If you think that the free speech-v-cancel culture tension has already been pushed to its limits in the UK over the past year, you probably haven’t heard of 40 Days for Life.
The campaign to pray for an end to abortion throughout the period of Lent reached its peak this weekend, drawing Christians across the country together around one of the most significant and controversial issues of our time. One in four women in the UK will experience abortion in their lives. Pro-life groups have worked to make abortions unnecessary by giving women support to keep their children, even up until the last moment of their decision. With such efforts come debate. And with debate comes the difficulty of democracy.
Already, certain local councils such as in Ealing and Richmond in London have caved to activist pressure to ban “pro-lifers” from expressing their views in public, specifically in 150m zones around abortion facilities. Last month, the Northern Ireland Assembly voted to implement a similar censorship zone around all abortion facilities across their country. A similar private member’s bill is in consultation in Holyrood, with MSPs tweeting zealously this weekend about the need to censor pro-lifers.
These so-called “buffer zones” are well-intentioned. Campaigners claim that the pro-lifers “harass” women arriving for appointments. Harassing anyone, particularly vulnerable women, would be deeply wrong and hypocritical of a group claiming to offer help.
But if the volunteers were to engage in harassment, we can rest assured that it is already illegal and would be prosecuted.
In reality, a 2018 review from the UK Home Office found that any instances of harassment were rare outliers, and that the police already had sufficient powers to tackle unlawful conduct.
And so, it’s unsurprising that across the UK, we have seen ideologically-motivated attempts to end “pro-life” activities repeatedly refused by the courts. Take the 2018 court judgment against Nottingham City Council that their injunction against a pro-life campaigner ‘simply could not be justified.’ Take the overturned charges against Brighton campaigner Andrew Stephenson in 2011, and indeed the successful lawsuit brought against the police for his unlawful arrest. Take Southwark Council openly admitting they simply don’t have sufficient evidence to create a buffer zone against pro-life charities, despite the tenacious demands of the Council’s members.
In fact, various women who have received wanted help from the groups to keep their children, right before their abortion appointments, have even spoken out in support of allowing the groups to offer their services to others in need.
And why not keep all options open? New polling from the BBC shows that more than one in ten women have felt “coerced” into having an abortion. Even if not talked into it by partners or “friends”, many women feel they have no option but abortion because of social or economic pressures. Why prevent them of hearing about offers to resolve these pressures?
Where Ealing and Richmond have already implemented “buffer zones”, even silent prayer is now illegal. How they’ll ever be “caught” is anyone’s guess. But refusal to pay a fine for the thoughtcrime can lead to prosecution.
Free speech is both hardest and most important to support when you’re hearing something that you disagree with. For those that support abortion, that means allowing others to voice their concerns and offer alternative options. There’s no point supporting free speech for a popular cause, but not a minority view. And furthermore, refusing to let the vulnerable women considering abortion hear about alternative options available to them is surely detrimentally patronising – all for the sake of an ideological “win”. There is comfort in the discomfort of democracy. We all have a right to be a part of the public conversation, and might just benefit from hearing out those who see things differently.
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Five Truths from Dostoevsky’s The Devils
Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.
Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.
While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.
It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:
1: The superfluity of the preceding liberal generation to progressive radicals.
The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).
However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).
Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.
The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.
In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.
2: Ideologies as active, distorting forces rather than merely passive beliefs.
“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.
Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.
Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.
The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).
From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.
3: Seemingly virtuous revolution motivated by and covering for private vices.
By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.
As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”
Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.
4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.
Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.”
While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:
“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”
A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.
“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”
While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.
“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”
Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.
“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”
A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.
“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”
Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).
More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.
To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.
5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.
An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).
The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.
Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.
It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”
Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.
The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.
Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.
Conclusion
There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.
However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”
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The Burkean Dilemma – and The Need for Constitutional Vandalism
Cast your mind back to your infantile beginnings on the internet – do you remember when a mix of teenage dissent and good taste brought you upon hours and hours of Peter Hitchens clips? The talking points remain engraved in my brain at least. Scorning Elizabeth Truss for being a Liberal Democrat, lamenting the decline, smugly enjoying being the most right-wing man in the room; these old YouTube clips are foundational for many of us. It is through this canon that many reading, I’m sure, found themselves on the Right. Thereby the ideology of Hitchens and the most searing of his convictions have necessarily branded our convictions – and made sour many aspects of reformation.
Ironically, the Burkean is a Tory in its most visceral, honest conception. There is no mistaking the conservatism of this sort, it conserves – it is the noun made verb with very little impurities included. You know the lines, ask why the fence is there before you knock it down. You know the policies, maintain the Lords, maintain the Monarchy, maintain above all; the Constitution.
The Constitution of England is a truly beautiful phenomena; it is our unique testament unto this world. No other people over millennia could produce such a sprawling web of good governance and sound law. Furthermore, the fact it was never sat down and written, but came forth from our historical experiences over a thousand years further adds to its splendour. Through the test of time, it has not only secured this nation but irrigated the unique liberties afforded within it.
It is the Constitution, and adoration for it, that makes a Tory. These sentiments are in-born, and felt from a young age before one has even been acquainted with the exacts of the Constitution. Hence, Enoch Powell as a young boy would take off his cap entering the chamber wherein the first Prince of Wales was born. Such a thing is but second nature to an inherently Tory character, it is an inseparable feature of their character to revere what has come before them – thereby their politics becomes a ritual of removing one’s cap and bowing.
It is natural then that not just a principled opposition but a genuine disgust is exhibited when the foundations of our governance and law are tinkered with. It is felt that to damage the beams built over thousands of years that have maintained Britain’s Constitution is to risk a cave falling in on itself, and a millennia’s effort being destroyed in the process. Therein, the Tory is daunted to even mutter the name Blair.
Removing privileges of the Lords and creating an American-style Supreme Court would likely have been enough to make Enoch Powell croak ten times over – and to this day continues to drive Peter Hitchens into the ground, and it’s clear to see why. The whole Blairite infrastructure continues to allow the spectre of New Labour to linger endlessly. Almost any attempt to combat mass immigration is smashed by some grotesque machination of an early 2000s civil servant.
We have been shown time and time again that the subversive elements of our political class have no regard for these ancient precepts. It is no vice to bend the very structure of this nation in order to inject Liberalism through it. It is for this reason, that we on the Right find ourselves within a Burkean dilemma.
Our base instincts warn us against any constitutional reform. Whether we even express this fact outwardly, this feeling that what has worked for millennia should not be fiddled with is, as mentioned, a petit-pathology of ours. However, if we are to combat a force willing to bend these rules, then we doom ourselves if we do not adapt to this landscape. There is no virtue in taking off our caps to a nation in flames, safe in the knowledge that it was the good timber set alight.
The Blair Cabal was willing to entrench a vapid, corrosive anarcho-tyranny within the fabric of this country, and Starmer will only bolster it as he takes up the torch. On these matters, we must unfortunately get our hands dirty.
Let us use the debate regarding first-past-the-post as an example. Our nature appreciates this institution, it works reasonably well and has done since we thought voting would be a jolly good idea. However, as the Tories and Labour are both infected with the corrosive modernity of our day – what good is the thing? Reform, despite their best efforts, poll in some indications third in terms of vote share, yet are projected to gain not a single seat. The classic UKIP effect, a deliberate design of our voting system to ensure that radical sorts and ruffians can’t steer us on a path of destruction whenever a good demagogue comes about. This is a sound principle . . . when England was a nation of civil, well-mannered people. Hitchens reminds us – ‘there is an inch between Labour and the Conservatives, but it is within that inch we all live.’ This principle rings true when the key debates of a society concern marginal tax rates and the exacts of social spending. It rings a tone of death for a nation embroiled in the debates of our day.
This constitution of ours is unique to us. It could not have come about among any other people, no other nation has matched our wonderful system of civil existence, and those that came close certainly did not happen upon it as we did. The English Constitution is nothing without the Englishman, thereby if the Englishman be doomed then so be his systems of governance and law.
If we can determine that the threats that face us are existential, then the truth of the matter is we must bite the bullet and do away with some of these constitutional features. What good is maintaining first-past-the-post if we are to be a minority within our own homeland by the middle of this century? Why would some among us sooner see the passing of the Englishman than the reformation of what he has produced?
It is the nature of our folk that produced these things; if we lose our nation we lose everything. If some of our dearest institutions must be cleared out it is a price worth paying for our survival. If a fence in the forest impedes us, we have no time to consult a passerby on the reason for its presence when behind us a bear looms.
The Burkean dilemma is this – the Constitution or England. First-past-the-post or our survival. The House of Lords or English children with a future to look forward to?
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Why Can’t We Be Friends?
It’s hardly a novel take at this point to notice that something is fundamentally “off”, to put it lightly, with the way politics and society are currently operating. The events of the last year and a half have demonstrated a distinct lack of consistency in terms of virtually everything. Groups of rioters tearing down and/or vandalising historical monuments have operated virtually unimpeded, whilst a peaceful vigil for a woman murdered by a police officer was met with unwarranted violence, and the once obscene conspiracy theory that COVID originated from a Chinese lab has now been deemed not only acceptable, but plausible by the political elite. Perhaps the worst part is, no matter how uneasy this situation makes us, there is nothing “off” or abnormal about it; it is simply politics operating exactly how it should, whether we like it or not.
In Concept of the Political, German jurist and philosopher Carl Schmitt attempted to precisely define the term “political”; indeed, the more one thinks about it, the harder this task appears. If you asked twenty random people off the street what “politics” actually means, I’d bet a modest pittance you’d get around twenty different answers. From experience, it would range from “the practice of governing/making laws”, to “ruling over people”, to “compromising to reach a universally acceptable outcome.” Schmitt would have fundamentally disagreed with all of these propositions, more-so the last assertion for the crime of being egregiously wishy-washy.
Instead, politics, like all spheres of human activity, is defined by a dichotomic distinction. In the sphere of morality there is “good” and “evil”, in aesthetics “beauty” and “ugliness”, and in economics “profitable” and “unprofitable.” For politics, “the specific [distinction] to which political actions and motives can be reduced is that between friend and enemy.” The “enemy” in the political sense is not a business competitor, or the villain of a petty private rivalry, but a public enemy, or “hostis.” As Schmitt explains,
“An enemy exists only when, at least potentially, one fighting collectivity of people confronts a similar collectivity. The enemy is solely the public enemy, because everything that has a relationship to such a collectivity of men, particularly to a whole nation, becomes public by virtue of such a relationship.”
Politics then, is driven by group-based loyalties; ideology, nationality, ethnicity, etc., any means of finding commonality amongst otherwise isolated individuals. Of course, this reductively alludes to the sentiment of “strength in numbers”, but it also appeals to the human disposition towards a common purpose greater than themselves, fostering a sense of camaraderie between those who share in it. These are the friends, and those who do not share the values and goals of the group, or hold loyalties elsewhere, are enemies. For the safety and security of the friend group and its institutions, enemies must be defined, outed, and crushed.
Historians and theorists continue to debate whether Schmitt’s “concept [or definition] of the political” drew from his tendency towards authoritarianism and later National Socialism. Despite this, one cannot ignore that Schmitt’s definition is universally observable both in the past and present. Having formed the Second Triumvirate, Mark Antony, Octavian, and Lepidus instigated brutal proscriptions to ensure their most high-profile enemies were disposed of. In the words of Ronald Syme, “the Triumvirs were pitiless, logical, and concordant. On the list of the prescriptions all said they set one hundred and thirty senators and a great number of Roman knights.” They were not motivated by personal disdain or savage revenge, rather “their victory was the victory of a party”; the supremacy of the Caesarean cause against its threats.[5] Lenin too was political in this sense, evident, among other places, in State and Revolution:
“the ‘special repressive force’ of the bourgeoisie for the suppression of the proletariat, of the millions of workers by a handful of the rich, must be replaced by a “special repressive force” of the proletariat for the suppression of the bourgeoisie.”[6]
This is essentially a high-brow version of “it’s okay when we do it”; the destruction of the bourgeoisie (the enemy group) through violent means is perfectly acceptable, nay necessary, but violence used by the bourgeoisie against the proletariat (the friend group) is unjust. Even Joe Biden began his presidency in this manner, declaring those who stormed the Capitol Building on January 6th (something which both the elite and faux leftist rebels are still seething over) to be “extremists dedicated to lawlessness” who “do not represent a true America.”[7] Whether it be the most brutal dictatorship or the smiliest liberal democracy, every successful regime refuses to suffer the presence of those who wish to undermine it. Regardless of what we think of Schmitt’s motivations and endeavours, or indeed the notion of group/identity-based politics in itself, the friend-enemy distinction rings true to those in power.
Therefore, when the elite tells us that tearing down statues is correcting history, or that taking the knee before a sporting event is a heroic stand against injustice, but protesting against lockdowns or waving the flag of your own country is a threat to “our way of life”, they are simply doing what all political entities must do: defining what behaviours and values are and are not acceptable, preserving the sanctity of the friend group against its enemies. Indeed, this sentiment echoes through Samuel Francis’s concept of “anarcho-tyranny”; describing the situation when an authoritarian state, despite its extensive power, is unable to enforce basic law and order, leading it to overregulate the lives of law-abiding citizens instead, rather than attempt to deal with genuine crime. An example of this would be clamping down hard on people travelling too far for a run at the peak of lockdown, but refusing to take any meaningful action on systematic trafficking through grooming gangs.
In the context of the friend-enemy distinction, anarcho-tyranny appears as a political choice rather than risible incompetence; to introduce another of Schmitt’s famous definitions: “sovereign is he who decides on the exception”, holding the power to transcend the restraints of the law such that they may protect the friend group in a state of emergency.[9] “Anarchy” reserved for friends, permitted by the sovereign (ruling elite in this case, rather than single individual) to do as they please because they either pose no real threat to the system and its goals, or are a useful pawn against its enemies. “Tyranny” is imposed upon enemies, whose every move must be monitored to ensure they are not in a position to challenge the system, and swiftly dealt with if they are. However, the problem with liberal democracies is that they are operated by the soft-handed administrators of the managerial elite, who are hesitant to use brute force against their enemies, even at a time of emergency. Make no mistake, the tyranny is still there, it simply takes a subtler form, often involving long-term manipulative tactics rather than outright arresting or executing dissidents, as one would typically expect from an oppressive state.
One of the most powerful of these tactics is “framing.” In this context, framing can be best described using the old adage “you’re either with us, or against us”, a sentiment expressed in one way or another by political icons from Cicero to Lenin and Benito Mussolini to George Bush. As soon as there is the possibility of a middle-ground, or a compromise with the enemy, subversion is all-but certain. Consequently, the slightest disagreement with the status quo can effectively be painted as a potentially system-level threat. Even the mildest of lockdown sceptics, concerned about the effects of shutting the country down on small business, human interaction, or children’s development, can be framed as a threat to public health by placing them, in the mainstream consciousness, as one step away from national enemies such as Piers Corbyn, David Icke, and other such “deranged anti-vaxxers.” When put so reductively it sounds like a laughable exaggeration, yet it works. Understandably, the average person holds no desire to be framed in such a way, given the potential ramifications it could have on their life, leading them too comfortably justify averting the risk and pushing any niggling worries they may have had to the back of their head, slotting comfortably back into “trusting the experts.”
This process also notably applied to UKIP at its peak (perhaps even the entire “populist uprising” more broadly), a party of free-market libertarians who flirted with drug legalisation, yet successfully framed in the media as fellow travellers of the openly fascist and white nationalist BNP; simply because they both claimed to oppose “the establishment” and mass immigration, and didn’t apologise for the Empire every ten minutes. Neither of these examples have been presented to lament their underdog status against a system that hates them, but simply to illustrate that once the powers-that-be determine a group or an idea unacceptable, usually because it threatens their narrative, social pressure will be enough for the average person to cave in and accept the status out of fear of being associated with extremists, and subsequently marginalised. One silver-lining to this practice is that it informs us which opinions truly are dangerous. If you can say something without fear of being called an extremist, chances are it’s neither threatening to the system nor particularly edgy; how many people have lost their jobs or livelihoods for being a Marxist in recent years? If anything, it’ll get you a pretty cosy gig at SAGE.
Returning to Schmitt’s definition of sovereignty, our aforementioned extremists or “threats to the system”, are regularly exaggerated to justify a faux state of emergency or “exception.” The most hardcore COVID deniers and anti-vaxxers, should they by some miracle gain political power, would do some damage to the system, so too would the BNP if it ever got anywhere. Realistically, the chances of either of these happening is so miniscule it seems the media time afforded to them feels somewhat unjustified. What were the odds of the BNP winning an election, even at their peak? Essentially nil. How many people are total COVID deniers who think vaccines are the mark of the beast? An insignificant amount. Yet, we’re constantly bombarded with sensationalist fear porn to make it seem like the enemies are just one step away from ruining everyone’s day. By lauding them as existential threats to normality, and making them seem more powerful and influential than they are, it leads people straight back into the arms of the system, such that it may protect them from these awful people and their dangerous ideas. In fact, there is an argument to be made that suppression of extremists is counter-intuitive, as their existence (especially when, as it is in reality, negligible) works to support the system rather than weaken it, providing a visible manifestation of the enemy; a deterrent to discourage normal people (who are raised from birth with the idea that the establishment is the friend) from straying too far outside the Overton window. Framing then, acts as both a means of undermining the enemy, as well as consolidating the power of the friend group without needing to bash down doors and shoot dissidents in the street; far more civilised if you ask me.
Framing also has an added bonus effect: it forces enemies to talk in the same language as friends, functionally turning them into a friend, but still kept at an arm’s length. Moderates of either side don’t want to be associated with extremists either, it’s bad PR, and will almost always side against them if it means they won’t be classified as an enemy. They possess a constant need for approval from the establishment; understandable at the surface level, as such approval allows them to participate in the mainstream dialogue, albeit at the cost of excessively watering-down their positions to the point where they offer little but an edgy (at best) spin on the narrative of the ruling elite. Hence why the moderate right-wing is so painfully milquetoast, they would rather cosy up to the progressive managerial elite than support people on their own side. Paul Gottfried refers to these people as “Conservative Inc.”, the Turning Points and “liberal Tories” of the world, establishment right-wingers who peddle toned-down, politically safe opinions, easily consumable by the average “sceptic”, whilst attacking those who offer a genuinely conservative alternative, often accusing them of being rabid reactionaries. Unfortunately, if you want a seat at the table of power, you need to be a friend, and that means you must play by the rules of the game and participate in the punishment of the enemies just the same.
Despite all of this, liberal democracy tries to disguise the friend-enemy distinction. According to Schmitt, as an ideology emergent from the economic sphere, liberalism is inclined towards compromise, as it is unprofitable to hold contemptuous relationships with a potential business partner or customer. As we have established, this does not mean that liberal democracies do not enforce the friend-enemy distinction, in fact, considering the effectiveness of framing they’re rather good at it, but they do attempt to smokescreen the natural dichotomy of politics.
One of the methods this is achieved is through what Curtis Yarvin calls the “two-story myth.” Under authoritarian regimes, a “national myth” is forced upon the population, constituting a narrative of history containing elements justifying the existence and power of the ruling elite. The problem with this, according to Yarvin, is that people fundamentally hate being told what to think, particularly as national myths are never completely truthful. You can see this in the limp efforts by the Conservative Party to promote “British values”, the substance of which are another issue entirely, and are almost always widely repudiated, whether it be through cynical edginess or a realisation that these things cannot be artificially created. Therefore, it is arguably more effective to create a “two-story myth”, whereby the national myth is split into two narratives.
“When people hear one story, they tend to ask: is this true? When they hear two stories, they tend to ask: which one of these is true?”
What is being questioned is not whether the ruling elite is justified in its position or not, simply the path taken for it to get there. The Tories (when not infested with Blairism) tell us that the British state promoted individualism, freedom of speech, and entrepreneurship, good old classical liberal values which built us into the country we are today. Labour on the other hand insist that our country was built into what it is now through co-operative values such as trade unionism, the NHS, and the welfare state. Despite both of these being mostly falsehoods, there are nuggets of truth present in them which provide just enough for there to be an “uncontroversial, bipartisan consensus”, meaning that when the system is threatened, the loyal peons of each path can be relied on to defend it.
As politics is innately dichotomous and confrontational, the two-story myth provides a faux-friend-enemy distinction to act as a “safety valve” stopping people turning to narratives that won’t arrive in the same place as the approved ones. Whilst people are busy fighting over whether the Tories or Labour should be in power, it keeps them from realising that they are friends, and that by supporting either they are supporting the maintenance of the status quo, regardless of which one is in office. Even people acutely aware of their similarities, quite a substantial number these days, still fall into the trap of engaging with such theatrics. This does not mean that there is no disagreement at all between friends, there are tussles over particular policies, permitted insofar as the fundamentals of the system are not challenged, and as long as the illusion of disagreement (at least superficially) maintains the deception. Different MPs of different parties had all sorts of opinions on Brexit, but beyond lip service, none of them ever questioned whether globalism or free-trade are inherent goods in themselves. Equally, Boris Johnson, Joe Biden, and Justin Trudeau certainly all have their own views on a variety of matters, and may not even like each other on a personal level, but when the time comes, they chant in unison their desire to “build back better.”
There is no friend-enemy distinction between Labour and the Conservatives, or any party in parliament; if any of them were deemed to be enemies of the system they would not be allowed anywhere near power. Back to the BNP example, whatever one thinks of them, they did not share the values of the ruling elite, nor did they buy into the national myth via either one of the two stories. Consequently, after gaining 2 MEPs in the 2009 European Parliament election, they were actively denied access to information afforded to every other party, and it was made clear that their involvement in anything meaningful would be kept to an absolute minimum. This is not an endorsement of the BNP or its failed plight against mainstream politics; honestly speaking, it makes perfect sense, bringing us full circle back to the central question raised by the friend-enemy distinction: would you let a rogue element, which actively despises you and everything you stand for, operate on the same playing field as you? If the answer is yes, then you must be some kind of masochist.
One should not misinterpret this as a polemic against liberal hypocrisy; yes, they allow their friends to operate as they please whilst marginalising anyone they disagree with, but that is not hypocrisy, it is simply politics. They are the ones who hold the power, and no one can expect them to sit back and give free rein to potential subverters. It may not be particularly nice, but the sooner we come to terms with it the better, and once we stop trying to be the bigger person, better still. They want you to “debate” them because it is a distraction, no matter how easy it is to tear apart their ideas and arguments. If those with power decide that something will happen, it will determine whether its justifications are fallacious or if anyone agrees or disagrees with it.
The simple answer is to return the favour, if they don’t care what you think of them, then you shouldn’t care what they think of you. Stand tall for what you believe in, refuse to allow that which you hold dear to be critiqued or questioned by people who hold you in contempt, because as soon as those ideas become contestable, they lose their sacred status. Let them bombard you with petty insults, safe in the knowledge that they are, in the words of Roger Scruton “propaganda words”, abstract weasel words designed to attach enemy status to someone; recognising such is the first part of stepping over the quagmire of liberalism. One you discover your friends (not enemies who wear the skins of friends) discuss ideas among them by all means, learn from your enemies but do not engage with them, no matter how much they try to lure you in with the promise of “free and fair discussion”; a deception to hide their true intention: to confuse you, humiliate you, and obliterate you and your way of life.
Friend good, enemy bad; the motto of all successful political entities.
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