck he wants.

Yeah, yeah, yeah, yeah, “We’ll make Demis Hassabis the, you know, the Duke of Croydon or whatever and…” [*laughing*]

[*Laughing*] Croydon.

“And he’ll be the Strafford, you know, um, um, to my Charles I”.

Um, you know, Demis Hassabis will be like “OK, we’re going to take Strafford’s policy of ‘Thorough’ – what would a policy of ‘Thorough’ mean today? Dissolve parliament, of course, and govern by a decree, or executive order, or royal prerogative, or whatever you call it then, and um, you know, I am, you know, a weak womanish man, and so Demis Hassabis will be my, you know, Lord Cecil, and he’ll make a new England”.

I’m just randomly choosing a British CEO. I guess Hassabis is not an English name, but it’s fine, he’s a foreigner, you know, is he some kind of Cypriot or something?

It doesn’t matter at this point, does it?

It doesn’t matter, it doesn’t matter. Absolutely. After Rishi Sunak it does not matter, right?


Photo Credit.

In Conversation with Curtis Yarvin (The Return of Don Quixote and Anglo-Meiji Restoration)

Curtis Yarvin, known by his pen name ‘Mencius Moldbug’, is one of the most prominent social critics and reactionary writers of the contemporary era. Yarvin’s blogs, ‘Gray Mirror’ and ‘Imperial Melodies’, can be found on Substack.

Yarvin’s words are in light.


There’s a little-known Chesterton work called The Return of Don Quixote. Don’t know it at all?

I don’t. I mean, I’m familiar with the original Don Quixote by Cervantes.

Yeah, yeah, yeah, The Return of Don Quixote, and it’s about the victory of a joyous reactionary movement, written as an Edwardian novel, set in the future. It’s very interesting and it sort of catches the sort of joyousness right, which is an absolutely essential part of, like, any kind of restoration of this type.

And yet, you know, kind of Russian Hide And Seek, which is of course a much later work, is more…black-pilled, you might say, and perhaps a little more convincing. And I would say, sort of read them both. You’ll get kind of some of both of these ideas, but just breaking out of this incredible, I mean, it’s like, when you look in the rear-view mirror at Brexit. It’s like 0.1% of a British Meiji, right? And it’s a completely failed venture, and a completely failed thing, you know, I was reading Richard North’s blog EU Referendum, back in the earlier ‘00s, you know, I think he was associated to some extent with, like, early UKIP, and, um you know, the idea of having a referendum on Britain leaving the EU in 2005, let alone that referendum winning, it seemed like such, what we call here, a stretch goal.

It seemed so unimaginable and it happens. This incredible revolution happens and of course it happens and it doesn’t amount to shit. It just has no momentum. As soon as it wins it begins to lose. And, actually, the main effect of Brexit was to destroy the Brexit movement.

Pretty much.

You can’t help but feel that when you do something and people put that much effort and that much hope into something, and in retrospect you can look at it and just say “Well duh, obviously that was gonna…there was no way that could have worked in any way, shape, or form and done anything useful or relevant, or whatever,” and, the, you know…the definition of insanity is making the same mistake twice, and, right, and here, is just the form of government that has been how England rose to greatness and has been governed for pretty much all of the last two millennia, you know, before the invitation to William, right? You know, I guess, you know, William, it’s hard to know to what extent William of Orange was really interested in British domestic affairs. I don’t know how great it was.

Queen Anne was certainly pretty feeble and um, you did know that the um, the king has the right to veto legislation in parliament, right?

Yes.

And do you know who the last person, the last king, who actually used that power was?

It’s not going to be James I is it? Someone distant. Charles I?

Here’s a hint. It wasn’t a king at all.

Really? OK, so was it Queen Anne then? Was it in fact Queen Anne?

It was in fact Queen Anne. Uh, she did it once, and I forget over what. Probably some completely symbolic bullshit.

I see. They went “No, no, this is no good, we’ll get this Dutch fellow”.

Yeah, yeah, it was sort of their ‘lordships die in the dark’ moment. I think, like you know, the People’s Budget of 1911 or whatever. Yeah, Queen Anne was like the legitimate daughter of James II, right? And there was some hope that – and she was basically a Jacobite heir – it’s sort of like this woman Georgia Meloni who gets elected in Italy spouting all this rhetoric and then she’s like “We must fight for the Ukraine, the cause of Ukraine is the cause of all of us”, right?

You know, when I was in Portugal, I was in a small town in this summer and, you know, all of the…you would swear the whole population of Setúbal, Portugal, had come out and, like, popular enthusiasm for the cause of the Ukraine was everywhere, spontaneous graffiti, right, you know, and it’s like, these expressions of popular enthusiasm, like ‘workers of the world, unite’ in Czechoslovakia in 1976. You know, the greengrocer does not really care about workers of the world and I’m pretty sure that if you’re a bus driver in Setúbal, Portugal, your interest in the Dnieper isn’t really – excuse me, Dnipro – is fairly limited, and the uh, just, I mean, it’s increasingly comical, and so, the idea of just like, this whole structure collapsing in one boom is so much more realistic than the idea of Brexit. It’s so much more realistic. People think it’s unrealistic, no, it may be unrealistic, but it is vastly more realistic than Brexit.

I read your piece about a Meiji Restoration. I was sat in the middle of a bunch of naval officers and I was thinking “You know what? Rishi Sunak’s not very popular, neither is Keir Starmer, nobody likes parliament, what would actually happen right now if King Charles did in fact just go ‘guys’…”

Martial law.

Yeah exactly. What would actually happen? And you know, there’s been this sort of endless slew of headline after headline after headline of “Oh, this thing isn’t working, we’ll get the army in to drive trucks” and “Oh, this isn’t working, we’ll get the navy in to sort out this hospital”, and you just sort of look at this thing and think “Why is it that the last sort of functional bit of our government is essentially military?” And “Why is it that…” what would actually happen if…would anyone stop it? Would anyone in the military?

Yeah, yeah, yeah.

I was in Dartmouth. I was at BRNC when the Queen died.

Oh wow.

It’s full of these young, early twenties cadets, who are going through…you know, I was there the day…so I think I was one of the last people to officially join the Queen’s navy and one of the first to join the King’s, and you know, everybody, the whole, the whole college just stopped. I went out onto the Parade Ground at about 5pm in the early evening and every church bell in Dartmouth was ringing across the valley. And yes, there’s a huge amount of symbolic nothingness to it –

But that symbolism can be converted back into reality.

Right!

And everyone would be stunned at how easy it was, and how obvious it was.

I don’t think anyone would say no.

Well, would Sir Arthur Scargill bring the unions into the street? Would like, you know, would the SpADs like set up barricades outside of Nelson’s Column? What?

Right, right. I don’t see it.

I don’t see it. And so you can have your New Jerusalem in England’s green and pleasant land. You just have to realise that the chains that are bonding you are made of paper.

But that’s the question. The new Prince of Wales hands out copies of the Big Issue

[*Laughs*]

And I just don’t see the king going along with this, so what do we do? Do we have some kind of new Cromwellian parliamentary lie where oh no, no, the king is held captive by these malignants and bad ideas, what is it? What on Earth are we doing?

Yeah, yeah, well, you know, um, maybe we, you know, uh, I don’t know, if Prince William did enough acid, maybe?


Photo Credit.

“Traditionalism: The Radical Project for Restoring Sacred Order”, by Mark Sedgwick (Book Review)

In 2014, speaking via Skype to a conference held at the Vatican, Donald Trump’s later advisor, Steve Bannon, casually mentioned Julius Evola (1898-1974), a thinker little known outside Italy, and who even within Italy was conventionally dismissed as a former Fascist whose writings still exerted a pernicious influence on the ’far right’. When that comment was unearthed by the US media in 2016, it sparked a furore amongst those desperate to discredit Trump as a danger to democracy. It also drew mainstream attention to a strange and possibly wide-reaching philosophy.

Evola’s Fascist sympathies went much deeper than anti-communist or nationalist sentiment, being rooted at least partly in a colourful and irrational worldview referred to by some authors (although not Evola) as ‘Traditionalism’. Through him, Bannon, and so by extension Trump, were potentially ‘linked’ to much broader intellectual currents, with connections across everything from the abstractest metaphysics to the earthiest ecologism. 

There existed, obscure but important scholars had long argued, a mystical ‘perennial philosophy’ of transcendent religiosity and social stratification that was simultaneously as ancient as origin myths and applicable to modern discontents. Over the centuries, this concept has attracted intellectuals as diverse as the 15th century humanist Giovanni Pico della Mirandola, and Brave New World author Aldous Huxley. Other than Evola, its best-known and most systematic modern exponents were two metaphysicians, the Frenchman René Guénon (1886-1951), and the Swiss Frithjof Schuon (1907-1998), who issued writings and launched initiatives that channeled underlying cultural gloom, and still resonate powerfully. Like Evola, Guénon did not use the term Traditionalism, but his writings are regarded as key texts.

As well as Bannon, ‘Traditionalist’ sympathies of some kind were avowed by, or detectable in, influencers outside America – Hungarian politician Gábor Vona, the Russian ideologue Aleksandr Dugin (whom Bannon met in 2018, and who was supposedly an influence on Putin), and the Brazilian writer, Olavo de Carvalho, credited with helping Jair Bolsonaro win the presidency in 2019. Beyond politics, the connections were even more diffuse, with well-known academics, artists and even King Charles III (when Prince of Wales), articulating Traditionalist tropes to combat anomie and materialism, and promote organic agriculture, small-scale economics, traditional arts, and interfaith dialogue. But did all these different things have anything in common other than root-and-branch discontent with a drably dispiriting status quo? What possible relevance could Traditionalists’ distaste for democracy, and even politics, have for determinedly populist politicians? 

This is a long-standing area of interest for Oxford-educated Arabist, Mark Sedgwick, now professor of Arab and Islamic Studies at Aarhus University. His 2003 book, Against the Modern World: Traditionalism and the Secret Intellectual History of the Twentieth Century, was the first to draw mainstream attention to Evola, Guénon, Schuon, and others dubbed or self-described as Traditionalists. He brings to this discussion special insight into Islamic influences on Traditionalism, from the inner ecstasies of Sufism to the academically distinguished elucubrations of the contemporary Iranian-American theologian, Seyyed Hossein Nasr. Along the way, he treats ably and interestingly of many subjects, from Hindu ideas about caste via 17th century theories of history to the trajectory of Western feminism, and analyses the influence of Jordan Peterson, whom he regards as a Traditionalist for the internet age. 

Traditionalism is a catch-all sort of term, and its outcomes are so diverse it is difficult to discern much consistency at all. Had it not been for Bannon’s remark, it is hard to imagine many even noticing Traditionalism existed. Conceptual complexity could help account for Traditionalism’s apparent ascent; as the author notes, “That which is not easy to understand is not easy to deny”. Sedgwick also suggests that Guénon’s theories may be fundamentally flawed because based on early 20th century understandings of ‘the East’ which are now regarded as too colourful and generic, even condescendingly ‘Orientalist’. Evola’s more dynamic and Western-oriented variant is likewise a product of its time, suffused with Nietzschean contempt for Christianity, and the epochal pessimism of thinkers like Oswald Spengler (even though he criticized both). Sedgwick nevertheless treats it as a coherent corpus of thought, with much relevance for today.

The central element of all variants of Traditionalism is ‘perennialism’ – the notion that beneath all the exoteric differences of world religions there is a unifying ‘sacred order’ understood only by the deepest thinkers, although hazily intuitable by the masses, if only they can be detached from the trammels of modernity. This is not just a tradition, but the Tradition that unlocks all cosmologies, and renders the most impassioned theological and political disputes not just superficial, but almost risible. Traditionalist writings are predictably esoteric, aimed solely at a supposedly more spiritually attuned elite. 

Traditionalists tend to be greatly interested in such things as hermetic philosophy, occultism, shamanism, and symbolism, and believe strongly in what the ethnomusicologist Benjamin R. Teitelbaum called “spiritual mobility” (see his 2020 book, War for Eternity). They regard 21st century preoccupations like equality, gender politics, individualism, material progress, and technology as mere aspects of modernity, harmful or simply inconsequential. 

The second ingredient is a belief in cosmic circularity, as opposed to the ideas of inevitable linearity inherent in mainstream Judaism, Christianity, and Islam, and so throughout modern politics. The world, in this reading, goes through ‘ages’ of decline that can be followed by renewal. An original golden age of unity and quality is ineluctably succeeded by silver, bronze and ultimately dark ages of increasingly mechanistic reductionism – what Guénon memorably called the “age of quantity” – after which the cosmic wheel turns back to the start. 

‘Golden Age’ thinking is common to many civilizations, but there are especially close parallels with the four ages (Yugas) of Hinduism, with ‘Kali Yuga’ (the last, sin-filled age of conflict) a shorthand term for today among ‘Aryan’-interested Rightists. This process is almost irrespective of politics, although some theorists see an expeditious role for ‘disruptors’. Evola saw Fascism as a means of reconstituting the Roman Empire, and Bannon saw (and perhaps still sees) Trump as a kind of creative destroyer of consensus, but politics has been a lower priority for other Traditionalists, who concentrated instead on transformation through self-realization. 

It may easily be imagined that Traditionalists are prone to eccentricity; for instance, Evola believed that ‘Aryans’ were descended from an ethereal Arctic race which had decayed as they came south. In the 1980s, a writer calling herself “Alice Lucy Trent” officiated in County Donegal over a small community called the Silver Sisterhood, which worshipped a female deity, sported Victorian clothing, and refused to use electricity. Trent later changed her name to “Miss Martindale”, and moved to Oxford, to found a movement called Aristasia in a modest terraced house, where ambiguous persons wearing dresses and veils would hold ultra-reactionary court in a candle-lit, gramophone-sounding interior, and be seen driving around town majestically in a 1950s car. It was part-pantomime, part-serious critique, at once amusing and interesting. 

Sedgwick rues some Rightists’ co-option of some parts of Traditionalism. Indeed, perennialism can be hard to square with ideas about a “clash of civilizations”, or immigration, or belief in physical racial differences (which even Evola downplayed). He nevertheless examines their thinking with commendable fairness. He differentiates between genuinely traditional teachings about religion and society, which really can be millennia old, and 1920s-to-present-day attempts to turn some of these teachings into realities. For Sedgwick, whatever about the youthful Evola, by his late period he had become a “non-traditional Traditionalist”, and the Evolan phraseology deployed by some on today’s radical Right is therefore mostly “post-Traditionalism”. 

But logical consistency matters little in politics, even metapolitics. Traditionalism may persist as a presence on the Right, if sometimes more symbolically than as substance. Traditionalists’ emphasis on arcane knowledge is intrinsically appealing to some who aspire to be elite leaders. There are also similarities in outlooks and temperaments between Traditionalists and some Rightists – shared perspectives on the manifold problems of modernity, shared detestation of bleak materialism, and shared love of grand and sweeping narratives. As the once world-bestriding West shivers in winnowing new winds, and mainstream conservatism flounders, the epic appeal of a mythical past (and implied enchanted future) seems likely to grow. Sedgwick’s second book on this too long neglected theme makes another significant contribution to what may be an expanding as well as evolving field.

Book Details: Mark Sedgwick, London: Pelican, 2023, hb., 410pps., £25

My thanks to John Morgan for invaluable input on this article.


Photo Credit.

Barbie, Oppenheimer and Blue Sky Research

Barbie or Oppenheimer? Two words you would have never considered putting together in a sentence. For the biggest summer blockbuster showdown in decades, the memes write themselves.

In recent months (and years!), we’ve seen flop after flop, such as the new Indiana Jones and Flash films, with endless CGI superheroes and the merciless rehashing of recognised brands. The inability for film studies to recognise and attempt anything new has only led to the continued damage of established and respected franchises.

This in part is due a decline in film studios being willing to take risks over new pieces of intellectual property (something the Studio A24 has excelled in), and a retreat into a ‘culturally bureaucratic’ system that neither rewards art nor generates anything vaguely new, preferring to reward conscientious proceduralism.

Given this, there has been widespread speculation that films like Oppenheimer will ‘save’ cinema, with Christopher Nolan’s biographical adventure, based on the book ‘American Prometheus’ (would highly recommend), being highly awaited and regarded.

Although, I suspect cinema is too far gone from saving in its current format. I do believe that Oppenheimer will have long term cultural effects, which should be recognised and welcomed by everyone. 

In the past, there have been many films that, when made and consumed, have directly changed how we view topics and issues. Jaws gave generations of people a newfound fear of sharks, while the Shawshank Redemption provided many with the Platonic form of hope and salvation. I hope that Oppenheimer can and will become a film like this, because of what Robert Oppenheimer’s life (and by extension the Manhattan Project itself) represented. 

As such, two things should come out of this film and re-enter the cultural sphere, filtering back down into our collective fears and dreams. Firstly, is it that of existential fear from nuclear war (very pressing considering the Russo-Ukrainian War) and what this means for us as species.

Secondly, is that of Blue-Sky Research (BSR) and the power of problem solving. Although the Manhattan project was not a ‘true’ example of BSR, it helped set the benchmark for science going forward.

Both factors should return to our collective consciousness, in our professional and private lives; they can only benefit us going forward. 

I would encourage everyone to go out tonight and look at the night sky and say to yourself while looking at the stars: “this goes on for forever”. In the same breath, look to the horizon and think to yourself: “This can end at any moment. We have the power to do all of this”.

Before watching Oppenheimer, I would highly encourage you to watch the ‘Charlie Dean Archives’ and the footage of atomic bombs from 1959. Not only is the footage astounding, multiple generations have lived in fear of the invention; the idea and the consequences of the bomb have disturbed humans as long as it has existed.

Films like Threads in Britain played a similar role, which entered the unconscious, and films like Barefoot Gen for Japan (this film is quite notorious and controversial, but a must watch) did the same, presenting the real-world effects of nuclear war through the eyes of young children and the fear it invokes.

In recent years, we have seemingly lost this fear. Indeed, we continue to overlook the fact this could all be over so quickly. We have forgotten or chosen to ignore the simple fact that we are closer than ever before to the end of the world.

The pro-war lobby within the West have continually played fast and loose with this fact, to the point we find ourselves playing Russian roulette with an ever-decreasing number of chambers in our guns.

In the past, we have narrowly avoided nuclear conflict several times, and it has been mostly a question of luck as to whether we avoid the apocalypse. The downside of all this is that any usage of the word ‘nuclear’ is now filled with images of death and destruction, which is a shame because nuclear energy could be our salvation in so many ways. 

Additionally, we need to remember what fear is as a civilisation; fear in its most existential form. We have become too indebted to the belief that civilisation is permanent. We assume that this world and our society will always be here, when the reality is that all of it could be wiped out within a generation.

As dark as this sounds, we need bad things to happen, so that we can understand and appreciate the good that we do have, and so that good things might occur in the future. Car crashes need to happen, so we can learn to appreciate why we have seatbelts. We need people to remember why we fear things to ensure we do everything in our power to avoid such things from ever happening again. 

Oppenheimer knew and understood this. Contrary to the memes, he knew what he had created and it haunted him till the end of his days. Oppenheimer mirrors Alfred Nobel and his invention of dynamite, albeit burdened with a far greater sense of dread.

I hope that with the release of Oppenheimer, we can truly begin to go back to understanding what nuclear weapons (and nuclear war) mean for us as a species. The fear that everything that has ever been built and conceived could be annihilated in one act.

We have become the gods of old; we can cause the earth to quake and great floods to occur and we must accept the responsibility that comes with this power now. We need to fear this power once more, especially our pathetic excuse for leadership.

In addition to fear, Oppenheimer will (hopefully) reintroduce BSR into our cultural zeitgeist – the noble quest of discovery and research. BSR can be defined as research without a clearly defined goal or immediately apparent real-world applications.

As I mentioned earlier, whilst the Manhattan project was not a pure example of BSR, it gave scientists more freedom to pursue long-term “high risk, high reward” research, leading to a very significant breakthrough.

We need to understand the power of BSR. Moving forward, we must utilise its benefits to craft solutions to our major problems. 

I would encourage everyone to read two pieces by Vannevar Bush. One is ‘Science the Endless Frontier’, a government report, and ‘As we may think’, an essay.

In both pieces, he makes a good argument for re-examining how we understand scientific development and research and calls for governmental support in such research. Ultimately, Bush’s work led to the creation of the National Science Foundation.

For research and development, government support played a vital role in managing to successfully create nuclear weapons before either the Germans or Japanese and their respective programs.

I believe it was Eric Weinstein who stated that the Manhattan project was not really a physics but rather an engineering achievement. Without taking away from the work of the theorists who worked on the project. I would argue that Weinstein is largely correct. However, I argue that it was a governmental (or ‘human’ achievement), alongside the phenomenal work of various government-supported experimentalists.

The success of the Manhattan Project was built on several core conditions. Firstly, there was a major drive by a small group of highly intelligent and functional people that launched the project (a start-up mentality). Secondly, full government support, to achieve a particular goal. Thirdly, the near-unlimited resources afforded to the project by the government. Fourthly, complete concentration of the best minds onto a singular project.

These conditions mirror a lot of the tenets of BSR: placing great emphasis on government support, unlimited resources and manpower and complete concentration on achieving a specific target. Under these conditions, we can see what great science looks like and how we can possibly go back to achieving it.

Christopher Nolan has slightly over three hours to see if he can continue to make his mark on cinema and leave more than a respectable filmography in its wake. If he does, let’s hope it redirects our culture away from merely good science, and back towards the pursuit of great civilisational achievements – something always involved, as a man with a blog once said: “weirdos and misfits with odd skills”.


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A Scotsman with a Grievance?

Nigel Farage was, somewhat predictably, booed when he was named News Presenter of the Year at the 2023 TRIC Awards in London. The manipulability of online polls in the age of loyally mischievous Twitter followings notwithstanding, the two GB News victories (its breakfast show scooped one too) arguably represent another milestone in the plucky challenger’s march to credibility and, its viewers will hope for its commercial success. 

When GB News launched in July 2021, I was living in the US and working on my second or third startup, depending on whether you only count the successful ones. I watched the go-live and for me the highlight of those initial hours of sometimes painful broadcasting (notable by the curiously low lighting) was veteran newsman Andrew Neil, whose presence lent the nascent broadcaster some grown-up editorial clout.

Personally, I like Neil, and in common with many others was optimistic when in 2020 he was lured from the stagnant BBC to become GB News’ founding chairman. As such, I was sad when, a few months later, he appeared to have flounced off – particularly as it gave the station’s detractors something to gloat about (many of whom seemed to have made up their minds before a single second of TV was broadcast, not least The Guardian’s perennial sideline sniper Owen Jones).

Yet my main regret about Neil’s departure was its manner: specifically, that he didn’t do it with dignity and discretion. Founders split all the time and there are always sensible reasons why. During the early stage of any venture there’s a vast amount of work to do, and it’s in this mad scramble that working relationships are tested. Not all will survive.

Sometimes it’s nothing to do with the individuals, but more the chemistry of a group under pressure. Yet the thing to avoid, in almost any situation, is to make a fuss upon leaving. However great the temptation may be to ‘set the record straight’, it almost always comes across as whiney.

I’ve yet to meet anyone who, years later, will say: “absolutely the right thing was to share a bunch of private stuff in public and stick the knife into my former colleagues”. Candidly, I imagine that Neil now regrets how he handled the split.

Imagine the counterfactual: Neil still left, but instead of throwing his toys out of the pram he settled on a cheerier statement along the lines of: “What a ride! Successfully launching a news station has felt like my biggest achievement to-date. Now we’ve gone live, I’m hankering for a break and will be scaling back my commitments starting immediately. I’d like to thank the team for the immense amount of valiant work to-date, particularly in the hard months leading up to launch, and I’m confident that the Board and management team will successfully steer the station to greatness going forward! I wish everyone the best of luck and will be with you, in spirit, every step of the way. I look forward to reporting on the channel’s success!”

Had he done so, perhaps he’d now be fondly (and rightly) remembered as a co-founder of a bold enterprise – rather than simply a disgruntled former employee who left on bad terms and did a media round to share his grievances, including an opportunistic appearance on his former employer’s programme, Question Time.

Water passes quickly under any bridge, and I’m surprised that Neil, with all his experience, either didn’t know this or ignored his better judgement. The momentary satisfaction one gains from a bout of bridge-burning is almost always outweighed – many times over – by the future ability to gather with former colleagues, on good terms, and share in the celebration of success while laughing about the often funny (and, in hindsight, trivial) disagreements that occurred along the way.

I suspect the wise warhorse Neil’s advice to anyone else might be similar to my own: always keep the bridge intact, however tempting the alternative may be in the short run. I’ve no idea whether he has sent any of the GB News executives a congratulatory message over the last couple of years, but for his sake I hope he has.

To quote PG Wodehouse, “It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine” – and endearingly curmudgeonly Neil appears to be no exception.

A rapprochement with his former startup would surely earn him renewed respect in the eyes of his many admirers. Perhaps he could appear as a guest on News Presenter of the Year Farage’s show? A display of convivial bonhomie on, say, Talking Pints would surely put to rest any accusations that a certain esteemed Scot is harboring a grievance.


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The Exhibition (Review)

Much of the British right occupies itself with complaining about the dismal state of things. This does not lack all merit, but everyone with a functioning mind should understand by now that highlighting the ‘hypocrisy’ of political opponents or bleating about the latest manifestations of madness will change nothing. Then there are those of a more enterprising sort, predominantly North Americans, who turn political frustrations into a business opportunity by selling products solely on the basis that they are not from whichever socially liberal company riled them up. This also achieves very little in the grand scheme of things and portrays a right that is incapable of articulating an independent vision of the world.

Now we have an alternative in The Exhibition, an opening salvo from a group of artists who desire a culture which energises and inspires once again. Here was no place for coordinated agitprop, self-loathing or any of the other trends which make contemporary art so entropic and tiresome. Instead, the walls and pedestals of the Fitzrovia Gallery were adorned with a tangible yet heretofore seemingly unobtainable motivation towards creation.

Am I overplaying its significance? That is partially a question for posterity, yet even for laymen the momentum and excitement these artists are generating is undeniable. The art on display was eclectic in styles, themes and mediums across several dozen pieces. More importantly, however, it was fundamentally good art made by individuals who clearly have a passion for their craft. The nature of this act is political in its affront to progressive sensibilities, but the artists’ avoidance of explicitly political works served their aim of aesthetic appeal. The Exhibition was not a petty episode of ‘culture warring’, but something beyond it with a burgeoning artistic language reemphasising power, virtue and beauty within the human condition. In this sense, modernist inspirations could cooperate with more traditional styles without too much friction, and perhaps the breadth of traditions available to artists in the present can allow synthesis without imitation. I know too little about art to determine the originality of what was on display compared to historical forms, but it was nonetheless impressive to see.

Beyond my emphatic recommendation, I shall mention a few features of The Exhibition which stood out during my visit for those unable to attend; accompanying images can be found fairly easily on the artists’ Twitter feeds. It would be amiss to not mention our very own Sam Wild’s contributions. Amongst his works were a couple of our magazine covers, which are vivid watercolours in actuality. Three textiles by Ferro were a surprising but worthwhile inclusion, according to the website in the Arts and Crafts tradition yet with uniquely mystical patterns. The larger paintings, belonging to Alexander Adams, Matthew Fall McKenzie and Harald Markram, provided yet another advantage to holding this exhibition in that viewing art online seldom gives a sense for each piece’s scale. The epic scenes depicted on several larger canvasses by McKenzie and Markram were simply fantastic. Indeed, all the art on show had more impact from being proudly arranged in a gallery than could be obtained in front of a screen.

I hope this will be the first act in a more active reaction from these artists against cultural stagnation and decline. From my conversations with the artists present during my visit, they are certainly willing to continue fighting for culture. It shall be up to readers and fellow writers to continue supporting this (and other worthy endeavours) in the absence of friendly institutions or the wealthy patrons of times past. At least it has now been proven that our aspirations for the future of culture have the ability to become reality.

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Economic Bondage Against the Family (Magazine Excerpt)

In his 1936 Essay on the Restoration of Property, the author Hilaire Belloc recalls an image he had read two decades before and reproduces to the best of his memory. I’ll adapt it: imagine a single machine that produces everything society could possibly need. If this machine is owned by the collective, through a caste of bureaucrats, we have socialism. Everyone who tends the machine are regularly doled-out what they allegedly need by this bureaucratic caste. If the machine is owned not by many but by just one man, we have monopolistic capitalism, of the type resulting from complete laissez-faire. Most people work the machine and get a wage in return so they can buy its produce. Some others are employed in entertaining the owner, and all the rest are unemployed.

Belloc doesn’t say it, but we could imagine that working the machine involves just pushing a button repetitively. If technology did advance to the point that all which humans need could be provided by one machine, surely it could be worked by merely pushing one button repeatedly.

I rehearse this second-hand image because through it Belloc makes a point: these are capitalism and socialism as “ideally perfect” to themselves. If such a machine existed, this is what each system would look like. 

Both monopoly capitalism and socialism share an agnosticism about the role of property and work in human life. Neither ideology views work nor property as ends in themselves but only means to further ends. For the socialist this end is consumption. Material needs are more important than freedom. To borrow again an image from Belloc, socialists view society as like a group stranded on a raft. The single overwhelming concern is not starving, so food is rationed and handed out according to a central plan. Perhaps a man finds fishing fulfilling and would lead a happy life honing the fishing craft. Maybe he would benefit from selling fish for a profit so he can support his craft. But the circumstances are extreme, so the group take collective ownership of his fishing rod and collective charge of distributing the fish. It’s for this reason that socialism is so appealing to ideologies that see existence as struggle.

For the monopolist this end is profit. Money-making is the only purpose of economic activity, separate from any human need or fulfilment from work. Property is good only if it generates money; not because it has any fixed purpose within human life. Work also is good only if it generates money, and if profits can be increased while reducing the amount of work needed, this is preferable. This is the reasoning Adam Smith uses to create the production line. The goods produced, further, also have no value apart from the profit they create.   

Neither system recognises that humans are rational animals who flourish by both having and using private property as an extension of their intelligence. Thus, if a machine existed which could produce everything needed for life by repeatedly pushing a button, both systems would adopt it and consider themselves having achieved perfection. Everybody (or almost everybody) could be employed doing the same repetitive activity, differing only on the matter of whether their employer is private enterprise or the collective. 

The worker pushing a button is akin to one working on a conveyor belt in a factory, or in bureaucratic pen-pushing. His livelihood consists in a single repetitive and mindless task which requires little intelligence to perform. A craftsman, on the other hand, creates something from start to finish by himself or as part of a team effort with other craftsmen. Intelligence runs all through the activity. Making a teapot, fixing a car engine, building a house, or ploughing a field, each requires applying a design with one’s hands, that has already been worked-out by one’s mind. 

Another effect of this agnosticism involves the consumer. The sort of consumption monopolists think about is a limitless glut happening in a social vacuum. It is want unrelated to need, because the only way we can truly specify need is by defining a fixed purpose for human life. Human needs, on an ancient view, relate to the kind of life humans must live to be truly happy and flourishing. So, we need food, water, shelter, and other commodities. But we also need to exercise our uniquely human faculties, like creativity, aesthetic appreciation, imagination and understanding. We also need to know how much of a good or activity to have. After all, eating until we pass out isn’t good for us, and to sit around imagining all day may run into idleness.

As a result, neither system has much room for organic human community at the local level. Such communities depend on need which goes beyond the mere satisfaction of material wants. Work, for example, is more than just a way to get what we need to live. It’s a vocation, which taps into our rational human nature, and gives us joy through creating and shaping our surroundings.

This is an excerpt from “Nuclear”.

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Petty Nuisance: The Cure to Modern England (Magazine Excerpt)

From an aesthetic, or mannerism perspective, gentlemen had indeed almost entirely perished from the Isles. But the idea that no one should be seen confronting anyone, and a stiff upper lip must be kept at all times had passed onto generations after generations well and intact. But does a combination of that and an increasingly restrictive legal system means nothing can ever be done to rescue Great Britain from its managed decline?

Not really. But the struggle needs to start small, tiny first steps to ease everyone out of the mindset of being a ‘gentleman’.

Unfortunately, if you started pushing over idle motorcycles on your local taxi ranks and smashing windows on your local ‘souvenir shop’, you won’t last long until your own people (yes, your own people) will start reporting you to the KGB (Komitet-Gosudarstvennoy-Bezopasnosti Great Britain), and the government WILL be on your opposition’s side.

What you need to do what some may call a ‘petty nuisance’, completely within the boundaries of law. Or rather, practicing your rights to its maximum, and making the ENEMY’s life harder – cross a zebra crossing just as a Deliveroo rider or a matte-black tinted-window Range Rover arrives so they will have to stop, if they don’t, make them, it is YOUR right! There are much more ways to do this, the sky really is the limit.

Be an active petty nuisance to your enemy, this is your last resistance to those who are invading your life. It may sound humble, perhaps futile, but it keeps the spirit of resistance awake, reminds you that this is still an active struggle, it kills the gentlemanly mindset to give in, to compromise, it keeps a little bit of that fire alive. You will find yourself fighting back more and more as you become more and more comfortable with it. And eventually, perhaps hoping, you will find yourself winning, in this petit crusade, fought with petty nuisance.

This is an excerpt from “Nuclear”.

To continue reading, visit The Mallard’s Shopify.


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