Digital Censorship Is Now the Perfect Crime
The combination of free speech and the internet should provide an unprecedented democratising effect on public discourse. After all, anyone with a decent idea can now reach out to millions of people worldwide, regardless of their wealth, respectability or social status. The potential for innovation is endless.
And yet, looking at the world today you would be hard-pressed to find a clear exemplar of this democratising effect. It appears that new technology has also created new forms of censorship. Control of public speech is now so subtle-fingered that it’s often hard to recognise as censorship or even detect when it’s happening at all.
To understand this new phenomenon, it’s worth taking some time to consider how social-media algorithms work and why they’ve become so important to our society.
Ideas spread through social networks and the fastest social networks are those found online, managed by large corporate platforms like Facebook, WeChat, Twitter and YouTube. These sites all curate what’s seen by the user into a ‘feed’. In order to create the feed, posts are ranked automatically based on numerous statistical parameters: the number of views, likes, comments and shares; the ratio of these quantities to each other; the upload date; the topics and tags assigned to the post; and so on. Network spread is accelerated by the number of followers of the poster and of the commenters and sharers. So far, this is common knowledge – but the algorithm doesn’t stop there.
It’s a trivial piece of programming to scan each post for keywords and assign a score to the post according to its content. Some words are coded as ‘negative’ or ‘positive’, or linked to different emotions like anger, outrage, joy, pride and so on. Based on this score, you can assign a different behaviour to how the social network treats the post. The post might be ‘throttled’ and shown to a disproportionately small number of accounts or it might be ‘boosted’ and shown to a large audience.
Instead of emotions, algorithms can also score posts on their political alignment with a range of contemporary pieties, such as racial or social justice, lockdown advocacy, or climate change. Individual accounts could then be given scores based on the type of posts they make, ensuring that the most egregious or inflammatory posters are quietly and gently smothered into irrelevance. Everything is automatic. No humans are involved. You, the poster, would have no idea whether censorship was happening or not.
The mechanism described above need not be the exact approach used by Twitter, Facebook or any other site. Consider it an illustrative example of how an engineer like myself could easily build multilayered and highly sensitive speech control into the networks of public discourse, to run a controlled speech environment that seems ostensibly like free speech.
Ultimately, all meaningful public discourse is now finely manipulated by the hidden algorithms of these social-media corporations. This is a reality of life in the 2020s. And with private companies manipulating public speech in these arbitrary and unaccountable ways, governments around the world are eager to get a slice of the pie.
Bearing the new algorithms in mind, consider how a government might suppress an idea that’s hostile to its interests. In the 1500s, the king’s men would march off to all the troublesome printing presses and intimidate the publishers with threats of vandalism, imprisonment or execution. It is against these weapons that the great Enlightenment arguments for free speech were constructed. Indeed, smashing up publishers was a risky move, creating martyrs and stirring opposition to absolute rule among the educated classes.
But in the 2020s, no such kerfuffle is necessary. State censorship has become astonishingly easy. The government need merely express its views to the management of a social-media company via their private channels, and every post sharing a particular idea will be throttled, demoted or blacklisted. Even if you can post the idea, the prominence of its spread has been hamstrung. It is thus the perfect crime, costing governments nothing, creating no martyrs and leaving opponents and their followers with paranoid doubts as to whether they were suppressed in the first place.
Different governments achieve this in different ways. The US is a world leader in invisible censorship, helped by the fact that almost all major social networks are Silicon Valley entities (enjoying close ties to the US intelligence apparatus). The most visible incidences of US censorship on social media concerned sensitive information about the Biden family during the 2020 US Elections, and the control of narratives surrounding the COVID-19 pandemic and lockdown measures.
Across the pond, the EU has passed into law a Digital Services Act (DSA), which came into effect last month (25th August 2023). The law empowers a large taskforce on disinformation, answerable directly to the European Commission, to immerse itself in public discourse control and censorship on all major social networks. Twitter is required to meet regularly with this taskforce and answer to demands of the Commission regarding ‘misinformation control’ or face fines and other sanctions from the EU.
Critics of the EU will note that the EU parliament is again sidelined by this troubling new institution. And like the GDPR regulation of 2016, this is liable to become a global standard in the relationship between state institutions and the internet.
What terrible danger demands such a robust approach to information control, you might ask? The usual suspects appear in a list of disinformation trends compiled by the EU-funded fact-checking hub, EDMO:
- ‘nativist narratives’ and opposition to migration;
- ‘gender and sexuality narratives’ that cover trans issues;
- the ‘anti-woke movement’ that ‘mocks social-justice campaigns’;
- ‘environment narratives’ that criticise climate-change policies.
Each of these problem issues is subjective and political in nature. It appears that the EU is concerned with changing the views and opinions of its 450 million subjects to match the ‘social justice’ ideology of their leadership – which is precisely the opposite of democratic governance.
The arguments of classical liberal thinkers are outdated when it comes to combating this new form of censorship. It is true that whenever an idea is silenced, the community is made poorer by not having heard its voice – but can that argument be made with the same vehemence when the idea is merely muffled or massaged into a lower engagement ratio by a tangled web of hidden algorithms? Is there an essential ethical difference between government interference with public discourse through social-media algorithms and the interference of an agenda-driven Californian software engineer who happens to work at one of these companies? Most media outlets don’t even describe this process as censorship, after all: it’s just ‘content moderation’.
Proponents of subtle censorship will point to the numerous social goods that might conceivably come from light-fingered thought control on social media. These include the suppression of enemy state propaganda, the neutralisation of dangerous conspiracy theories, and the management of violent sectarian ideology that could cause social harm or terrorism. But aside from the foiling of vague and nebulous threats, whose impact can never be reliably predicted, it is hard to see what conceivable gain comes from surrendering our right of free public discourse to unelected state organs like the European Commission taskforce.
The danger we face is that our present situation could rapidly evolve towards the total engineering of public discourse on social media. Western governments have shown an alarming desire to create populations that are docile, disorganised and progressive-thinking, rather than trusting the democratic process to produce good ideas through argumentation and open debate. Subtle censorship on social media has the potential to nudge us into a dystopia, where people are only permitted to organise around an elite-approved set of curated ideas.
Stop Pigeon Hate
Why is the pigeon so hated? Is it due to his availability as a target? After all, he is a common sight in our towns and cities, so common he can seem like an omnipresent nuisance.
Maybe it’s his appearance? Admittedly, he is less stunning than other birds; his generally grey countenance is far less pleasing than the radiant scheme of a kingfisher or the sparkled wings of a starling.
Perhaps it’s his stature? Small and stout, he’s certainly an easier target than any bird of prey, lacking the brawn of an eagle or the sleekness of a falcon.
Whatever the case, the pigeon does not have a good reputation. Recently, he has faced criticism for a variety of reasons, from trying to liberate mankind from its self-imposed enslavement to mass media, to taking over a house after the landlord made the avoidable mistake of leaving the windows open for four weeks.
In my view, the public’s attitude towards pigeons can be best summarised with a well-known, albeit not entirely original, comment from Ken Livingstone, former Mayor of London: “pigeons are rats with wings.”
Now this is simply not true. Given the opportunity, the pigeon shows himself to be a considerate and upstanding member of our society, which is certainly more than can be said for many of its human participants.
Naturally, some nuance is required. After all, there are many different types of pigeon and there is no strict distinction between a pigeon and a dove, the latter of which has marginally better connotations, such as being a symbol of peace and salvation.
The largest and most common pigeon in the UK is the woodpigeon. Shy and tame, they are mostly grey with white patches on its neck and wings. Although primarily found in rural areas, they can also be found in more urban areas.
Due to their sizeable presence, you’ve definitely heard their call, especially if you live in suburban England. The soundtrack to a gloomy Sunday evening, their gentle cooing stirs a sense of melancholy in the local children, reminding them they have got school tomorrow.
Secondly, there is the collared dove, which gets its name from the black mark which stretches around the back of its neck. Pale brown, with reddish eyes and feet, unless there’s a buffet on offer, they’re almost exclusively seen on their own or in pairs.
Indeed, the collared dove’s unwavering monogamy is arguably more defining than the mark to which it owes its name. Wrapping only half-way around it’s neck, hence it’s comparison to a collar, when united with another collared dove, it becomes a full matrimonial ring. How’s that for nature’s poetry?
Then, there are rock doves. Also known as the feral pigeon, they are ancestors of domesticated pigeon. Coming in a diverse range of colours, from dark blue to black, from pale grey to white, from a rustic brownish orange to a brick-red.
These are the urban sprawl of pigeons. Whilst all creatures are innocent until proven guilty, should you find a stray blob of poop on an inner-city pavement, he’s going to be your prime suspect. When people speak of rats with wings, they think of the cooing greaseball known as the rock dove.
Similar to rock doves, stock doves have darker feathers, especially on their rump and wings, a distinct green neck patch, and a pink chest. Concentrated in the English midlands and southwest, becoming rarer in northern Scotland and Ireland, the UK is home to over half their European population.
However, unlike the rock dove, the stock dove is less likely to be seen in urban and suburban areas, preferring farm life to big city living. This is because he is generally shyer and more averse to humans than his cosmopolitan cousin.
Finally, the turtledove is the runt of the flock, being only slightly bigger than a blackbird. Arriving in the UK in spring and leaving for Africa in winter, its feathers are a distinctive mottled mix of a black and golden brown, with a white-rimmed black tail.
Unlike his relatives, the turtledove is a picky eater, choosing to indulge on cereal grains, oilseed rape, and chickweed. Unfortunately, due to his refined tastes, the turtledove has been in decline since the mid-90s, largely due to a lack of his favourite delicacies.
Given this, we can see that the pigeon is not merely a rat with wings. All at once, the pigeon is a sensible everyman, a young lover, a boisterous yuppie, a country bumpkin, and a persecuted aristocrat. They are diverse and endearing creatures with varying personalities and habits, reputations and interests, but much of the public want to exterminate him over a few measly droppings.
Every bird defecates, but the pigeon is solely hated for doing so. It’s for this reason I militantly oppose anti-pigeon architecture. Every public building in Britain is glazed with spikes, ruining their appearance in the name of protecting it.
On several occasions, I have sat in York station, waiting for my train home, with a quiet emotional investment in pigeons looking for somewhere to perch, watching them steer clear of the spikes, mentally cursing the communist station master who had them installed.
I’d prefer railway staff clean up bird droppings than behave like members of the Cheka, indulging their pathetic power fantasies by shouting at people for standing less than a country mile behind the yellow line. Mate, mate, mate. Health and Safety, yeah?
Following the riots of Oxford Street, which included looting and violent clashes with the police, one left-wing academic suggested the chaos could’ve been avoided if the rioters had access to public swimming pools.
As most people realised at the time, this suggestion is ridiculous on a number of levels. For one, unlike animals, humans have an innate tendency towards evil. It is easy to imagine machete brawls between illiterate migrants and fake bomb threats by TikTok pranksters overrunning such places.
However, it raises an important, if only loosely related question: why are there so few public birdbaths?
Despite his reputation as a feathered hobo, the pigeon is quite a cleanly creature, taking every chance he gets to fastidiously groom himself.
We have a birdbath in our garden, and we have many regulars, our most well-known being an especially rotund and fluffy woodpigeon, whom my mother affectionately refers to as Fat Wilbur.
I do not see this ‘winged rat’ Livingstone speaks of. Wilbur makes his stop, does what he needs to do, takes in the atmosphere, before moving on his way, not wanting to overstay his welcome. Should other pigeons accompany him, he makes room, as they do for him, and all is well.
The idea that such tranquillity could emerge in a society as presently low trust as ours is simply absurd. Of course, being a pigeon, it’s unlikely he does this for any pretentious, perception-based reason. Indeed, his fixation must be rooted purely in the value of cleanliness itself!
However, contrary to pervasive anti-pigeon sentiment, the pigeon is not only a cleanly creature, but a clever one too.
It can be hard to accept that pigeons, creatures known for flying into windows and pecking at cigarette butts, can distinguish between Picasso and Monet, but they can. In fact, according to the scientific research we have, pigeons are amongst the most intelligent birds in the world, showing a variety of relatively complex cognitive abilities.
Of course, whilst it is undeniable that humans are much smarter than pigeons, we do not use our superior faculties particularly well.
Whilst humanity may be threatened by the whims of idiots or a lack of imagination, hindering our ability to innovate and develop, our kind is similarly threatened by overthinking.
As a result, we deny ourselves the ability to be authentic, we shun risks in the name of avoiding embarrassment and pain when such risks could just as easily bring us laughter and joy. In the words of Paglia: “consciousness has made cowards of us all.”
As such, we should not be surprised when pigeons manage to be funnier than us. Just by being what they are, pigeons are funnier than basically every living comedian. Every wannabe BrewDog-sipping funny man, with his safe-edgy humour and hashed-out irony, fails to be more amusing than a random birb going about its business.
Walking around in circles, sporadically pecking the pavement, stopping occasionally to exhibit his dumbfounded ‘the lights are on, but nobody’s home’ expression, bobbing its head like its listening to a really good song, it is a grave fault in our being that a character as innocently absurd as this is considered less amusing than James Acaster.
Even the mere idea of a pigeon is funnier than most human attempts at humour. Go ahead, in your mind, visualise a pigeon (don’t worry, the cops can’t do anything… yet). You see that? Now that’s comedy. If you deny this, you Just Don’t Get It. Not much I can do about that.
Looking at these odd creatures, has nobody once thought: what are they up to? What’s their game? Why did they peck there and not there? Why did he take flight for seemingly no reason? Is there some secret pigeon meeting he needs to get to? What’s his schedule? Does he have time for an interview?
Yet, despite his apparent gormlessness, it is clear pigeons are far more sensitive than the average human.
If you’ve ever commuted anywhere via public transport, you’re no doubt familiar with the hectic nature of it all. From the loud noises to the chaotic stampedes, from the excruciating delays to the dodginess of certain folk, commuting isn’t exactly what most people would call an enjoyable experience.
Of course, whilst we might find certain aspects of commuting more annoying than others, we all agree on one thing: the worst part of commuting is other people.
Compare this to the pigeon, who shows consideration for personal space, does not play loud music, doesn’t try to con you out of your money, and generally minds its own business, preferring to get out of your way, rather than get into it.
If what Sartre says is true, that hell is other people, perhaps heaven is to be in the company of animals. More to the point, who is better company on a long commute than a pigeon?
Undoubtedly, the pigeon is not a faultless creature, and the shortcomings of us and other beings cannot excuse or undo this fact. That said, any fault which can be found with the pigeon can easily be remedied by human custodianship. We must spare him from the misguided disdain of busy adults and the clumsy tyranny of misbehaved children.
Pigeons are not flying rats, nor are they government spies. They are our friends and we should treat them as such. Stop Pigeon Hate!
Photo Credit.