The leadership election has brought about a wave of Conservatives flexing about how diverse and inclusive the Conservative Party is compared to Labour. Among the first days of the elections, there were endless tweets about how the party has the most diverse leadership election in history.
Andrew Bowie, Conservative MP for West Aberdeenshire and Kincardine tweeted that the reasons why he’s proud to be a Conservative MP include “first trans MP” and “the most diverse cabinet in history.”
The online publication Spiked, released an article on how “The Tory leadership race is the most diverse in history. And this has sent the left into meltdown.”
The founder of Tories for Equality tweeted: “I feel proud that British children today, whatever their race, can look at the talented & diverse slate of conservative leadership candidates & think “I could do that”. I didn’t have that growing up under the U.K. Labour government. Proud of my country & proud of my party.”
This is a new attempt to call the left the real racists while celebrating how greatly diverse the Conservatives are. It appears that too many Conservative party members truly believe that to defeat the libs you must become one. Die a hero or live long enough to see yourself become the villain.
This is not to say that a candidates’ ethnicity and gender may be a key aspect of their campaign. After all, there’s merit to having a story of being an outsider or overcoming a struggle related to their identity. However, these MPs have been completely tokenised by those on the right. It doesn’t matter what they’ve done to these identity obsessed Conservatives, as long as their identity is good optics. And despite the attempted revision of history, this is not new for the Conservative Party.
The Conservatives have ridiculed the Labour Party’s anti meritocratic all female shortlists. However, it appears that the Conservatives are also guilty of identity politics hiring…
Under Cameron’s government, there was an active attempt to make the government less pale, male and stale. From David Cameron’s own account in a recent article, he wrote for The Times:
“I immediately froze the selection of Conservative candidates. I said that from our broader candidates’ list we would draw up a priority list, of which half would be female and a large proportion would be from black and minority ethnic backgrounds. Associations in winnable seats would have to choose from this “A-list”, and they would be encouraged to select candidates through “open primaries” that were open to non-party members.”
Cameron admits that the call for positive discrimination was because “this wasn’t happening naturally”. Despite denying this was an act of positive discrimination, and instead dubbing it as “positive action”, Cameron states that “We headhunted great candidates from ethnic minorities and pushed them forwards.”
Despite Cameron’s doublethink to frame choosing candidates for the sake of their ethnicity as meritocracy exemplifies how the party has been poisoned by Blairism. How can the Conservative Party differentiate themselves away from Labour’s positive discrimination when it can be seen they acting in a similar nature?
Of course, this isn’t to state that the party leadership candidates aren’t deserving. The strongest, popular candidates are those from minority ethnic identities and/or women. It would be doing them an injustice to only celebrate them for their identity rather than what they believe. While the Westminster bunch pander to identity politics, it is clear that the party membership is focused on what a candidate wants advocates for more than the colour of their skin or what is between their legs.
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40 Days for Free Speech
If you think that the free speech-v-cancel culture tension has already been pushed to its limits in the UK over the past year, you probably haven’t heard of 40 Days for Life.
The campaign to pray for an end to abortion throughout the period of Lent reached its peak this weekend, drawing Christians across the country together around one of the most significant and controversial issues of our time. One in four women in the UK will experience abortion in their lives. Pro-life groups have worked to make abortions unnecessary by giving women support to keep their children, even up until the last moment of their decision. With such efforts come debate. And with debate comes the difficulty of democracy.
Already, certain local councils such as in Ealing and Richmond in London have caved to activist pressure to ban “pro-lifers” from expressing their views in public, specifically in 150m zones around abortion facilities. Last month, the Northern Ireland Assembly voted to implement a similar censorship zone around all abortion facilities across their country. A similar private member’s bill is in consultation in Holyrood, with MSPs tweeting zealously this weekend about the need to censor pro-lifers.
These so-called “buffer zones” are well-intentioned. Campaigners claim that the pro-lifers “harass” women arriving for appointments. Harassing anyone, particularly vulnerable women, would be deeply wrong and hypocritical of a group claiming to offer help.
But if the volunteers were to engage in harassment, we can rest assured that it is already illegal and would be prosecuted.
In reality, a 2018 review from the UK Home Office found that any instances of harassment were rare outliers, and that the police already had sufficient powers to tackle unlawful conduct.
And so, it’s unsurprising that across the UK, we have seen ideologically-motivated attempts to end “pro-life” activities repeatedly refused by the courts. Take the 2018 court judgment against Nottingham City Council that their injunction against a pro-life campaigner ‘simply could not be justified.’ Take the overturned charges against Brighton campaigner Andrew Stephenson in 2011, and indeed the successful lawsuit brought against the police for his unlawful arrest. Take Southwark Council openly admitting they simply don’t have sufficient evidence to create a buffer zone against pro-life charities, despite the tenacious demands of the Council’s members.
In fact, various women who have received wanted help from the groups to keep their children, right before their abortion appointments, have even spoken out in support of allowing the groups to offer their services to others in need.
And why not keep all options open? New polling from the BBC shows that more than one in ten women have felt “coerced” into having an abortion. Even if not talked into it by partners or “friends”, many women feel they have no option but abortion because of social or economic pressures. Why prevent them of hearing about offers to resolve these pressures?
Where Ealing and Richmond have already implemented “buffer zones”, even silent prayer is now illegal. How they’ll ever be “caught” is anyone’s guess. But refusal to pay a fine for the thoughtcrime can lead to prosecution.
Free speech is both hardest and most important to support when you’re hearing something that you disagree with. For those that support abortion, that means allowing others to voice their concerns and offer alternative options. There’s no point supporting free speech for a popular cause, but not a minority view. And furthermore, refusing to let the vulnerable women considering abortion hear about alternative options available to them is surely detrimentally patronising – all for the sake of an ideological “win”. There is comfort in the discomfort of democracy. We all have a right to be a part of the public conversation, and might just benefit from hearing out those who see things differently.
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Audubon’s Legacy of Birds and Tomfoolery
For someone who has anger issues, entering the Audubon’s The Birds of America exhibition was like entering a whole new world. Upon the entry, I saw giant screens showing details from Audubon’s work and I could hear quiet bird noises in the background. It was an incredibly calming experience, as much as one can consider stuffed birds and plates depicting birds massacring another bird calming. Naturally, this wasn’t the centre of the exhibition – it truly celebrated the skill and the creativity of the bird illustrator with a passion for nature.
The exhibition is running in the National Scottish Museum in Edinburgh from the 12th of February to the 8th of May of this year. It displays over 40 plates, each measuring almost one metre in height. Most of them have never actually been shown to the public before. It is split into 4 sections, each of them with its own theme – the first one, ‘Meet the Birds of America’ introduces the ‘world’s most expensive book’ and Audubon, in general.
John James Audubon was a 19th-century ornithologist and naturalist. He made a point of studying and cataloguing the birds he encountered in their natural habitats. A son of a sugarcane plantation owner and a chambermaid, he must have had a conflicted childhood. Audubon moved to the US to avoid participation in the Napoleonic Wars – and focused on birds instead.
The second section of the exhibition titled ‘An Art and a Science’ examines the influence of other illustrators on Audubon as well as the scientific, or sometimes quasi-scientific context. With the Industrial Revolution clashing with the Romantic movement, the transcendental search for nature was at its peak. The illustrations at the time were generally quite dull due to drawing from taxidermy and lifeless study skins.
Audubon, however, made a point of painting directly from wildlife, by personally hunting the birds and sometimes getting others to hunt for him. He would then paint the birds he gathered by pinning them into lifelike poses observed in the wild. This resulted in his art being vivid and life-like. He didn’t want to paint the taxidermied birds as he felt this would take away their lively spark from them. He was known for sometimes romanticising the birds he saw in the wild, for example when painting the Mocking Bird, in which a rattlesnake attacks birds in a bush, where it would be impossible for a rattlesnake to do so. Audubon would also sometimes add more human behaviours to the birds to allow the audience to relate to the birds. He was sometimes accused of not exactly presenting the truth.
The third part of the exhibition called ‘Audubon in Edinburgh’ explores the role of Scottish intelligentsia in ensuring that Audubon was embraced by the art society, after his rejection by the scientific community in Philadelphia. He befriended William Home Lizars and started engraving. Edinburgh was central to Audubon’s beginnings as a bird illustrator, making it extremely relatable to the Scottish audience, and it became somewhat a privilege to live in the same city where Audubon once found inspiration and was embraced by the art world.
The fourth section called ‘The Great Work: The Making of a Masterpiece’ deals with technical and artistic achievements. There are short films available for those whose attention span is longer than mine. However, this section also shows the bound edition of Birds of America which is extremely large (100 x 130 cm when open). Audubon insisted that the illustrations would show the birds life-size. Only two paper mills in the UK were capable of printing these, as he used a double elephant folio which is 96 x 66 cm. For those who are capable to rotate shapes in their head, this number will probably mean a lot.
The fifth section ‘Naturalist or Showman’ focuses on his contribution to discovering new species. Audubon identified 25 new species. This part of the exhibition explores some of the ‘controversies’, for example, Audubon was known for his strong belief in phrenology, the science which is now deemed ‘pseudoscience’ by some. Phrenology suggests that one can find details about someone’s personality from their skull shape. Seeing what kind of person he was, he probably used phrenology to mock his rivals. He was often accused of plagiarism and scientific fraud due to misidentifying some species and fabricating scientific data. Sometimes he invented new species to impress people who might then buy his work. Reportedly, he even stole the specimen of Harris’s hawk from his subscriber to then pretend he never knew him. He also lied in his own autobiography.
The sixth and final section of the exhibition ‘Birds of the World’ considers the impact of the modern era on the preservation and extinction of many birds. Some, such as the Carolina parakeet is entirely extinct – they used to always flock in large groups which made it easier for the hunters to kill them. They’ve also been considered a pest by farmers, which contributed to their demise. The exhibition ends on a thoughtful note, advising us to consider the repercussions of human behaviour on the natural world.
This prompted many conversations, such as the possibility to clone the extinct animals using their DNA tissue, however, so far, this was only tried with Pyrenean Ibex in 2003, but this one died not long after from lung defects. It might be a way forward in the future though.
The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received. He may not have been rigidly adhering to the scientific advice, but he created something that’s still worth looking at. Audubon inspired George Bird Grinnell to create the National Audubon Society in 1905 (although the idea goes back as far as 1895 when the first Audubon Society was created). The organisation protects the birds and their habitats in the Americas. If you like birds, you can donate here.
Audubon’s exhibition included a wealth of important items, including some study skins of birds and many taxidermized birds as well as his diaries, plates, and his hunting double-barrelled rifle. The exhibition is beautiful, thoughtful and certainly fascinating. For anyone who craves the return to transcendentalism and ancient values – it’s a feast for their eyes. If you fancy a trip to Edinburgh before the end of the exhibition on the 8th of May – make a point of stopping by at the National Scottish Museum to look at some birds, I strongly recommend it.
Quote: The exhibition was a visual feast for the eyes and the birds are engraved and painted beautifully. The sheer skill of Audubon’s art is undeniable, and it trumps any accusations he received.
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The Monarchy is Britain’s Soul
With the ascension of a new Sovereign and the recent controversy surrounding the coronation, the British republican movement has reared its ugly head once more, spearheading a renewed debate as to the Royal Family’s ‘relevance’ and ‘value-for-money’ in 2023. Throughout the day we were bombarded with news coverage of anti-monarchist activism, primarily from Republic and their leader Graham Smith. However, with their focus on democracy and the ‘need for modernisation’, left-wingers fail to fully appreciate the Monarchy’s national function.
Having existed since the kingdoms of Anglo-Saxon England, Britain’s constitutional monarchy has been able to develop organically and overcome numerous challenges (from wars and republican dictatorship, to callous individualists like Edward VIII). With a basis on preparing the heir apparent from birth, many of our kings and queens have been embodiments of duty and moral courage – the late Queen Elizabeth II being a prime example. Indeed, alongside an organic and family-based system comes an inherent sense of national familiarity and comfort – they provide the British people with a unifying and quasi-parental figure, and almost a sense of personal connection with the other royals.
As well as this, the institution acts as a crucial barrier against the danger of democratic radicals and the idiocy and ineptitude that resonates from the Commons. Our entire political class seek to further their own interests, and with the Lords having seen terrible reforms under Blair, the Monarchy is left as the People’s last defence against the whims of power-hungry elites.
They also act as a link to Britain’s past and cultural heritage, as a source of national continuity. The Monarchy embodies our religious character with the Church of England, as well as nature of constitutional government with the different organs. As Sir Roger Scruton eloquently put it, it acts as ‘the voice of history.’ This point fundamentally speaks to the Left’s opposition to the Monarchy’s continuation. They can shout about equality and elected decision-making, but their attack on the Royal Family is inherently an attack on Britain’s history, which they vehemently despise. They want to tear down Britain’s unifying soul, and replace it with some soulless political office, one with no roots in national history or organic development.
The renowned Edmund Burke spoke of the need for national myths, a library of inspiring stories and a rich historical character. This is what maintains a nation’s identity and keeps the people united. It is for this reason (amongst others) that he so fiercely opposed the French Revolution, responding with Reflections on the Revolution in France in 1790. These idealist revolutionaries could topple the Bourbon dynasty and establish a new ‘progressive’ society, but based on what? What would these ‘unifying’ ideals be? Without a solid foundation that had developed and grown organically, what could people possibly hold onto?
Now from the perspective of left-wingers, the transition to a republic would merely be a political one – simply making politics ‘more democratic and egalitarian’. A referendum would most likely be called, people would vote, and the Will of the People would be obeyed absolutely. Consider their preferred alternative, most likely a presidential system. We would be burdened, like so many nations, with yet another incompetent, weak, and self-interested hack at the top – an office created by and for the existing political class to monopolize, the final step in achieving a grey managerialist Britain.
But such an event would in truth represent so much more – a fundamental shift in Britain’s identity. Constitutional monarchy is our one national continuity and forms the basis of our mythos. All else is transient – politicians, the values of the day, social debates. Through the royals, Britons throughout the ages maintain a living link to past generations, and to our Anglo heritage as a people. Once again quoting Scruton, ‘they speak for something other than the present desires of present voters’, they are ‘the light above politics.’
The royals are especially important in Britain’s climate of national decline, with an assortment of failing institutions, from the NHS to the Civil Service to the police. It is increasingly evident that we require a national soul more than ever – to once again enshrine Britain’s history. We can’t survive on the contemporary values of ‘Diversity, Equality, and Inclusion’, on the NHS, Bureaucratisation, or record-high immigration levels. A return to order and stability, faith and family, and aggressive nationalism is the only way forward – Britons need to feel safe, moral, unified, and proud.
This Third Carolean Era has the opportunity to revitalise the role monarchy plays in peoples’ lives. By making it more divine, more mystical – alongside a conservative revolution – we can ensure Britain’s soul remains whole and pure.
