Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.

Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.

While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.

It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:

1: The superfluity of the preceding liberal generation to progressive radicals.

The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).

However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).

Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.

The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.

In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.

2: Ideologies as active, distorting forces rather than merely passive beliefs.

“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.

Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.

Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.

The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).

From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.

3: Seemingly virtuous revolution motivated by and covering for private vices.

By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.

As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”

Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.

4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.

Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.” 

While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:

“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”

A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.

“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”

While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.

“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”

Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.

“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”

A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.

“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”

Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).

More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.

To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.

5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.

An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).

The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.

Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.

It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s  literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”

Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.

The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.

Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.

Conclusion

There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.

However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”

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“Know thyself” is a most fundamental axiom of Greek philosophy that has been repeated into cliche in philosophy and religious studies classrooms around the world. And yet it is a concept that many seem to forget. To ignore our fundamental presuppositions and the grounding of our beliefs is foolish and to unwittingly seek to undercut them is ideological suicide. 

These thoughts follow my reading of Polly Toynbee’s recent article in the Guardian which seeks to essentially de-Christianise the Christmas celebrations and throws around the terms ‘cultural Christianity’ and ‘humanism’ as a way to legitimise her thoroughly anti-Christian position as some kind of reasonable middle ground/self-critique. A contradiction for sure, as she lampoons the foundations of Christian belief and excoriates the actions of early Christians. If we attached power cables to Friedrich Nietzsche’s grave, his rolling would probably solve the present energy crisis our country is currently undergoing. 

Cultural Christianity, at the very least, demands an adoption of Christian morality and admiration for Christian tradition and history that is ridiculous to maintain in lieu of actual religious belief and makes me wonder why one doesn’t go all the way to believe in God too. Perhaps we consider the morality of ‘love thy neighbour’ as not necessarily an exclusively Christian belief but the very mindset that the European and American lives in are framed by Christianity – from the Protestant work ethic to our preference for monogamous relationships. Believing in the morality, mindset and general worldview of Christianity without its origin and basis, the teachings of Christ and the existence of God is vapid and naive. Why is marriage a sacred, inviolable contract if its primary advocate is not even real? (or dead).

This mindset is ultimately pointless and shallow and seeks to provide its own moral foundation with an appeal to some kind of tradition, popularity, or history – merely copying a greater tradition than itself. Ms Toynbee’s self-critical cultural Christianity is further called into question as nothing more than a veneer in her decidedly un-historical diagnosis of Christianity as anti-philosophical, anti-mathematical and anti-intellectual. The church is aware of its failings as a human institution, our own doctrine expects this and our scripture reminds us to be constantly vigilant against sin and our nature. Unfortunately, examples in history can be dragged into scrutiny to illustrate the failures of our forefathers. Maybe certain Popes and church leaders resisted the progress of science, or maybe the condemnations of 1277 sought to strangle ‘heretical’ elements of Aristotelianism out of medieval philosophy, but it isn’t appropriate to attribute particular mistakes by fallible humans to the wider religion. To do so is to be blinkered to what Christianity has provided and what it stands for.

Many of the greatest leaps in mathematics and science were accomplished by monotheists, algebra was pioneered and beautifully developed during the Golden Age of Islam and much of modern science owes its exposition and articulation to Christianity: Newtonian physics, Mendelian genetics and even the Big Bang Theory originate from Christian scholars. As for philosophy, while the discipline in the medieval period did develop in partnership with theology, the enlightenment saw the emergence of important secular thought among many Christian thinkers. For one example, Immanuel Kant, the father of modern philosophy, sought to use God to justify human freedom and escape relativism and nihilism; providing a philosophical framework that has shaped the European zeitgeist. There is a good case to be made that most Anglo-American philosophy that traces back to Hume is essentially a secularisation of the work of William of Occam; a Franciscan monk. Yes, certain Christians supported the barbaric practice of slavery but subsequent Christians spearheaded the abolitionist cause and rebuked their forebears. To accuse Christianity of being backwards because some nuns teaching children attempted to use theological themes to encourage good behaviour is intellectually immature. Ms Toynbee can chase caricatures and mistakes by certain people in order to try and hurry Christianity out the door as much as she wants but her arguments are largely rebutted by a cursory reading of history. There is no real correlation between Christianity and intellectual stagnation. 

A point that is interestingly used to drive her case forward is to complain about the largely ceremonial title of Fidei Defensor, which our monarchs adopted as an ironic jest at the Papacy. It is a somewhat nickel and dime point to analyse the declaration of the Anglican church’s independence – remember that the monarch is also the (ceremonial) Supreme Governor of the CofE: a broadly ceremonial title. Surely then, in an institution that is allegedly racist and backward, we should be welcoming Charles’ declaration to defend all the faiths of all of his subjects even if he is styled with a ceremonial, historic title? Dwelling on the ‘the’ seems to be counter-productive. These nickel-and-dime points come across as the bread and butter of this article – We can see another example of these snipes in her discussion of assisted suicide. To say that life is sacred and that assisted suicide is a slippery slope somehow makes our elected officials dangerous radicals that are out of touch with the electorate. This polemic move is extremely dishonest. See the advancement of medically assisted suicide in Canada as an example of the practical risks associated with this policy. 

Maybe this response article is also rising to the nickel and dime bait. The debate could rage forever, as glib anecdotes and controversies are thrown about to illustrate the evil of the ever-vengeful skydaddy and his charlatan prophet. But let’s not forget the message of Christmas in the Gospel – a message of love, hope and the salvation of mankind by God who loves His creation and wants nothing more than to reconcile our broken relationship.

So this Christmas remember that the secular values we associate with it – family, reconciliation, joy, giving and altruism – stem from a message of divine love and peace with a promise to end human suffering. Ms Toynbee’s vision of a secular winter holiday is not possible without the Incarnation.

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History has seen its fair share of wicked and corrupt leaders and regimes, from Ivan the Terrible, to Joseph Stalin and Mao Zedong, to Pol Pot and Saddam Hussein. These men, and others like them, desired to tightly grip the reins of power and not let go, entrenching themselves and their position within the political system. Of all the possible regimes to explore with this piece, Hitler’s Third Reich was chosen because to its dual notoriety and anonymity – Nazi Germany is known to almost everyone as a significant historical period, but the system’s context, beginning and how Hitler came to be Führer is a far more elusive story.

A solid understanding of Hitler’s time in power requires some historical context, specifically the end of the First World War and the subsequent years of the democratic Weimar Republic. The country’s crushing defeat, as part of the Central Powers, saw the victors gather to decide how both to punish and subdue Germany – the result was the Treaty of Versailles, signed by Foreign Minister Hermann Müller in 1919. The terms were far harsher than the Germans had anticipated, due mainly to France’s involvement: they accepted war guilt, had to pay 132bn marks in reparations (as well as all war pensions), their army was limited to 100,000 men, and they lost the key territories of Saar, Alsace Lorraine and Danzig. From the perspective of almost all Germans, regardless of region or class, Versailles represented the most heinous betrayal by the political elites. Having been the catalyst for the Weimar Republic, this new political system never managed to escape the Treaty’s legacy, with its dark shadow tarnishing the concept of ‘democracy’.

For conservative nationalists and monarchists however, even Germany’s military defeat couldn’t be accepted, resulting in the anti-Semitic ‘Stab in the Back’ myth, which essentially argued that, far from being the fault of the soldiers, Germany’s defeat had actually been the result of traitorous elites and politicians (many of whom were Jewish) working to undermine the country’s war effort. This was a narrative that greatly appealed to Adolf Hitler, who similarly couldn’t accept the reality of the situation – he described Germany’s defeat in Mein Kampf as “the greatest villainy of the century”, and one which anti-German propaganda greatly contributed to, “with Jewish, socialist propaganda spreading doubt and defeatism from within”.

With such widespread shared outrage following Versailles, it is no wonder that the Weimar Republic was plagued with social unrest, political violence and attempted coups from the very beginning. From the communist left, you had the Spartacist Uprising in 1919, fuelled by a desire to replace Weimar with a Soviet-style system (inspired by the Bolshevik Revolution), and from the nationalist right, you had the Kapp Putsch in 1920 (and Hitler’s Munich Putsch in 1923), who harkened back to the authoritarian monarchical style of Kaiser Wilhelm II and Bismarck. Add to this list the regularity of politically-motivated street violence, as well as the assassinations of major politicians (the finance minister in 1921, and the foreign minister in 1922), and you have a government unable to defend either itself, or it’s citizenry.

Public confidence in the Weimar regime was perhaps most seriously damaged by the country’s economic instability across the entire period, from 1918 to 1933. Already decimated by mass-printing and borrowing during the War, the German economy would suffer numerous economic crises, beginning with hyperinflation in 1923. The result of a French invasion and occupation, the government was forced to increase its borrowing, further decimating living standards – increased alcoholism and suicide rates were recorded, along with a decline in law and order, and more generally, public trust in the government. Although briefly graced with the ‘Golden Years’ (1923-29), Germany once again faced economic decimation in the form of the Great Depression, which again saw mass social unrest, as well as six million unemployed citizens (1933).

By the early 1930s therefore, extremist anti-Weimar parties were becoming increasingly popular with the angry and struggling German electorate. This is reflected in seat counts: the Nazis went from 12 seats in 1928, to 107 in 1930, before reaching their all-time high of 230 in July 1932 – similarly, the communist KPD reached an impressive 100 in November 1932. Fundamentally, what Hitler and the Nazis were offering increasingly spoke to much of the German population – ending reparations, regaining national pride, the promise of full-employment, a Kaiser-like leader, and an uncompromising stance against the boogeymen of the time, Jews and Communists.

His appointment as Chancellor wasn’t guaranteed by any means however, thanks to President Paul von Hindenburg. Having once described Hitler as a ‘bohemian corporal’, he was concerned with Hitler’s lack of government experience, although had offered Hitler the position of vice-chancellor in 1932. What forced his hand however, was the enormous influence wielded by the industry elites, who viewed Hitler as the authoritarian figure that the chancellorship needed, an opinion fuelled by their fear of communism’s increasing popularity

However, once Hitler’s appointment became necessary and inevitable, Hindenburg, along with former chancellor Papen, conspired to control a Hitler-led government, believing Hitler’s lack of experience meant he would be like a puppet who could be ‘tamed’. The two men thought that, with few Nazis in the Cabinet, and with Papen as Vice-Chancellor, true power could lie with them, with Hitler being Chancellor in name only. How wrong they were.

Having attained the chancellorship in January 1933, Hitler now set about securing his position, first through legislative changes. This came most significantly in two forms: the Reichstag Fire Decree in February 1933, and then the Enabling Act in March. Both pieces of legislation legally grounded the fledgling regime, granting them the authority and power to act as they wish, and silence those who opposed them.

The hurried passing of the emergency Reichstag Fire Decree came in the wake of a suspected Communist-led arson of the Reichstag building. Arriving at the scene alongside other leading Nazis, Hitler viewed the crime as a blatant assault on the German state, and all it stood for. In response, Hitler pressured Hindenburg to sign the Act into law, which saw the suspension of essentially all freedoms and civil liberties (e.g., the right to association, speech, freedom of the press etc). These rights wouldn’t see a revival later on. Aside from removing freedoms, the Decree also saw a brutal crackdown of political opponents (as the police no longer required cause, and could hold people indefinitely). Indeed, the first 2 weeks following the Decree’s signing saw around 10,000 people arrested in Prussia, including many prominent communist leaders. From the perspective of Richard J. Evans, “this was the first of the two fundamental documents on which the dictatorship of the Third Reich was erected”.

Even more significant, however, was the passing of the Enabling Act. Single-handedly transforming Germany into a legal dictatorship, the Act allowed the Cabinet to pass legislation without requiring the consent of either the Reichstag or the president. Indeed, this paved the way for the Nazis to further tighten their grip on the political system – for example, the founding of new parties was banned in July 1933. Fundamentally, with an unrivalled number of NSDAP Reichstag members, Hitler had made democracy into dictatorship in only a few months – in the words of Evans: “By the summer of 1933 all opposition had been crushed, more than a hundred thousand Communists, Social Democrats and other opponents of the Nazis had been sent to concentration camps, all independent political parties had been forced to dissolve themselves and the Nazi dictatorship had been firmly established”. Combining the offices of president and chancellor in 1934 (following Hindenburg’s death), Hitler’s adoption of the Führer title cemented his authority and that of his party.

In consolidating Nazi power, Hitler definitely made his position within the new hierarchy very clear. This can be seen in the ‘Hitler Oath’, introduced for the judiciary, military and civil servants. Having previously sworn loyalty to ‘the German Reich’, officials now swore “unconditional obedience” to Hitler personally. This reflected the broader ruling philosophy of the Nazi regime, one in place since the party’s reorganisation in 1924, Führerprinzip (essentially that the Führer’s decisions are always correct, and that he is all-powerful and above the law). With the effective spreading of propaganda, Hitler came to encapsulate a past era of Germany’s history, one dominated by patriotic and statist authoritarians, notably the much-sentimentalized Bismarckian and Wilhelmine Reich.

Regarding institutional control, Hitler set about ensuring political conformity within branches of local government and the Civil Service. Although dominated by conservatives from the Wilhelmine Reich, a purge of ‘enemies of the State’ was still required of civil servants – this came in the form of the anti-Semitic ‘Law for the Restoration of the Professional Civil Service’, which banned Jews, progressives and others. Germany’s Jewish community would, later on, see further exclusion from institutions, including education (both as students and as teachers). Additionally, the local government saw its own purge of dissidents, as well as an overhaul of its structure, with Reich Deputies introduced to administer the different states – in doing this, the Nazis ensured that all areas of the country were under their top-down control.

Nazi actions were similar towards the media establishment. Fearing the damaging impacts of rogue leftist reporting, the Reich Association of the German Press was set up, to review all content and keep the journalists, editors and publishers in line with the regime’s messaging. The same happened within the cultural and artistic spheres of German society – fearing the spread of ‘degenerate’ modern art (labelled as Cultural Bolshevism), it was the Reich Chamber of Culture that reversed the artistic progressivism seen in the ‘Golden Years’ of the Weimar Republic.

Whilst these two agencies monitored for anti-Nazi media sentiment, it was through the Ministry of Public Enlightenment and Propaganda (headed by Joseph Goebbels) that the regime was able to most effectively spread its hateful rhetoric, with a unified radio system being established in 1934, and radios being mass-produced for the population. Allowing Hitler to more easily speak to his people, this communications technology proved vital in further cementing Nazism into the everyday lives of the citizenry. Aside from this, the agency also oversaw the production of pro-Nazi films, which praised Aryan physical qualities, all the whilst presenting Jews as parasitic, manipulative and barbaric (most famously seen with the release of The Eternal Jew in 1940).

These structural changes however, would only get Hitler’s vision for Germany so far. He could make himself the supreme leader, root out opponents in state institutions and the media, and spread the party’s ideas of racial purity all he wanted, but what the Führer really needed was a population ideologically committed to National Socialism, a concept the Nazis referred to as a Volksgemeinschaft, or ‘national/people’s community’. With the population having been divided under Weimar, Hitler aspired to rule a unified Germany, one with a populace devoted to the Fatherland. For this to work however, all social groups would have to see real life improvements.

With unemployment having reached six million by 1933, Hitler’s aim with Germany’s workers was more jobs and improving their living conditions. Emphasizing ‘recovery’ during the first few years, unemployment was indeed reduced, to a staggering 1.6m by 1936. As far as conditions went, the ‘Beauty of Work’ programme managed an overhaul of factories, including improvements to safety measures and the quality of toilets. Alongside this came the ‘Strength through Joy’ (KdF) initiative, which provided workers with cheap leisure activities, such as holidays in the country and trips to the theatre, all of which were eagerly taken advantage of. Despite these steps taken by the German Labour Front (DAF), modern historians have raised the concern that, far from being genuinely dedicated to the regime, workers simply publicly supported Nazism to continue enjoying these benefits.

Having enjoyed uniquely-progressive freedoms under the Weimar Constitution, women under the Nazi regime were reverted back to their traditional domestic childbearing role. Indeed, women under this system were granted easier access to divorce, as well as the ‘Cross of Honour of the German Mother’, to encourage them to have more and more children. With many women enamoured by the image of the Führer as the eternal bachelor, the regime saw essentially no organised opposition by women, along with emotional displays of love for Hitler at public events.

The Nazis’ approach to the youth was focused on combining physical war training with lessons in National Socialism. Achieved through both schools and the Hitler Youth (which became compulsory from 1936), young German boys went on hiking and camping trips, as well as new Nazi content, such as racial science and reading extracts of Mein Kampf. Indeed, many schoolboys became obsessed with the legendary figure of Hitler, and were successfully transformed into puppets of the regime, reporting their neighbours and family members to the authorities for anti-Nazi sentiment. However, the many opposition youth movements of the late-1930s represented a growing disillusionment with the regime and its ideology – groups like the Swingers, who adopted American fashions and jazz music, and the Edelweiss Pirates, who mingled with the opposite sex.

The extent to which a genuine Volksgemeinschaft was actually created however, is greatly debated amongst historians. Fundamentally, whilst these groups may have appeared satisfied and ideologically committed at public events, they were all terrified of what would happen if they weren’t. Everyone in the country was kept in line by the omnipresence of the Reich’s repressive terror apparatus.

Although relatively small in numbers, the Gestapo was, in the mind of the average German, around every street corner – it was this image that people had that made them so terrifying. Reading mail, making midnight arrests and utilising torture, they served to root out enemies of the regime and strike fear into the population. However effective their own methods were, the Gestapo relied even more heavily on public tip-offs and denunciations of neighbours and acquaintances, from which they received 57% of their information from. Established by Goering as the Minister President of Prussia, the Gestapo would soon be transferred over to the head of the SS, Heinrich Himmler.

The parent organisation of the Gestapo, the SS served as the regime’s key intelligence, security and terror agency. Rooting out political enemies (such as remaining party and trade union leaders), it was the SS that oversaw the Fire Decree arrests and executions. Also serving a crucial role in the neutralisation of the regime’s racial targets, the agency would later control the building and running of the concentration (and extermination) camps, as well as the death squads sent into Eastern Europe during the War.

Although these two agencies were ruthless and highly-effective at rooting out opposition, certain figures remained, both within the political and party systems, who posed a serious threat to Hitler’s growing power. This increasing paranoia would culminate in June 1934, with the ‘Night of the Long Knives’. A brutal purge of Hitler’s enemies, it was initiated by growing concern over the direction of the SA, the party’s paramilitary group – they were becoming too brutish and uncontrollable. Thus, to consolidate his position, Hitler had the leadership, including his close friend Ernst Röhm, assassinated in the dead of night. Other victims included internal party rivals, like the progressive Gregor Strasser, and remaining Weimar politicians, like former chancellor Kurt von Schleicher. Serving as a harrowing example of what would become of the regime’s enemies, the purge also guaranteed Hitler the loyalty of the Army, who’d supplied the SS with the necessary weaponry.

Hitler’s rise to power, from a minor nationalist political agitator in the 1920s, to the undisputed supreme leader of Germany a decade later, serves as an extreme example of how charismatic and intelligent figures can take advantage of a peoples’ anger towards the Establishment, coupled with dire socioeconomic circumstances. Having come to be engrossed with the anti-Semitism peddled by Richard Wagner and Pan-German groups in the 1910s, Hitler’s vehement racism, combined with his skill for passionate public speaking, would see him go from a semi-homeless failing artist in Vienna, to arguably the most infamous figure in human history, responsible for the deaths of tens of millions.

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