How did we get here, and where do we go? A lot of modern political questions can be summarised in those two simple questions. Our cultural and political zeitgeist has possibly become the equivalent of going out for a quick pint and realising sixteen hours later we have woken up on a flight to Mexico.
This literal cultural hangover event merely asks up to beg the question of where we go from here, now that everything has happened prior to our sleep walking and into the current awakening.
Legally, we might be more at home in Terry Gilliam’s ‘Brazil’, or One Flew over the Cuckoo’s Nest, in being trapped within a world that both defies logic or order. A world ran by malicious people, albeit far too stupid to be truly Orwellian Big Brother figures.
As noted by Nicolás Gómez Dávila’s book Sucesivos Escolios a un Texto Implícito:
“Dying societies accumulate laws like dying men accumulate remedies.”
If such things are true, then how do we stop the accumulation? Are societies, as they get further complex and interconnected into themselves and the outside world, doomed to merely breakdown under their own weight? Do we end up investing more energy into systems with greater diminishing returns, until the project itself collapses (Joseph Tainter makes this argument in his book ‘The Collapse of Complex Societies’).
Alternatively, is collapse merely something that occurs when a nation or civilisation loses the fire it once had, and the cracks begin to show? Do we physically lose the will to continue with the same drive and passion that our predecessors had, or do we merely just burn out like Wang Huning often pondered?
Where are the get out of jail free cards, the mechanisms to stop the damage, how do we stop this strange death from approaching?
We often see images of political leaders placing their hands on religious texts, and then stating that they will protect the law of the land and uphold the constitution or whatever. This is nearly always a lie when you have people who neither understand nor respect the original foundations which the nation sprung from.
It was Edmund Burke that said society is a contract between the dead, the living and those yet to be born, and civilisation is an intergenerational struggle between the civilised adults and the little barbarians they have given birth too.
You just must domesticate them before the little barbarians become big ones. This social contract and corresponding obligations are not peer pressure from dead people, but an active handing of cultural responsibility in a civilisational relay race of life.
So, how do we remove these laws? The formation of which will only further hinder future generations. One idea is that of a constitutional reset clause being placed into the political framework of a country. A reset clause would allow for directly examining the new laws that have come into place over the course of every generation. This would allow for a new political class of individuals to look at what has occurred and decide what to do with it all.
With a typical generation being between twenty to thirty years, and twenty-five being in the middle (also fits well for being a quarter of a century), this could be a good way to start. We can take an original constitutional document like the United States Constitution. It is simple, codified, and adheres to higher values for what is expected of both citizenry and government.
Instead of feeling like original documents merely get chipped away with the passage of policy and time, such actions will help people to regularly reassess the direction we are going in. We start at a neutral original document point and let people naturally add further to the document, after twenty-five years we look at what has occurred and assess what has happened previously. The reassessment will allow people to critically examine what has happened and what laws we really need and what needs to be let go.
I sometimes fear we slowly walking into a South Africa-like situation, where we find ourselves with a constitutional document that does not benefit anyone; burdened with laws that only create issues for everyone down the line.
As a result, the problem with South Africa is that it eventually started looking like South Africa, we do not want this nor benefit from this if we continue down this path.
Until this happens one thing is certain, the slow progress of not just time but also law will eventually create a multigenerational leviathan that will ultimately have to be stopped, if left unchecked.
We could pick a date as a proverbial year zero, of which the original laws always remained, and you would then let it play out.
Although, the practicality of such ideas will never get off the ground, hypothetically we should be constantly examining the accumulation of laws and the quality of them moving forward.
In conclusion, what this might mean is that we must reform how we think and view law within our countries and the accumulation of it all. Are we slowly walking into a bureaucratic nightmare and if so, how do we escape from such problems, well and truly?
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Five Truths from Dostoevsky’s The Devils
Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.
Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.
While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.
It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:
1: The superfluity of the preceding liberal generation to progressive radicals.
The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).
However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).
Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.
The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.
In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.
2: Ideologies as active, distorting forces rather than merely passive beliefs.
“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.
Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.
Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.
The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).
From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.
3: Seemingly virtuous revolution motivated by and covering for private vices.
By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.
As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”
Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.
4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.
Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.”
While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:
“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”
A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.
“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”
While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.
“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”
Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.
“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”
A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.
“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”
Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).
More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.
To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.
5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.
An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).
The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.
Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.
It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”
Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.
The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.
Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.
Conclusion
There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.
However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”
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A Brief History of US Student Politics
‘Hey, hey LBJ, how many kids did you kill today?’
These chants outside of the White House haunted Lyndon B. Johnson throughout his presidency. He would sit in the Oval Office with his head in his hands as the chants wafted through the walls. When his son-in-law Charles Robb sent in a tape from Vietnam, Johnson buckled against the table and looked as though he was in tears. For the loud Southern Jackson, who took great pleasure in towering over and intimidating others, this seemed like quite a big deal.
This is not about Johnson, however. This is about the students who protested him and the Vietnam War. This is about the students who protest now and any time.
An American Education
Harvard University was founded in 1636 and is classed by many as the oldest institute of higher education in the United States. Throughout history, the Ivy League colleges (Harvard, Yale, University of Pennsylvania, Princeton, Columbia, Brown, Dartmouth and Cornell) have been considered the most elite, though others have made quite the showing. Between them, the Ivy League colleges have educated fifteen US presidents. They’ve also educated many Supreme Court Justices, Governors and members of Congress.
Throughout early American history, the Ivy League and other elite colleges were almost exclusively for white, wealthy men. Colleges for women did exist, such as the female equivalent of the Ivies, the Seven Sisters, though they came far later. Colleges for African-Americans also came later, such as Howard and Tuskegee.
Cornell began to accept women in 1870, but it took until 1983 for all of them to admit women, with Columbia being the last.
Minority men were able to attend earlier and more frequently, with Yale being the last to accept black students in 1964.
Despite more diversity in terms of the student body, Ivy League colleges see students of the wealthy 1% overrepresented. One in six Ivy students have parents from the top 1%, and they are 34% more likely to be accepted than students with the same scores but from less wealthy backgrounds. The children of these parents are also more than twice as likely to attend elite universities- the Ivies, Stanford, MIT, Duke and Chicago.
The Times They Are A-Changin’
Whilst protests and activism were not unknown prior, the 1960s saw an explosion in it.
The decade was one of great social change, perhaps the greatest since the 1860s. Firstly, there was more of a focus on youth. TV, radio and movies began to cater to teenagers. Bands like the wholesome Beach Boys and sassy Beatles saw teenage screaming along. As incomes expanded, college enrollment doubled between 1945 and 1960, doubling once again by 1970.
There was also less social and cultural hegemony than before, something that Richard Nixon and his Silent Majority sought to exploit. The Civil Rights movement was at an apex as students sat at segregated café counters and took integrated buses to register African-American voters in the Deep South. Second-wave feminism saw women demand access to birth control, abortion and equality in the workplace. As students moved away from their generally conservative homes, many became embroiled in a more progressive political atmosphere.
Perhaps most impactful in terms of lives was the Vietnam War. Action in the Asian nation had significantly escalated, particularly after the Gulf of Tonkin incident in 1964.
Students in particular were opposed to the draft. College students could receive deferments, but they were in the target conscription demographic of being young and healthy and unmarried, though the marriage deferment ended in summer 1965. One of the most notable forms of protests saw students burning their draft cards.
They were also active in the protest movement as a whole. College campuses became hotbeds of political activity. Students also joined protests and demonstrations.
There were varied reasons as to why students in particular were opposed to the war. Some echoed the popular sentiment of many that it was war thousands of miles away that did not have anything to do with America. Others believed that American soldiers were killing innocent civilians. Some thought that the money would be better spent elsewhere or that war in general was wrong.
One college that became a centre of counterculture politics was UC Berkeley. The California university became a hub of activism and protests regarding Civil Rights, free speech and Vietnam.
Most of the decade saw passionate but peaceful protests in the area, but this changed. In April 1969, students at Berkeley set up an informal encampment in People’s Park, scuppering a plan to turn it into a public space. On the 15th May 1969, police arrived to turf the squatters out. This, combined with a nearby college protest, saw around 6,000 people turn out at the park. The police eventually opened fire, killing San Jose resident James Rector as he watched from the roof. Many others were injured; one man was blinded. California Governor Ronald Reagan called in the California National Guard.
There had been a notable protest at New York’s Columbia University a year before. Black student protestors had asked white protestors to protest separately, which they did, segregating it on racial lines. Some of the students occupied the administrative Hamilton Hall, holding Acting Dean Henry S. Coleman hostage.
In another protest that year, students at Morehouse in Atlanta held the board of trustees. One of those students was a young Samuel L. Jackson.
Sixties Assassinations
Adding to the students’ cynicism were the assassinations of four famous men, all of whom were generally admired by students.
The first was John F. Kennedy in November 1963. Kennedy had been a proponent of college education and had been a point of fascination for young people, mainly due to his relative youth compared to other politicians.
The second was Malcolm X, the firebrand minister for the Nation of Islam and advocate of civil rights. He was slain in February 1965.
The third was Martin Luther King Jr, the well-known minister who advocated for civil rights via peaceful means. He was killed in April 1968.
The fourth and final one was Robert Kennedy in June 1968. He had entered the Democratic race for president as an anti-war and liberal alternative to unpopular incumbent Lyndon B. Johnson.
Death At Kent State
One of the most tragic events of the student protest movement came in May 1970.
The Sixties was over and new president Richard Nixon had promised law and order. Meanwhile, America was expanding military operations in Vietnam by entering neighbouring Cambodia. This caused immediate controversy in the anti-war movement. Several hundred students at Kent State in Ohio were protesting this. Residents and police officers had been concerned about potential repercussions in the community, and the Ohio National Guard was called.
The National Guard attempted to disperse the crowd through tear gas and other means, but this failed. Protestors began to throw rocks and other projectiles at them before being herded away. Near a hill, some of the officers started to open fire. Four students- two men and two women- were killed. Nine others were wounded, one of whom was permanently paralysed.
Images of the event, including the famous picture of a horrified teenager standing over one of the bodies, caused even more riots and protests across the nation. 100,000 people marched on Washington a few days later, leading to Richard Nixon famously talking to protestors in the middle of the night at the Lincoln Memorial.
Post-Sixties
Whilst the chaos of the 1960s gave way to a relatively more peaceful 20th century, activism and protests still remained. College Democrats and College Republicans have both been popular hubs for the partisan-minded students. Politicians regularly attend speeches and rallies, especially when they’re supported by the students.
As a rule, colleges tend to be on the left of the spectrum, in both faculty and students. Exceptions to this tend to be religious institutions like Bob Jones and Liberty University.
Issues that have arisen include the Iraq War, climate change, school shootings, race, gender, sexual assault and rape and military engagement in general.
The Current Protests
On the 7th October 2023, Israel was surprised by an attack by Hamas. People were murdered, missiles were fired and civilians taken hostage. In response, Israel had gone all out on Hamas. As a result, there have been numerous deaths and injuries in Palestine. Many people have been made homeless or have needed to evacuate from their homes. Some have flooded into neighbouring Egypt. Neither Palestine or Israel are safe.
Sympathy for the deaths of innocents have been widespread, but there is a huge difference in opinion regarding Israel. Protests have happened in major cities across the world, with the pro-Palestine side occupying most of that space. London for example has seen weekly protests since October.
The issue has become a massive one in America. Historically, the American government has been a strong supporter of Israel. Joe Biden has given assistance to Israel, but seems to want incumbent Israeli PM Benjamin Netanyahu out. Internally, there is debate amongst the legislative branch. Pro-Palestine and anti-interventionist politicians have come together to stop aid to Israel. Others wish to help it more.
It’s also been dynamite for college campuses. Coast to coast, north to south, university students have been protesting non-stop since October. The Ivy League colleges have been the centre of the protests, but other elite and notable colleges such as Stanford, Berkeley, Northeastern, NYU, Ohio State, and Emerson have seen student activism.
Students have been calling for an immediate ceasefire in the area. Regarding their own colleges, they ask for the institutions to break all ties to Israel, especially regarding financial gifts.
The protests themselves have been controversial. The shouting of ‘from the river to the sea’ is seen as a call to action against Jews, as well as the calling of a global intifada. Flickers of anti-semitism have allegedly been seen in these protests, despite the bulk of participants proclaiming they oppose Zionism, not Jews. Some Jewish students have participated in the protests, whilst others feel unsafe. Classes have been called off and students have been forced to study online.
Encampments have been put up on several campuses. Some have been cleared by police whilst others remain. These encampments are made up of tents, donated food and other communal activities, all of which are subject to rules. Whilst the protests remain mainly about Israel and Palestine, they tend to bend towards anti-capitalism and progressive ideology.
New York’s Columbia University has been the establishment most in the news. On the 17th April, a number of Columbia students started an encampment. Whilst the encampment was torn down by police the next day, it was rebuilt and protests continue. Students report difficulty getting to class. Arrests and suspensions have also been made.
Student Kyhmani James became the subject of media attention following comments regarding the murder of Zionists. He filmed a video of himself talking to the administration in an attempt to get his views across. Unfortunately for Mr. James, he has been kicked out of Columbia.
The Response
America’s 1st Amendment is very strict on the freedom of speech and assembly. That being said, law enforcement and university officials are more than a little tired of it. Students have been arrested, suspended and even expelled. Three college presidents have sat before Congress- Mary Magill of UPenn, Sally Kornbluth of MIT and Claudia Gay of Harvard. Magill resigned in December 2023, and Gay followed in January 2024 after a plagiarism scandal.
Some presidents have been tough. The University of Florida sent out a very clear letter to protestors telling them which behaviour was appropriate and what would get them kicked out. Florida State turned on the sprinklers. Northeastern University got the police to clear the encampment, saying that the use of ‘Kill the Jews’ crossed the line. Florida Governor Ron DeSantis promised to expel any protestors who joined mobs. Even Columbia, the home of the most infamous protests, allowed the police in to tear down the encampment.
It doesn’t look like this is going to go away anytime soon. What some call a win for free speech is what others call going ‘too far’. As parents look away from the Ivy League to less elite but still reputable universities, one wonders if it’s a case of rich kids with too much time on their hands and no problems of their own. Is it that or a genuine example of solidarity with Palestine? Whatever the case, America’s campuses remain on metaphorical fire.
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It’s not the economy, stupid
Although it seems so distant, the current political landscape is a direct product of 2016. Without specific reference to the victory of Donald Trump, the Brexit referendum, and the rise of anti-immigration parties across the Western world, it’s impossible to sufficiently contextualise the obvious sense of insecurity characteristic of contemporary left-leaning politics and political analysis.
Every twenty years or so, the Western Left convinces itself it can finally do away with its native working class supporters and fully re-align itself along socially liberal lines, catering to the interests of ethnic and sexual minorities, immigrants, women, graduates, the underclass, and the progressive elements of the haute bourgeoisie.
These attempts at fully actualising a rainbow coalition of the oppressed and their allies rarely work out, backfiring and resulting in catastrophic electoral defeats.
Realising it’s jumped the gun on their replacement, the Western Left is once again begrudgingly going cap-in-hand to those it momentarily considered obsolete, hoping to win them over for election time, and hold onto them whilst in government.
The Left’s ‘bipolar’ relationship with its traditional voters has arguably been the central driving force behind its ideological development for the past 40 years. Categories like ‘Blairite’ and ‘New Democrat’ can’t fully be grasped without reference to the strategies by left-leaning parties to ease the anxieties of native working and middle class voters.
In a similar way, Keir Starmer and Joe Biden have undertaken initiatives of their own. The former is scarcely filmed or photographed without a Union Jack whilst the latter plays into his roots in order to present as a scrappy, charmingly cantankerous working class Irishman. As Biden’s successor, Kamala Harris clearly intends to continue this process, leaning heavily on V.P. pick Tim Walz’s ‘White Dude’ minstrel act and various forms of cosmetic patriotism.
However, whilst the comparative lack of political imagination is evident, and the general disinterest in being ideologically creative is obvious, ongoing rapprochement strategies are desperately trying to formulate a convincing counter-narrative to scupper the enduring threat of the populist right.
Confronted with an insurgent New Right on both sides of the Atlantic, the counter-narrative of the Third Way suggested the liberal revolutions of the 1960s and 1970s had crystallised. Despite the profuse sense of hopelessness, the Left had successfully dislodged the traditional moral and cultural tapestry which underpinned Western societies. Rather, they claimed that the activists had simply grown-up, encumbered with adult responsibilities and considerations, which (until fairly recently) went hand-in-hand with fiscally conservative politics.
Of course, this narrative was never entirely true. In no small part, the rise of the New Right was a reaction against the excesses of the social movements of previous decades, although this tendency was sub-ordinated by the right’s shift towards socalled neoliberalism; social conservatism was a present but ultimately secondary characteristic.
Grappling with a new threat from the right, similarly drawing on cultural discontent and siphoning support from the native working class, the Left is trying to use the same playbook, minus any of the context which gives it any credibility or sense.
Bemoaning the alleged capitulation of the centre to the so-called far right in The Guardian, former Prime Minister Gordon Brown argued:
“Sooner rather than later, the far-right poison will have to be countered with a progressive agenda focused on what matters to people most: jobs, standards of living, fairness and bridging the morally indefensible gap between rich and poor.”
Brown’s article is one of many left-wing think pieces and op-eds which have tried to recast right-wing populism – a movement motivated first and foremost by opposition to immigration and its demographic ramifications – as a misdirected reaction to a cluster of ‘real’ problems which the Left tactically concedes to have ignored: declining standards of living, economic inequality, deindustrialisation, social mobility, and/or a lack of educational opportunities.
Typically, the primary factor is something economical, although a social issue that specifically isn’t immigration can be thrown into the mix too, such as the spiritual deficits of secularism, emasculation anxiety, social alienation, and unaddressed mental health problems.
In their own musing on the issue, Novara Media’s Ash Sarkar and Aaron Bastani concluded deindustrialisation, consumerism, and cultural Americanisation (in other terms, not immigration) should be primarily blamed for the loss of social cohesion, oddly using the provincial towns of Southern France and Northern Italy (that is, the strongholds of the National Rally and the Brothers of Italy respectively) as places with a sense of community severely lacking in England.
Putting aside the fact the concept of community is treated as abstract and present-tense in left-wing commentary, or the fact it’s OK to talk about the scourge of foreign culture insofar it originates from America, or that England has its loose equivalents, the fact these picturesque settlements are voting for anti-immigration parties indicates how the inhabitants (either based on an influx of arrivals in their community or elsewhere) can infer that immigration is a threat to the very delicate and complex social harmony required for such places to exist. You could say good things are hard to create but easy to destroy!
Whatever the specifics, the Left is caught between its true constituents (immigrants and their descendants) and its tactical constituents (working and middle class ethnic natives).Not wanting to speak ill of immigration out of fear of offending the former, yet realising the importance of the latter to the integrity of its temporary (but necessary) coalition, it needs to decrease the salience of immigration by shifting the public’s focus, leveraging its media influence to push politically-convenient revisionist narratives.
The vote to leave the European Union was initially written-off as an emotional spasm, which was redefined as a more sympathetic but ultimately instinctive bout of political discontent, before finally being redefined as a desperate but rational economic decision motivated by declining living standards (as understood in purely materialistic terms).
Some attributed this to deindustrialisation, others attributed it to housing prices; some touted austerity whilst others pointed to the cost of living. Whatever the case, it didn’t really matter. Politics was being neatly steered back to safe, technical questions, the likes of which could only be solved by the same managerial class which felt threatened by the result.
A similar process happened following Trump’s victory. The White Male backlash at having a Black president (and the plausible threat of having a female president) became another iteration of the paranoid style in American politics, which was revised into a vague disaffection with Washington, finally boxed as an unrefined but understandable protest vote against the offshoring and automation of American industry and jobs.
Consequently, the Biden administration quietly left many of Trump’s trade policies in place and seriously started to entertain decoupling from China, making it a central and pronounced component of the Democrats’ party platform, alongside a more visible association with trade unionism.
Following the riots in the UK and the state election results in Germany, in which the Alternative for Deutschland won in Thuringia and achieved very close seconds in Saxony and Brandenburg, attempts at misdirection have already begun, from Starmer’s flat-out denial that discontent over immigration created circumstances ripe for public disorder to the sudden recasting of the German right’s successes as a reaction to regional inequality and name-calling, rather than Germany bearing the brunt of unwanted immigration into Europe.
In all the aforementioned instances, it’s not that the primary factor behind was initially misunderstood. The Left attacked voters as racist and xenophobic prior to these events and in their immediate aftermath, so they evidently understood the ethno-racial motivation.
Nor can it be said that the cluster of various socioeconomic factors attributed as the driving force of recent rightward shifts in the electorate are being plucked at random. The calculated selection is part of the style.
Right-wing populism is obviously motivated by economic discontent, but so is every political uprising. Even at the best of times, the economy matters to everyone, so it can’t sufficiently explain the behaviour of specific subsets of the electorate on its own.
Rather, it’s the fact that these concerns are secondary to immigration is not publicly acknowledged by the Left, even after ten years of political development, and attempts to revise the motivations behind these movements persist with such stubborn tenacity shows the modus operandi of contemporary left-leaning so-called ideas.
No insights or solutions, only new and innovative ways to distract from the elephant in the room: immigration. Primacy matters, especially when political capital is finite. We needn’t let the importance of economic reform fall by the wayside, but we shouldn’t allow it to be used as an obvious mechanism for deferring a major issue, wrapped-up as level-headed, ‘sensible’ analysis of current political circumstances.
