The scene in The Patriot where Mel Gibson rides across the early dawn horizon bearing the Betsy Ross flag has always stirred a latent fervour in me. I never felt the same patriotic twitch looking at the modern, 50 star flag. That flag flies in front of government buildings of a state that no longer stands for me.
In the Covid-era, we experienced a de facto coup of long brewing forces of tyranny. As we enter its aftermath, a true and full-hearted Americanism is the supreme counter culture. It is easy and tempting in times of such horrendous decay to see America as a corrupt empire, but behind its aggressive export of proto-Luciferian global progressivism is a nation of forgotten men with a great lust for life.
The true America is a nation of explorers. Exploration is the zenith of vibrant and vital youth. Curiosity and drive for mastery of self and surroundings bred a stock of men seeking God, wisdom and adventure. As the 50 star banner and the government it represents becomes more hostile to these values and the men who inspired them, I submit that our countercultural Americanism should rally behind the banner of a man who embodied our spirit with great zeal – John C. Frémont.
The Frémont flag looks much like the traditional American flag. In the place of stars, the blue field seats an eagle holding an olive branch in one claw and a fistful of arrows in the other. Frémont carried it on his expeditions so as not to provoke war in Indian territory while identifying himself as an American. The symbolism was clear; you can have peace or war with America, but regardless of your choice, it will be on our terms.
To be entirely honest, that message is one for another time, in which our Republic was very different. The intended meaning of the flag is less interesting than its namesake. John Frémont was one of the greatest Americans to ever live, and an exemplar of the spirit we must thrust upon this modern age. Frankly, it doesn’t hurt that it looks cool as hell.
An explorer, commander and politician, Frémont was born with nothing and never accepted a fatalistic life of destitution. He gained marginal status as a military officer and brilliant mathematician. After courting the daughter of politician Thomas Hart Benton, he was pushed away by the senator for his low status. Indignant, the young Frémont ran away with his beloved and eloped.
The senator’s outrage subsided in time and he sponsored the young couple’s expeditions into the untamed west. Frémont would lead five major expeditions, plant the American flag on the peaks of the Rockies, create maps and literature illuminating the romantic wonder of our frontier and inspire thousands to brave the Oregon Trail and settle new territory.
Frémont’s adventures as an explorer were put on pause by the Mexican-American War. The adventurer commanded the conquest of California and was appointed the military governor. He was such a beloved leader that when he was displaced as governor, he staged a mutiny with the fervent support of his regiment. He was court-martialed for the rebellion and stripped of rank. In recognition for his indispensable service in the conquest of the west, he was granted a presidential pardon.
The adventurer’s spirit was never broken. After the Mexican-American War he would find himself commanding new armies, governing new territories and taking on several other new ventures. While he died destitute, he fought at every point to thrust his vision upon the world. He was unwavering with power that was granted to him and he never ceased to chase adventure. The circumstances of his birth were never allowed to be a limiting factor in his drive for an unbridled and wildly whole life. He never pitied himself nor despaired of his misgivings, he was ever relentlessly free.
Frémont was a child born in sin. His mother, seed of the southern gentry, was arranged at the age of sixteen to be married to a wealthy landowner in his late sixties. She began an affair with her tutor, an educated man of French extraction. They conceived John and ran away together, living in poverty. Frémont was born of passion. A forbidden passion, the very nature of his conception was filled with that fiery force of life that possesses us in moments of ecstasy. His birth was by the work of Eros and it baptised him with a great fire and zeal for life that he carried through him into his final days.
This fire of passionate, ecstatic life is inseparable from the American spirit. We are of the great stock of the mighty Englishmen who created an empire upon which the sun never set – though we are a branch of that family filtered by possessing the daring to board wooden ships and cross the most treacherous of oceans, to a land of hostile natives and untamed lands. We arrived upon a continent with nothing but what we could carry and we made it our own. Nothing we have achieved would have been possible without this fiery spirit of passion for life! Frémont is among the greatest of Americans and a symbol of the American spirit manifest in its most uncompromising, violent and arrogant excellence. Under his banner, I see an America made new, cleansed by its own zealous, willful, vicious, wholly alive spirit.
Let us rally behind Frémont’s banner. It is now our time to embrace a heroic spirit of adventure, to be unwavering in our use of power. In times of national crisis, we cannot bind ourselves to convention. The great men of our era must be unforgiving and wield the power that they can acquire with absolute strength. The system is against you. You will face setbacks, perhaps situating you at square one. Embrace the spirit of adventure, and wander on.
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Book Review: Return of the Strong Gods by R R Reno
One of the rare consolations of the Empire of Lies we’ve found ourselves in is occasionally encountering a sphere of truth. Such an event reassures us we’re not alone and that kindred spirits are still out there, patiently pushing back against the insanities of the age. One such spirit is the American Catholic author and editor of First Things magazine R.R Reno and his 2019 work Return of the Strong Gods.
Like contemporary efforts by Patrick Deneen and the Polish philosopher Ryzsard Legutko, Reno’s is a book which illuminates the errors of the age. It’s a work which neither succumbs to the easy evasions of the left nor to the vulgarity found on farther reaches of the right. Ultimately, it’s a book that rejects the notion that the post-war era has been the best of all Panglossian worlds.
Divided into five sections and written in simple yet succinct prose, the overarching theme is that the West has lost its way in an abyss of openness: that sine qua non of the present day. Opening at the Second World War and surveying the post-war era, Reno traces our failings back to Auschwitz and Hiroshima and the promise that ‘never again’ would we bear witness to such horrors.
In light of such an overwhelming imperative, a rhetorical and practical pursuit of openness was initiated in what Reno dubs the “postwar consensus”. A stance which involved the marginalisation at best – and outright illegality at worst – of the noxious -isms that led us to 1914-1945. Nationalism, militarism and anti-Semitism were what caused our horrors, they were thus to be expunged from the public square.
Put simply, such ‘strong gods’ were too dangerous: they had to be banished from the realm. Yet precisely who these deities are, and what they mean in practice, is rendered by Reno deliberately vague. In essence, they’re the deeper – and often darker – parts of the soul such as pride, envy and a ‘love of one’s own’.
Yet Reno does provide us with a rough definition. As he states, the strong gods “are the objects of men’s love and devotion, the sources of the passions and loyalties that unites societies” – ”Truth is a strong god” as are “King and country.” Not all strong gods are malignant, however: they can just as well “be beneficent.” Still, the chief lesson of the twentieth century was that the strong gods of “militarism, fascism, communism, racism, and anti-Semitism” overwhelmingly “brought ruin.”
To this end, the Western post-war consensus, led by the United States, was to prioritise cultural weakening in the form of a near-unlimited openness. Out were truth, certainty and exclusivity; in were relativism, doubt and diversity. If these trends were ever queried, one only needed reminding of 1945 and was soon brought to heel. The post-war consensus – and its Manichean framing: either ‘openness or Auschwitz’ – was thus brought into being.
A stance that Reno then proceeds to illuminate, beginning with ‘the open society’. A notion coined by the author of the movement’s most emblematic and eponymous work, Austrian philosopher Karl Popper and his two-volume Open Society and Its Enemies. A book which was written in obscurity in New Zealand during the Second World War and in which Popper attacks Plato, Hegel and other giants of the tradition before coming down on the side of openness.
As Reno remarks, for Popper ‘our civilisation faces a choice.’ We “can live in a tribal or ‘closed society’… or we can break free from this ‘collectivist’ impulse and build an ‘open society’”, one that ‘sets free the critical powers of man.’ And as Popper argued at the time, our future depended on choosing the latter: something we’ve dutifully done and which has set in train the decline that’s since followed.
The rest of the book is then an exploration of this one key theme; with Popper’s socio-cultural openness soon echoed on the economic plane by compatriot Friedrich Hayek: he of Road to Serfdom fame. Thus in a strange symmetry, the West ends up with two Austrian emigres erecting the twin pillars of its post-war world: the Popperian commitment to cultural openness and the Hayekian imperative of free markets.
As Reno remarks, these two men were “united by a commitment to individual freedom and a desire to prevent the return of authoritarianism.” A notion that encapsulates the last eighty-odd years as well as any other and that’s been reinforced through organisations like the Mont Pelerin Society, which Popper and Hayek were founding members, and through Popper’s most famous student, and current bete noir of the right, George Soros: he of his own Open Society fame.
Once established, then, the open-society framework of free markets, multiculturalism and the neutering of metaphysics – “The open society must be anti-metaphysical” – comes to characterise the West. A stance Reno then explores in an impressive overview of the major philosophical figures of the era. After Popper and Hayek, come the Americans Milton Friedman and William F Buckley; followed by a return to the German-speaking giants of earlier in the century, Sigmund Freud and Max Weber; before ending with the Francophone philosophers of the latter part of our era, namely: Albert Camus, Michel Foucault and Jacques Derrida.
Yet it’s Weber and his notion of the disenchantment of the world – i.e. the scientific erasure of the supernatural – that helps further explain our malaise. As Reno observes, Popper, following Weber, wants to rid us of the metaphysical. For as Reno adds, it’s been imperative to eliminate “the vestiges of sacred authority that blinker men’s reason”. A stance that many of us have come to believe is benign, yet it’s a trend which Reno intimates is ultimately suicidal as it “drains away the substance of Western Civilization’s beliefs in robust metaphysical truths.” That is, it erodes the religious substrate that has enabled us to flourish.
A posture that has been implemented practically by what Reno dubs our ‘therapies of disenchantment’. As although erasing the sacred is ultimately futile quest, our need for metaphysics can be tamped down by the political order. Something that has been done by “relativizing” such notions, by “putting them in their historical contexts” and “critiquing their xenophobic, patriarchal, cisgender, and racist legacies”.
From this, the cultural imperatives then follow: we must “celebrate diversity”, “cultivate transgression” and “problematize” our traditional ties. A stance accomplished by our elite as they “drive old loyalties to the margins of respectability, and otherwise advance the cause of an open society and open minds.”
This metaphysical poverty, allied with the imperative of openness and the eviscerating force of the free-market, have led us to the current impasse. One witnessed in the apparently inchoate actions of voters in their support for non-establishment actors like Nigel Farage and Donald Trump. That is, in their clamouring for figures brave enough to enunciate the failures of the liberal order and able to address them.
Something evident in what Reno calls the Homeless Society. One which is a natural reaction to the “embattled postwar consensus” and a “rebellion against the dogmas of openness”. As in opposition to the issues of 1945, we no longer face the same problems. Indeed, what ails us now is the direct opposite of that time.
Our issues revolve around an all-pervasive anomie. We are a culture that’s “imperilled by a spiritual vacuum and the apathy it brings”. A society that’s “politically inert, winnowed down to technocratic management of private utilities and personal freedoms”. Our main danger is thus one of “a dissolving society; not a closed one; the therapeutic society, not the authoritarian one.”
A stance Reno expands upon as he notes the economic, cultural and demographic disasters that have arisen under the aegis of openness. A failure that has been overseen by what can only be described as an utterly inept and unpatriotic elite – or as Reno puts it, our Leaders without Loyalty. Indeed, the book can be read as one of the best indictments of our elites yet seen.
Simply put, our elites are hypocrites. They insist on ‘openness for thee, but not for me’ as they insulate themselves from the baleful effects of their dogma. As Reno notes: “For all their talk of an open economy and open society, those in the upper echelons of our society work very hard to protect [themselves and] their children”. “They…choose homes in neighborhoods with goods schools” and condemn “traditional norms as authoritarian, but… keep their [own] marriages together.” Ultimately, “they shelter themselves and those whom they love” from the destructive effects of openness as they praise its putative virtues publicly.
Given this hypocrisy, and the other failings of the liberal order, the post-war consensus is straining under the weight of its contradictions. It’s a case of ‘what can’t go on, won’t go on’ – and the current settings can’t go on much longer. Indeed, the anti-naturalness of the post-war project was inherent from the outset, but only now are the fissures impossible to ignore.
As such, we move back to the beginning: to the ‘return of the strong gods’. A notion that is not only the book’s title, but which was also an inevitable result of the liberal order. As despite the well-intentioned commitment to openness and the promise of ‘never again’, the post-war concord was always doomed to fail.
This is so as it doesn’t accord with underlying nature. For as many have come to realise, the liberal order is one big affect. Although largely peaceful and prosperous, the post-war consensus fails to fulfil a multitude of human needs. Socially, it’s a regime that doesn’t recognise the darker elements of the soul, like parochialism and ‘a love of one’s own’; not does it address the practicalities of life in a political community: such as a sense of belonging, a common culture and the stability we innately seek. While economically, the Hayekian imperative of unencumbered markets has left us as financially precarious as we are socially: afflicted by the dilemmas of the ‘double-dose’ liberalism to which many now allude, and that writers like Christopher Lasch and John Gray explicitly warned.
Which is why Reno finishes the book seeking an end to the ‘long twentieth century’ and a return to the politics of ‘shared love’. Our order failed as it rendered us homeless: lost in a sea of apathy with no place to call our own. As in spite of the left-liberals who treat our crisis “as an illusion” – with Trump and Farage mere manifestations of an aberrant electorate – Reno treats their rise as the logical result of the errors innate to the liberal order.
The mere fact of ‘populism’, then, is not an epiphenomenon of short-term economic or social angst; but of deeper and entirely legitimate “questions about national identity, immigration and foreign policy, all of which cast doubt on the legitimacy of the established leadership class in the West.”
As in advancing openness, our elite has eroded the solidarity we seek. As under our technocratic ethos, vast swathes of the human experience is marked verboten and placed outside the frame of debate. As Reno remarks, our elite “is so thoroughly blinded by the postwar consensus” it neglects “the actual problems we face – atomization, dissolving communal bonds, disintegrating family ties, and a nihilistic culture of limitless self-definition.”
We thus need to return to the strong gods: of love, solidarity and genuine community. It requires our leaders “to ask question they have been trained to supress”. It needs them to realise that, as the philosopher Leo Strauss observed – in direct opposition to Popper – that ‘the society by nature is the closed society’. A notion to which Reno alludes when he references that well-known saw about human nature: that “blood is thicker than water.”
Which in essence is all that is wrong with the post-war order and why it’s now falling apart. As although the initial desire to prevent future holocausts, gulags and atomic explosions was clearly laudable, these events did not to change human nature. That is, a nature which still seeks solidarity and a sense of the sacred; one that sees our “private interest as part of a larger whole”; one with a “love of our land, our history, our founding myths, our warriors and heroes”. Simply put, we need a renewed patriotism: we need ‘to renew the “we”’.
There is thus very little to critique in Reno’s work. Being an avowed Catholic, his remedies tend towards the Christian, which may rankle the less religious, yet he wears his religion lightly and the book is never in danger of dogmatism. There is an argument to be made, however, that by anchoring the book to the motif of socio-cultural openness, other factors, like the importance of economics – and the centrality of economic growth to the post-war era- are not given the import they deserve. There is also an incongruous attempt to smuggle in some American-style civic nationalism that is understandable even though it’s completely contradictory to the spirit of the work.Nevertheless, this is a highly commendable work. Like Deenen’s and Legutko’s, it’s one of few recent books that drives to the heart of our malaise and that honestly elucidates the errors of our age.
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Ride (read) or Die: 2023 Book Report (Part III)
Following on from last years experiment of attempting to read at least 10 pages of a book a day to increase my reading, I found it thoroughly enjoyable and wished to continue my reading journey in 2023. About halfway through last year, a friend of mine suggested to me that the 10 pages target could be detrimental to my overall reading, as it would encourage me to simply put the book down after just 10 pages (something I later realised it was doing). This year, I chose to do away with the 10 pages target and have decided to just make a pledge to read every day. In the first week of the year, I have already read considerably faster than last year, so I think perhaps my friend was on to something.
I also realised, reading back on last years review scores, that I was a very generous reviewer. I think this was because I did not have enough experience to know what made a book good or bad. I hope that my reviews can be more reflective of the overall reading experience this year.
Book 11: The 48 Laws of Power by Robert Greene
Read from: 28/10/2023 to 28/11/2023
Rating: 3/5
I had seen this book pushed quite heavily online before by certain influencers and I was always curious to see what it was about. Robert Greene appears to have written a considerable number of these types of books, so I was very intrigued to know what the fuss was. I thought the book was fine but definitely lacking in some areas.
The book is essentially a series of lessons regarding how to better navigate life in a more Machiavellian way to attain power. Some of the ideas put forward are genuinely very interesting, and it was nice to have certain topics explained a certain way. Other areas seemed a bit obvious and repetitive which was annoying whilst trying to get through the book.
A lot of Greene’s rules essentially boil down to ‘don’t tell other people what you are up to’, which I suppose is a pretty good rule to follow if you are hunting power. But there are only so many times you can hear that ‘rule’ phrased differently before you start getting bored.
Greene backs up his claims with a plethora of anecdotes which I mostly enjoyed. He fell into the same trap as before, however, in that a lot of the anecdotes start to blend into one after a while – especially after using the same anecdote repeatedly. If I never hear the name ‘Charles Talleyrand’ again it will still be too soon! I only become disillusioned with Greene’s anecdotes after he started discussing the English civil war – an area of his anecdotes I was much more versed in than revolutionary France or Renaissance Italy. He made some obvious oversimplifications which annoyed me and made me question the legitimacy of some of his other tales to back up his ideas. I don’t think that this invalidates what he was saying, I just wish he had left less up to speculation regarding whether or not he actually knew the history.
Overall, a good book which I would still recommend. His insight is useful, and this would be a pretty good primer for Machiavellian style thinking. I would say, however, that you should stick to the audiobook over the actual paperback – it will make it easier to digest.
Book 12: One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn
Read from: 06/11/2023 to 09/11/2023
Rating: 5/5
I was strolling through Belfast on a trip there recently, when I picked up this book at a Waterstones for my flight home. Something short to keep me occupied and also increase my book tally on Goodreads before the end of the year. Sure enough, on my (very short) flight back to Newcastle the same day, I ploughed through about a third of it. I found it very difficult to put down and ignore, as I have my other books recently.
As the title suggests, the book tells the story of one day in the life of Ivan Denisovich – a prisoner at a Soviet Gulag in the early 1950s. It takes you through his agonising routine right from the moment he wakes up to when he finally goes to sleep again. It details the way in which he navigates the trials and tribulations of life in the Siberian gulag he is currently imprisoned in, and the many interactions he has with the other prisoners. The book is too short to summarise without spoiling the whole thing, so I won’t do that. I would highly recommend that you take the time to just read it instead.
There was something extremely biting about the way that this was written. The author, Solzhenitsyn, was a prisoner in a gulag for eight years, so he had a considerable amount of his own experience to draw from when writing this book. His main character, Ivan, is incredibly relatable and felt very human. Not necessarily a good or a bad person, just someone trying to survive and make the best out of a bad situation. Going so far as to describe his day as ‘a good one’ simply because he was able to get slightly more food after doing some favours for other inmates; routinely breaking minor rules to make his life easier, working cordially with his inmates, and doing everything possible to do as little work as possible for as much reward as he could.
Every aspect of the story felt very believable and not exaggerated; I never felt as though I was having the wool pulled over my eyes by what is, essentially, a piece of anti-communist propaganda. He describes the guards as harsh but lazy, the other inmates are not depicted as saints, but as a wide array of people with different motives and agendas – a very real and convincing story.
The book is very well written and was a genuinely fascinating insight into gulag life, an area which I have always been interested in but never researched much. It is a genuine ‘must-read’ for anyone interested in that aspect of Stalinist Russia and the early-cold-war Soviet system of punishment. It is also a delightfully short book and reads very easily. As I said before, I would thoroughly recommend reading this.
Book 13: Star by Yukio Mishima
Read from: 21/11/2023 to 22/11/2023
Rating: 5/5
I read two books by Yukio Mishima last year, and he is fast becoming one of my favourite authors. I was enticed to buy this book from the moment I saw it; a short story by Mishima is often a treat and I was not at all disappointed by this one.
The story revolves around the main character Rikio, a young Japanese actor in the prime of his career, and his ugly assistant and lover Kayo. The story revolves around his struggle with fame and the fleeting nature of his career; it also spends a fair amount of time touching on the absurdity of the film industry in Japan in the 1960s and 70’s (something which Mishima was personally accustomed to) and how Rikio navigates it as best as he can.
Due to the relatively short nature of the book, writing too long of a review would spoil it. However, I will say that I was absolutely entranced by Mishima’s style of writing and his amazing ability to describe some of the more vulgar elements of life (masturbation, sex, drug abuse, etc) in such a poetic and charming way. His powerful use of metaphor continues to amaze me with every book of his that I read. His characters feel painfully real, and his skill at describing scenes and people in such brevity are fantastic.
I would recommend this book to anyone interested in getting into Mishima and Japanese fiction. I thoroughly enjoyed it.
Book 14: The Call of Cthulhu by H.P. Lovecraft
Read from: 23/11/2023 to 27/11/2023
Rating: 5/5
Much like many other ‘American Classics’, the Call of Cthulhu is one of those books which seems to have considerable prominence in online circles solely due to the fact that large amounts of American teenagers are forced to read it at High School. As I am not (and never have been) an American teenager, I have had very little exposure to Lovecraft’s short stories besides the occasional reference on television or through conversations with American’s online. I must say, however, I was thoroughly impressed by this book and Lovecraft’s writing style.
The book is written from the perspective of a young man going through the notes of his dead relative, a university professor who seems to have stumbled on some kind of conspiracy regarding an ancient god-like figure, Cthulu, who drives people to madness. The story details, from the authors point of view, how he came to discover his uncle’s notes and the journey he went on to validate their authenticity. At the start of the book, he is quite the cynical sceptic; by the end of his journey, he is a terrified believer who wishes that his works are never found and is constantly paranoid that he will be murdered for what he has uncovered – that Cthulu is indeed real and that his very brief appearance made many ‘sensitive young men’ (artists, architects etc) all around the world go mad.
I am not a fan of horror films; I find them quite unpleasant. However, I have thoroughly enjoyed reading horror. The writer has no opportunity to shoehorn in cheap ‘jump scares’ and low budget special effects. Horror fiction has to be well written and, instead of a brief thrill, creates a genuine sense of dread. I could feel my own arm hairs pricking up with goosebumps whilst reading it.
I genuinely really enjoyed this book, and will be reading more of HP Lovecraft’s works in the future. A good read and a good introduction to his style of writing and short stories.
Book 15: The Shadow Over Innsmouth by H.P. Lovecraft
Read from: 27/11/2023 to 29/12/2023
Rating: 5/5
This was my final book of 2023 and was purchased alongside ‘The Call of Cthulhu’. I would have finished it much quicker if it weren’t for the many various Christmas festivities that fall at this time of year which has significantly impeded my reading progress.
The book follows the story of a young student who is touring the old towns and villages of the New England coast during a gap year in his studies. During his travels, he comes across the town of Innsmouth whilst making his way to Arkham. The town is shunned by the locals of the surrounding villages and is falling into a very ruinous state. During his visit, he meets an old drunkard who explains to him that the town is infested with fish-people who worship ancient eldritch gods and sacrifice people to the sea.
Due to its short length, to say any more about the plot would spoil it. However, I found the story very gripping and exceedingly exciting. I felt genuinely frightened during much of the latter half of the book and thoroughly enjoyed the way the town and its people were portrayed. Lovecraft does an excellent job at thrilling the reader and the book is worthy of the praise it receives.
I would recommend this book to anyone interested in classic American fiction or someone interested in the works of Lovecraft specially. However, I would say that it would probably be better to read ‘The Call of Cthulhu’ first, as this book is referenced quite heavily near the middle and end of Shadow over Innsmouth.
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Against the Rationalists
I had forgotten why I wrote ‘Against the Traditionalists’, and what it meant, so the following is an attempted self-interpretation; for that purpose, they are intended to be read together.
The Preface of Inquiry:
God hath broke a motley spear upon the lines of Rome,
When brothers Hermes masked afront Apollo’s golden throne.
The Aesthetics of Inquiry:
Metaphors we hold in mind, those scenes with their images and progressions, are of the fundamental sense that orders our perceptions and beliefs, and from which everything we create is sourced; for metaphors are dynamic and intuitive relations; and they emerge from the logic of the imagination—let us have faith that our logic is not cursed and disordered, in its severance from the Logos. The phenomenologists would be amply quoted here if they weren’t so mystical and confused—alas, one can never know which of the philosophers to settle with as they’re all so sensible, and they can never agree amongst themselves, forming warring schools that err to dogmatism since initiation—so it is to no surprise that ideologies are perused and possessed as garbs regalia, and for every man, their emperor’s new clothes.
If brevity is the soul of wit, then genius is the abbreviation of methodologies. Find the right method of inquiry, for the right moment: avoiding circumstantial particulars, preferring particular universals; even epistemic anarchist, Feyerabend, would prefer limited, periodical design to persistent, oceanic noise. One zetetic tool of threefold design, for your consideration, might be constituted thusly: axiomatic logistics—Parmenides’ Ladder, founded, stacked and climbed, with repeated steps that hold all the way; forensic tactics—Poe’s Purloined Letter, ontologically abstracted over to compare more general criteria; panoramic strategy—puzzling walnuts submerged and dissolved in Grothendieck’s Rising Sea, objects awash with the accumulated molecules of a general abstract theory. Yet, do not only stick your eye to tools, lest you become all technique, for art, in Borges, is but algebra, without its fire; and let not poor constructs be ready at hand, for the coming forth a temple-work, in Heidegger, sets up the world, while material perishes to equipment, and equipment to its singular use.
Letters of Fire and Sword:
A gallery of all sorts of shapes, and symbolic movements, exist naturally in cognition and language, and such a gallery has it’s typical forms—the line and circle, for example, are included in every shape-enthusiast’s favourites—though Frye identifies more complex images on offer, such as mountains, gardens, furnaces, and caves—and, most unforgettably, the crucifix of Jesus Christ. I’d write of the unique flavours of languages, such as their tendency to particular genres, to Sapir and Whorf’s pleasure, yet by method I must complete my first definition—now from shapes, their movement. The cinematographic plot of pleasing images adds another dimension to their enjoyment—moving metaphors, narrative poetry, being the most poetic; their popular display is sadly limited to mainly the thesislike development of a single heroic journey, less so the ambitious spiral scendancy, or, in the tendency of yours truly and Matt Groening, disjointed and ethereally timestuck episodes in a plain, imaginary void. The most beautiful scenes, often excluded, are a birth and rejoice, the catharsis of recognition, and the befalling ultimate tragedy and its revelation to universal comedy—these stories hold an aesthetic appeal for all audiences, and that’s a golden ticket for us storytellers.
If memory is the treasurehouse of the mind, then good literature is food for the soul. In the name of orthomolecular medicine, with the hopes that exercise and sleep are already accounted for, let your pantry be amply stocked and restocked with the usual bread and milk, with confectionary that’s disappeared afore next day, and with canned foods that seem forever to have existed—as for raw honey, a rarer purchase, when stored right it lasts a lifetime, and eversweet. I’m no stranger to the warnings against polyunsaturated fats by fringe health gurus, but I think I’ll take my recommendations from the more erudite masters of such matters; and I’m no stranger to new and unusual flavours, provided they’re not eaten to excess. The canonical food pyramid of Western medicine, in its anatomical display of appropriate portions, developed from extensive study and historical data, places the hearty reliables en masse at its foundations, and the unhealthiest consumables at the tiniest peak, so that we might be fully nourished and completed, while spared of the damage wreaked on our bodily constitution by sly treats of excess fats, sugars, and salt. Be rid of these nasty invaders, I say, that’d inflame with all sorts of disease; be full of good food, I say, that’d sharpen the body’s workers to good form. Mark the appropriateness of time and place when eating to the same measure; a diet is incomplete without fasting—let your gut some space to rest and think. And note the insufficiency of paper and ink as foodstuffs, and the immorality of treating friends like fast food—the sensibility of a metaphor must be conducive to The Good as well as The Beautiful, if it is to be akin to The True. Aside, it is the most miserable tragedy that, for all the meaty mindpower of medieval transcendental philosophy, they did not explore The Funny—for the Gospels end in good news, as does good comedy.
Bottom’s Dream:
Shakespeare—The Bard of whom, I confess, all I write is imitation of, for the simple fact I write in English—deserving, him not I, of all the haughtiest epithets and sobriquets that’d fall short of godhood, writes so beautifully of dreams in Midsummer’s Night’s, and yet even he could not do them justice when speaking through his Bottom—ha ha ha, delightful. “I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream. Methought I was—there is no man who can tell what. Methought I was, —and methought I had, —but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom’s Dream, because it hath no bottom…”, Nick Bottom, from A Midsummer Night’s Dream. At the end of Act IV, Scene 1.
Intermission, The Royal Zoo:
A Prince and three Lords did walk in the garden, and they sauntered about for the day.
The soon-to-be-King became awfully bored and inquired what game they could play.
“Perhaps, Sire, it’d be best to prepare”, they said, “for life’s duties that approach”.
“It is proper to train for a life’s work”, said they, “lest that debts’ hunger encroach”.
“Consider the rats”, said the Money Lord, “how they scavenge and thrift for tomorrow”.
“For their wild life is grim, and tomorrow’s tomorrow, so take what you can, and borrow”.
“Consider the lions”, said the Warrior Lord, “how they prowl and sneak for a bite”.
“For the proud life is hearty, strong conquers weak, lamb shanks easiest sliced at night”.
“Wise, yet consider the spiders”, said the Scribe Lord, “for they outwit both lion and rat”.
“To scavenge is dirty and timely, and hunting so tiring, better cunning employed to entrap”.
The Prince, unsatisfied by his Lords, summoned a Squire to ask of him his opinion:
“Squire, what do you do, not yet enslaved by your profession, that maketh life fulfilling?”.
“I play with whom I play, and with whom I play are my neighbours, my friends”, said Squire.
For that, said The Prince, “I will live not like a beast”, “I will live like a man!”,
And three Lords became three furnaced in fire.
“Then I commended mirth, because a man hath no better thing under the sun, than to eat, and to drink, and to be merry: for that shall abide with him of his labour the days of his life, which God giveth him under the sun.”, Ecclesiastes 8:15, KJV. Amen.
The headstar by which we navigate, fellow Christians, is neither Athens nor Rome—it is Christ. “Be sure [Be careful; Watch; See] that no one ·leads you away [takes you captive; captivates you] with ·false [deceptive] and ·empty [worthless] teaching that is ·only human [according to human traditions], which comes from the ·ruling spirits [elemental spiritual forces (demons); or elementary teachings] of this world, and not from Christ.”, Colossians 2:8, EXB. Amen.
A Note on Opinion:
It is common sense, in our current times, that the most opinionated of us rule popular culture. Without a doubt, the casting, writing, directing, etc, of a major cinematic production project is decided in final cut by ‘the money’—so I speak not of the centrally-planned, market-compromised popular-media environment—but it is by the algorithm of the polemic dogmatist that metacultural opinions, of normative selection and ranking and structuring, are selected. One must be at the very least genius, or prideful, or insane, to have the character of spontaneously spouting opinions. It is an elusive, but firmly remembered anecdote that ordinary, healthy people are not politics-mad—ideologically lukewarm, at the very least. Consider the archetypical niche internet micro-celebrity: such posters are indifferent machines, accounts that express as autonomous idols, posting consistently the same branded factory gruel, and defended by their para-socialised followers over any faux pas, for providing the dry ground of profilicity when sailing the information sea. Idols’ dry land at sea, I say, are still but desert islands—houses built on sand. Now consider the archetypical subreddit: ignoring the top-ranking post of all time either satirising or politicising the subreddit, and the internal memes about happenings within the subreddit; even without the influence of marketing bots, the group produces opinions and norms over commercial products and expensive hobbies, and there is much shaming to new members who have not yet imitated and adopted group customs; essentially, they’re product-review-based fashion communities. Hence, the question follows: if knowledge is socially produced, then how can we distinguish between fashion and beauty—that is, in effect, the same as asking how, in trusting our gut, can we distinguish lust and love? How can we recognise a stranger? Concerning absolute knowledge, including matters of virtue and identity, truth is not pursued through passion’s inquiry, but divinely revealed. “Jesus said unto them, Verily, verily, I say unto you, Before Abraham was, I am.”, John 8:58, KJV. Amen.
A Note on Insanity:
It is common for romantic idealists to be as dogmatic as the harsh materialists they so criticise. All is matter! All is mind! One ought to read Kant methinks; recall Blake’s call to particularity: there needs be exceptions, clarifications, addendums, subclauses, minor provisions, explanatory notes, analytical commentary, critique, and reviews—orbiting companion to bold aphorism; Saturn’s ordered rings, to monocle Jupiter’s vortex eye, met in Neptune’s subtle glide. Otherwise, the frame is no other than that which is criticised: arch-dogmatism. If we’re to play, then let us play nicely; it is not for no reason that Plato so criticised the poets, for the plain assertions of verse do not explain themselves, and so are contrarywise to the pursuit of wisdom in a simple and subjectivist pride—selfishly asserting its rules as self-evident. Yet, they might be wedded, for truly there is no poetic profession without argumentative critics—no dialectic without dialogue. And so, if I must think well, and to accept those necessities, then questions of agency be most exhaustive nuts to crack. If all is matter, then all is circumstantial—If all is mind, then all is your fault; if all is reason, we’re bound by Urizen’s bronze—if all is passion, we’re windswept to fancy. Unanswered still, is the question of insanity. And even without insanity, what is right and what is wrong so eludes our wordy description. “So whoever knows the right thing to do and fails to do it, for him it is sin.”, James 4:17, KJV. Amen.
Endless curiosities might unravel onwards, so shortly I shall suggest a linguistic idealist metacritique of mine own, that: to make philosophy idealistic, or to naturalise the same, are but one common movement, merging disparate literatures representing minds, of the approach to total coherence of the human imagination; such that might mirror the modal actualism of Hegel, a novelist who was in following, and ahead of, the boundless footsteps of short story writer, Leibniz. To answer it most simply: for four Gospels, we have fourfold vision, so if one vision is insufficient, then two perspectives are too—all-binary contradiction is the workings of Hell, but paradox and aporia, is, as exposited by Nicholas Rescher and Brayton Polka, the truth of reality. This way we might properly weigh both agency and insanity, by taking the higher ground of knowledge and learning. Recall Jesus’ perfect meeting of the adulterer—when he saw the subject and not the sin.
A Note on Disability:
There is potential for profound beauty in the inexpressible imagination, such that would make language but ugly nuts and bolts, if it didn’t also follow that we cannot absolutely explicate language either. Then, it seems even if our words do not create the world, but are representations, we can still know and appreciate facets of reality without their full expression—our words construct models, or carve at the joints of the world, but the good and beautiful expression is true proof of God; to recognise truth is intuitive, perhaps being that mental faculty which is measure sensibility. Hence, let us first pray that we are all forgiven for our sins, ignorant and willing, and second, that the mentally disabled, and lost lambs without dreams, can know Him too. Amen.
