For someone who has anger issues, entering the Audubon’s The Birds of America exhibition was like entering a whole new world. Upon the entry, I saw giant screens showing details from Audubon’s work and I could hear quiet bird noises in the background. It was an incredibly calming experience, as much as one can consider stuffed birds and plates depicting birds massacring another bird calming. Naturally, this wasn’t the centre of the exhibition – it truly celebrated the skill and the creativity of the bird illustrator with a passion for nature.
The exhibition is running in the National Scottish Museum in Edinburgh from the 12th of February to the 8th of May of this year. It displays over 40 plates, each measuring almost one metre in height. Most of them have never actually been shown to the public before. It is split into 4 sections, each of them with its own theme – the first one, ‘Meet the Birds of America’ introduces the ‘world’s most expensive book’ and Audubon, in general.
John James Audubon was a 19th-century ornithologist and naturalist. He made a point of studying and cataloguing the birds he encountered in their natural habitats. A son of a sugarcane plantation owner and a chambermaid, he must have had a conflicted childhood. Audubon moved to the US to avoid participation in the Napoleonic Wars – and focused on birds instead.
The second section of the exhibition titled ‘An Art and a Science’ examines the influence of other illustrators on Audubon as well as the scientific, or sometimes quasi-scientific context. With the Industrial Revolution clashing with the Romantic movement, the transcendental search for nature was at its peak. The illustrations at the time were generally quite dull due to drawing from taxidermy and lifeless study skins.
Audubon, however, made a point of painting directly from wildlife, by personally hunting the birds and sometimes getting others to hunt for him. He would then paint the birds he gathered by pinning them into lifelike poses observed in the wild. This resulted in his art being vivid and life-like. He didn’t want to paint the taxidermied birds as he felt this would take away their lively spark from them. He was known for sometimes romanticising the birds he saw in the wild, for example when painting the Mocking Bird, in which a rattlesnake attacks birds in a bush, where it would be impossible for a rattlesnake to do so. Audubon would also sometimes add more human behaviours to the birds to allow the audience to relate to the birds. He was sometimes accused of not exactly presenting the truth.
The third part of the exhibition called ‘Audubon in Edinburgh’ explores the role of Scottish intelligentsia in ensuring that Audubon was embraced by the art society, after his rejection by the scientific community in Philadelphia. He befriended William Home Lizars and started engraving. Edinburgh was central to Audubon’s beginnings as a bird illustrator, making it extremely relatable to the Scottish audience, and it became somewhat a privilege to live in the same city where Audubon once found inspiration and was embraced by the art world.
The fourth section called ‘The Great Work: The Making of a Masterpiece’ deals with technical and artistic achievements. There are short films available for those whose attention span is longer than mine. However, this section also shows the bound edition of Birds of America which is extremely large (100 x 130 cm when open). Audubon insisted that the illustrations would show the birds life-size. Only two paper mills in the UK were capable of printing these, as he used a double elephant folio which is 96 x 66 cm. For those who are capable to rotate shapes in their head, this number will probably mean a lot.
The fifth section ‘Naturalist or Showman’ focuses on his contribution to discovering new species. Audubon identified 25 new species. This part of the exhibition explores some of the ‘controversies’, for example, Audubon was known for his strong belief in phrenology, the science which is now deemed ‘pseudoscience’ by some. Phrenology suggests that one can find details about someone’s personality from their skull shape. Seeing what kind of person he was, he probably used phrenology to mock his rivals. He was often accused of plagiarism and scientific fraud due to misidentifying some species and fabricating scientific data. Sometimes he invented new species to impress people who might then buy his work. Reportedly, he even stole the specimen of Harris’s hawk from his subscriber to then pretend he never knew him. He also lied in his own autobiography.
The sixth and final section of the exhibition ‘Birds of the World’ considers the impact of the modern era on the preservation and extinction of many birds. Some, such as the Carolina parakeet is entirely extinct – they used to always flock in large groups which made it easier for the hunters to kill them. They’ve also been considered a pest by farmers, which contributed to their demise. The exhibition ends on a thoughtful note, advising us to consider the repercussions of human behaviour on the natural world.
This prompted many conversations, such as the possibility to clone the extinct animals using their DNA tissue, however, so far, this was only tried with Pyrenean Ibex in 2003, but this one died not long after from lung defects. It might be a way forward in the future though.
The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received. He may not have been rigidly adhering to the scientific advice, but he created something that’s still worth looking at. Audubon inspired George Bird Grinnell to create the National Audubon Society in 1905 (although the idea goes back as far as 1895 when the first Audubon Society was created). The organisation protects the birds and their habitats in the Americas. If you like birds, you can donate here.
Audubon’s exhibition included a wealth of important items, including some study skins of birds and many taxidermized birds as well as his diaries, plates, and his hunting double-barrelled rifle. The exhibition is beautiful, thoughtful and certainly fascinating. For anyone who craves the return to transcendentalism and ancient values – it’s a feast for their eyes. If you fancy a trip to Edinburgh before the end of the exhibition on the 8th of May – make a point of stopping by at the National Scottish Museum to look at some birds, I strongly recommend it.
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Consorts (Part 1)
We’ve had many monarchs in English and British history. Nearly all of them have been married, some more than once.
Here’s part one of my series on consorts:
Matilda of Flanders
- Life: c. 1031-2nd November
- Reigned: 25th December 1066-2nd November 1083
- Spouse: William I (m. 1051/1052)
- Children: Nine, including William I and Henry I
- Parents: Baldwin V, Count of Flanders and Adela of France
- Origin: France
Early Life: Matilda of Flanders was born in roughly 1031 to Baldwin V, Count of Flanders and Adela of France. Baldwin was a descendent of Alfred the Great. It’s believed that Adela could be the woman who was married to William I’s uncle, though historians are unsure if it is her. She was also the daughter of Robert II of France. This meant that Matilda had an impeccable lineage.
We do not know much about Matilda’s early life beyond that she spent it in Lille, northern France. Her mother, the extremely devout Adela, taught her daughter.
Marriage and Children: Flanders was a key region of Europe and allied with many of the important players. This made Matilda an extremely eligible match. William of Normandy was a bastard whose legitimacy tainted his prosperity. Legend has it that Matilda told his envoy that she was too high born for a bastard. William reportedly, depending on which version you believe, either dragged her off of her horse or went to her house and hit her. Matilda was reportedly so moved by that passion that she decided she’d marry only him.
Pope Leo Ix refused to give permission as the pair were too closely related as fifth cousins. This did not dissuade them, and they married in around 1051/1052.
William and Matilda had a strong, loving relationship. Unlike many of his contemporary leaders, William never took a mistress. They worked well together and Matilda was instrumental in getting William on the throne of England. He was devastated by her death, which led to an increase in his authoritarian tendencies.
They had at least nine children, including future kings William II and Henry I. Their daughters either took the veil or had advantageous marriages.
Pre-Reign and Queenship: Matilda became the Duchess of Normandy upon marriage. She had all but one of her children there, with Henry being born in England. Matilda contributed to her husband’s attempts to gain the English throne. She purchased and paid for a lavish ship, designing it herself. William was said to be deeply touched by the move.
Matilda remained regent in Normandy as William settled in England following the Battle of Hastings. She proved a capable leader, with Normandy seeing no uprisings or rebellions under her care. It also became a flourishing centre for arts.
She arrived in England in 1068, where she was crowned in a lavish ceremony. William made sure to crown as Queen and not merely a consort, as had been the case up until that point. Her name was mentioned in official documents and the Church fully recognised her.
Matilda had many landholdings and was a very wealthy woman in her own right. She closely supervised the education of her children, all of whom were educated to the highest extent.
The marriage did hit a rough patch. Their son Robert had been furious at his father for taking his (Robert’s) deceased fiancée’s lands. Robert was further angered when William failed to punish his younger sons after a prank on him. After Robert nearly accidentally killed William in battle, he was exiled. A few years later, William discovered that Matilda had been sending Robert money. He was livid but Matilda managed to plead motherly affection and win him back. Matilda brokered a reconciliation between father and son in 1080.
Matilda died in late 1083. William was devastated. He never remarried- though he wouldn’t have needed to- and did not take any mistresses. It’s said that the loss of her good influence made him more tyrannical. She is buried in Normandy at a church not far from where her husband rests.
Personality: Matilda was a deeply intelligent individual in terms of both street smarts and academia. She ensured the education of her children and was by all accounts a very loving mother. Her relationship with her husband was a good one and she was his best counsel. Matilda’s courage and shrewdness made her a strong ally and callable leader. She was deeply pious, even for the time, and left a lot of money to the church and charity.
Legacy: Matilda is remembered as the first official Queen of England. Her pious nature led her to build many religious centres. Some used to believe she was involved in creating the Bayeux Tapestry, though historians discredit that. She’s the descendent of nearly all English and British monarchs.
Matilda of Scotland
- Life: 1080-1st May 1118
- Reigned: 11th November 1100-1st May 1118
- Spouse: Henry I (m.1110)
- Children: Empress Matilda and William Adelin
- Parents: Malcolm III of Scotland and Margaret of Wessex
- Origin: Scotland
Early Life: Matilda was born with the name Edith sometime in 1080. Edith’s parents were Malcolm III of Scotland and Margaret of Wessex. Malcolm ruled Scotland for thirty-five years, whilst the deeply intellectual Margaret would later be given a sainthood. At her christening, Edith pulled the headdress of her godmother, Matilda of Flanders. This was said to be an omen that Edith would one day be Queen.
Edith’s education was advanced for a woman at the time. She was a desirable match, but the strong-willed Edith refused many matches. Her parents had her betrothed to Alan Rufus, Lord of Richmond, a man forty years her senior, when she was thirteen. The death of her parents and older brother saw Rufus run off to marry another. Her uncle took the throne and her brothers were sent to England for protection. It is likely that Edith stayed in England too.
Marriage and Children: When William II of England died in 1100, his brother Henry took the throne as William was childless. He wished to marry and to cement his stature, he wished to marry Edith. Edith was reportedly beautiful and they’d known each other for years. The only problem was that Edith had been raised in a convent and there was conjecture as to whether she’d been a nun or not. It had been her aunt Christina’s wish, but Edith refused. She told a commission that she’d only been veiled to protect from being raped by soldiers. Edith further said she’d stamped on her habit after being given it. It was eventually decided that Edith was free to marry.
Henry married Edith in November 1100. She changed her name to Matilda. Matilda-how I feel refer to her from now on- and Henry had two children who lived past infancy. They were Matilda and William (original naming).
The pair seemed to have a happy marriage, despite Henry’s many, many illegitimate children. This was the norm for the time and it seems that Matilda chose to ignore it.
Queenship: Matilda was a learned Queen who served as a regent when her husband was away-which was often. She was a huge patron of the arts and made her home of Westminster a hub of music and literature. Matilda was also deeply religious, maybe even more so than her mother, and charitable. She commissioned hospitals, churches, schools and other public works. Matilda would wash the feet of the poor and kiss the hands of the ill.
As was custom for the time, Matilda helped find strong marriages for her children. She had her daughter Matilda married off to Henry V, Holy Roman Emperor in 1114. William was engaged to Matilda of Anjou in 1113 and would be married when they were old enough.
Matilda died in May 1118, her husband by her side. Henry mourned the loss, but had to remarry after the death of his son.
Personality: Matilda had a strong personality, as evidenced by her fight to be able to marry instead of being kept as a nun. She was extremely intelligent and devout. It seemed that she was trusted enough to be regent when her husband was often away and she had an active role.
Legacy: Matilda is most remembered for being a devout Christian who funded public works and charity. Many suggested that she be canonized but this never happened. Matilda was used as an excuse by King Stephen to deny her daughter the chance at being Queen, as he argued that she’d been a nun and thus not eligible for marriage.
Adeliza of Louvain
- Life: c.1103-1151
- Reigned: 24th January 1121-December 1135
- Spouse(s): Henry I (m. 1121), William d’Aubigny (m.1138)
- Children: Seven with William d’Aubigny
- Parents: Godfrey, Count of Louvain and Ida of Ching
- Origin: Belgium
Early Life: Adeliza of Louvain was born in around 1103 to Godfrey, Count of Louvain and Ida of Ching. Very little is known about her early life beyond the fact she was reportedly extremely beautiful. Her nickname was ‘The Fair Maiden of Brabant.’ Through her father, she was a descendent of Charlemagne. She may have been well-educated as she knew French, this was not the language of her home.
Marriage: In 1120, Henry I lost his only legitimate son William. He needed an heir and wished to marry Adeliza due to her beauty and heritage. The two wed in January 1121.
Their marriage produced no children, though Adeliza would have children with her second husband. Henry and Adeliza likely had a good marriage as they were always together. She was not, however, at his deathbed in France.
Queenship: Adeliza was not political like her predecessor, but was a huge patron of the arts. She pushed for French literature, making it popular among the nobles of Europe. Henry gave her generous dower lands which allowed her to live in wealth.
Post-Queenship: Henry died in 1135, leaving Adeliza as a widow. She lived in her dower lands as the Anarchy started to unfold. In her widowhood, Adeliza was a proponent of religious charity and commissioned many buildings for the Church. She also remembered Henry and took care of his memorial.
Adeliza was living in an abbey when she was proposed to by William d’Aubigny. His family were minor nobility so the marriage was not too much of a challenge. The pair had seven children together and were ancestors of two of Henry VIII’s wives. Her husband William was a staunch supporter of Stephen, but Adeliza quietly supported Matilda, with whom she had a good relationship. It was only after Stephen threatened the family that Adeliza was forced to lure Matilda into a trap. She did ensure that Matilda could safely leave.
In 1150, Adeliza entered a monastery. This is unusual as she was still married with children. Records indicate she died a year later.
Personality: We know little of Adeliza beyond the fact she was uninterested in politics but enjoyed art. She seemed to be a good stepmother.
Legacy: Adeliza is oft-forgotten due to her lack of politics and not being the mother of a monarch. She is an ancestor of Anne Boleyn and Catherine Howard, however, so she did manage to have a say in the royal lineage many years down the line.
Geoffrey of Anjou
- Life: 24th August 1113-7th September 1151
- Reigned: (Disputed) 1141-1148
- Spouse: Empress of Matilda (m.1128)
- Children: Three legitimate, including Henry II
- Parents: Fulk, King of Jerusalem and Ermengarde, Countess of Maine
- Origin: France
Early Life: Geoffrey of Anjou was born on the 24th August 1113. His father Fulk would become King of Jerusalem upon his second marriage to Melisende of Jerusalem’. Geoffrey had three younger siblings and two younger-half siblings. His sister Matilda was the widow of his brother-in-law William. As a young man, Geoffrey was handsome and loved sports and hunting.
Marriage: Aware of the fact that he likely wasn’t going to have any more legitimate sons, Henry I of England needed his daughter Matilda to marry and have heirs. Anjou had been an ally since William had married Geoffrey’s sister Matilda. In 1128, Geoffrey and Matilda married.
Their marriage was not a happy one. Matilda was a decade older than Geoffrey and felt that marrying a Count was beneath her, as her previous husband had been an emperor. They were both strong-willed and independent people who liked to get their own way. Geoffrey would have bastards.
They had three sons together: Henry, Geoffrey and William. The latter two would die fairly young.
Pre-Reign and Consort: As Count of Anjou, Geoffrey was in charge of the state. He put down several rebellions. In 1135, his father-in-law finally died. Some states submitted to Matilda and accepted her reign, but the English nobles chose her cousin Stephen (eldest living nephew of Henry I). This was for two reasons- the fact that Matilda was a woman and the fact that they didn’t particularly like her husband.
During his contested consortship, Geoffrey fought in Normandy whilst Matilda headed to England. He did make headway but was bogged down, leaving him no time to assist his wife in England. Geoffrey was endlessly putting down rebellions and eventually gave Normandy to his eldest son Henry.
Geoffrey died suddenly at the age of 38. He is buried in Les Mans.
Personality: Geoffrey was outwardly affable and charming, with a love for merriment and sports. He could be very cold and his strong personality made him clash with his wife. Geoffrey was nonetheless very loyal to Matilda, though one would argue that gaining the crown would be more of a benefit to him.
Legacy: Along with Lord Guildford Dudley, Geoffrey is one of two disputed consorts. He is often not included in historical rankings or is least not classed as a consort. His son Henry would live on as king, meaning that Geoffrey is an ancestor of many monarchs.
Matilda of Boulogne:
- Life: c.1105-3rd May 1152
- Reigned: 22nd December 1135-3rd May 1152
- Spouse: Stephen (m.1125)
- Children: Five, including Eustace
- Parents: Eustace III, Count of Boulogne and Mary of Scotland
- Origin: France
Early Life: Matilda of Boulogne was born around 1105 to Eustace III, Count of Boulogne and Mary of Scotland. She was their only child, which was unusual for the period. Her mother Mary was the sister of Matilda of Scotland, consort to Henry I and mother of the Empress Matilda.
Extraordinarily little is known about Matilda’s early life beyond the fact she was betrothed to Stephen aged two and was educated in convents.
Marriage and Children: Matilda and Stephen married in 1125. The two enjoyed an extremely happy marriage, with Stephen taking no mistresses nor bearing any illegitimate children. They had a mutual love and respect for one another.
The pair had five children, three of whom would later rule Boulogne. Eustace was the eldest son and heir to Stephen until the Treaty of Wallingford saw him displaced.
Pre-Reign and Queenship: The first ten years of marriage were relatively peaceful, with the couple often visiting England. All that changed in 1135 upon the death of Henry I. Whilst Matilda waited to claim the throne, Stephen immediately jumped into action and headed to England.
The Anarchy would see Matilda and Stephen often parted. When it came to war, Matilda proved to be a surprisingly excellent leader and tactician. She often came to her husband’s aid with troops. Matilda forged an alliance with her uncle, David I of Scotland, before allying with France through the marriage of Stephen to the king’s sister Constance.
Upon hearing of her husband’s capture, Matilda begged her cousin for his release but was refused. Her army then forced the Empress out of London. It was after she captured Matilda’s extremely loyal half-brother that a prisoner exchange finally happened.
The war dragged on until 1147, when the Empress Matilda returned from Normandy. There was a stalemate at this point and no side had declared victory. Stephen acted as king. Meanwhile, Matilda enjoyed widespread popularity. She was admired for her steadfast dedication to her husband, her bravery, courage and intelligence. Contemporary chroniclers said that she had a man’s heart in a woman’s body. Stephen always listened to her counsel.
Matilda died fairly suddenly in spring 1152 whilst staying in Essex. Stephen was not there at the time. One can assume he was devastated. They are buried together at Faversham Abbey, Kent.
Personality: Matilda was one of medieval Europe’s most brilliant women. Not only was she an extremely loyal spouse, but she was also a talented leader and soldier. She was on the frontlines during the war and was key in several victories. Her love for her husband was evident, as was his love for her. Contemporary citizens loved Matilda and held her up as an ideal woman.
Legacy: Despite the fact her children never ruled England, three would rule Boulogne. Her daughter Marie and granddaughter Ida would be Countesses of Boulogne in their own right, not forced to share power with their husbands. As Henry II was her cousin’s son, Matilda is an ancestor of many of our monarchs.
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Book Review: Return of the Strong Gods by R R Reno
One of the rare consolations of the Empire of Lies we’ve found ourselves in is occasionally encountering a sphere of truth. Such an event reassures us we’re not alone and that kindred spirits are still out there, patiently pushing back against the insanities of the age. One such spirit is the American Catholic author and editor of First Things magazine R.R Reno and his 2019 work Return of the Strong Gods.
Like contemporary efforts by Patrick Deneen and the Polish philosopher Ryzsard Legutko, Reno’s is a book which illuminates the errors of the age. It’s a work which neither succumbs to the easy evasions of the left nor to the vulgarity found on farther reaches of the right. Ultimately, it’s a book that rejects the notion that the post-war era has been the best of all Panglossian worlds.
Divided into five sections and written in simple yet succinct prose, the overarching theme is that the West has lost its way in an abyss of openness: that sine qua non of the present day. Opening at the Second World War and surveying the post-war era, Reno traces our failings back to Auschwitz and Hiroshima and the promise that ‘never again’ would we bear witness to such horrors.
In light of such an overwhelming imperative, a rhetorical and practical pursuit of openness was initiated in what Reno dubs the “postwar consensus”. A stance which involved the marginalisation at best – and outright illegality at worst – of the noxious -isms that led us to 1914-1945. Nationalism, militarism and anti-Semitism were what caused our horrors, they were thus to be expunged from the public square.
Put simply, such ‘strong gods’ were too dangerous: they had to be banished from the realm. Yet precisely who these deities are, and what they mean in practice, is rendered by Reno deliberately vague. In essence, they’re the deeper – and often darker – parts of the soul such as pride, envy and a ‘love of one’s own’.
Yet Reno does provide us with a rough definition. As he states, the strong gods “are the objects of men’s love and devotion, the sources of the passions and loyalties that unites societies” – ”Truth is a strong god” as are “King and country.” Not all strong gods are malignant, however: they can just as well “be beneficent.” Still, the chief lesson of the twentieth century was that the strong gods of “militarism, fascism, communism, racism, and anti-Semitism” overwhelmingly “brought ruin.”
To this end, the Western post-war consensus, led by the United States, was to prioritise cultural weakening in the form of a near-unlimited openness. Out were truth, certainty and exclusivity; in were relativism, doubt and diversity. If these trends were ever queried, one only needed reminding of 1945 and was soon brought to heel. The post-war consensus – and its Manichean framing: either ‘openness or Auschwitz’ – was thus brought into being.
A stance that Reno then proceeds to illuminate, beginning with ‘the open society’. A notion coined by the author of the movement’s most emblematic and eponymous work, Austrian philosopher Karl Popper and his two-volume Open Society and Its Enemies. A book which was written in obscurity in New Zealand during the Second World War and in which Popper attacks Plato, Hegel and other giants of the tradition before coming down on the side of openness.
As Reno remarks, for Popper ‘our civilisation faces a choice.’ We “can live in a tribal or ‘closed society’… or we can break free from this ‘collectivist’ impulse and build an ‘open society’”, one that ‘sets free the critical powers of man.’ And as Popper argued at the time, our future depended on choosing the latter: something we’ve dutifully done and which has set in train the decline that’s since followed.
The rest of the book is then an exploration of this one key theme; with Popper’s socio-cultural openness soon echoed on the economic plane by compatriot Friedrich Hayek: he of Road to Serfdom fame. Thus in a strange symmetry, the West ends up with two Austrian emigres erecting the twin pillars of its post-war world: the Popperian commitment to cultural openness and the Hayekian imperative of free markets.
As Reno remarks, these two men were “united by a commitment to individual freedom and a desire to prevent the return of authoritarianism.” A notion that encapsulates the last eighty-odd years as well as any other and that’s been reinforced through organisations like the Mont Pelerin Society, which Popper and Hayek were founding members, and through Popper’s most famous student, and current bete noir of the right, George Soros: he of his own Open Society fame.
Once established, then, the open-society framework of free markets, multiculturalism and the neutering of metaphysics – “The open society must be anti-metaphysical” – comes to characterise the West. A stance Reno then explores in an impressive overview of the major philosophical figures of the era. After Popper and Hayek, come the Americans Milton Friedman and William F Buckley; followed by a return to the German-speaking giants of earlier in the century, Sigmund Freud and Max Weber; before ending with the Francophone philosophers of the latter part of our era, namely: Albert Camus, Michel Foucault and Jacques Derrida.
Yet it’s Weber and his notion of the disenchantment of the world – i.e. the scientific erasure of the supernatural – that helps further explain our malaise. As Reno observes, Popper, following Weber, wants to rid us of the metaphysical. For as Reno adds, it’s been imperative to eliminate “the vestiges of sacred authority that blinker men’s reason”. A stance that many of us have come to believe is benign, yet it’s a trend which Reno intimates is ultimately suicidal as it “drains away the substance of Western Civilization’s beliefs in robust metaphysical truths.” That is, it erodes the religious substrate that has enabled us to flourish.
A posture that has been implemented practically by what Reno dubs our ‘therapies of disenchantment’. As although erasing the sacred is ultimately futile quest, our need for metaphysics can be tamped down by the political order. Something that has been done by “relativizing” such notions, by “putting them in their historical contexts” and “critiquing their xenophobic, patriarchal, cisgender, and racist legacies”.
From this, the cultural imperatives then follow: we must “celebrate diversity”, “cultivate transgression” and “problematize” our traditional ties. A stance accomplished by our elite as they “drive old loyalties to the margins of respectability, and otherwise advance the cause of an open society and open minds.”
This metaphysical poverty, allied with the imperative of openness and the eviscerating force of the free-market, have led us to the current impasse. One witnessed in the apparently inchoate actions of voters in their support for non-establishment actors like Nigel Farage and Donald Trump. That is, in their clamouring for figures brave enough to enunciate the failures of the liberal order and able to address them.
Something evident in what Reno calls the Homeless Society. One which is a natural reaction to the “embattled postwar consensus” and a “rebellion against the dogmas of openness”. As in opposition to the issues of 1945, we no longer face the same problems. Indeed, what ails us now is the direct opposite of that time.
Our issues revolve around an all-pervasive anomie. We are a culture that’s “imperilled by a spiritual vacuum and the apathy it brings”. A society that’s “politically inert, winnowed down to technocratic management of private utilities and personal freedoms”. Our main danger is thus one of “a dissolving society; not a closed one; the therapeutic society, not the authoritarian one.”
A stance Reno expands upon as he notes the economic, cultural and demographic disasters that have arisen under the aegis of openness. A failure that has been overseen by what can only be described as an utterly inept and unpatriotic elite – or as Reno puts it, our Leaders without Loyalty. Indeed, the book can be read as one of the best indictments of our elites yet seen.
Simply put, our elites are hypocrites. They insist on ‘openness for thee, but not for me’ as they insulate themselves from the baleful effects of their dogma. As Reno notes: “For all their talk of an open economy and open society, those in the upper echelons of our society work very hard to protect [themselves and] their children”. “They…choose homes in neighborhoods with goods schools” and condemn “traditional norms as authoritarian, but… keep their [own] marriages together.” Ultimately, “they shelter themselves and those whom they love” from the destructive effects of openness as they praise its putative virtues publicly.
Given this hypocrisy, and the other failings of the liberal order, the post-war consensus is straining under the weight of its contradictions. It’s a case of ‘what can’t go on, won’t go on’ – and the current settings can’t go on much longer. Indeed, the anti-naturalness of the post-war project was inherent from the outset, but only now are the fissures impossible to ignore.
As such, we move back to the beginning: to the ‘return of the strong gods’. A notion that is not only the book’s title, but which was also an inevitable result of the liberal order. As despite the well-intentioned commitment to openness and the promise of ‘never again’, the post-war concord was always doomed to fail.
This is so as it doesn’t accord with underlying nature. For as many have come to realise, the liberal order is one big affect. Although largely peaceful and prosperous, the post-war consensus fails to fulfil a multitude of human needs. Socially, it’s a regime that doesn’t recognise the darker elements of the soul, like parochialism and ‘a love of one’s own’; not does it address the practicalities of life in a political community: such as a sense of belonging, a common culture and the stability we innately seek. While economically, the Hayekian imperative of unencumbered markets has left us as financially precarious as we are socially: afflicted by the dilemmas of the ‘double-dose’ liberalism to which many now allude, and that writers like Christopher Lasch and John Gray explicitly warned.
Which is why Reno finishes the book seeking an end to the ‘long twentieth century’ and a return to the politics of ‘shared love’. Our order failed as it rendered us homeless: lost in a sea of apathy with no place to call our own. As in spite of the left-liberals who treat our crisis “as an illusion” – with Trump and Farage mere manifestations of an aberrant electorate – Reno treats their rise as the logical result of the errors innate to the liberal order.
The mere fact of ‘populism’, then, is not an epiphenomenon of short-term economic or social angst; but of deeper and entirely legitimate “questions about national identity, immigration and foreign policy, all of which cast doubt on the legitimacy of the established leadership class in the West.”
As in advancing openness, our elite has eroded the solidarity we seek. As under our technocratic ethos, vast swathes of the human experience is marked verboten and placed outside the frame of debate. As Reno remarks, our elite “is so thoroughly blinded by the postwar consensus” it neglects “the actual problems we face – atomization, dissolving communal bonds, disintegrating family ties, and a nihilistic culture of limitless self-definition.”
We thus need to return to the strong gods: of love, solidarity and genuine community. It requires our leaders “to ask question they have been trained to supress”. It needs them to realise that, as the philosopher Leo Strauss observed – in direct opposition to Popper – that ‘the society by nature is the closed society’. A notion to which Reno alludes when he references that well-known saw about human nature: that “blood is thicker than water.”
Which in essence is all that is wrong with the post-war order and why it’s now falling apart. As although the initial desire to prevent future holocausts, gulags and atomic explosions was clearly laudable, these events did not to change human nature. That is, a nature which still seeks solidarity and a sense of the sacred; one that sees our “private interest as part of a larger whole”; one with a “love of our land, our history, our founding myths, our warriors and heroes”. Simply put, we need a renewed patriotism: we need ‘to renew the “we”’.
There is thus very little to critique in Reno’s work. Being an avowed Catholic, his remedies tend towards the Christian, which may rankle the less religious, yet he wears his religion lightly and the book is never in danger of dogmatism. There is an argument to be made, however, that by anchoring the book to the motif of socio-cultural openness, other factors, like the importance of economics – and the centrality of economic growth to the post-war era- are not given the import they deserve. There is also an incongruous attempt to smuggle in some American-style civic nationalism that is understandable even though it’s completely contradictory to the spirit of the work.Nevertheless, this is a highly commendable work. Like Deenen’s and Legutko’s, it’s one of few recent books that drives to the heart of our malaise and that honestly elucidates the errors of our age.
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Madness and Spectacle: The Yellow Vest Suite (Magazine Excerpt)
At the time my personal motivation in doing a whole suite of works was the aesthetic superseding the political. I was captivated by the sensuous images of darkness and colour shades that I tried to capture in these paintings and drawings. Multitudes of people wearing a loose uniform of greenish yellow starkly contrasted with the burning embers of street fires, and thick black smoke from various car chemicals and building materials being immolated, darkening the sky. So many monuments to France’s history are contrasted by a new revolutionary fervour. I was attempting to create a sort of protest impressionism, colour swatches in the darkness of smoke and the light of fire.
But perhaps this is too a sort of romanticism, an aesthetic expression of a yearning for political possibilities outside of the confines of Globo-liberalism, because the political-aesthetic picture of current times produced by Globo-liberalism is so bland, Kitschy, its regime-approved protest art so vulgar and dehumanising, from flat design humans to Banksy. In other words, it sells you empty left-liberal sentimentalism. But my paintings are not meant to create a new counter political-aesthetic. In hindsight, these works are merely cartographic, depictions of a historical moment done as faithfully as I could. Art as a dramatic record of events, a window into vivid scenes that didn’t quite seem real.
Since the petering out of the Yellow Vests, and the periodic riots and public demonstrations in France, over everything from climate change to changes in pension law, there seems to be a jadedness and morose character to the “active politics” of the French. Each one seems to devolve into a public dance party, a more spectacle-driven and violent form of the same cynical and exhausted symbolic politics that lurches forth in most of the Western world. The same people smashing windows and lighting cars on fire went right back and voted for Macron again.
This calls into question the nature of a true syncretism between fringe left and right political coalitions that meet in the middle of society through public political rituals of demonstration and protest. Perhaps it is true that these sorts of protests and public events are merely vanities, and real politics in globalised liberalism is far away and above the direct means of resistance ordinary citizens have. In other words, managerialism, more than tyranny and ideological millenarianism could ever dream of, did away with the concerns and whims of the crowd.
But in the end, the Yellow Vests provided striking images, and for a time, provided an aesthetic politics which could provide a template for further populist movements which cross-cuts ideological and cultural boundaries. The Yellow Vests were very much of the times we are living in now, because it is the image, the aesthetic more than anything, especially in the online world, which informs and contorts the political.
This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.
