As of today, the Mallard is no longer publishing articles that include the word ‘woke’, in either print or online.
Too many submissions, not just to the Mallard, but other publications – have become reliant on this word to explain away current trends that people find unappealing, yet cannot articulate why beyond anything other than this word. It is the responsibility of all outlets to contribute to the public discourse, and when a word, concept, idea, or individual, fails to contribute to the discourse – they have to be removed.
When pundits of the right use ‘woke’, they are using a word spawned by the online Left to denote their being ‘awake’ to the ‘injustices’ of the world, which are usually spawned from an ideological conviction rather than an actual understanding of the complex issues of the world. It suggests these people – the ‘woke’ left – are awake to the things that we are not, as if they have some deep insight that surpasses the average person. It is simply the latest expression of ‘real consciousness’ derived from Marxism.
Of course, we all know that the word is used sarcastically – but to use it at all is to make the eternal mistake of the Right, and to fight the Left on their own terms. We have been making this mistake for seventy years, and to reverse this trend, we need to stop appealing to their language, their values, their goals.
But even when the word is used derisively, it adds virtually nothing. Issues around pronouns and bathrooms pale in comparison to the economic, cultural, and demographic changes brought about by the respective trends of globalism, liberalism, and immigration. There is nothing substantively different in the current cultural trends than in the previous cultural trends. What is happening today should not be described with a new word, because what is happening today is not new. That is the reality of where we are now – ‘woke’ is not sufficiently different from what came before it to really merit a separate topic of discussion. It is just an extension of the logic of the sexual revolution, the Civil Rights era, and the great liberalisation of the last sixty years.
One of our assistant editors, William Yarwood, last year recorded a short podcast begging us to stop calling groups like Antifa ‘fascists’ or the Left ‘the real racists’, and recognise that they are just communists. Stop calling the Left ‘woke’ as shorthand for a broad range of things you just ‘don’t like’.
It is useless to say ‘look, I agree with what they stand for, I just don’t like how they’re going about it’. Then your disagreement is technical, it is not fundamental, so really you’re just the ones putting the brakes on their movement. They will come for you eventually, so you might as well recognise that now.
Calling something ‘woke’ is a lazy caricature that lets (what passes for) the right wing commentariat get away with murder; the liberals of yesteryear are allowed to displace conservative voices in media, politics, and culture. They pretend, in their sarcastic overtones, that leftists are weak and hypersensitive, when in reality they want to put children on hormone blockers, let men into womens’ changing rooms, open our borders to people who hate us, and teach the next generation that they have nothing to gain from the civilisation that birthed them.
These individuals are not weak. These people are not hypersensitive. Instead, they pass laws to put people in prison if they so much as joke about them. The notion these people are weak is a reflection of decades of failure of conservatives to actually do anything about them. If these individuals were weak, they would not find it so easy to break down the barriers that protect the most vulnerable in society: women and children.
These are not just simple activists, by the way. They are in our institutions, running our universities, pioneering our civil service, ‘decolonising’ our curricula, all the while entrenching their culture by building parallel careers that have no real world purpose or function. The massive, tumorous growth of the ‘human resources’ machine has seen to it that busy body unemployable humanities graduates have a reason to exist once more, only now it is self-perpetuating cancer that simultaneously cannot abide the existence of leftist heresy whilst relying on it like a parasite.
And as we see continuously, the online right is just as bad. If there are necessary discussions about poverty, living crises, genuine injustices that actually harm peoples’ lives, the right shrieks ‘woke!’ in such a hypersensitive way that the actual discussion disappears behind parody and caricature. TalkRadio’s infamous Mike Graham recently told an Extinction Rebellion member that we can ‘grow concrete’ in an effort to ‘own the lib’ – to which the XR member, who is stupid for different reasons, was left speechless. By consequence, Mike Graham made XR look reasonable – an own-goal, if ever there was one.
When war broke out in Ukraine, it was necessary for the right to attempt to make sense of it. This was done well in some circles – with people drawing attention to the Realist school Regardless of your thoughts on the Realist school, it was undoubtedly an intellectual contribution to the discourse. If you looked at the mainstream discourse however, you would know nothing of this contribution. Instead, it became another flashpoint to discuss this word, those they associate with it, and how these people were ‘weak’, ‘hypersensitive’ and made it so we were incapable of fighting a war against Putin.
It couldn’t possibly be that nuclear war is a possibility, or even – as the neoconservative lobby implicitly recognises but refuses to admit – that we have nothing to gain from getting involved in the war. No, it must be the woke. We end up in some perverse eternal Spy vs Spy scenario, where ‘woke warriors’ seek out racism/sexism/whateverism in any place they can find it, while the ‘common sense rightists’ only try to define what they consider ‘woke’ to make it work, rather than criticise it on its own grounds.
So we are not publishing the word any longer. Here is a list of publications that are likely interested: The Sun; TalkRadio; The Critic; Compact; Breitbart; GB News. I am sure they will find your work fascinating. We won’t.
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Five Truths from Dostoevsky’s The Devils
Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.
Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.
While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.
It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:
1: The superfluity of the preceding liberal generation to progressive radicals.
The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).
However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).
Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.
The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.
In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.
2: Ideologies as active, distorting forces rather than merely passive beliefs.
“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.
Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.
Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.
The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).
From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.
3: Seemingly virtuous revolution motivated by and covering for private vices.
By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.
As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”
Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.
4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.
Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.”
While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:
“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”
A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.
“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”
While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.
“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”
Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.
“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”
A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.
“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”
Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).
More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.
To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.
5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.
An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).
The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.
Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.
It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”
Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.
The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.
Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.
Conclusion
There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.
However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”
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Breakfast with Thierry Baudet (Part I)
In mid-July, The Mallard was fortunate to have breakfast with Thierry Baudet, leader of the Dutch ‘Forum for Democracy’ (FVD) party in the Netherlands. We discussed his views on manufactured consent, immigration, CBDC, and climate change; and his new book ‘The Covid Conspiracy’.
The Mallard (TM): The Mallard knows your youth movement, JFVD. Their performance is very impressive. How did FVD start?
Thierry Baudet (TB): FVD began as a Eurosceptic think tank. In 2016, we organised a national referendum in the Netherlands opposing the association agreement with Ukraine. We won this referendum with more than 60% of the vote. The government, however, decided to ignore the outcome and sign the agreement anyway. That is when I decided to run for parliament.
I was elected in 2017.
It was clear from the beginning that we had substantial support amongst the young. Once we founded our youth movement, we had a thousand paying members within three hours.
We realised that people do not necessarily want to come together just for political discussion, they also want social and economic contact. That is why we organise sports events, social events, trips to the countryside, and so on.
We have an app now so people can sell products, offer services, send in job applications. We even have a Tinder function for dating so that FVDers can reproduce.
Fundamentally, we go about things with an energy which is truly different from that of any of our competitors. I denounce them in my book as ‘conservatards’ – the conservative establishment across the Western world which has become part of the deep state.
TM: The Blob?
TB: Yes. Or the Swamp. These people are afraid of speaking about any of the real issues. For example, they say ‘Sure there is climate change, we need to do something about our emissions, but let’s build nuclear power stations and not wind turbines’. Or, ‘Yes, illegal immigration is bad, but we need legal immigration,’ and ‘Yes, Covid is a big problem but let’s not do a 9pm curfew, instead an 11pm curfew.’ They accept the underlying assumptions and therefore never come up with truly different ideas.
They are unwilling to step out of the parameters set by the enemy. They are fighting a battle on the enemy’s ground, so they lose. But the price of not fighting on the enemy’s ground is to be labelled. That is how taboos work. So when you say ‘I want to leave the European Union, I do not think our sovereignty should be diminished by a supranational body,’ then you are labelled a nationalist. If you were to say, ‘It does not matter if immigrants come in legally or illegally, the problem is immigration as such. It is the transformation of our society from a cultural, ethnic, and historical point of view – that is the real issue,’ then you are denounced as a racist.
So, all of these taboos, these labels, function to protect the fundamental assumptions. If you live by them you also belittle yourself. You undermine your self-confidence; you undermine the energy with which you can bring your message across because you are not actually saying what you believe.
So, because we do not do that, unlike all the other so-called right-wing parties, we have a very special energy which you have noticed. People are happy with us, they are free.
TM: At most conservative events, there are very few women. When we attended your summer JFVD conference, it was pretty much half and half. Why?
TB: Because women understand that it is pointless to talk to people who are not willing to fight the real fight. They love men who take risks, who take pride in going their own way, taking their own route, believing in their own ideals. These are very important masculine values.
I do not see any sensible woman being attracted to the sort of effeminate bureaucrat the other parties produce. I do not see conservatards getting laid.
TM: Why do you think young men are attracted to your movement?
TB: Because men have a very hard time when they are young. Their chances of becoming financially well-off are slim. Their life is extremely difficult because of all these policies imposed on them. You are not allowed to be a meat-eater in all aspects of life. It is vital for men, especially young men, to have an aspirational goal – to be fighting for something.
TM: You want to be the hero of your own story. That is very difficult in a society which regards boys as defective girls.
TB: Boys are not allowed to play in the woods anymore, they are not allowed to be boys. It is only normal that a counter movement is rising.
TM: Talking of counter movements, what are your thoughts on the BBB (Boer Burger Beweging, the Farmers’ Citizen Movement)?
TB: Oh, it is a typical party cartel trick. BBB is a party consisting of former Liberal Party members and Christian Democrats. They operate entirely within the accepted ideological framework. That is also they are celebrated so much in the press. Nothing will change with them in government.
TM: If that’s the case, will the situation ever change in the Netherlands or Europe?
TB: The system is very strong and very difficult to break through via the democratic process – because it is not really democratic. We in the West are living in a heavily controlled oligarchy where certain groups are allowed to win elections. If a dark horse comes through, like Donald Trump, the entire system turns against him. It makes it effectively impossible to change things through the political process.
Things can change only if peoples’ trust in the system as such – and by that, I mean, the permanent political class and its media – crumbles. That is what happened when the Communist system failed in Europe. That is one scenario. The other scenario is that things will carry on as they are but that we will build a parallel society. We will be able to live in our own way, as the Amish do in America. We will be minorities in our own countries but we will survive.
TM: Is this linked to your App? What is it that your app does?
(*At this point Thierry got out his phone and showed me his app*)
TB: Here is a map which shows every FVD supporting company. We add new businesses every week. There is a commerce section where people can buy and sell goods. It has a coupon function so that you can get discounts at FVD-supporter-owned shops. It is very comprehensive. We are trying to expand this internationally so that people can organise parallel networks to help add value to themselves and thousands of others.
You see, I’m fighting on two tracks. First, the national platform to reach out to people and to wake them up to the consequences of current policies and governments. Second, I am faced with the globalist establishment from which there is no escape. We cannot avoid the fight because it is what we are here to do. We are part of a civilisation. If you run away from it, the fight becomes internal – you begin to eat yourself up.
TM: Just in the Netherlands?
TB: Across the whole world. During Covid as now on Ukraine. I find it absolutely stunning that every mainstream outlet supports NATO’s war against Russia in Ukraine. There is a genuine economic and ideological cartel of the deep state which is follows decisions of the military industrial complexes.
TM: What really depressed me during Covid was that so many seemingly normal and rational people fully and wholly supported the lockdowns. People demanded that they be locked into their own homes.
TB: The conclusions that we should draw are about more than merely societal or economic costs. This is why I wrote my book. I was the only elected politician in the world to have opposed all Covid measures radically. It is why I am not allowed on television anymore. All the institutions set up which in theory create checks and balances do not function anymore. The media and every mainstream party went along with it. It was not a national decision; everything had already been decided at the international level and was merely implemented at national level through fake discussions. That is how the world really works.
This is Part I of The Mallard’s interview with Thierry Baudet. To read Part II, click here.
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Another Organisation? Splendid!
Popular Conservatism (PopCon) has just launched and it’s about as popular as booting a crippled dog into oncoming traffic. Spearheaded by Liz Truss, the shortest serving Prime Minister in British political history and the most unpopular Conservative politician in the country, the organisation is begging to be ridiculed by the media and the public.
However, whilst Truss is the face of the group, the organisation is directed by Mark Littlewood, former director general of the Institute of Economic Affairs (IEA), a pro-immigration think-tank. Like Truss, Littlewood is a former Liberal Democrat, serving as director for Liberal Vision, a group of economic liberals within the party. Unlike Truss, he’s a former of the Pro-Euro Conservative Party (PECP), a minor offshoot of the Tories which campaigned for Britain to adopt the Euro and oust then-leader William Hague in favour of arch-Europhile Kenneth Clarke. After the dissolution of the PECP, Littlewood became an advisor to the Conservative Party under the leadership of David Cameron.
Earlier in life, Littlewood worked for the European Movement, an all-party group campaigning for British membership of a federalised Europe; Liberty, the human rights advocacy group which spearheaded campaigns to implement and maintain the Human Rights Act; and NO2ID, a group which campaigns against the introduction of ID cards.
So, what does Popular Conservatism stand for? Apparently, its aims are: “inform and educate candidates and MPs about the need to reform Britain’s bureaucratic structures” and “advance these policies across the country, whilst demonstrating their popularity.”
According to Littlewood, PopCon is about: “Giving ordinary people, taxpayers and voters, their freedom back. That was what Brexit was supposed to be about: taking back control.”
Taking Back Control? Why would Littlewood care about Taking Back Control? Littlewood changed his view on EU integration at the time of the referendum, writing in a personal statement:
“Twenty years ago, I was a passionate and enthusiastic supporter of European integration. I was President of the UK branch of the Young European Federalists in 1996 and my first job was working for the European Movement. I was enthusiastic about the UK joining the single currency and I even supported the Pro-Euro Conservative Party, a breakaway from the Conservatives on the issue of Britain’s relationship with the EU.
“Since then, and bit by bit, my thinking has evolved and the European Union, in my judgment, has increasingly become a force for heavy handed and petty regulation rather than for free market liberalism. The EU is no longer the deregulatory single-market it once aspired to be. Instead, it has become a monolithic and increasingly interventionist bureaucratic super-state. After considerable thought – and with a heavy heart – I have reached the conclusion that Britain would be best advised to leave the EU and I will be voting accordingly on 23rd June.“I believe there are risks and uncertainties involved in going for Brexit, but these are – on balance -risks worth taking. There is no guarantee that Britain will become a more outward-looking, globally free trading, open and free society outside of the EU. But there is, in my view, a pretty good chance of it.”
In summary, Littlewood’s euroscepticism (and by extension, the bent of PopCon’s brand of politics) is rooted in the belief the EU (much like the UK, presuambly) has become too protectionist, too nationalist, too conservative and too isolationist, hindering Britain’s ability to push ahead with economic and cultural globalisation. In the government’s own words:
“Global Britain is about reinvesting in our relationships, championing the rules-based international order and demonstrating that the UK is open, outward-looking and confident on the world stage.”
This aspiration, typically referred to as “Global Britain”, is uncommon amongst Brexiteers generally, but quite popular with a narrow clique of largely London-centric free-marketeers, comprised largely of Tory staffers, centre-right policy wonks, disgruntled civil servants, conservative commentators, and Thatcherite MPs. GBNews’ Tom Harwood, former Chair of Students for Britain, summarises the disposition of this demographic briefly but well: “open globalism, not narrow regionalism”. That’s right, we’re the real cosmopolitan internationalists, the left are the real provincialists!
As many will remember, “Global Britain” was announced as the official post-Brexit endeavour of the Conservative governments of Theresa May, Boris Johnson and Liz Truss, albeit the first and second were over-encumbered by the withdrawal process and Covid to implement many of their desired reforms – besides, of course, importing an unprecedented number of immigrants. Consequently, whilst Boris was intended as the figurehead for Global Britain, the role ultimately fell to Liz “Boris 2.0” Truss.
For clarity, there is nothing particularly radical about “Global Britain”. It has always been the Menshevik position within the Brexit coalition. Throughout the referendum it was occasionally used as a polemical tactic (i.e. Let’s Go WTO), but nothing more. Contrasted to the Bolshevik aspiration of turning Britain into an island fortress, derided by Britpoppers as “Little England”, the Menshevik aspiration is to turn Britain into a mass financial district, in which vampiric multinationals terrorise Middle England from above and an imported underclass of cheap labour, violent criminals, and ethnic displacement terrorises it from below.
Of course, it’s colossally terrible but it’s not too dissimilar to the relatively liberal arrangement we had before Brexit and certainly no different to the arrangement we have now. Alas, this doesn’t stop PopCons from complaining the system is stacked against efforts at economic liberalisation. Yes, the planning system is needlessly complicated, but there’s no need for hyperbole; weaning people off microplastics and ultra-processed food isn’t Soviet.
Essentially, both Global Britain and PopCon are tendencies born out of the ideas contained in Britannia Unchained, a book which seeks to answer the question on everyone’s mind: “How can we get white British people to work more for less and demographically replace them in the process?”. Making immigration uncontroversial by making it productive, saying NO to identity politics, saying NO to the Nanny State, Getting On Your Bike, STEM, India Superpower 2020, Peace… through Commerce. Real Tory Boy stuff.
This leads into another problem with PopCon. It isn’t just its initial unpopularity, it has no idea how to be popular, despite the fact the answers have been in plain sight for years. Boris Johnson’s popularity peaked when he promised to end immigration and shouted “Fuck Business” to a Belgian diplomat. Theresa May, a completely unknown and irrelevant politician, reached unprecedented levels of popularity after the referendum when she was attacking “citizens of nowhere” to such an extent she was being compared to Adolf Hitler. David Cameron reached the height of his popularity when he was promising to reduce immigration and hold a referendum on the EU, threatening to leave the ECHR, and declaring state multiculturalism to be a failure.
Compare this with Liz Truss. In her historically brief tenure, she tried to pursue free movement and trade with India and borrow billions to fund tax cuts for the rich. Suella Braverman, for all her many faults, understood during her leadership bid that leaving the ECHR and stopping illegal immigration are popular with the public, especially with voters in the Red Wall – policies which PopCon lightly sprinkled into their otherwise bland, derivative, and highly ironic attempt at wrapping Orange Book Liberalism in a flag.
Flip-flopping seemed to be an integral theme of the PopCon event. As established, Littlewood and Truss are former Lib Dems, but Anderson is former Labour, Farage was pivoting back and forth between endorsement and dismissal throughout the whole thing, and Holly Valance gave an unrelentingly generic interview stating life is about being left-wing, making money, and then moving rightwards.
This obsession with switching is bizarre, but it’s the recurring tendency one should expect from an organisation which simultaneously fights for the so-called “rules-based international order” and complains about an arbitrary global humanitarian class undermining national democracy; fronted by a former Prime Minister and her group of orbiters who’ve done nothing in their 14 years of government to address any of the problems their organisation hopes to “inform and educate” us about.
PopCon doesn’t seem to understand that some of us have been aware of the Great Replacement, Cultural Marxism and The Blob since secondary school. We don’t need to be told that some people think there are more than two genders or that state-funded charities and quangos are jampacked with people who hate our country; we don’t need to be told liberal-left ideas and values are hegemonic, or that illegal immigrants take advantage of the welfare system. We are children of the revolution, for Christ’s sake!
All the way down, PopCon is a group for people to scratch their heads at problems they have helped to create, assuming nobody else has identified them before, and offer milquetoast solutions with the galling expectation of jubilant applause.
It is slightly comical. 2030 will arrive and Liz Truss will be explaining the drawbacks of the sexual revolution and quoting G.K Chesterton. Erstwhile, MechaBlair will be conscripting masses of young White British men to fight Populism in Ukraine and organising taxpayer-subsidised migrant mega-orgies in The North. Indeed, trying to make political progress with the present batch of Conservative MPs is like trying to scale Mount Everest with Stephen Hawking; it’s really quite demoralising.
Whilst Donald Trump is saying immigrants “poison the blood” of America, whilst Germany’s AFD is advocating mass remigration, whilst France’s Eric Zemmour is openly discussing demographic displacement, the British right is forced to contend with another attempt to rehabilitate Thatcherism, another attempt to undercut the emergent nationalist, protectionist, and socially conservative elements of the right which have been trying to take root in established positions since the referendum; another perversion of the anti-immigration spirit of Take Back Control (TBC), framed in terms of mere economic and legal technicality, adorning it with another SW1-friendly signifier to go with the rest: TBC as a vote for liberalism, as a call for localist devolution, as a general dislike of politicians, as a mere symptom of economic turbulence, as a nationwide Freudian psychodrama.
Despite all of this, despite my complete contempt for PopCon, I’m glad it exists. In all sincerity and without a hint of contrarianism. PopCon is bad because it’s Tory-branded Globalism run by Thatcherite Zombies without a hint of self-awareness, creativity, or charisma, not because it’s “another organisation” – a complaint I’m absolutely sick of hearing from supposedly disaffected voices.
At present, Britain doesn’t have a political culture, but it wasn’t always this way. Indeed, some people (mainly our anti-political overlords and pseudo-Anglos within and adjacent to our circles) have espoused the notion that political organisation is somehow terribly un-English. However, a brief glance at history tells us that beneath gentle-mannered disposition (some might say caricature) of the native population, political organisation, rowdiness, and militancy – even outright violence – have existed for several hundred years in this country, boiling beneath the surface of even standard parliamentary exchanges.
The snobbish anti-partisanship of those who are disgruntled by the lack of action but see themselves above political organisation are an abject cancer. Everyone has remarked that MPs enter Parliament to immediately do something else, whether it’s charity work or presenting a TV show, but few have surmised what this means. It shows that power is contingent on the wider superstructure of society; the Overton Window must be adapted so political objectives can fully actualise themselves and legislated into reality, something the enemies of Britain have done and are currently doing very well.
As such, we don’t need less organisation or less division, we need more. More organisation, more division, more militancy, more enmity, more ideology, more partisanship, more coups, more activism, more conflict, more metapolitics of every form and variety. Let the Darwinian selection processes of the political run wild; radicalise democracy against every rendition of liberalism and rejoice as it stampedes over the latter’s mangled corpse. No, PopCon doesn’t deserve to fail… it deserves to be killed.
