In short, the year started badly but was peppered with good moments. By mid-2022 it was going excellently, and I thought I was finally past the worst of what this year could throw at me. My hubris was rewarded with some of the worst few months of my life so far. I know that, in the grand scheme of things, I should be thankful for all that I have, and I certainly recognise that I have it much better than most people. It helps to remember that, but it doesn’t change how I felt and acted at the time.
I suppose that that is the nature of life and hindsight. At the time, these moments seemed to mean everything. They either crush your soul and spirit or bring you to the highest heights. I think that this sentiment is expressed quite well in the ‘it’s over/we’re back’ memes that have propagated themselves across my twitter timeline for the past few years. We outright refuse to recognise our own mundane victories and losses, and instead focus on the peaks and troughs – this is natural of course, we would go completely insane otherwise.
I don’t think it is bad to allow these experiences to hit you. Part of the human experience is to be hit by these ups and downs. It is the dwelling on these events that becomes a problem. Holding on to fading hurt and fleeting success instead of moving on in some sort of twisted nostalgia for our best and worst moments can lead us down a very dark and dangerous road. It makes us forget who we are and who we can be. Our lessons learnt, we should embrace the change and simply move on. It is in these moments that we grow and mature as people, and become a better version of ourselves.
For me personally, this year has been an absolute rollercoaster of highs and lows, and that has been very hard to deal with. Things seem to be better now, however, and I am filled with enthusiasm for what the new year can bring me. I think that 2023 will be an amazing time for personal growth and development. I still have a lot of weight to lose, but I am steadfast in my determination to see it through this year. Coming to terms with my situation and state of mind will not be easy, but life is not supposed to be easy. Nothing worth doing is easy.
This is an excerpt from “Provenance”. To continue reading, visit The Mallard’s Shopify.
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Conservatives Just Don’t Get It
This article was originally published in April 2020.
“It is always said that a man grows more conservative as he grows older; but for my part, I feel myself in many ways growing more and more revolutionary” – G.K. Chesterton.
One should never attempt to fight the enemy on his home turf. Unfortunately, conservatives have been doing exactly that for the past 60 years. The changes to the social fabric that have occurred over decades, courtesy of the left’s dominance on the cultural front, have been nothing short of extreme. Such changes are paramount to an intergenerational sociocultural revolution, one which many “conservatives” refuse to acknowledge the significance of, either due to ignorance, arrogance, or cowardice.
Some would rather indulge in the rather fashionable practice of vacuous contrarianism, insisting that the concept of “Culture War” is trivial; imported for the sake of disruption rather than anything important. I can assure you, it’s not. Despite the coronavirus pandemic, our politics continue to no longer be defined by the material and the necessities for survival. Nor is it defined by the intricate details of policy papers. Rather, it is fundamentally cultural; it is an existential conflict, one which has emerged amid the increasingly different ways we define who we are. Far too many conservatives underestimate the importance of this fact. Far too many conservatives just don’t get it.
Defining the Enemy
The most common understanding of the left is the left-wing party. Naturally, in Britain, the Labour Party comes to mind. It’s those socialist maniacs who want to raise your taxes, bankrupt the country, and bring back the IRA. To some extent or another, this may or not be true. Some may be (correctly) willing to push the boat out and incorporate other parties such as the Liberal Democrats and the SNP into this understanding. Whilst they incorporate different ideological strands into their party platforms (i.e. liberalism, Scottish nationalism, etc.) they are still understood as belonging to the broadly progressive, left-of-centre bloc of British politics. Of course, this excludes the Conservatives themselves, not because they’re right-wing, but because they are not ‘officially’ seen as such.
However, specifically in the scope of culture, “the left” has historically been encapsulated in (as one in the midst of China’s own cultural revolution would put it) the hatred of “old customs, old culture, old habits, and old ideas”. It is the movement which not only holds these things in contempt, but has artificial over the course of several generations, actively sought to undermine them, and supplant them with placeholders. Whether it is branded as liberation or social justice, deconstruction or decolonisation, the motive is the same: the eradication of Britain’s true understanding of itself. It is the removal of a nation’s identity, onto which another one can be projected; one that serves the interests of the revolutionaries, who have long since been assimilated into positions of officialdom. Tradition, in all its forms, is not a milestone of progress to these people, but something which stands in its way. Tradition are markers of oppression, bigotry, and other devalued soundbite terms that have long infested modern politico-cultural discourse.
This outlook, when put into perspective, is hardly contained within the confines of mainstream political parties. On the contrary, the most ardent advocates and enforcers of these ideas do not have a seat in parliament or hold a party membership card, yet they still wield extraordinary amounts of influence over the public realm, either as well-known figures or grey eminences. If conservatives are to get serious about conserving, they will have to think outside the party-political box and engage with the wider political arena; the Labour Party is merely one of many heads of the progressive hydra that has been wreaking havoc on our country.
The Conservative Problem: The World Moves On
So often, mainstream conservative figures evoke the Devil-like image of Marx, whose communist ideals linger within the minds of leftists. This is often done with the hope of incentivizing the public to steer clear of such people. This poses two problems. One is that most people (especially young people) really don’t care about the “threat of communism”. They may find the CCP distasteful, they may prefer the USA as the world hegemon, but people (again, especially young people) don’t have a potently adverse reaction to communism. Keep in mind, this general sense of apathy is also felt towards other historically charged political forces, such as the IRA, Hamas, and Venezuelan Socialism. Indeed, one could say the same thing about National Socialism, but I digress.
Too many conservatives fundamentally misunderstand of the type of left we are up against, not just in the party-political sphere but in all nooks and crannies of every institution of society. If you want to understand the grotesque and underhand nature of modern leftism, you’re better off the intellectual descendants of Marx, rather than Marx himself. Whilst Marx called for the proletariat to revolt against their bourgeoisie oppressors, Gramsci fixated on the issue of cultural hegemony – that economic transformations can only occur if a society is preconditioned with the necessary cultural values; it is these cultural values that justify whatever economic system is in place, and by extension, the specific nature of economic redistribution. Conservatives can hardly hope to win if they can’t even recognise the type of battle that’s being fought which is, first and foremost, one of a cultural nature.
Politics is Downstream from Culture
Supremacy in Parliament is important; it is the sovereign legislature after all. However, conservatives must remember that power, in all its forms, transcends the walls of Westminster; capturing the building where legislation is made must be combined with capturing the institutions that shape our nation’s political “Overton Window”. It is this framework that inspires the legislation that is created within it and dictates what legislation can exist. If legislation isn’t allowed to exist in a ‘culturally appropriate’ sense, then it almost certainly won’t be allowed to exist in a practical sense.
Conservatives must reaffirm themselves with the timeless truth that “politics is downstream from culture”. Politicians are important actors, but they are not the only actors. Conservatives must learn to march through the institutions as the left has done for so many years with frightening efficacy, whether it be in the classroom or the court room, the media or the civil service, the hospitals or the churches. It is victory on this front that has already altered the perceptions we have of our society, and therefore how we conduct our politics.
Currently, the products of these institutions are often laced and ingrained with progressive preconceptions and cultural attitudes. Dissenting views and sentiments are purged from the circles that produce these mass-consumed cultural products. This is not because they are wrong in any objective sense, on the contrary, many have realised that what’s said in these instances is actually pretty milquetoast (“trans women aren’t biological women, etc.). People’s politics are shaped by the environment in which they operate, and as time has gone by, the leftist-domination of seemingly neutral institutions has resulted in those who would otherwise being apolitical becoming (either explicitly or implicitly) averse or straight up hostile to conservatism. Then again, why shouldn’t cultural progressives do this? They have shown time and time again that they cannot (currently) advance their ideas via the ballot box, so instead they focus on maintaining and integrating their power where it already exists and doing what they can from there.
Conservatives are foolish if they think that they can ignore the concerns of people until they reach 30. Whilst young conservatives are more radical than their elders, they are fewer in number. Young people are far more hostile to conservatism than 40 years ago, and older people are becoming increasingly progressive themselves. The demography is against us, in more ways than one. They may not call for the workers of the world to unite, but they still hold disdain for those who hold socially traditionalist sentiments. The Conservative Party can win as many elections as it likes, but it won’t matter provided culturally conservative ideas are suppressed and forced to remain on the fringes. The electorate may not be averse to the Party, but as for the philosophy from which it draws its name, that a very different kettle of fish.
The Conservative Problem: Parliament is the Ultimate Prize
Despite all this, it is hard for many in the Conservative Party to comprehend how “the left” continues to be an existential threat to the British and our way of life. When I converse with Conservative Party members, many often exalt over “Bojo winning a stonking 80 seat majority and saving Britain from the clutches of Red Jezza”. Once again, the problem with this is that it reduces the political to party politics, electoral success, and the squabbles of Westminster and Tory Twitter. It also severely underestimates the vehicle for change an 80-seat majority could act as provided we addressed the current cultural paradigm in which the party is forced to operate. A cultural paradigm that will only continue in the favour of progressives provided conservatives get their act together.
Unfortunately, anytime someone within the ranks of the party dares to defend Britain from continuous desecration besides the safe stuff, such as the monarchy and purely liberal-democratic interpretations of Brexit, much like the spiteful and monotonous Marxist-drones thy insist to be so different from, they hound you, assassinate your character, declare you unfit for public life. To not sufficiently submit to the brand of “Conservatism” permitted by the current cultural paradigm is often nothing short of social suicide. This also goes for those who espouse their profusive love for the “broadchurch” and talk about free-thinking with impassioned vigour, like some firebrand philosopher from the enlightenment. Then again, one should expect such two-faced behaviour from careerist sycophants. For the overwhelming number of apparatchiks, patriotism is just for show.
This is not to say supporting the monarchy and Brexit are bad things. On the contrary, I am a monarchist (although, I am not a Windsorian) and favoured Brexit before Brexit was even a word. What should be noted though is that to truly prevent Britain’s abolition, we must do so much more. This “do what you like so long as it doesn’t affect my me or my wallet” mindset is deeply ingrained into our society, even in its economically downtrodden state, inhibits the political conscience we require for national renewal.
Of course, there have been “attempts” by “culturally conservative” minded individuals to engage in cultural discourse. Pity they rarely talk about anything cultural or conservative. Normally its either some astroturfed rhetoric about the wonders of free-market capitalism and individualism, and the menaces of socialism and big-government. When they do, it’s nothing more than them desperately trying to prove to their left-leaning counterparts that they’re “not like those other nasty Tories” or that it “it’s actually the Left that is guilty of [insert farcical modern sin here]”. I look forward to living in the increasingly cursed progressive singularity in which leftists and “rightists” are arguing over who’s more supportive of drag-queen story time, mass immigration, and open-relationship polyamory. What’s more, attempts to indoctrinate the youth into becoming neoliberal shills could be more forgivable if their attempts weren’t teeth-grindingly cringey.
The Mechanics of Political Discourse
The mainstream media, for example, is one of many institutions dominated by cultural progressives, has long perpetuated the façade of meaningful politico-cultural discourse. How many times have we seen a Brexiteer and a Remainer go head-to-head on talk shows and debate programs only for it to be a session of who can come across as the most liberal and globalist? “Brexit is a tragic isolationist, nationalist project” pathetically weeps the [feckless and unpatriotic] Remainer. “No no, it is THE EU that is the isolationist, nationalist project!” righteously proclaims the [spineless and annoying] Brexiteer. These people talk as if the British populace have all unanimously agreed that therapeutic-managerialism is currently the best thing for their country. As much as the grifters and gatekeepers might like to ride the “reject the establishment, stand up for Britain” wave to boost their online clout, they’re just as detached from the concerns and problems facing Britain as “those damn brussels bureaucrats” and “out-of-touch metropolitan lefties”. As a Brexiteer you’ll have to forgive my mind-crippling ignorance, but I am highly suspicious of the idea that most Leave voters sought to accelerate the effects of economic and cultural globalisation. Brexit, by all measures, drew the battle lines between the culturally conservative Leavers and the culturally liberal Remainers (individual exceptions accounted for).
This influence must not be taken lightly, even the most authoritarian regimes must rely on some consent and co-operation from forces beyond the central government. Not the people of course, but those who assist it in the government’s ability to govern; an all-encompassing apparatus through which a government may be permitted to assert its influence; comprised of NGOs, QUANGOs, the civil service, the mainsteam press, and various directly affected sections of society with vested interests in the form of corporate monopolies, universities, and devolved bodies. Without support and co-operation from these institutions, a government’s ability to exert influence is drastically limited. It is from these non-parliamentary sources of influence that have come to possess substantial (and practically unaccountable) amounts of power over the politico-cultural discourse. They decide what questions exist, what topics are taught, how issues are discussed, what viewpoints get publicity, what projects receive funding, what subjects’ officially matter… they decide what’s funny, and what’s not!
The cultural values at the top of society, and therefore endemic to society as a whole, lend themselves both to the creation of a cohesive ruling class. One with capabilities so indispensable to government that even if a party were to capture power on a conservative platform, it likely wouldn’t make all or most of the necessary changes needed. It also makes those values assume a special worth that other cultural attitudes do not have. Like all such “sacred” values, they do not exist in a single place, they permeate out as both a civilisation’s assumed-to-be natural moral standards and as something which exists at the top of socio-cultural hierarchy of status.
The Conservative Problem: The Rules are Fair
Considering what is a highly restrictive discourse, many will shake their fist and declare “you just can’t say anything these days”. Total rubbish. You just say certain things. You can say that mass-immigration is a blessing. You can say we should normalise dating sex workers. You can’t say anything meaningful about the nationwide grooming gangs or “I personally believe {insert any run of the mill socially conservative view here}. If you do, you’ll end get fired from your job, or the Church of England and be forced to issue a grovelling and humiliating press-mandated apology for harbouring remnants of Christian sentiment. The New Statesman-lead character assassination of the late and great Sir Roger Scruton, a smear campaign by the media that continued even after his death, is a rather poetic embodiment of the conservative situation. The great irony of liberalism is debating whether one should tolerate those with alternative attitudes (regardless of how illiberal) or utilise the power of institutions to force those people to adopt liberal ones, explicitly or implicitly. As one would expect, vast majority of liberals in recent years have selected the latter. Openness must be secured through the exclusion of those that demand exclusion, which neccesarily narrows the scope of politics.
Unfortunately, despite cultural leftists wanting to eradicate them for political life, conservatives still see themselves as above obtaining and using power. Again, they’ll try their hardest to win an election, but when it comes to actively supporting the defence and furtherance of conservative values they’d much rather not be involved. At most they’ll shake their heads at those crazy progressives with their wacky pronouns and move onto the next Twitter controversy. Of course, power is not the only thing of value in this world, but is neccesary asset if you want your principles to actually mean something. It is hardly a sufficient response to throw your hands up and declare yourself above the fight. If anything, it’s the acknowledgment of this reality that makes people conservatives in the first place.
On Counter-Revolution
A cultural counter-revolution is possible. However, it will require conservatives coming to terms with their new roles, not as protectors of the status quo, but as those who are reacting to the increasing perversity, corruption, and sclerosis of the new order. The struggle will be long but that it is the only way it can be. Efforts to conserve our future must begin in the present, even if we look to the glories of the past for inspiration.
Many will not stand as they do not have a conservative bone in their body and are in themselves part of the problem. Others will be defiant about taking a stand at all. They will self-righteously declare:
“I’m not choosing a side. I want nothing to do with this. It’s got nothing to do with me!”
Unfortunately for them, the choice to be apathetic about the destruction of your civilisation is still a choice. Many haven’t clocked that politics is not only a never-ending war, but an unavoidable one; one which we are losing, with consequences mounting with every generation.
Of course, a lot of conservative activists are like me. We are not just Conservatives in the sense of party membership, we are instinctually conservative. We came to the Conservative Party because, despite the self-interested careerists and the severe shortcomings in policy in recent years, we recognised that the party itself serves a fundamental role in making our voices heard. As much as liberals in the party would like to throw us out by the scruff of our necks, one can only deny social conservatives their rightful place within the Conservative Party for so long.
Although I must say, I was hoping that a party with an 80-seat majority would have more vitality than a freshly neutered dog. Far too many Conservatives would prefer the party to be an over-glorified David Cameron appreciation club, or the parliamentary wing of the Adam Smith Institute, rather than the natural party of Britain. A Conservative Party that supports conservatism will not alone be enough, but it will be necessary, The Conservative – Labour/Liberal dichotomy is so ingrained in British politics that an alternative right-wing is likely to fall flat, even when there may be demand for one.
I am sure we are not small men on the wrong side of history. However, should I be wrong, I have the benefit of being young and naïve. I have come to terms with being an argumentative, nationalistic Zoomer and I’m far too stubborn to give up on my ideals, especially at this stage in my life. The fire of counter-revolution must not be extinguished, it must be passed down.
My fellow rightists, you can continue leading the life of a cringe, narrow-minded normiecon; begrudgingly submitting to apparatchiks, gatekeepers, and controlled opposition; parroting every stale, uninspiring, mass-produced talking point to inoculate against the turbulence of politics. Alternatively, you can break your chains and take Britain’s destiny into your hands.
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Audubon’s Legacy of Birds and Tomfoolery
For someone who has anger issues, entering the Audubon’s The Birds of America exhibition was like entering a whole new world. Upon the entry, I saw giant screens showing details from Audubon’s work and I could hear quiet bird noises in the background. It was an incredibly calming experience, as much as one can consider stuffed birds and plates depicting birds massacring another bird calming. Naturally, this wasn’t the centre of the exhibition – it truly celebrated the skill and the creativity of the bird illustrator with a passion for nature.
The exhibition is running in the National Scottish Museum in Edinburgh from the 12th of February to the 8th of May of this year. It displays over 40 plates, each measuring almost one metre in height. Most of them have never actually been shown to the public before. It is split into 4 sections, each of them with its own theme – the first one, ‘Meet the Birds of America’ introduces the ‘world’s most expensive book’ and Audubon, in general.
John James Audubon was a 19th-century ornithologist and naturalist. He made a point of studying and cataloguing the birds he encountered in their natural habitats. A son of a sugarcane plantation owner and a chambermaid, he must have had a conflicted childhood. Audubon moved to the US to avoid participation in the Napoleonic Wars – and focused on birds instead.
The second section of the exhibition titled ‘An Art and a Science’ examines the influence of other illustrators on Audubon as well as the scientific, or sometimes quasi-scientific context. With the Industrial Revolution clashing with the Romantic movement, the transcendental search for nature was at its peak. The illustrations at the time were generally quite dull due to drawing from taxidermy and lifeless study skins.
Audubon, however, made a point of painting directly from wildlife, by personally hunting the birds and sometimes getting others to hunt for him. He would then paint the birds he gathered by pinning them into lifelike poses observed in the wild. This resulted in his art being vivid and life-like. He didn’t want to paint the taxidermied birds as he felt this would take away their lively spark from them. He was known for sometimes romanticising the birds he saw in the wild, for example when painting the Mocking Bird, in which a rattlesnake attacks birds in a bush, where it would be impossible for a rattlesnake to do so. Audubon would also sometimes add more human behaviours to the birds to allow the audience to relate to the birds. He was sometimes accused of not exactly presenting the truth.
The third part of the exhibition called ‘Audubon in Edinburgh’ explores the role of Scottish intelligentsia in ensuring that Audubon was embraced by the art society, after his rejection by the scientific community in Philadelphia. He befriended William Home Lizars and started engraving. Edinburgh was central to Audubon’s beginnings as a bird illustrator, making it extremely relatable to the Scottish audience, and it became somewhat a privilege to live in the same city where Audubon once found inspiration and was embraced by the art world.
The fourth section called ‘The Great Work: The Making of a Masterpiece’ deals with technical and artistic achievements. There are short films available for those whose attention span is longer than mine. However, this section also shows the bound edition of Birds of America which is extremely large (100 x 130 cm when open). Audubon insisted that the illustrations would show the birds life-size. Only two paper mills in the UK were capable of printing these, as he used a double elephant folio which is 96 x 66 cm. For those who are capable to rotate shapes in their head, this number will probably mean a lot.
The fifth section ‘Naturalist or Showman’ focuses on his contribution to discovering new species. Audubon identified 25 new species. This part of the exhibition explores some of the ‘controversies’, for example, Audubon was known for his strong belief in phrenology, the science which is now deemed ‘pseudoscience’ by some. Phrenology suggests that one can find details about someone’s personality from their skull shape. Seeing what kind of person he was, he probably used phrenology to mock his rivals. He was often accused of plagiarism and scientific fraud due to misidentifying some species and fabricating scientific data. Sometimes he invented new species to impress people who might then buy his work. Reportedly, he even stole the specimen of Harris’s hawk from his subscriber to then pretend he never knew him. He also lied in his own autobiography.
The sixth and final section of the exhibition ‘Birds of the World’ considers the impact of the modern era on the preservation and extinction of many birds. Some, such as the Carolina parakeet is entirely extinct – they used to always flock in large groups which made it easier for the hunters to kill them. They’ve also been considered a pest by farmers, which contributed to their demise. The exhibition ends on a thoughtful note, advising us to consider the repercussions of human behaviour on the natural world.
This prompted many conversations, such as the possibility to clone the extinct animals using their DNA tissue, however, so far, this was only tried with Pyrenean Ibex in 2003, but this one died not long after from lung defects. It might be a way forward in the future though.
The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received. He may not have been rigidly adhering to the scientific advice, but he created something that’s still worth looking at. Audubon inspired George Bird Grinnell to create the National Audubon Society in 1905 (although the idea goes back as far as 1895 when the first Audubon Society was created). The organisation protects the birds and their habitats in the Americas. If you like birds, you can donate here.
Audubon’s exhibition included a wealth of important items, including some study skins of birds and many taxidermized birds as well as his diaries, plates, and his hunting double-barrelled rifle. The exhibition is beautiful, thoughtful and certainly fascinating. For anyone who craves the return to transcendentalism and ancient values – it’s a feast for their eyes. If you fancy a trip to Edinburgh before the end of the exhibition on the 8th of May – make a point of stopping by at the National Scottish Museum to look at some birds, I strongly recommend it.
Quote: The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received.
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How to Save Journalism
Since Elon Musk’s purchase of X, Anglophonic media has been under increased pressure to reform. His self-proclaimed empowerment of “Citizen Journalism” is becoming difficult for the mainstream to ignore. Through algorithmic changes that suppress the liberal voices that have dominated for so long, and boost accounts loosely but best described as “anti-woke”, the discourse of the “Global Townhall” is changing. Musk’s commitment to efficiency privileges interactions over anything else, meaning high impact, low complexity is the currency of the day.
For the mainstream, this is challenging: audiences are organisms, they are found, cultivated and pruned by publications; the less they are a known quantity the harder it is to write for them. Most of us possess multiple social medias meaning multiple algorithms, there are more “content” outlets than ever before, and a bottomless pit of data being bought and sold. What were once “audiences” are now millions of individuals, simultaneously a part of as many groups, being groomed into consumers from as many directions. In short, much of what is published in the mainstream is based on presuppositions, both major and minor, that no longer exist.
To remedy this discrepancy, the journalistic “plays” commonly used by the British commentariat must be abandoned. Providing interesting twists on pre-existing answers (I’m paraphrasing the FT’s Janan Ganesh) is not good enough when the questions being asked are not set. The risible construction of “identify a specific issue, universalise it, and then deem it intractable, unanswerable and requiring vague consideration” must go because as the post-war consensus collapses almost everything is up for debate. The practice of articulating a specific consequence of a certain dynamic, e.g. mass immigration, while not admitting the dynamic exists, and presenting the consequence as a driver of outcomes rather than what it is—that is, a consequence—must go as it prevents real discussion. The world is less constrained than it has been for a long time, the long twentieth century is over, globalisation is in retreat and liberalism is on the rocks. Journalists need not twist the same lines of argument to keep things interesting, they must find new facts.
To see what makes an impact we must look to X.
The story of Springfield, Ohio, which in early September 2024 was struck by an influx of Haitians – most likely with TPS (Temporary Protected Status) – said by inhabitants to be eating local animals, serves as an example. To this day if you google it, you will find a page of articles condescendingly informing you it didn’t happen, apart from the Telegraph. Except it did happen (albeit with clarifications), the story was broken on X (albeit amid a flurry of less reliable, engagement-farming posts), and it was an important factor in swinging the vote for Trump; it provided him with an opportunity to clarify and articulate his stance on immigration. It turned the ‘spirit’ of 2016 into policy.
The issue of the Mirpuri rape gangs re-entering the discourse at the beginning of the year is another. Few knew the full extent of the ongoing horror because (for the most part) journalists have historically omitted the specifics of the atrocity. However, during the weeks that Elon Musk had an excerpt of one of the court transcripts pinned to his X profile, people were very aware of the depravity that had occurred. Brits’ revulsion at ourselves combined with pressure from America forced us to come to terms what the rape gangs are: our Chernobyl—the rot at the heart of Britain—and total inditement of the post-war project. We were forced to see ourselves as others see us.
The micro-trends of the Westminster sphere are another. The fissuring of Reform, a party that consistently polls as highly as Labour, took place on X and was provoked by Rupert Lowe’s popularity and success on it. The Trump regime’s distancing themselves from Farage was first alluded to on X and can only really be understood through X as that’s where each does most of its talking. Most importantly, the new and controversial topics entering the media-sphere—the Motability scandal, the two-tier justice system, the demography of who receives state resources, and the emergence of MPs who campaign and win solely on their co-ethnics’ support—are all drawn from a pre-existing discourse on X.
The online and offline worlds are merging. This is a fact. What will life look like as events online further impinge offline, how will journalists react?
When confronted by Trump’s tariffs, a policy thought by many to be consigned to the past, journalists were forced to respond, but here in Britain new visions for our country are only just emerging. Labour have no reason for being in government, the Tory party doesn’t exist apart from Robert Jenrick, and Reform offers little more than anti-woke jibes—the norm has run out of road.
But on X there is a Dissident Right that has answers to the questions of the day and cares as much for the last millennia of British history as it does for the next. It looks to similar movements throughout Europe, all represented on X, who share the same concerns and similarly themed solutions. In fact, the true importance of X is its tabling of an Anglophonic consciousness, something that will come to dominate this century.
All this cannot come too soon as the cratering of the mainstream’s ability to tell us what is happening in the world will only deepen. The termination of USAID was the destruction of a global patronage network that funded news outlets, journalists, NGOs, charities and more. Without it the liberal worldview we are so familiar with will be pushed significantly less. Redundancies have occurred from Politico to aid workers in Africa, liberal mouthpieces are no more. What’s now clear is just how much of the mainstream “discourse” is a confection, created by a small number of highly motivated people. Naturally this will only increase the public’s distrust of the media, but it also clears the ground for new voices to enter the fray, promising a further de-privileging of what manages to hang on.
If journalists are to benefit from what their industry is experiencing, they must see it as a selection event. They must go out and find issues to investigate and investigate them. They must open their eyes to the currents of the world we live in and explore it, broadening their understanding of what is. Finally, they must stop repeating the platitudes of yesteryear. There is a huge opportunity for change, for journalists to ride out on their own and make a real impact on the world. Let’s hope they do.
