The legendary German historian, Oswald Spengler, was born in the German Empire on the 29th of May, 1880 AD. He is best known for his two-volume book The Decline of the West, published after the First World War, and his “pessimistic” and “deterministic” views on History – or so the liberal academia claims. In truth, Oswald Spengler postulates that Cultures play the central role of world history, and are analogous to biological entities, each with a limited, predictable and predetermined lifespan which he would define as Destiny. He proposes a Copernican revolution of historical science, substituting the progressive linear course with the conservative cyclical model of history. Although one could find a few obvious mistakes in Spengler’s entire narrative, which were upgraded by other authors such as Arnold J. Toynbee and Amaury de Riencourt, many of his theses are on point. He has indeed discovered the hidden rhythm of History, the ebbs and flows of Cultures and Civilizations – which are completely different terms in Spengler’s model.
Cultures are the original spiritual organisms, born from rural areas, characterized by a unique and deep spirituality, manifested through the Culture’s art and architecture. They are young and vigorous, representing the Spring and Summer seasons of a High Culture’s life-cycle. A Culture’s values are aesthetic, religious and, usually, aristocratic. Civilizations are overripe Cultures, mechanized spiritual organisms bound by ethics – secular and democratic in nature. Civilizations are born in the Autumn Stage of a High Culture’s lifespan, lasting out until the very end of its Winter Stage. By the coming of Winter, a series of powerful figures rise to tame the chaotic waves of Democracy as Civilization crumbles. These figures are, out of convenience, named as “Caesars”. Caesarism is will-to-order personified, a century-long process of societal militarization under the watchful gaze of absolutist dictators. Spengler believed that Western Civilization would bow itself before its Caesars somewhere between 2000 AD and 2200 AD, just like its predecessor, the Civilization of Rome, which was overtaken by its Caesars between 100 BC and 100 AD.
In Hitler’s National Socialism, or Mussolini’s Fascism, Oswald Spengler saw no Caesars – just reckless adventurers who would go on to destroy their countries. In 1933 AD, Spengler accurately predicted that the Third Reich would collapse by 1945 AD. Thus he was, and remained, a stark critic of Nazism and Fascism. However, in the appearance of Benito Mussolini, Spengler saw the shadow of the future Caesars. He saw their shadow in the person of the legendary British colonial entrepreneur and adventurer Cecil Rhodes as well. Spengler predicted that by the year 2000 AD, Western creativity will cease. Any observer of modern cultural trends can see the devolution of music, film, video games and art in the last three decades – in different rhythms, of course. He also believed that a Second Religiousness will follow the footsteps of the future Western Caesars. The seeds of this future Second Religiousness could be seen in the de-secularization of society, either by New Age cults or the impulses of more traditional religious forms across the West.
All of these predictions he made are just the beginning…
The mind of Oswald Spengler provides future historians (and historiosophers!) with far deeper insight than mere predictions about the future. An often forgotten fact is Henry Kissinger’s senior undergraduate thesis, titled The Meaning of History: Reflections on Spengler, Toynbee and Kant, which was over 400 pages long. And the role of Henry Kissinger in international affairs, as well as his relationship with the American political or business establishments, needs no introduction. Thus, an objective analyst of international relations should ask himself – what role did the ideas of this now-forgotten German historian play in the shaping of the modern world as we know it. Other important discussions started by Spengler are concerned about themes quite relevant to our time: the relationship between Man and Technics, the need for a Conservative Revolution across the West, the role of Socialism in the coming centuries, and many others – each a topic for itself.
What was sparked by Ibn Khaldun in the Islamic Civilization, carried by the Italian and Russian historians – Giambattista Vico and Nikolay Danilevsky, respectively – was finally delivered by Oswald Spengler, whose mind forged a new perspective on History. This torch was then carried by Arnold J. Toynbee – whose erudition and classifications reached unseen heights, Amaury de Riencourt – whose insight discovered even deeper currents of History, or Carroll Quigley – whose purely scientific method of analysis broadens some of the arguments proposed by Spengler, and especially Toynbee.
His ideas have been influential among right-wing and left-wing thinkers alike. Socialist figures such as the German intellectual, Theodor Adorno, or the Afro-American revolutionary, Malcolm X, saw merit in the theories and models of Oswald Spengler. Conservatives, such as the Spanish philosopher, Jose Ortega y Gasset, Ernest Junger or Leo Strauss, were influenced by Spengler’s ideas. The American policy maker, George F. Kennan, as well as the famous American horror writer, Howard Phillips Lovecraft, were also interested in Spengler’s view of History. Joseph Campbell, an American analyst of comparative religion, claimed that his view on religious history would be impossible without the ideas proposed by Oswald Spengler. Fascists, like Francis Parker Yockey, Karl Haushofer, Oswald Mosley and Julius Evola, were quite impressed by Spengler’s revolutionary theses. Even the notorious Russian philosopher, Alexander Dugin, quotes Oswald Spengler quite extensively. Islamic radicals are well-acquainted with his ideas as well. Various, often opposing parts of the political spectrum have shown support or praise for the insights offered to us by this, often ignored and easily dismissed, German historian.
It should be noted that Oswald Spengler deals in quite interesting terms – such as Destiny, Will, God, Blood and others – while remaining neither a religious nor a secular historian. Thus, from his quite objective standpoint in the dispute between the faithful and secularists, he more often than not affirms the important role religion plays in the development of a Culture’s Soul. Some of Spengler’s ideals are derived from Goethean science, sparked by the German writer, Johann Wolfgang von Goethe, and later popularized, at least in the Anglo-Saxon world, by the works of the Austrian occultist, Rudolf Steiner.
But another important question must be asked before this essay about the great German historian ends…
The importance of Spengler’s ideas for the philosopher and the social scientist are quite obvious by now. However, of what importance are his ideas for the common man?
In his book, Man and Technics, Spengler paints a very bleak future for the West in the coming centuries. But at the same time, he offers a very simplistic solution. Spengler advises the Western Man to behave like the Roman soldiers stationed at Pompeii during the eruption of Vesuvius – a stoic resistance to the inevitable currents of History which will be remembered by future generations until the End of Days. A last stand, if you will, against the inescapable Doom which eventually awaits the West, whose sheer willpower will stand the test of time as one of the most tragic, yet the most epic tales of all time. In the end of all things Western, against the encroaching Darkness, Oswald Spengler offers a manly solution – worthy of the old Germanic warrior sagas whose motifs still inspire the last aristocrats of the soul across the modern West.
As the cult-classic American fantasy novel written by George Martin, A Song of Ice and Fire declares: “Winter is Coming.”
And Western Man should brace for it…
For this Winter may prove to be the harshest one of them all…
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Digital Censorship Is Now the Perfect Crime
The combination of free speech and the internet should provide an unprecedented democratising effect on public discourse. After all, anyone with a decent idea can now reach out to millions of people worldwide, regardless of their wealth, respectability or social status. The potential for innovation is endless.
And yet, looking at the world today you would be hard-pressed to find a clear exemplar of this democratising effect. It appears that new technology has also created new forms of censorship. Control of public speech is now so subtle-fingered that it’s often hard to recognise as censorship or even detect when it’s happening at all.
To understand this new phenomenon, it’s worth taking some time to consider how social-media algorithms work and why they’ve become so important to our society.
Ideas spread through social networks and the fastest social networks are those found online, managed by large corporate platforms like Facebook, WeChat, Twitter and YouTube. These sites all curate what’s seen by the user into a ‘feed’. In order to create the feed, posts are ranked automatically based on numerous statistical parameters: the number of views, likes, comments and shares; the ratio of these quantities to each other; the upload date; the topics and tags assigned to the post; and so on. Network spread is accelerated by the number of followers of the poster and of the commenters and sharers. So far, this is common knowledge – but the algorithm doesn’t stop there.
It’s a trivial piece of programming to scan each post for keywords and assign a score to the post according to its content. Some words are coded as ‘negative’ or ‘positive’, or linked to different emotions like anger, outrage, joy, pride and so on. Based on this score, you can assign a different behaviour to how the social network treats the post. The post might be ‘throttled’ and shown to a disproportionately small number of accounts or it might be ‘boosted’ and shown to a large audience.
Instead of emotions, algorithms can also score posts on their political alignment with a range of contemporary pieties, such as racial or social justice, lockdown advocacy, or climate change. Individual accounts could then be given scores based on the type of posts they make, ensuring that the most egregious or inflammatory posters are quietly and gently smothered into irrelevance. Everything is automatic. No humans are involved. You, the poster, would have no idea whether censorship was happening or not.
The mechanism described above need not be the exact approach used by Twitter, Facebook or any other site. Consider it an illustrative example of how an engineer like myself could easily build multilayered and highly sensitive speech control into the networks of public discourse, to run a controlled speech environment that seems ostensibly like free speech.
Ultimately, all meaningful public discourse is now finely manipulated by the hidden algorithms of these social-media corporations. This is a reality of life in the 2020s. And with private companies manipulating public speech in these arbitrary and unaccountable ways, governments around the world are eager to get a slice of the pie.
Bearing the new algorithms in mind, consider how a government might suppress an idea that’s hostile to its interests. In the 1500s, the king’s men would march off to all the troublesome printing presses and intimidate the publishers with threats of vandalism, imprisonment or execution. It is against these weapons that the great Enlightenment arguments for free speech were constructed. Indeed, smashing up publishers was a risky move, creating martyrs and stirring opposition to absolute rule among the educated classes.
But in the 2020s, no such kerfuffle is necessary. State censorship has become astonishingly easy. The government need merely express its views to the management of a social-media company via their private channels, and every post sharing a particular idea will be throttled, demoted or blacklisted. Even if you can post the idea, the prominence of its spread has been hamstrung. It is thus the perfect crime, costing governments nothing, creating no martyrs and leaving opponents and their followers with paranoid doubts as to whether they were suppressed in the first place.
Different governments achieve this in different ways. The US is a world leader in invisible censorship, helped by the fact that almost all major social networks are Silicon Valley entities (enjoying close ties to the US intelligence apparatus). The most visible incidences of US censorship on social media concerned sensitive information about the Biden family during the 2020 US Elections, and the control of narratives surrounding the COVID-19 pandemic and lockdown measures.
Across the pond, the EU has passed into law a Digital Services Act (DSA), which came into effect last month (25th August 2023). The law empowers a large taskforce on disinformation, answerable directly to the European Commission, to immerse itself in public discourse control and censorship on all major social networks. Twitter is required to meet regularly with this taskforce and answer to demands of the Commission regarding ‘misinformation control’ or face fines and other sanctions from the EU.
Critics of the EU will note that the EU parliament is again sidelined by this troubling new institution. And like the GDPR regulation of 2016, this is liable to become a global standard in the relationship between state institutions and the internet.
What terrible danger demands such a robust approach to information control, you might ask? The usual suspects appear in a list of disinformation trends compiled by the EU-funded fact-checking hub, EDMO:
- ‘nativist narratives’ and opposition to migration;
- ‘gender and sexuality narratives’ that cover trans issues;
- the ‘anti-woke movement’ that ‘mocks social-justice campaigns’;
- ‘environment narratives’ that criticise climate-change policies.
Each of these problem issues is subjective and political in nature. It appears that the EU is concerned with changing the views and opinions of its 450 million subjects to match the ‘social justice’ ideology of their leadership – which is precisely the opposite of democratic governance.
The arguments of classical liberal thinkers are outdated when it comes to combating this new form of censorship. It is true that whenever an idea is silenced, the community is made poorer by not having heard its voice – but can that argument be made with the same vehemence when the idea is merely muffled or massaged into a lower engagement ratio by a tangled web of hidden algorithms? Is there an essential ethical difference between government interference with public discourse through social-media algorithms and the interference of an agenda-driven Californian software engineer who happens to work at one of these companies? Most media outlets don’t even describe this process as censorship, after all: it’s just ‘content moderation’.
Proponents of subtle censorship will point to the numerous social goods that might conceivably come from light-fingered thought control on social media. These include the suppression of enemy state propaganda, the neutralisation of dangerous conspiracy theories, and the management of violent sectarian ideology that could cause social harm or terrorism. But aside from the foiling of vague and nebulous threats, whose impact can never be reliably predicted, it is hard to see what conceivable gain comes from surrendering our right of free public discourse to unelected state organs like the European Commission taskforce.
The danger we face is that our present situation could rapidly evolve towards the total engineering of public discourse on social media. Western governments have shown an alarming desire to create populations that are docile, disorganised and progressive-thinking, rather than trusting the democratic process to produce good ideas through argumentation and open debate. Subtle censorship on social media has the potential to nudge us into a dystopia, where people are only permitted to organise around an elite-approved set of curated ideas.
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The Migratory Ratchet
To say Britain has just entered a recession is slightly disingenuous, notwithstanding the jargon and semantics of economists and journalists. Whilst GDP has dipped for a second consecutive quarter, GDP per capita has been contracting for seven quarters straight. Having dropped throughout every quarter of 2023, and most quarters of 2022, Britain is enduring the longest uninterrupted decline in GDP per capita since records began in 1955.
Compounded by the fact that Britain’s GDP would’ve declined further without the unprecedented amount of immigration experienced throughout 2022 and 2023, it’s abundantly apparent that the UK economy is a ponzi scheme; an artifice sustained through short-term economic benefits to the long-term detriment of the nation, offset by additional short-term benefits and so on. Even when Britain’s economy grows, having experienced anaemic growth throughout most quarters of the same period, it renders no discernible or substantive benefit to the average Englishman.
The benefits of this arrangement are exclusively experienced by politicians and corporations. The former is given a straightforward and politically convenient means of construing the impression of prosperity, of making Line Go Up, while the latter has access to an ever-replenishing pool of cheap and flexible labour; one which suppresses wage growth, burdens national infrastructure, and induces demographic problems across British society. Truly, the Potemkin School of Economics.
However, courtesy of the unprecedented and largely non-EU-driven spike in immigration following Covid, a lot of anti-immigration positioning has been reconstructed around this new normal. This isn’t entirely bad. After all, people deserve to know why immigration is increasing, despite longstanding public demand for it to significantly decrease, especially while its contemporaneous.
However, the problem I foresee, one which I see flickers of in right-leaning political commentary of all kinds, is the acquiescence to previous levels of mass immigration. You know? The days when net migration was running at a sensible 200,000, when a greater proportion of arrivals were high-earners from the EU in possession of illustrious Skillsets; the days when immigration coincided with increases in GDP and GDP per capita, putting White British people on-track to becoming a minority by 2066, rather than 2040.
As everyone should know by now, the immigration debate is fundamentally a concern about displacement, one which is forced to disguise itself through Legitimate Concerns, such as Parliamentary Sovereignty, Small Boats, Control, and so on. As such, given immigration salience is making a post-Brexit return, there will be attempts to force those concerned about demographic displacement to re-disguise their concerns in a way the system is prepared to officially tolerate.
I refer to this as The Migratory Ratchet, the process by which previous waves of migration are accepted to justify opposition to present waves of migration, and previous instances of ethnic displacement are accepted to justify opposition to present instances of ethnic displacement. The Migratory Ratchet operates on the basis that the quantity and quality of present migration is different to previous migration, and that recognising these differences must be the basis for immigration control.
This is not to say there aren’t quantitative and qualitative differences between forms of immigration. Nor is to say that it is always wrong to make such distinctions. Rather, it refers to the use of these distinctions as a political manoeuvre to re-politicise mass immigration under a system which seeks to depoliticise it as much as possible, and how this coincides with the system’s desire to perpetuate mass immigration in the long-term by making short-term concessions to immigration restrictionists.
The most prominent distinctions separate migrants between those on big boats (legal) and those on small boats (illegal), those with skills and those without, those coming in their tens of thousands and those coming in their hundreds of thousands, those who give and those who take, those who bring dependants and those who are dependants themselves, those who are white and those who aren’t, those who are (supposedly) Christian and those who aren’t.
By using these distinctions as proxy for nationalist politics, under prevailing ideological pressures which oppose nationalist politics altogether, one crafts a wedge which can be assimilated into the operations of the ratchet, allowing the system to adapt to present dissatisfaction. These so-called Legitimate Concerns, transform fundamental political questions of mass replacement into managerial caveats, summarised by the aforementioned distinctions, which merely refine the process as to make it less irritable to the common Englishman.
I’m doubtful Starmer’s inevitable premiership will change much, although I can envision a scenario in which he makes concessions to the Legitimate Concerns of immigration restrictionists; maintaining recently introduced regulations on bringing dependants, reducing illegal channel crossings (presumably by providing Safe and Legal routes), even placing more stringent barriers on foreign students, whilst increasing work permits at a similar or greater rate to the outgoing Conservative government and instating economic policies which reduce the intake of the cheapest of cheap foreign labour.
In summary, The Migratory Ratchet will keep turning. The least defensible externalities will be suppressed in a superficial show of strength, briefly demobilising the right, who will then express their outrage that net migration is pushing a million, instead of being controlled to a select few hundred thousand.
This wouldn’t be the first time this has happened. It is widely and incorrectly presumed that mass immigration began with Tony Blair, de facto chief advisor to the incoming Prime Minister, whose Institute for Global Change is pressuring the incoming Labour government to increase immigration for the sake of “Growth, Growth, Growth”.
Mass immigration as we understand it began with Blair, but mass immigration itself precedes New Labour. Britain has incurred large movements of people, even instances of replacement migration, before and after 1945 – that is, official Year Zero for Modern Britain – which now look small compared to recent intakes. Keep in mind: Britain basically had net zero migration from the end of WWII up until the early 1980s. Even with net negative migration, Britain experienced large influxes of people, the likes of which altered the country for generations.
On paper, 19th century Irish immigration is dwarfed by 21st century immigration, but it remains fact that the consequences of such immigration were vast and remain with us, such as turning Liverpool and Glasgow into hotbeds of anti-English sentiment, having largely displaced their native populations, and altering the face of trade union politics; from a tendency dominated by Englishmen trying to shield against the import of cheap Irish labour to one dominated by Irish surnames, infused and aligned with ethnic “anti-imperialist” politics.
On paper, the influx of Russian Jews at the cusp of the 20th century is dwarfed by the post-Covid spike in immigration, but this still led to ghettoization and the displacement of the native population in various urban areas; a trend that has continued well-into the 21st century as other foreign diasporas have set-up shop, bringing their grievances with them – infamously, something the centre-right can only identify as bad when it affects more settled diasporic communities in Britain – while Englishmen are pushed further and further into the surrounding shires.
The UK’s Somali-born population, one of the most financially and legally burdensome subdivisions of Britain’s foreign-born occupants, making them something of a lowest common-denominator in discussions about immigration, mostly arrived in the 1980s following the outbreak of civil war. This was merely one of several movements into the UK which occurred throughout the same period. Indeed, many rightists seem to forget (deliberately or not) that the first sustained increase in migration after WWII took place throughout the premierships of Thatcher and Major.
Boston, the most Eurosceptic place in the UK, is also the most Polish, having endured a major influx of Polish migrants throughout the early noughties; a transformation which was encouraged by the UK government following the accession of ex-Soviet countries to the EU. Needless to say, honouring the spirit of Brexit and rehabilitating mass movement from Poland as an acceptable mode of migration are mutually exclusive political convictions.
Nobody with any sense, or sincere nationalist principles for that matter, would look to such times and instances as the contextual basis for a “sensible” immigration policy. Alas, the centre-right believes one must implicitly concede to these instances of replacement to make incremental progress in resisting larger and renewed waves of migration and the various knock-on effects.
On the surface, it appears to be a pragmatic application of our principles, but nothing could be further from the truth. In reality, it is an implicit but unequivocal surrender of the nationalist framework for a moderated globalist framework; a substitution enacted under the bizarre assumption that as things get worse, our stated aspirations need to become less radical. Like our current leaders, whose short-termism is well-documented, it constitutes sacrificing long-term struggle for short-term gains to be offset by developments in the near future. Sound familiar?
It is one thing to find newer, more effective ways to express old aspirations, but this cannot be mistaken for substituting our aspirations altogether. Indeed, if the migratory ratchet was to make another full rotation, it follows that we should find ourselves in a new alliance with non-Anglo whites and “Model Minorities” (high-earners, high-achievers, more Westernised, etc.) marching in lockstep against “Third Worlders” – that is, exclusively the MENA/PT countries and sub-Saharan Africa.
As some have already noticed, talk of England as an Anglo-Saxon country has practically ceased on the British right, a large chunk of whom have started to nail their colours in defence of England’s “Anglo-Celtic” identity in view of “recent” attempts to make it Diverse and Inclusive – that is, not merely less English, but less European and less Christian. Erstwhile, colourblind meritocracy continues to be touted as a palatable wedge of political resistance, embracing entrepreneurial Indians and studious Chinamen to siphon off violent Albanians and lazy Somalians.
Such coalitions will not emerge out of shared political interests between societies, but within British society itself; an arrangement which befit the diversitarian politics of Modern Britain, but unbefitting the pursuit an undiluted nationalist agenda. There can be no two-stage solution. We cannot smoothly refine The Migratory Ratchet into obsolescence. Rather, it must be permanently reversed and absolutely destroyed; it must be rejected from first principles or not at all. This starts and ends with the reconstitution of the British people as a living, breathing, and historic reality.
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The Family Sex Show: Grooming Comes to Britain
I knew Bristol was liberal; the city is famous for it. Me? I have traditional values, I am involved with the Conservative party, and I have been a Christian my whole life. But when I got an unconditional offer to study a course at the University of Bristol which ranked third in that subject, I accepted it without hesitation. Nine months into living here and I have seen advertisements for climate-crisis bake sales, intersectional feminist poetry slams, and students “occupying” the Wills Memorial Building (and subsequently whinging that their vegan Deliveroo wasn’t able to reach them) in solidarity with striking lecturers. However, having nonchalantly followed Bristol’s Tobacco Factory Theatres on Twitter to see if any shows piqued my interest, I saw something that one couldn’t just dismiss as liberal lefty nonsense – this was something truly horrifying.
Tobacco Factory Theatres retweets ThisEgg (a theatre company) promoting their new show, The Family Sex Show (also promoted by The Guardian) The title is possibly alluding to incest, to Red Light District sex shows, and is definitely intended to shock. Already feeling slightly disturbed, I read on. The age recommendation is 5+ and the show description reveals it is intended as “an alternative to porn”. I read on to learn that “there is nakedness, yes. At one point in the show, everyone on stage takes their clothes off…” This is ringing every alarm bell possible.
Posing as “sex education”, the adults involved (who were hastily cast via Twitter only a month ago) don’t seem to know the first thing about safe, age-appropriate sex education. What five-year-old needs an alternative to pornography? Exposure to pornography is often used as a desensitising tactic when grooming children. In defence of this horror show, the website claims that “sexual development and behaviour in children starts from birth”. This is an argument which I have only previously heard from a documentary about PIE (Paedophile Information Exchange) to justify removing the age of consent.
Speaking of consent, which this show claims to teach us all about, I have to question why the “actors” get to choose their level of comfort when stripping. A five-year-old child, however, cannot consent to seeing naked strangers. The only guidance for parents is that they can leave if they feel uncomfortable, yet the theatre manager has written extensively on how the actors will be supported if there was negative feedback. How, I ask, are the “actors” the victims in this situation? This show seems to be all about what the adults want to do in front of the children, convinced that they know best. Cyber-flashing has just become a crime, and yet the cast of The Family Sex Show feel it is their right to flash infant-school-aged children. Many Twitter commenters reminisced over days when “dirty flashers” would be chased off by police. Now, liberal parents pay them ten pounds a ticket to bare all on stage. These people do not deserve to be parents.
My sex education at school took place in Year Six. We were ten and eleven years old and were taught about sex and puberty in an age-appropriate, sensitive, non-embarrassing way. The teachers, surprisingly, didn’t find it necessary to strip naked and point to their genitals to get the message across. Most of my generation will have had a similar experience and don’t feel we have gaps in our knowledge. Of course, we have all witnessed the odd person getting changed at the beach rather indiscreetly – but this is contextual, and hopefully accidental. If children are taught that it is normal for strangers to want to show their genitals to them, then this completely undermines the preventative measures that parents, and trusted adults, take against grooming. And as for the argument that “children will encounter porn anyway, so why not teach them about it now?” I worked in Early Years education for four years and I didn’t meet a single five-year-old who could read, write or type well enough to access pornography. And if parents leave it accessible to children, someone needs to call CPS.
I am just thankful that the live show and tour was all suspended during the multiple lockdowns, or we could be two years into child-traumatising theatrical sex shows. The Twitter outrage has been huge, and the account, Libs of TikTok, made famous by Joe Rogan’s podcast, shared the story, at my request, to an audience of 591.3k angry followers. We also have riled up over 800 Bristolian mothers on Mumsnet who have taken this story to the Daily Mail, started a petition, and are boycotting the theatre. Grown adults are being paid to strip in front of little children, in UK theatres, funded by the National Lottery and Arts Council England. Bristol’s Tobacco Factory Theatres want your money! In return, you and your five-year-old can watch simulated sex acts followed by a stage full of strange adults exposing their genitals. I have never been more horrified.
