According to the race report published last year, 63% of Black caribbean households are single parent households, as opposed to the black african community who is at 43%, the UK’s rate is 14.7%. The culture for the black community in the UK is quite similar to the US which also has problems with black on black crime, low literacy rates and father absence. The larger question that has raged between left and right for centuries is nature or nurture? How much control does an ethnic minority have over their fate?
What we are discussing is not an issue exclusive to the black community. “Redneck culture” , a term used by Thomas Sowell to describe a subculture prevalent in ghettos, encourages a way of life and mentality that is not conducive to the success of any community. A quote from his book White Liberals and Black Rednecks used to describe the southern white population follows: “ proneness to violence, neglect of education, sexual promiscuity… reckless searches for excitement, lively music and dance etc” This is only a short sample from a long list of cultural behaviours that without knowing the topic of focus, would be thought exclusive to the black community.
What the leftist intelligentsia often leave out of conversations about race are the effects of culture and values within a community. Not every ill can be attributed to the supposed “effects of capitalism”. The left’s obsession with proving that racism causes inequality has meant that many problems that could be solved independent of the state, are used as incentives to garner the black vote.
With the data available by comparing the different ethnic communities in the UK we should be able to see the effect that values have on a community, which largely shows that the Black African community does much better in education and has lower rates of expulsion for pupils alongside better mental health. This is especially outstanding as the things mentioned above are named as social behavioral problems, arising from single parenthood. As the lack of a paternal and/or maternal influence are proven to negatively affect emotional control for example higher levels of aggression. Could this be why Caribbean pupils are twice as likely to get temporarily excluded at 10.2% compared to 4.2%. They also have the highest rates of detention under the mental health act.
The black community in Britain faces a large issue of knife crime where between 2017 and 2020 black people aged 15-17 made up 47% of homicide victims. Sadiq Khan even predicts a rise in violent crime in London due to the cost of living crisis.
Aside from behavioral problems, Caribbean pupils are also far more likely than African students to do worse in education. Which should be the top priority for growth in any community as it leads to higher paid jobs. Although black pupils as a whole are more likely to go to university than white pupils. Black Caribbean students are the most likely to go into high tariff universities. Could this possibly be because there is a lack of educational importance in the Caribbean community, which means that African pupils progress further? 10.9% of black caribbean compared to 17.3% of African pupils gain 3 A’s at A Level.
Now immigrants do tend to do better in education, but not all immigrants do equally well. 42% of the Chinese population gained 3 A’s and 33.2% of Indians followed by 26% of white students. Which indicates that their fate is not fixed but contrary, and that immigrant children often outperform white students.
What the black community has is not primarily an issue of race but of culture, which requires steady homes and values to fix, that which conservatism provides.
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Bureaucracy and Fate
Among those who detest bureaucracy, there is a common criticism. Theodore Dalrymple indicts the British bureaucratic machine with these words:
“… Anthony Blair, with the cunning of the natural born swindler, seized his chance and created a loyal, corrupt, self-seeking nomenklatura class that remains extremely influential and easily able to outwit the blancmange-like David Cameron, who in any case so easily moulds himself to any shape going.”
The idea is simple enough. Bureaucracies represent the interests of the class from which they are drawn. Over time they ossify into a lobby for that class, at the expense of society at large. In Britain’s case, there’s a caste of people most attracted to Blairite ideology, who form the core of the public service. Their predominance explains why Britain is incapable of moving beyond a collection of stale centre-left notions, regardless of the stance of the government in power.
The analysis is a classic one. Aristotle (Politics, 4.1294a; 6.6.1320b18; 6.1.1316bb39-1317a10) and Polybius (Histories, 6.10.4-11; 6.12.4) both see the balancing of different social groups as vital for social justice. It’s not just that there are executive, judiciary and legislative branches of government. These must be staffed with the right combination of groups in order to properly represent the interests of society. If a single class monopolises an institution, the results are bad, regardless of other separations of powers.
But there’s a further perception which, I think, has escaped Dalrymple. Implicit in his criticism is the idea, conscious to him or not, that were British bureaucrats something other than a Blairite nomenklatura caste, that things would be better. That a bureaucracy can be balanced between social groups, just like a parliament, and all will be well.
The training of a bureaucrat necessarily excludes any political virtue. A bureaucrat is a cog in a political machine. His job is to maintain the state’s will despite any turmoil or emergency the country may face.
In this sense the bureaucrat isn’t dissimilar to a soldier. The conservative French philosopher Yves Simon analysed the nature of authority in 1962, sometimes using the army as a metaphor. Much of what he says can be translated over to bureaucracy. Any association of people has a common good and a common action which enables it. The common good of the army is defending the national interest against enemies, so its common action is armed campaign to defeat the enemy. To do this, it must have unanimity: every soldier must know what he’s supposed to do and how to do it.
Now, every soldier is a rational individual with his own opinions and ideas. In an ideal world, each soldier would immediately understand the why and wherefore of an order, and assent to it through reasoned argument. But the reality is that the circumstances of war are so confused, cloudy and ambiguous, that were the army to expect rational assent from every individual to every strategy, nothing would get done. There would always be a cause of doubt; always a valid motive for dissent from a plan. So, there must be a threshold where deliberation stops, and opinion becomes an order. At this point, the soldier substitutes the reasoning of a superior officer for his own. Not because he’s stupid or unable to reason, but because common action demands it.
In the military the stakes are very high: destruction, death, and annihilation. Therefore, the threshold where opinion becomes an order is low, in comparison to other organisations. In a government bureaucracy the stakes are high, if not quite so high: shortage of goods, mass hunger, economic paralysis. This is why, I contend, the bureaucrat isn’t that different from a soldier. The common action of bureaucracy is to keep the country running. Like with war, the task is loaded with ambiguity and unpredictability. So, the bureaucrat is required to frequently substitute the deliberations of superiors for his own.
But this means that an excess of bureaucracy in a country will have similar cultural effects to an excess of militarisation, but without any of the martial vigour. The training of a bureaucrat isn’t to think deeply; it’s to internalise the state’s ideology to keep the country running at all costs. A bureaucrat who thinks deeply is a liability because he’s someone who will constantly express doubts and interrupt the state’s ability to act or respond to problems. So, a society that’s dominated by bureaucrats at every level will be radically conformist, incapable of self-reflection, and unable to undertake serious reform.
The city of Sparta, because it was narrowly focused on warlike virtue, excluded all other virtues and went into decline (Aristotle, Politics, 2.1271b). Sparta made all citizens into soldiers, and so rendered them unable to act as independent rational agents in times of leisure. Once the battle was over, Spartans couldn’t think without orders to follow. Sparta stopped innovating and was outcompeted by her neighbours. Isn’t a bureaucratic state like Britain prey to a similar fate of death by ideological conformity? If the bureaucrat is the model citizen, and not the statesman, artist, philosopher, or craftsman, shall our society not also become a self-regulating idiocy?
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Current Criticism on Austen: An Overview of the Norton Critical Pride and Prejudice, 4th Ed.’s Back Material
“Short and easy will be the task of the mere biographer. A life of usefulness, literature, and religion, was not by any means a life of event…to the little disappointments incidental to human life was never added, even for a moment, an abatement of good-will from any who knew her.”
No, this quote does not refer to the late Queen Elizabeth II—though several aspects of it, from the humble understatement to the positive rapport among her acquaintances, could just as well describe the late monarch (ignoring the lacking a “life of event” part) as they do its actual subject, Jane Austen.
Written by her brother Henry and included as a preface to the posthumous volume containing Northanger Abbey and Persuasion, the brief biography is one of the many resources found in the 2016 Norton Critical Edition (the fourth) of Pride and Prejudice, edited by Donald Gray of Indiana University and Mary A. Favret of Johns Hopkins. Besides confirming that one cannot understand Austen without understanding her, as he puts it, “thoroughly religious and devout” faith (another parallel between Austen and Her Royal Highness, and many others), the biography gives several details that lend insight into not only P&P but Austen’s other novels, as well.
This is, of course, the purpose of Norton Critical Editions, which I have used since my first essay as a California kid at Oxford (due on a Monday after meeting my tutor on Friday). The Norton Alice’s Adventures in Wonderland, bought, read, and cited in a two-day scramble, saved my grade that weekend, and it still graces my bookshelf for whenever I or mine might need it.
While pieces contemporary with the books’ printings, like the above biography, letters from the author to family and friends, and subsequent reviews at the time (for P&P from Scott, C. Bronte, Emerson, Twain, and others) provide a great context, as a student I found most useful the critical excerpts included in each edition, which attempt to give an up-to-date view on the literary conversation surrounding a certain work. For undergraduates who may not know where to look for sources on a certain author, I usually suggest Norton Criticals (and, by God, the several-page-long Selected Bibliography in the back—my brother and sister in Christ, THEY DO YOUR WORK FOR YOU), if only as a primer for larger critical discussion.
But the editions aren’t, and shouldn’t be, limited to the student; indeed, fans of Austen (or whom have you) might wear down their editions faster and more thoroughly than the student who buys it for a two-week paper. Although written with the academic in mind, works like Norton Critical Editions might very well contribute to the canon being preserved outside of the university, providing, as they do, the tools for a historical and critical understanding of one’s favorite work.
Literally one of the greatest novels ever written, and second in my mind only to The Brothers Karamazov, qua novel, Pride and Prejudice needs no encomium from me. Based on and in parts expanding my Goodreads review, what follows is a summary of and, at times, response to the recent critical sources in the 4th Norton Edition. I hope it will prove useful to Austen lovers as much as students.
D.A. Miller, “No One is Alone,” from Jane Austen; Or the Secret of Style (2003).
Discusses the break between Austen’s style and her characters, with the former being omniscient and the latter being little-knowing. Recounts how Austen’s style developed from reading 18th-century writers like Sam Johnson and how she novelized several aspects of their articles. Discusses the paradox of Elizabeth’s marrying Darcy (Miller cynically sees it as an unfortunate contradiction) by supposedly eschewing the very wit (or “impertinence”) that made her unique.
Jeff Nunokawa, “Speechless in Austen,” from Differences 16 (2005).
Discusses the timelessness in Austen (both narration and characters), whose writing seems to have no idea of the enormous cultural changes that were to come in the 1800s. Nunokawa identifies this confident changelessness as being part of why we read P&P, which, despite readers’ approaching it with nostalgia, has very little actual nostalgia within its pages. Discusses, like Elfenbein below, Austen’s use of space-as-social dynamic. Also contextualizes and discusses silence within P&P, and how Darcy must learn to open up because it is through sociability and inclusion, not mere rank, that one succeeds in P&P. Reasons that in Austen one can only know themselves through social interaction, and so Darcy’s attempting to only speak when he has something perfect or great to say ironically reduces him. Finally, examines the certainty of tone often used by both Austen’s narrator and her characters.
At times syntax/language felt a bit overwrought, but it may be because it’s an excerpt and, its being the first article I read after finishing the novel, I was still reading with Austen’s rhythm.
Andrew Elfenbein, “Austen’s Minimalism,” from The Cambridge Companion to Pride and Prejudice (2013).
Examines how and why Austen leaves out descriptive details; identifies her as not being a realist (as has been argued) because of this selectivity. Contextualizes Austen with Johnson’s 18th-century advice to make writing timeless by avoiding too many details; shows how Austen nuances this by using detail to enhance beauty of characters/scenes, like the then popular picturesque school (which suffuses the book – see Knox-Shaw below). Identifies rooms and the outdoors not as physical places but as identifiers of distance and a context for the social interactions that make up the book. One of the best articles in the edition, both for historical context and argument flow.
Peter Knox-Shaw, “Pride and Prejudice, A Politics of the Picturesque,” from Jane Austen and the Enlightenment (2004).
Identifies the Picturesque as finding a medium between the Burkean-Romantic poles of pacifying Beauty and provoking Sublime. Follows the picturesque as a running metaphor through the book for Elizabeth and Darcy’s love, and thus, for Elizabeth’s breaking of gender stereotypes/politics. Argues that, like the picturesque, Elizabeth’s development depicts a nuancing of (if not campaign against) conventional beauty, while showing that beauty and attractiveness are not synonymous in the book (see Michie below). In conjunction with the other articles on the picturesque, Knox-Shaw’s was one of the more enlightening articles in the material.
Felicia Bonaparte, “Conjecturing Possibilities: Reading and Misreading Texts in Jane Austen’s Pride and Prejudice,” from Studies in the Novel 37.2 (2005).
Places P&P within the contemporary philosophical debate between the rationalists and the empiricists. Establishes how P&P identifies Jane Austen as an empiricist in the line of David Hume due to its consistent focus on skepticism regarding secondhand accounts, texts, and assumptions. Stresses how often characters’ epistemology is discovered to be faulty, and how the book encourages a general skepticism regarding first impressions. Argues that the Bennet sisters each, in their own way, undermines one’s ability to interpret reality with certainty, and that Elizabeth’s developing a “practical empiricism” is “the bildung of the novel.” Goes further to argue that Austen was even an early Nietzschean post-modernist in how she incorporates her characters’ mutual and self-reflective interpretations into their construction of, rather than deduction of, reality. Probably my favorite of the edition’s essays, for its historical context and depth of substance, as well as readability.
Vivien Jones, “Feminisms,” from A Companion to Jane Austen (2012).
Argues that, despite her focus on primarily women characters and their circumstances, Austen should not be classed as an early feminist because of her reaffirmation of marriage, which Jones interprets as an endorsement of the patriarchal structure she sees throughout the book. Identifies Austen, rather, as a postfeminist author, who (she thinks mistakenly) argues in her characters and scenarios that the inequalities facing early-19th-century women had largely been dealt with and that many problems experienced by women could be surmounted not by societal revolution and polemic but by individual reflection and reformation. Identifies Elizabeth as being in the vein of Mary Wollstonecraft, but Austen as aligning more with the conservative female writer Hannah More. Accuses Austen of contextualizing the benefits achieved by Wollstonecraft within a conservative/Tory context of twenty years later that reaffirms the social structure. Reads P&P as conservative reinterpretation of previous feminist ideals through the onus for individual, rather than broader social, reform. In my opinion, Jones’s view that Elizabeth’s marriage is a renegging on her previous independence (rather than a full expression of it) misses the point of the book, which his her growth out of her own pride and prejudice (an impetus and growth Austen notably gives to Darcy, too).
Janet Todd, “Jane Austen’s Hero,” from The Cambridge Companion to Pride and Prejudice (2013).
Argues that Darcy’s place in society allows him to begin the book as a boor, whereas Elizabeth’s requires her to adapt through the book. Sees Elizabeth as having no individuality in either Darcy or Collins’s eyes. Follows Alistair Duckworth’s 1971 Marxist reading of the book’s property entail (arguably refuted below by Macpherson), applying it to gender and property. Like Jones above, interprets Elizabeth’s growth out of her pride and prejudice as a negative, a product of her social standing and gender, and thus misses the point of the book.
Elsie B. Michie, “Social Distinction in Jane Austen,” from The Vulgar Question of Money: Heiresses, Materialism, and the Novel of Manners from Jane Austen to Henry James (2011).
Interprets P&P as Austen’s attempt to find the proper relation to wealth. Reads book as a response to Hume and Smith’s writings on the problematic effects of wealth on English society. Elizabeth as the opposite of Miss Bingley and Lady Catherine, both of whom present the negative effects of status via inherited wealth (shallow, arrogant, etc). Examines the growth of manners to replace the traditional virtues of the landed aristocracy (both shown in said characters). Points out how Elizabeth’s manners, as well as her disregard for inherited virtue or status, make her attractive despite her lack of apparent beauty (see Knox-Shaw above). Looks at what Darcy’s growing attraction to her says about him. A good essay for understanding and contextualizing the different dynamics in the Elizabeth-Lady Catherine interactions, as well as the changing social mores of the time.
Sandra Macpherson, “Rent to Own: or, What’s Entailed in Pride and Prejudice,” from Representations 82 (2003).
Lays out the laws of property entail—and, Macpherson points out, ironic humor surrounding the issue—that undergird the plotof P&P. Debunks Duckworth’s Marxist view that the book’s society is structured along class and gender lines (see Todd, above). Showing how entail cannot be blamed on any one person or group, explains the implicit joke in both Mrs. Bennet’s expecting something to be done about the entail and Collins’s continual apology for it (both of which Austen’s readers would have seen as ridiculous). Reads Austen as not being against entail, per se, because it is an image of social obligation, not one of exclusion. Examines Austen’s contrasting renting vs owning as makers of different personalities and virtues (vis, Bingley and Darcy). One of the more enlightening, historically based, and easy/fun to read of the back material; possibly my favorite, contending with Bonaparte.
Andrew Maunder, “Making Heritage and History: The 1894 Illustrated Pride and Prejudice,” from Nineteenth-Century Studies 20 (2006).
Examines the role illustrations play in forming (and revising) later perceptions of an artist and their work. Explores how, “Illustrations play a central role in how readers construe novels,” and “modify, challenge, and even dictate readers’ understandings,” of the novels. Argues in a footnote that later illustrations of P&P like , rather than the text itself, are to be attributed with the reading that Darcy becomes more emotionally responsive by the novel’s end; conversely sees the text as validating Darcy’s cold “legal and ethical formalism,” and pushing Mr. Bingley to emulate it. Explores the effect the 1894 edition had on how the novel was interpreted, despite it’s being merely a “gift book” among many similars flooding the market. Presents and critiques key illustrations by artist Hugh Thompson and describes others, unpictured; interprets Thompson’s stated desire to show Austen’s “sense of fun,” as going too far, into reinterpretation. Although Thompson and editor George Allen caused a revival of interest in Austen, implies the popularity had more to do with the reinterpretive lens than with Austen’s work, itself (see my own critique of the recent Persuasion adaptation, linked above).
Tiffany Potter, “Pride and Prejudice and Zombies,” from Women, Popular Culture, and the Eighteenth Century (2012).
Reads Seth Grahame-Smith’s book/reinterpretation, P&P&Zs, as more than a pulp piggyback off of Austen. Presents book as a concretization of the implicit, unspeakable aspects of P&P, with the zombies being “a literalization of the threat of a social death in spinsterhood…in opposition to the socially constructed life-and-death quality of the marriage plot.” Interprets several moments from Grahame-Smith’s book as helping readers better understand Austen, such as Lydia’s becoming an “unmentionable” zombie as an image of the unspeakability of her adultery in Austen, or the steady death to zombiehood of Charlotte as a picture of her intellectual death in marrying Collins. An interesting piece that treats P&P&Z seriously, though Potter ultimately interprets certain aspects of Austen (e.g. Jane and Elizabeth’s marriages) negatively, like others above.
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A Sensible Centrist’s Guide to Hope Not Hate
Hope Not Hate is a self-described “anti-fascist” pressure group based in the United Kingdom. It was founded in 2004 by communist-affiliated Nick Lowles after the antecedent group, Searchlight, of which Lowles was a co-editor, abused its charitable status by engaging in political activism.
This group markets itself as a “charitable organisation,” that claims “non-sectarian” and “non-partisan” status but is free as a private limited company to disseminate biased political messaging, maintain close ties to Labour, other far-left NGOs, and cooperate with the British civil service.
By leveraging their claimed neutrality, Hope Not Hate has been able to disseminate exclusively anti-right-wing editorial content under the guise of a broadchurch “anti-extremist” mission. To do this, it employs motte-and-bailey argumentation that blurs any distinction between “anti-extremism” and “anti-fascism”.
They conflate these two terms and seamlessly switch between them depending on the situation and context. This muddying of the waters allows the organisation to effectively ignore any and all other forms of “extremism” such as the genuine threats to life posed by radical Islam, which by an overwhelming margin, remains the most significant domestic threat to the UK.
Differences over this state cooperation led to the official divorce between Searchlight and Hope Not Hate in 2011. However, principally, these two organisations remain ideologically synchronous, and each continues to maintain a far-left bent, a facet well reflected in Lowles’ track record of Zionist, communist, and anti-national collaboration.
In early 2019, shortly before the suspension of Labour MP Chris Williamson, Lowles offered his support to and called for the party to adopt policy from the Jewish Labour Movement, formerly known as Poale Zion. It is a Marxist-Zionist movement that precludes non-Jews from full membership.
Despite touting democracy as a core value, Hope Not Hate has previously collaborated with “Best for Britain,” an anti-Brexit campaign that sought to overturn the result of the 2016 EU referendum, before rebranding as an “internationalist” political group.
Additionally, there is a prolonged history of cooperation between the various arms of the state and so-called ‘research organisations’ like Hope Not Hate and Searchlight. They have received funding from a variety of sources, such as NGOs, trade unions, and even directly from the Home Office; funding rubber-stamped directly by the Conservative government; funding used to bitterly slander them in a humiliating display epitomises the self-flagellant nature of the Tory government, entirely submissive to these kinds of organisations.
One must ask, why? Why has Hope Not Hate been receiving government funding from the Home Office? To answer this question, we must establish that the transparent function of Hope Not Hate acts to delegitimise critical voices and attack unorthodox, non-regime-compliant sentiment through overt defamation and libel of opposition by peddling politically charged, partisan ‘reports’ and ‘investigations’ under the false guise of science.
A likely theory is that Hope Not Hate serves as a cutout for MI5, as there is a clear-shared incentive between the organisation and the UK’s intelligence machinery. By collecting information on private citizens, compiling it, and then repackaging and disseminating said information in the form of these dossiers and reports, a task that would fall outside their remit as an arm of the civil service, the shared incentive becomes clear. While the specific nature of their government fund remains unclear, it is ultimately irrelevant so long as those mutual interests remain in place.
Of these reports, Hope Not Hate’s most recent is the latest in a series of annuals titled “State of Hate,” which invoke ersatz, nonsensical claims about many influencers in the mainstream and online right whose alleged threat is underpinned by a manufactured notion of ‘the rising tide of far-right extremism’.
One notable target of Hope Not Hate’s vitriol is Neema Parvini, also known by his online handle ‘Academic Agent’, a published author, academic, and recent GB News feature who has been subject to a series of serious claims in the March report, which unjustly characterises his views as “extreme” and portrays him as a “far-right activist” who is “aligned with the scientific racism community”.
These claims are asserted wholly without evidence and serve only to directly contradict Dr. Parvini’s published works, who on the topic of race writes: “The evidence overwhelmingly suggests, despite typical variations in physical and mental abilities within groups, biologically speaking, people everywhere are essentially the same in their natural capacities, even if not wholly identical.” Further clarifying, “people vary much more within groups than between groups.” (Shakespeare’s Moral Compass, p. 55).
This issue is also addressed in Dr. Parvini’s latest work, ‘Prophets of Doom’, where he offers an alternative interpretation of de Gobineau’s Essai sur l’inégalité des races humaine, where the previous unscientific racial categorizations are replaced by poetic ideals entirely decoupled from notions of scientific racism.
These are the only two instances where Parvini nominally addresses the topic of race across a literary corpus comprising eight books in a career spanning 14 years of mainstream publication. In short, this is but one example of many poorly sourced, libellous, and defamatory claims published by Hope Not Hate that are entirely spurious and thoroughly illegitimate.
The 137-page report features an array of public figures, from “right-wing” Tories (as opposed to regular centrists and even left-leaning ones) to the most unserious and delusional of political players and pundits in the conspiracy theorist sphere. This is a not-so-subtle and underhanded tactic of false association that attempts to instil a cognitive bias in the reader. It sets out to discredit and delegitimise the opponents of these far-left-adjacent organs.
The publication make scant effort to separate elected members of parliament from former members of proscribed terrorist organisations, however the fact that both are contained within the same report is an inherently disingenuous tactic, and it is these groupings that are then paired with frequent appeals to the scientific sensibilities of their readership, leveraging first-hand survey findings and trendy, in-vogue design choices that lend a false sense of legitimacy to an otherwise entirely disreputable publication.
However, it is Hope Not Hate’s own survey findings that underscore a much deeper truth about how ignorant the political class is of prevailing thought; it exemplifies how they are becoming increasingly at odds with the British public, 48% of those surveyed agreed more than Britain’s multicultural society isn’t working and different communities generally live separate lives. The same percentage said they would favour having a “strong and decisive leader” over the existing liberal democracy, and 43% of Britons agreed the country is in a state of decline. They also claim a staggering 27% agreed that “globalist elites are encouraging immigration into Europe as part of a plot to weaken European identity.”.
If these figures are to be believed, this demonstrates in full the ever-growing misalignment and disconnect between an alienated population and their elected representatives. This was recently exemplified with yet another attack by Hope Not Hate that resulted in the immediate suspension of Beau Dade from the Reform Party following a hit piece in response to an article on reducing immigration. This shows even the mechanisms intended to contain right-leaning sentiment are failing and becoming increasingly visible. We now find ourselves in a situation where the most ‘right-wing’ mainstream party will instantly bend the knee to an organisation with the less-than-subtle intention of undermining their growing electoral prospects.
Through its actions and associations, Hope Not Hate is an organisation has shown to be deeply problematic, apparently existing to aid the British security state in delegitimising uncontrolled political opposition. It spreads falsehood, disinformation, and makes frequent use of deceptive linguistic tooling to those ends. At a deeper level, it serves to suppress the ongoing re-emergence of a more explicit English identity steeped in deep-rooted ethnocultural precedent; a process which contradicts the aspirations of the current elite, both in their prioritisation of minoritarian interests over the democratic will and international interests over the national interest.
