The longevity of her majesties reign lulled most of us into this false sense that she may well last forever. Alas; whilst she reigned over 15 prime ministers, 6 popes, and was just 2 years shy of breaking King Louise XIV’s record of the longest reigning monarch; she was ultimately mortal like the rest of us. Losing Elizabeth is like losing a relative in a way: she was effectively the spiritual grandmother of the nation. One does not have to have met her in person to realise the gravity of the situation and feel a sudden emptiness in ones soul. Regardless, there will be constant streaming in the news about the queen’s reign and whilst this is fully justified considering her extraordinary life; I think it’s equally important for us to look to the immediate future, regarding her heir and now king Charles III.
Like Moyes taking over from Ferguson, taking the reigns over such a distinguished and legendary predecessor in the form of Elizabeth II was always going to be a mammoth task for Charles III. Unlike Moyes though, I do believe Charles III will succeed in his role and will not only steady the ship and keep things stable for when William takes over but I also think he will be a decent king in his own right. There is the historical precedent to believe this will be the case as well if we look at the reign of King Edward VII.
King Edward VII also had the unenviable task of taking over from a long reigning and highly respected monarch. That being his mother Queen Victoria. Not only this though but there were those who thought he’d be unsuited for the crown considering his extramarital affairs, serial womanising, as well as his other hedonistic vices which he indulged in (particularly his gambling habit). Yet, despite all of this, once he became king, he took on the role dutifully and he over time, garnered the respect and admiration of the public at large. He had in fairness a good foundation to begin with. He even became to be known as the ‘Uncle of Europe’, being seen as a breadth of fresh air after his mothers stuffy and stern rule. Charles III faces similar challenges. His past with Diana for instance has far from gone away and there are still rumblings from those who’d prefer the crown skip Charles III entirely and go to William instead. Ultimately though, I think Charles III reign will go much the same way as Edwards VII’s reign.
*Use any picture of King Edward VII here*
He will certainly not match his mothers longevity, but I imagine he’ll do much in his comparatively short reign. He may not be able to match her regality, but he’ll do his duty. He may not command the same love and affection, but with time, I imagine he’ll garner the publics respect.
Detractors of Charles III would also do well to remember that ultimately it’s not about the person but about the institution of monarchy that matters the most. This has been lost on people because of the wider publics affection for Elizabeth II. If you were to ask most people in the street, most would say that they’re much more pro Elizabeth II than they are pro monarchy. Elizabeth was certainly an exceptional public servant but again, it’s about the crown, not the induvial. It is the crown that forms as the cultural nexus point for our nation. It is the crown that serves as the constitutional foundation of this country. It is the crown that forms the last line of defence when everything goes south. Even if you (harshly) think Charles III will be a bad king, we must not be so short-sighted to put the institution of monarchy into question. Either because they think the institution should die with his mother out of principle or because of their personal dislike of Charles III.
To be frank as well, I really fail to see how Charles III will serve as a catalyst for the undoing of the monarchy. The monarchy has survived the disastrous reign of King John, The Peasants Revolt, The War of the Roses, was abolished after the civil war but restored after the tyranny of Cromwell, The Glorious Revolution, anti-monarchical (more specifically anti Hanoverian/Georgian) intrigue from whiggish elements in the 18th century; the crown has survived it all. Those who fear Charles III will or want Charles III to fail would do good to remember their history.
The coming days and weeks will be beset by mourning for our late monarch and I hope that everyone – regardless of political affiliation – can at least raise a toast to her majesty at a minimum. But at least where the monarchy is concerned, we should be more optimistic in this country: we have precious little else to be optimistic about. The reign of Charles III will, I think, prove fruitful for the nation. Time will tell, this piece may come back to bite me at a later date, but I fairly confident that I will be proven correct in thinking that Charles will turn out fine.
The Queen is dead: long live the King!
Rest in Perfect Peace Your Majesty, your son has it from here.
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Audubon’s Legacy of Birds and Tomfoolery
For someone who has anger issues, entering the Audubon’s The Birds of America exhibition was like entering a whole new world. Upon the entry, I saw giant screens showing details from Audubon’s work and I could hear quiet bird noises in the background. It was an incredibly calming experience, as much as one can consider stuffed birds and plates depicting birds massacring another bird calming. Naturally, this wasn’t the centre of the exhibition – it truly celebrated the skill and the creativity of the bird illustrator with a passion for nature.
The exhibition is running in the National Scottish Museum in Edinburgh from the 12th of February to the 8th of May of this year. It displays over 40 plates, each measuring almost one metre in height. Most of them have never actually been shown to the public before. It is split into 4 sections, each of them with its own theme – the first one, ‘Meet the Birds of America’ introduces the ‘world’s most expensive book’ and Audubon, in general.
John James Audubon was a 19th-century ornithologist and naturalist. He made a point of studying and cataloguing the birds he encountered in their natural habitats. A son of a sugarcane plantation owner and a chambermaid, he must have had a conflicted childhood. Audubon moved to the US to avoid participation in the Napoleonic Wars – and focused on birds instead.
The second section of the exhibition titled ‘An Art and a Science’ examines the influence of other illustrators on Audubon as well as the scientific, or sometimes quasi-scientific context. With the Industrial Revolution clashing with the Romantic movement, the transcendental search for nature was at its peak. The illustrations at the time were generally quite dull due to drawing from taxidermy and lifeless study skins.
Audubon, however, made a point of painting directly from wildlife, by personally hunting the birds and sometimes getting others to hunt for him. He would then paint the birds he gathered by pinning them into lifelike poses observed in the wild. This resulted in his art being vivid and life-like. He didn’t want to paint the taxidermied birds as he felt this would take away their lively spark from them. He was known for sometimes romanticising the birds he saw in the wild, for example when painting the Mocking Bird, in which a rattlesnake attacks birds in a bush, where it would be impossible for a rattlesnake to do so. Audubon would also sometimes add more human behaviours to the birds to allow the audience to relate to the birds. He was sometimes accused of not exactly presenting the truth.
The third part of the exhibition called ‘Audubon in Edinburgh’ explores the role of Scottish intelligentsia in ensuring that Audubon was embraced by the art society, after his rejection by the scientific community in Philadelphia. He befriended William Home Lizars and started engraving. Edinburgh was central to Audubon’s beginnings as a bird illustrator, making it extremely relatable to the Scottish audience, and it became somewhat a privilege to live in the same city where Audubon once found inspiration and was embraced by the art world.
The fourth section called ‘The Great Work: The Making of a Masterpiece’ deals with technical and artistic achievements. There are short films available for those whose attention span is longer than mine. However, this section also shows the bound edition of Birds of America which is extremely large (100 x 130 cm when open). Audubon insisted that the illustrations would show the birds life-size. Only two paper mills in the UK were capable of printing these, as he used a double elephant folio which is 96 x 66 cm. For those who are capable to rotate shapes in their head, this number will probably mean a lot.
The fifth section ‘Naturalist or Showman’ focuses on his contribution to discovering new species. Audubon identified 25 new species. This part of the exhibition explores some of the ‘controversies’, for example, Audubon was known for his strong belief in phrenology, the science which is now deemed ‘pseudoscience’ by some. Phrenology suggests that one can find details about someone’s personality from their skull shape. Seeing what kind of person he was, he probably used phrenology to mock his rivals. He was often accused of plagiarism and scientific fraud due to misidentifying some species and fabricating scientific data. Sometimes he invented new species to impress people who might then buy his work. Reportedly, he even stole the specimen of Harris’s hawk from his subscriber to then pretend he never knew him. He also lied in his own autobiography.
The sixth and final section of the exhibition ‘Birds of the World’ considers the impact of the modern era on the preservation and extinction of many birds. Some, such as the Carolina parakeet is entirely extinct – they used to always flock in large groups which made it easier for the hunters to kill them. They’ve also been considered a pest by farmers, which contributed to their demise. The exhibition ends on a thoughtful note, advising us to consider the repercussions of human behaviour on the natural world.
This prompted many conversations, such as the possibility to clone the extinct animals using their DNA tissue, however, so far, this was only tried with Pyrenean Ibex in 2003, but this one died not long after from lung defects. It might be a way forward in the future though.
The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received. He may not have been rigidly adhering to the scientific advice, but he created something that’s still worth looking at. Audubon inspired George Bird Grinnell to create the National Audubon Society in 1905 (although the idea goes back as far as 1895 when the first Audubon Society was created). The organisation protects the birds and their habitats in the Americas. If you like birds, you can donate here.
Audubon’s exhibition included a wealth of important items, including some study skins of birds and many taxidermized birds as well as his diaries, plates, and his hunting double-barrelled rifle. The exhibition is beautiful, thoughtful and certainly fascinating. For anyone who craves the return to transcendentalism and ancient values – it’s a feast for their eyes. If you fancy a trip to Edinburgh before the end of the exhibition on the 8th of May – make a point of stopping by at the National Scottish Museum to look at some birds, I strongly recommend it.
Quote: The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received.
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In Defence of Political Conflict
It’s often said that contemporary philosophy is stuck in an intellectual rut. While our forefathers pushed the boundaries of human knowledge, modern philosophers concern themselves with impenetrable esoterica, or gesture vaguely in the direction of social justice.
Yet venture to Whitehall, and you’ll find that once popular ideas have been refuted thoroughly by new schools of thought.
Take the Hegelian dialectic, once a staple of philosophical education. According to Hegel, the presentation of a new idea, a thesis, will generate a competing idea or counterargument, an antithesis. The thesis and the antithesis, opposed as they are, will inevitably come into conflict with one another.
However, this conflict is a productive one. With the merits of both the thesis and the antithesis considered, the reasoned philosopher will be able to produce an improved version of the thesis, a synthesis.
In very basic terms, this is the Hegelian dialectic, a means of philosophical reason which, if applied correctly, should result in a refinement and improvement of ideas over time. Compelling, at its face.
However, this idea is now an outmoded one. Civil servants and their allies in the media and the judiciary have, in their infinite wisdom, developed a better way.
Instead of bothering with the cumbersome work of developing a thesis or responding to it with an antithesis, why don’t we just skip to the synthesis? After all, we already know What Works through observation of Tony Blair’s sensible, moderate time in No 10 – why don’t we just do that? That way, we can avoid all of that nasty sparring and clock off early for drinks.
This is the grim reality of modern British politics. The cadre of institutional elites who came to dominate our political system at the turn of the millennium have decided that their brand of milquetoast liberalism is the be-all and end-all of political thought. The great gods of this new pantheon – Moderation, Compromise, International Standing, Rule of Law – should be consulted repeatedly until nascent ideas are sufficiently tempered.
The Hegelian dialectic has been replaced by the Sedwillian dialectic; synthesis begets synthesis begets synthesis.
In turn, politicians have become more restricted in their thinking, preferring to choose from a bureaucratically approved list of half-measures. Conservatives, with their aesthetic attachment to moderate, measured Edwardian sensibilities, are particularly susceptible to this school of thought. We no longer have the time or space for big ideas or sweeping reforms. Those who state their views with conviction are tarred as swivel-eyed extremists, regardless of the popularity of their views. Despite overwhelming public dissatisfaction with our porous borders, politicians who openly criticise legal immigration will quickly find calls to moderate. If you’re unhappy with the 1.5 million visas granted by the Home Office last year, perhaps you’d be happy with a mere million?
The result has been decades of grim decline. As our social fabric unravels and our economy stagnates, we are still told that compromise, moderation, and sound, sensible management are the solutions. This is no accident. Britain’s precipitous decline and its fraying social fabric has raised the stakes of open political conflict. Nakedly pitting ideas against each other risks exposing our society’s underlying decisions and shattering the myth of peaceful pluralism on which the Blairite consensus rests. After all, if we never have any conflict, it’s impossible for the Wrong Sorts to come out on top.
The handwringing and pearl-clutching about Brexit was, in part, a product of this conflict aversion. The political establishment was ill-equipped to deal with the bellicose and antagonistic Leave campaign, and the stubbornness of the Brexit Spartans. Eurosceptics recognised that their position was an absolute one – Britain must leave the European Union, and anything short of a full divorce would fall short of their vision.
It was not compromise that broke the Brexit gridlock, but conflict. The suspension of 21 rebel Conservative MPs was followed by December’s general election victory. From the beginning of Boris Johnson’s premiership to the end, he gave no quarter to the idea of finding a middle ground.
Those who are interested in ending our national decline must embrace a love of generative adversity. Competing views, often radical views, must be allowed to clash. We should revel in those clashes and celebrate the products as progress. Conservatives in particular must learn to use the tools of the state to advance their interests, knowing that their opponents would do the same if they took power.
There are risks, of course – open conflict often produces collateral damage – but it would be far riskier to continue on our current path of seemingly inexorable deterioration. We must not let the mediocre be the enemy of the good for any longer.
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The Wire and Singapore
The small island nation of Singapore is like the American TV program, The Wire. I understand that is probably one of the weirdest opening sentences to an article about philosophy and global politics, but hear me out.
Co-creator of The Wire, David Simon, once stated the reason for the show’s success was its ability to mirror every conceivable political bias of the viewership. This was enabled by the many different themes and issues exhibited throughout the show. If you are against the War on Drugs, you will see evidence of its failings. If you support it, you will see evidence it should continue. If you believe that police failings are because of cultural or economic reasons, you will see those perspectives reflected too.
In short, within the entire series, you will see nearly every modern political issue at play as understood by every ‘side’ of said issue. What remains interesting is that, as noted by Simon, the show maintains an ability to “validate” and consequently reinforce the beliefs of the viewers.
As such, the city of Baltimore continues to hold a light to America-at-large and its ongoing issues, even if it aired 21 years ago, finishing just before the election of Barack Obama in 2008. Whether it’s urban decay, corruption, or the failure of the American Dream, what we see in the show are things that existed in the 1960’s and still exist today in this post-industrial broken city.
You can follow this train of thought into the world of global politics, which is not as far away from modern media as I would like to admit. Specifically, we have seen a similar situation emerge out of the success story that is Singapore.
Singapore is like a mirror to any political persuasion that one might have, from which also can “validate” one’s own personal politics. The only real difference is that The Wire (and by extension the city of Baltimore, I say this because the city itself is largely the main character for the entire show) are used negatively, while Singapore is used positively.
If you want to see a thriving multi-ethnic, multicultural, post-colonial state, then you can look to Singapore. If you want to see somewhere that champions free-market capitalism, then you can see it there. If you want to see somewhere with a right-wing government that places a strong emphasis on law and order, not to mention the death penalty, it’s right there between Johor and the Riau Islands.
It remains fascinating to me that a tiny island, one which most people could never find on a map, has sparked such a massive debate on what they ‘see’ when they think of Singapore.
A nation with a population comparable to Lebanon or Palestine, yet more than a hundred leagues above such countries. A right-wing free-market paradise with the best public housing in the world. Those who see its publicly-funded universal healthcare system, one of the most efficient in the world, argue to the contrary. A super politically conservative nation that’s current president is an ethnic minority Muslim woman, racial success story, model minority, etc, etc.
Is Singapore perfect? Of course not. Is Singapore used to reflect general political beliefs about the world? Well, yes. Are a lot of these views correct? Yes and no.
Politically, socially, economically, a lot of different political views and philosophies are validated by the existence of Singapore. Fundamentally, Singapore and Baltimore have a comparable effect on the politically-minded.
Do people get murdered and addicted to drugs in both places? Yes. Are both places being led by an ethnic minority leader? Yes. How we view subjects often depends on the viewer itself, as much as the subject matter in play.
Despite this, Singapore has become a symbol of success whilst Baltimore has become a symbol of failure. Singapore is a model whilst Baltimore is a failure, and nobody wants to see their political beliefs reflected or “invalidated” by the latter.
What is revealing is how two completely different places are so similar, while being so completely poles apart. Everyone can infer whatever they want from either place or still be generally, albeit not exactly, correct.
In conclusion, I think that David Simon is largely correct about this idea of how we as viewers of a thing can be so vastly different, yet so widely validated by its existence. Maybe, it’s more revealing for us, as viewers, to look at places or thematic issues within the greater context of The Discourse, whether political or pop culture, and realize we can all be somewhat right, while also being largely wrong.
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