Strolling down Marsham street, past the Itsu and Pret a Manger, a funny looking man in a top hat flanked by grey haired beret wearing old women scream at the top of their lungs whilst recording a group of depressed looking individuals clad in ill-fitting suits who walk past them and into the Emmanuel Centre. Loud renditions of ‘Ode to Joy’ blare from the portable speakers powered from a generator in a white van plastered in EU flags.
You might think, for at least a moment, that I am describing a snapshot from 2017. That these individuals are making plans for Britain’s ‘strategy moving forward as we leave the EU’, and that Mister Bray would at least have a reason to be shouting ‘bollocks to Brexit’ at the passers-by. Instead, the year is 2023, Brexit is barely being mentioned at all inside the walls of the conference room, and no one is quite sure what he – or they – are there for.
That seems to be an outstanding theme of the conference: uncertainty. No one at all seemed to be able to pin down exactly what it was that they stood for. A plethora of rambling speeches about Edmund Burke, multiple references to ‘Le contrat sociale’, continuous struggle sessions against the rotting corpse of Margret Thatcher (who seemingly still operates behind the shadows in every corner of government), and yet nothing new or interesting was being said, just vague topics which they knew everyone would sort of agree with anyway.
Worse still, a lot of the high-profile attendees (especially the MP’s who bothered to turn up) didn’t really seem to know what the event was for. A favourite moment of mine was when, at the very opening of the event, Yoram Hazony and Jacob Rees-Mogg accidentally went ‘head-to-head’ in debating the finer points of the corn laws and the benefits of wheat tariffs in their separate speeches… absolutely thrilling stuff which really tackled… THE ISSUES.
Another devastating moment was when Suella Braverman took the stage to talk about her vision for Britain. In actuality, it was a 25-minute party political broadcast about why you should just ignore the last decade of Tory government and still trust her to ‘stop the boats’. It’s always so upsetting when you listen to actual real politicians – high ranking ministers, no less – who act like opinion piece columnists. The looks on the faces of the attendees during her talk said it all: “YOU ARE A MINISTER OF STATE, YOU HAVE CONTROL OVER THE HOME OFFICE, DO SOMETHING!”
No leadership, no courage, no unified vision. This is what the supposedly ‘Real Right Wing’ looks like for Britain at the moment. No figure appeared to give any sense of direction or policy; they would much rather ‘hash out the arguments’ and ‘make their case’ instead. This is not how you win elections or drive the mechanisms of state, this is how you gain followers on twitter or get a graduate columnist job at [MAGAZINE_NAME.COM].
Despite my negativity, I actually think that this presents a wonderful opportunity for those with more dissenting ideas on what the future of ‘national conservatism’ means in Great Britain. “NatCon” doesn’t really know what it seeks to be and has no defined leadership, so why not show it the way? Instead of feeling like a ‘captured institution’, it felt like a proto-organisation which can’t quite put its finger on what it is yet. Instead of allowing it to lean on the boring and decaying figures of the present, a fascinating vacuum is opening up to swallow anyone with the boldness to make clear cut statements on what they wish to see as the future of National Conservatism. Doing *that* would be a lot easier than any sort of ‘Tory Entryism’ which the generation before us sought to complete.
At the very least, the conference was an excellent opportunity for networking. It was nice to see a format more similar to CPAC than Tory Party Conference, with many MPs, intellectuals, and journalists more than happy to sit and chat with you outside of the main hall instead of listening to the lectures. This was genuinely enjoyable and made the experience a lot more worthwhile. I sincerely hope that more events like that can take place in future.
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It’s Not Just Any Christmas, It’s a Little Shop of Horrors Christmas
What is Christmasy about setting fire to Christmas cards? What is festive about a giant Venus flytrap almost eating a small dog? Nothing, but apparently those are the kinds of Christmases two of the largest high-end retailers are trying to sell us, and we aren’t buying.
The release of Christmas ads in November launches the holiday season, and there are few greater British traditions than gathering around the kettle in the work kitchen to talk about the new John Lewis advert the day after it’s aired.
But the first major retailer to release its ad did not get the reaction it had hoped for. Marks & Spencer faced a backlash over its ‘Love Thismas, Not Thatmas’ ad, which sent the message that traditional Christmas needs to be burnt down, shredded, smashed, and go swimming with the fishes.
In one scene of the retailer’s clothing and home campaign, Sophie Ellis-Bextor turns her attention from browning marshmallows on a gingerbread house with a kitchen blowtorch to setting a stack of Christmas cards on fire. In another, paper hats get mulched into confetti, an elf gets launched off the roof of a house with a baseball bat – you get the idea.
It ends with the voiceover saying: ‘This Christmas, do anything you love.’
‘Do anything you love.’ Eschew the spirit of charity. Destroy Christmas and make it all about you. Not about family. Not about children. Reject tradition.
The John Lewis ad was worse. If the Little Shop of Horrors did Christmas ads, it would look like this.
In short, a boy’s Christmas tree seed grows into a giant voracious Venus flytrap with multiple sharp-toothed mouths, that at one point appears to snap after the family’s Pomeranian. Fearful of the carnivorous plant, the boy’s mother, grandmother, and sister take it outside.
But the narrative that you shouldn’t judge a predatory plant based on its natural inclination triumphs when the family joins the flytrap in the garden with their presents. And as if taking inspiration from the feverish delusions of a sick toddler, the ad ends with the plant snatching the wrapped gifts, gobbling at them, and spitting them back at the family, unwrapped.
John Lewis’s message is spelt out and very much the same as M&S: reject tradition. Or as the major retailer phrased it, the ad “celebrates the joy in the UK’s changing Christmas traditions.”
At one time, John Lewis set the standard for Christmas ads. Memorable favourites like Monty the Penguin (2014), the 2010 montage ad accompanied to Ellie Goulding’s rendition of ‘Your Song’, or the adventurous snowman ad of 2012, were warm, festive, and at times tear-jerking. They celebrated dreaming and childlike innocence. They felt like they were produced with true love for the season. While not all were cookie-cutter traditionally Christmasy in appearance, they conveyed those timeless values of family, sharing, hope, and gratitude. They were crafted with the skill of Don Draper.
The 2023 John Lewis ad is ugly nightmare fodder.
The affordable food retailers, however, embraced and celebrated the traditional messages of Christmas.
Asda leans enthusiastically into the festive season with its joyful, light-hearted ‘Make This Christmas Incredibublé’ ad, featuring Michael Bublé as a store quality officer.
Showing off turkey, mince pies, panettone, and enough cheeses to put a lactose intolerant into a coma, Bublé is funny and ostentatious. The sets are tastefully but festively decorated, and the ad is finished with the singer joining a choir of staff in an energetic rendition of ‘Walking in a Winter Wonderland’.
Asda struck the right chord and knew its audience. It knows they’re suffering under the cost-of-living crisis and says without saying: you can still afford to have a nice Christmas dinner this year.
The Aldi advert sees a return of Kevin the Carrot, this time in his adventures in a Christmas food-themed Willy Wonka’s factory. Narrated by British actor Jim Broadbent, lines of poetry convey deep-rooted values such as: ‘Only Kevin the carrot clearly understood the true meaning of Christmas and the importance of being good.’
And: ‘The season of goodwill was truly in the air, for Christmas is a time that’s sweeter when you share.’
But it was fellow German food retailer Lidl that stole the paper Christmas crown. A racoon who loves Christmas goes on a little hero’s journey to make sure a toy monkey gets delivered to the boy who he’s been watching through the window. While never discovered to be the creature that placed the toy under the tree, the raccoon is rewarded when the family dog takes a portion of Christmas dinner outside to share with him.
It was old John Lewis: full of innocence, adventure, mild peril, and generosity. It was moving and warm. It shared an important message: little gestures of kindness matter.
And the latter two retailers put their money where their mouth is: both Aldi and Lidl are part of the Neighbourly charity network to distribute unsold surplus food to local communities. Lidl is also hosting toy banks for donations in their stores and has said that it will be producing the monkey and raccoon toys for sale, with the proceeds going to Neighbourly.
These aren’t just empty words, but action. The desire to help comes through these ads and touches people. These are authentic expressions of the season of good will towards all men.
What I and people who took issue with in the M&S and John Lewis ads is not that some individuals reject traditional Christmas. People are free to have whatever unconventional Christmases they want and not be judged for it.
No, this is about people tired of being nudged by forces that shape our society and craft our media that our world must change. That even though we are in the majority, we must have our expression of our culture and tradition come second – or not at all – to unconventionality, modernity, and progression.
‘Don’t touch or break our Christmases,’ we’re saying.
These messages from John Lewis and Marks & Spencer were intentional, crafted by professional agencies that have been captured and work to serve the woke agenda and their ‘purpose-driven’ campaigns – sometimes at the expense of profit. While unconventional unChristmas ads are not woke in themselves, they originate from the same spiteful anti-tradition place.
But the fickle monster you feed eventually comes back to bite you over any perceived form of ‘hate’, slight, or microaggression. Case in point: Marks & Spencer had shared a still outtake from their ad to social media, showing paper hats burning in a fireplace, before quickly deleting it and apologising for any offence caused.
Not apologising to those Christmas-lovers who might have thought it mean spirited, but to pro-Palestinian activists. Yes, Marks & Spencer took seriously complaints that burning red and green paper hats was insensitive and stoking tensions because Palestinian flags also happen to feature red and green.
Let no good pandering go unpunished.
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Islam as Arabism
‘Here the initiative individual […] regains his place as a formative force in history. […] If he is a prophet like Mohammed, wise in the means of inspiring men, his words may raise a poor and disadvantaged people to unpremeditated ambitions and surprising power.’
– Will and Ariel Durant, The Lessons of HistoryThat Islam is a sociopolitical ideology as well as a religion hardly requires demonstration. It included a political component from its very inception, since tradition has it that Muhammad was the Muslims’ worldly ruler as well as their spiritual leader. The caliphs succeeded him (‘caliph’ means ‘successor’) in that capacity: they, too, were political and religious rulers in one. If the caliphate had not been abolished in 1924, non-Muslims would likely be much less blind to Islam’s political side.
This political side is too rarely acknowledged. However, even less attention has been paid to the ethnic aspect of Islam’s politics. Hardly any commentators seem to mention the undercurrent of Arabism present in the Mohammedan creed – yet once one has noticed it, it is impossible to ignore. Islam is not just any ideology; it is a vehicle of Arab imperialism.
Some readers may not readily see any such ethnic element, but others will likely find it obvious. In Algeria, for instance, Islam is widely taken to be a facet of ‘Arabdom,’ which is why proud Berbers tend not to be passionate Muslims. It is not just non-Arabs who believe that Islam and Arabdom are intimately linked. Consider that Tunisia’s ‘Arab Muslim’ character is mentioned in the preamble to the country’s constitution. Likewise, Morocco’s constitution states that Moroccan national identity is ‘forged by the convergence of its Arab-Islamic, Amazigh and Saharan-Hassanic components.’ Such language underscores the essential connection between Arab identity and Islam. What follows is a brief overview of some aspects of this connection.
The Traditions
The traditional accounts of Islam’s early history, including the hadith, contain plenty of naked Arabism. In this context, we can largely set aside the question of whether these accounts are reliable. For the most part, it scarcely matters whether the traditions are true or fabricated; it only matters that they are believed.
Perhaps the most infamous racist hadith is the one in which Muhammad describes black people as seeming to have raisins for heads. The saying in question is Number 256 in Book 89 of volume nine of Bukhari’s anthology: ‘You should listen to and obey[…] your ruler even if he was an Ethiopian (black) slave whose head looks like a raisin.’
Some Muslims try to divert attention from the questionable physical description and onto the statement’s supposed egalitarianism. They claim this passage expresses a progressive sentiment that people of any race could be worthy rulers. However, one should bear in mind the context: the next two hadiths likewise extol obedience to rulers. For example, Number 257 has Muhammad say: ‘A Muslim has to listen to and obey (the order of his ruler) whether he likes it or not, as long as his orders involve not one in disobedience (to Allah).’ The common theme in these stories is the requirement to submit to those in power. Against this backdrop, the hypothetical Ethiopian ruler is clearly mentioned in order to emphasise how absolute this duty is: it applies even if the ruler belongs to an inferior ethnic group. Similar examples of racism in the hadith and other Islamic sources are listed by Isaac Marshall.
As Robert Spencer shows in Did Muhammad Exist?, early Arab politics under the Abbasid dynasty was marked by references to Muhammad’s example to promote various causes, notably including ‘the rapid expansion of the Arab Empire.’ This sometimes included strong ethnic undertones. As Spencer notes, Muhammad was reported to have said that Muslims would conquer ‘the palaces of the pale men in the lands of the Byzantines’ and to have announced: ‘the Greeks will stand before the brown men (the Arabs) in troops in white garments and with shorn heads, being forced to do all that they are ordered.’ Why mention the Byzantines’ lighter complexion? Presumably, this served to underscore their ethnic distinctness (non-Arabness) and, by implication, their inferiority. As for the second quote, it clearly portrays Muhammad as having wished for the Arabs specifically, rather than Muslims of any ethnicity, to dominate the Greeks.
According to tradition, having garnered only a handful of followers in Mecca, Muhammad achieved his first major success in Yathrib (later Medina). This milestone was made possible by an ethnic conflict between Arabs and Jews in which the former deemed him useful for their cause. ‘The Arabs of Yathrib,’ explains Ali Sina in Understanding Muhammad and Muslims, ‘accepted Muhammad readily, not because of the profundity of his teachings, […] but because of their rivalry with the Jews.’ It was in Medina that Islam’s trademark Jew-hatred truly began to burgeon.
Over a millennium later, the resources of Muslims worldwide are still being drained in service to an Arab struggle against Jews in Israel – and Islam is the tool through which those resources are extracted. Of course, not everyone in the Muslim world is content with this arrangement. In Iran, which is now a mostly non-Muslim country, protestors chant: ‘Forget about Palestine, forget about Gaza, think about us.’ Likewise, the Moroccan Amazigh Democrat Party (a Berber organisation now renamed ‘Moroccan Ecologist Party – Greens’) stands for both secularism and ‘normalizing relations with Israel.’ The more a group is free from Islam, it seems, the less need it feels to sacrifice its own interests in order to help Middle Eastern Arabs re-conquer Israel.
The History
Islam’s history shows it to be, from its beginnings, fundamentally intertwined with Arab identity. In Arabs: A 3,000-Year History of Peoples, Tribes and Empires, Tim Mackintosh-Smith provides such manifold examples of this pattern that it would be plagiaristic to reproduce them all here. Drawing on Muslim historian al-Baladhuri’s description of the Arab conquests of the seventh century AD, he writes that the Taghlib, despite being Christian, were made exempt from the ‘poll-tax’ which unbelievers must pay under Islamic law. The reason was that the Taghlib were Arabs, and could thus make the case that they were different from the ‘conquered barbarians’ to whom the tax was normally applied. ‘Islam in its expansive period had as much to do with economics and ethnicity as with ethics.’ During the later centuries of Islam, other groups – most notably, the Ottomans – appear to take the lead in the Muslim world. Nevertheless, ‘the centuries of “invisibility” in fact conceal an Arab expansion almost as remarkable for its extent as the first eruption of Islam,’ though this second phase occurred ‘through the Arab world’s back door, into the Indian Ocean.’
For Mackintosh-Smith, Islam should be viewed ‘as a unifying national ideology, and Muhammad as an Arab national hero.’ It may be worthwhile to mention, in this context, the theory that Muhammad never existed and was instead a character popularised decades after his supposed death. Robert Spencer summarises the case for this position in Did Muhammad Exist?. Despite dating Islam’s emergence to the early eighth century, Spencer notes that two inscriptions from Arab-ruled lands during the second half of the seventh century refer to some watershed moment which had occurred in 622. As he states, this is the traditional date of the Hijra, when Muhammad supposedly fled from Mecca to Medina. Interestingly, one of the inscriptions was made 42 years (on the lunar calendar) after 622, yet it purports to have been written in ‘the year 42 following the Arabs.’ Why the odd phrasing? Spencer argues that, in 622, the Byzantines inflicted a heavy defeat on the Persian Empire, sending it into decline. The Arabs were quick to take advantage of the resultant ‘power vacuum’ and soon conquered Persia. Consequently, he speculates: ‘What became the date of the Hijra may have originally marked the beginning of the Arabians as a political force to be reckoned with on the global scene.’ If this idea is correct – and it certainly makes sense of the strange phrase ‘the year 42 following the Arabs’ – then the very year with which the Islamic calendar begins, 622, may originally have been commemorated in celebration of Arab military expansion. This would also make it all the more ironic for anyone conquered by Arabs, and especially Iranians, to be a Muslim.
Still, the conquest of non-Arabs by Arabs is sanctified in Islam even if one utterly rejects the thesis Spencer propounds. Since the expansion of early Islam – and much of later Islam – was inseparable from Arab expansion into surrounding territories, being Muslim practically forces one to look back with approval on the conquests of non-Arabs by Arabs. (The spread of other world religions did not involve a comparable dependence on armed subjugation.) As Raymond Ibrahim has written, ‘the historic Islamic conquests are never referred to as “conquests” in Arabic and other Muslim languages; rather, they are futuhat—literally, “openings” for the light of Islam to enter.’
Throughout Islam’s history, jihadism and Islamic expansionism have gone hand in hand with Arab supremacism. This has perhaps been most apparent in Sudan and Mauritania, where Islamism has long been inextricably linked to racism and genocide against, and enslavement of, non-Arab blacks. Serge Trifkovic makes this point powerfully in The Sword of the Prophet, highlighting the irony of black Muslims in America who consider Islam a natural part of African heritage.
In addition to the racism already found in Islamic scriptures, the slave trade which has flourished under Islamic rule and been legitimised in conjunction with jihad ideology has also spawned racialist justifications. Trifkovic comments: ‘The Muslims’ view on their two main sources of slaves, sub-Saharan Africa and Slavic Eastern Europe, developed into the tradition epitomized by a tenth-century Islamic writer:
“The people of Iraq […] are the ones who are done to a turn in the womb. They do not come out with something between blond, blanched and leprous coloring, such as the infants dropped from the wombs of the women of the Slavs and others of similar light complexion; nor are they overdone in the womb until they are […] black, murky, malodorous, stinking, and crinkly-haired, with […] deficient minds, […] such as the Ethiopians and other blacks[.]”’
Islam’s Arab Character
Despite claims of divine revelation and the notion that the Qur’an existed from the beginning of time, Islamic doctrine is wholly permeated by mediaeval Arab culture and the paganism of pre-Islamic Arabia. Thus, Samuel Zwemer notes that the belief in jinn reflects a ‘substratum of paganism.’ Nor is this belief peripheral to Islam; numerous verses in the Qur’an discuss these supposed spirits and Muhammad is claimed, writes Zwemer, to have been ‘sent to convert the Jinn to Islam as well as the Arabs.’ It is also a well-known fact that the pilgrimage to Mecca goes back to pre-Islamic paganism.
The creed’s ethical teachings, furthermore, are deeply shaped by its origins among mediaeval Arabs. In many ways, it represents an alien culture imposed on other peoples by Arab conquest. One might object that Europe is Christian and Christianity is likewise an alien influence on it, having come from the Middle East. Yet Christianity’s Middle Eastern origins have been greatly exaggerated. It is a fundamentally European religion, having arisen in the Roman Empire and been shaped by Greek philosophy from its fount. Even pre-Christian Judaism had been heavily shaped by Hellenic thought, as Martin Hengel showed in his classic Judaism and Hellenism. In any event, Christianity is far less intrusive than Islam, which seems intent on micro-managing every aspect of the believer’s life.
An obvious example of how Islam imposes alien values on the societies it conquers is the role it mandates for women. Apostate Prophet, a German-American ex-Muslim of Turkish descent, avers that ‘the Turks […] treated their women much, much better before they converted to Islam.’ Current scholarship appears to bear this notion out. One author concludes that, in pre-Islamic times, ‘Turkish women ha[d] a much more free life than women of other communities and that women within Turkish communities [during that period] can be seen as sexless and they can take part in men’s positions.’ This is obviously far different from women’s role in Islamic societies. The difference was famously demonstrated by Turkey’s Deputy Prime Minister Bülent Arınç, founding member of the ruling Islamist group, the Justice and Development Party (AKP). On the occasion of the Islamic holiday Eid al-Fitr, Arınç urged Turks to pay greater heed to the Qur’an and stated that women should ‘not laugh in public.’ If conditions in Turkey are not as bad as in other Islamic countries, where practices like female genital mutilation are common, that is in large part thanks to the secularising revolution of Kemalism.
However, to say that Islam’s ethics fully reflect the norms of pre-Islamic Arabia would be unfair to the Arabs of the time. For instance, Ali Sina argues that, ‘prior to Islam, women in Arabia were more respected and had more rights than at any time since’ (Understanding Muhammad and Muslims). Even within the context of that undeveloped region, it seems that Islamisation represented a step back.
Islam’s Arab character has serious practical consequences which work to Arabs’ relative advantage and other groups’ relative disadvantage – although, naturally, adherence to Islam represents a net disadvantage for all groups. As Hugh Fitzgerald observes, Islam makes people ‘pray five times a day in the direction of Arabia (Mecca), ideally take Arab names, read the Qur’an in Arabic, and sometimes even construct a false Arab ancestry (as the “Sayeeds” of Pakistan).’ The requirement to fast throughout the day during Ramadan appears tailored to the Arabian Peninsula and is ill-suited to life in certain other regions. Moreover, Islam proves highly effective at funneling money from the whole Muslim world into Arabia. The required pilgrimage to Mecca earns Saudi Arabia ten to fifteen billion US dollars per annum; added to this are another four to five billion gained through ‘the umra, a non-obligatory pilgrimage to Mecca.’ ‘Pilgrimage income,’ adds the same source, ‘also accounts for the second largest share of [Saudi] government revenue after hydrocarbon sales.’
Will the Awakening Come?
‘Although Islam presents itself as a universal religion,’ writes Robert Spencer, ‘it has a decidedly Arabic character’ which has consistently aided ‘Arabic supremacists’ in Muslim areas. As stated, Islam is detrimental to all people, but it seems especially absurd that any non-Arab would be a Muslim. Hopefully, the other nations ensnared by this ideology will find the backbone to break free of it sooner rather than later.
Some such stirrings, though faint, can already be seen. As of this writing, Apostate Prophet’s video Islam is for Arabs has garnered nearly 200,000 views in five years. We have noted the distaste for Islam among many Algerian Berbers, and a similar pattern has been recorded in Morocco: ‘for some Berbers, conversion [to Christianity] is a return to their own roots.’ Should this trend continue, it could, in theory, become quite significant. As of 2000, Arabs constituted only 44% of Morocco’s population, just under the combined share of Arabised Berbers (24%) and other Berbers (21%).
Iran is an even more promising case. As mentioned, it appears that most of the country’s population is no longer Muslim. National pride seems to have played a part in this spectacular sea change, as evidenced by the popularity of Zoroastrianism among some Iranians. Perhaps Iran, once liberated, could act as a model for other non-Arab Muslim countries with a sense of dignity.
The national issue may not prove potent enough to de-Islamise societies completely. However, that may not be required. A major tipping point could be achieved simply by reaching a point at which criticism of Islam can no longer be stifled. Islam’s success depends on fear to prevent people from opposing it. Thus, in environments where adherence to it is not socially enforced – for instance, in Western societies –, deconversion rates tend to be high. Anywhere the compulsion to obey Islam is defeated, the main battle will have been won.
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The Family Sex Show: Grooming Comes to Britain
I knew Bristol was liberal; the city is famous for it. Me? I have traditional values, I am involved with the Conservative party, and I have been a Christian my whole life. But when I got an unconditional offer to study a course at the University of Bristol which ranked third in that subject, I accepted it without hesitation. Nine months into living here and I have seen advertisements for climate-crisis bake sales, intersectional feminist poetry slams, and students “occupying” the Wills Memorial Building (and subsequently whinging that their vegan Deliveroo wasn’t able to reach them) in solidarity with striking lecturers. However, having nonchalantly followed Bristol’s Tobacco Factory Theatres on Twitter to see if any shows piqued my interest, I saw something that one couldn’t just dismiss as liberal lefty nonsense – this was something truly horrifying.
Tobacco Factory Theatres retweets ThisEgg (a theatre company) promoting their new show, The Family Sex Show (also promoted by The Guardian) The title is possibly alluding to incest, to Red Light District sex shows, and is definitely intended to shock. Already feeling slightly disturbed, I read on. The age recommendation is 5+ and the show description reveals it is intended as “an alternative to porn”. I read on to learn that “there is nakedness, yes. At one point in the show, everyone on stage takes their clothes off…” This is ringing every alarm bell possible.
Posing as “sex education”, the adults involved (who were hastily cast via Twitter only a month ago) don’t seem to know the first thing about safe, age-appropriate sex education. What five-year-old needs an alternative to pornography? Exposure to pornography is often used as a desensitising tactic when grooming children. In defence of this horror show, the website claims that “sexual development and behaviour in children starts from birth”. This is an argument which I have only previously heard from a documentary about PIE (Paedophile Information Exchange) to justify removing the age of consent.
Speaking of consent, which this show claims to teach us all about, I have to question why the “actors” get to choose their level of comfort when stripping. A five-year-old child, however, cannot consent to seeing naked strangers. The only guidance for parents is that they can leave if they feel uncomfortable, yet the theatre manager has written extensively on how the actors will be supported if there was negative feedback. How, I ask, are the “actors” the victims in this situation? This show seems to be all about what the adults want to do in front of the children, convinced that they know best. Cyber-flashing has just become a crime, and yet the cast of The Family Sex Show feel it is their right to flash infant-school-aged children. Many Twitter commenters reminisced over days when “dirty flashers” would be chased off by police. Now, liberal parents pay them ten pounds a ticket to bare all on stage. These people do not deserve to be parents.
My sex education at school took place in Year Six. We were ten and eleven years old and were taught about sex and puberty in an age-appropriate, sensitive, non-embarrassing way. The teachers, surprisingly, didn’t find it necessary to strip naked and point to their genitals to get the message across. Most of my generation will have had a similar experience and don’t feel we have gaps in our knowledge. Of course, we have all witnessed the odd person getting changed at the beach rather indiscreetly – but this is contextual, and hopefully accidental. If children are taught that it is normal for strangers to want to show their genitals to them, then this completely undermines the preventative measures that parents, and trusted adults, take against grooming. And as for the argument that “children will encounter porn anyway, so why not teach them about it now?” I worked in Early Years education for four years and I didn’t meet a single five-year-old who could read, write or type well enough to access pornography. And if parents leave it accessible to children, someone needs to call CPS.
I am just thankful that the live show and tour was all suspended during the multiple lockdowns, or we could be two years into child-traumatising theatrical sex shows. The Twitter outrage has been huge, and the account, Libs of TikTok, made famous by Joe Rogan’s podcast, shared the story, at my request, to an audience of 591.3k angry followers. We also have riled up over 800 Bristolian mothers on Mumsnet who have taken this story to the Daily Mail, started a petition, and are boycotting the theatre. Grown adults are being paid to strip in front of little children, in UK theatres, funded by the National Lottery and Arts Council England. Bristol’s Tobacco Factory Theatres want your money! In return, you and your five-year-old can watch simulated sex acts followed by a stage full of strange adults exposing their genitals. I have never been more horrified.
