The Great Exhibition of 2025
The beginnings of the Great Exhibition of 1851 begin with Prince Albert. After spending time as the President of the Society for the Encouragement of Arts, Commerce and Manufactures a few years prior, and having seen the success of the Exhibition of Products of French Industry, the Royal Commission for the Exhibition of 1851 was created. Spearheaded by Victorian England’s greatest industrial thinkers, including Henry Cole, Owen Jones, and Isambard Kingdom Brunel, plans were immediately drawn up.
Joseph Paxton’s Crystal Palace was the chosen design for the structure. Measuring 1,851 feet with an interior height of 128 feet, the purpose of the structure was not only to be practical and cost effective, but a statement too. The Crystal Palace was representative of Victorian ingenuity and innovation, combining practicality with beauty. Without a need for interior lighting and being of a temporary nature, the structure was perhaps the greatest exhibit of all. Inside, exhibits included the Koh-I-Noor diamond, the Trophy Telescope, the first voting machine, and the prototype for the 1851 Colt Navy. Over the course of the next six months, over six million people would visit the exhibition, including the likes of Charles Darwin, Karl Marx, and Queen Victoria on 33 occasions.
The Victorians were longtermists, and thus understood that influencing the long-term future was essential to maintaining a strong and capable society. Indeed, many civilisations of the past were longtermist, and they understood the importance of building not only for functionality but for its wider contribution to culture. The Great Exhibition was such an example, proving wildly popular not only for its technological vigour, but for its cultural significance. Considering the success of the Great Exhibition and the exhibitions that preceded and proceeded it, I care to ask why we haven’t hosted such an exhibition in recent history.
If a new Great Exhibition is to succeed, it really needs to capture the spirit of 1851. This cannot be used as a soulless quest for more tourism. It needs to be genuinely meaningful, productive, and awe-inspiring. Recent attempts to plan and host such an event, namely being the Festival of Great Britain and Northern Ireland, probably passed by without many of us knowing of its existence, let alone care. These events are terribly unproductive, and undoubtedly lead to a greater financial input than the value received. A genuine event of real value needs to break boundaries.
What would a modern-day exhibition look like? It should be noted that the structure used in 1851 was itself ‘modern’ and ‘different’ by 19th century standards. The point here is to create and innovate. To create something new, even if to be inspired by the past. Perhaps, this would serve an opportunity for architects to search for new architectural design, one to move us past the heavily criticised architecture of recent times. Whatever it is, it needs to be magnificent and grand. The Great Exhibition showed us that technological advancement does not have to be clouded in grey.
Moreover, the exhibits should be genuinely innovative and valuable. In 2013, Peter Theil famously said that “we wanted flying cars, instead we got 140 characters.” Technological innovation has been narrowing towards internet-based services, whether that be social media or management software, and has left us in a ‘great stagnation’. There is huge opportunity to innovate outside of this and break the frontiers of technology, particularly as the United Kingdom begins to pivot towards a tech-based economy. We can be the first to lead the revolutions in medicine, transport, manufacturing, and energy.
In 1850, Prince Albert said: “The exhibition of 1851 is to give us a true test and a living picture of the point of development at which the whole of mankind has arrived in this great task, and a new starting point from which all nations will be able to direct their further exertions.”
This speaks greatly of the attitude needed today, and hopefully the attitude a new Great Exhibition can birth. We need to once again strive to break the frontiers of industry and technology, and to understand its importance to long-term civilisational thinking. Only by innovating can the United Kingdom hope to regather its former power.
Ultimately, this is about developing and refining a culture, just as Prince Albert pursued his vision of Victorian industrialism. What is our vision? Who do we seek to be? Much has been said of the United Kingdom’s lack of identity and purpose, but the answers need to stretch further than basic policy reforms. Groundbreaking change is needed to sway the current direction of the country, to alter its path. Given it is planned correctly, a new Great Exhibition can do just that.
This is Anglofuturism
Britain is in doldrums, the days of Cool Britannia are a distant memory, the Empire is now our greatest shame, and pride in our nation has been replaced with an ever-expanding circle of chaos. Whether it’s the Tories’ latest political implosion, Labour backbench rebellions, the cost-of-living perma-crisis, Brexit bickering, or simply ‘decolonising’ anything and everything involving a dead white male. We’re in a mess, the vibe is gone, it’s so over, as they say.
But wait, what is this? Is that a green shoot of optimism I see before me?
Yes, last year a bold new philosophy for Britain was articulated by Aris Roussinos, he called it Anglofuturism, and after being published online it promptly disappeared into the dark corners of the internet where old e-articles go to make out with forgotten cat memes.
That is until it was rediscovered by a Twitter anon who armed appropriately enough with futuristic AI technology created the infamous ‘Anglofuturism Aesthetics’ thread, propelling the concept from online academic-journal obscurity to the heady heights of niche micro-influencer obscurity!
And what followed was the birth of an idea; obscure YouTubers envisaged a steam-powered galactic empire, a heady mix of nostalgia and farsighted fantasy. It was, dare I say in our grim times, fun! This sense of frivolousness prompted me to seek out the original article ‘It’s time for Anglofuturism’ and what I found surprised me.
Anglofuturism was no glib joke, but contained the seeds of a whole new mental model for Britain and the Anglosphere itself. While these ideas were not fully formed and the lively debate in the comments section indicated there was not a consensus, it did get people talking. Most importantly it took aim at a positive vision for the future, in stark contrast to the managed decline offered by our managerial class. But what is Anglofuturism?
Firstly, it is an acknowledgment of where we are at, the economic tailspin we are in and the cultural collapse we are experiencing. This is the death of neo-liberalism and we have front-row seats. The once shiny new successor to Keynesian economics (which itself came to an inglorious end during the strikes and uncollected rubbish of the Seventies) has now also had its day. The ruinous effects of neo-liberalism’s gluttonous money printing, addiction to debt and slavish devotion to short-term profits are all becoming horribly clear. And the consequences of this will only intensify.
Further the people’s discontent with an intellectual elite wedded to bizarre continental philosophies that distort reality, destroy grand narratives, and reduce everything to a mere power struggle is growing too. It is becoming clear that postmodernism and Marxism in its various strains are also destined to join neo-liberalism on the scrapheap of out-of-date and out-of-touch ideas. They’ve had their moment and that moment is over. But the problem we face is the lack of a clear successor waiting in the wings.
And so, we must build it. And this is Anglofuturism, the blueprint for an exciting new intellectual direction. One that is deeply Anglo incorporating the key cultural attributes and identity that have been the source of Britian’s strength for centuries.
It begins with the nuclear family, recognising this is the engine that drives our society, and one we must embrace, cherish and support if we are to have a future. Then housing, the cliché that an Englishman’s home is his castle points to a deeper truth; our homes are our security and our sanctuary. But the recent trend to treat them like speculative financial products rather than where we live and raise the next generation of Britons is a massive social failure that must be rectified.
Next is crime; a low-crime society is a high-trust society, and a high trust society is a wealthy society. For centuries we ensured that crime was punished so communities could flourish and we must resurrect this ethos. Education is the bedrock of Anglo inventiveness and creativity, which gifted us the Industrial Revolution that we generously shared with the world. We must reinvigorate our devotion to learning to once again unlock new opportunities.
And finally, competency. The ‘best man for the job’ is a trope, but it is one that took centuries to establish. From breaking down clannish tendencies to banning cousin marriage and establishing trade guilds, the Anglo vision of a society is one built on competence. We must again enshrine this in our nation. This is the rich cultural heritage of the Anglosphere. Our current reticence to embrace it, and profit from it, is the result of the huge shifts in consciousness that have taken place since the cultural revolution of the Sixties, and the hangover from a century of brutal warfare that we are not yet recovered from. However in terms of the timespan of Anglo culture itself, this is a mere blip, we must look back over a thousand years of intellectual capital and remember the boldness of King Alfred the Great, who, alone with no more than 30 acres of swampy marshland in Wessex, had a vision to unite the warring Kingdoms of Britain into a single England. It’s because of his grand vision that we are the land we are today.
But Anglofuturism is more than looking back. It is also about creating a vision for Britain that is not focused on the next election cycle or TikTok politics of popularity. Instead, it is a commitment to a multi-generational project that truly looks to the future. A future that we as a nation create for our descendants, and the belief that we should leave to them a prosperous, resilient and united Britain, rather than a collapsing economic zone drowning in debt.
A belief that we should utilise our ingenuity, creativity, and technological acumen to power a bold vision for 21st-century Britain, fearlessly embracing radical new ways of doing things that can exponentially change our world. Think of the revolution that was the steam train then times it by a thousand; this is Anglofuturism.
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