The Platinum Jubilee approaches, yet Peter Hitchens writes that, “I have just stopped supporting the monarchy. I can’t do it any more. I am not a republican, or anything silly like that. I would like a proper monarchy. But the House of Windsor’s total mass conversion to Green orthodoxy has destroyed the case for this particular Royal Family. The whole point of the Crown is that it does not take sides in politics.” Quite apart from what other political opinions he could possibly have expected West London toffs to hold, the political neutrality of the monarchy is like the impartiality of the BBC. When, exactly, has there ever been any such thing?
The monarchy retains the loyalty of many on the right, but it is a mystery how this is so. Either the Queen or her equally revered father has signed off on every nationalisation, every aspect of the Welfare State, every retreat from Empire, every loosening of Commonwealth ties, every social liberalisation, every constitutional change, and every EU treaty. If they could not have done otherwise, then why bother having a monarchy? What is it for? Many supported public ownership and the Welfare State, decolonisation, social liberalisation and constitutional change a cause for joy, but many more found these things cause for horror. Public opinion on the changes over which the monarchy has presided over the last century is besides the point, however. The point is that the monarchy has failed at its own avowed mission.
Is it not the job of a monarch, if not to acquire territory and subjects, then at least to hold onto them? If so, then George VI was by far the worst ever British monarch, and quite possibly the worst monarch that the world has ever seen. Furthermore, is it not the job of the British monarch to maintain Protestant society and culture in the United Kingdom? If so, then no predecessor has ever begun to approach the abject failure of Elizabeth II, a failure so complete that no successor will ever be able to equal it.
For all her undoubted personal piety, the cult of the present Queen among Evangelical Protestants and among those who cleave to a more-or-less 1950s vision of Anglicanism, Presbyterianism or Methodism, is utterly baffling. What has either the monarchy or the Queen ever done for them? During the present reign, Britain has become one of the world’s most secular countries ever, and the White British have become one of history’s most secular ethnic groups – a trend that has been even more marked among those with Protestant backgrounds than it has been among Catholics.
This has implications for the Windrush debate, and with eight Commonwealth Realms in or on the Caribbean, a fat lot of good being the Queen’s loyal subject has done anyone there. Barbados, proportionately the most Anglican country in the world, has just become a republic. It also has implications for aspects of the debate around Brexit. If you wanted to preserve and restore a Christian culture in this country, then one idea could be to welcome immigrants from Christian countries.
On balance, it would not be wise to abolish the monarchy. We would no more likely get President Hitchens than President Corbyn. It would be a choice between the next Bullingdon Club member in line and someone who had casually given a trifling £50,000 to the most recently successful candidate for the Leadership of the Labour Party. No one else would even make it onto the ballot paper, and it would not be acceptable to have either as Head of State. Nor would it make sense to abolish the Royal Prerogative, either. Rather, it should be exercised by a Prime Minister who aspires to strengthen families and communities through economic equality and international peace.
But the monarchy, and with it the exercise of the Royal Prerogative by persons who most certainly did not share those aspirations, does not depend on the support of the public. It depends on the support of people who, as long as the monarchy and especially the present Queen were simply there, are prepared to overlook the fact that hardly anything that they really want ever happens while all sorts of things that they do not want continue to happen, no matter who is in government.
Add to that the fact that the Order of the Garter is entirely in the gift of the monarch. There is no Ministerial involvement. The Queen alone has chosen to confer it on Tony Blair – an almost unforgivable betrayal. Moreover, whatever Prince Andrew may or may not have done, he undeniably chose to move in the circles of Jeffrey Epstein, of Robert Maxwell’s daughter, of Peter Mandelson, and of the Clintons. It is the Anglo-American liberal elite, certain sections of the Labour and Democratic Parties that are the Royal Family’s sort of people, even if they don’t align with left wing politics publicly. Culturally, no one is more Tory than a liberal Tory; politically no one is more liberal. The people on whose support the monarchy has traditionally depended have chosen to ignore the fact that that was what their heroes must have been, and openly were. But if Hitchens’s column and the reaction to Blair’s Garter are anything to go by, then that is coming to a sore end.
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Five Truths from Dostoevsky’s The Devils
Whenever I scroll through the news on Twitter or listen to talk radio, I like to play a game called “Dostoevsky called it.” As one can guess, it consists of identifying events or trends that correspond with those in Feodor Dostoevsky’s novels and letters. Because Dostoevsky devoted so much ink to warning about the motives and effects of atheist-utilitarian socialism from the radical left, the game often points to his most direct attack on those ideas: The Devils.
Published between 1871 and 1872 and written in response to the Nechaev affair, where an underground group of socialist-atheist radicals, planning to ultimately overthrow the Tsarist government through propaganda, terrorism, and assassination, murdered a former comrade who had left their secret society, The Devils (Бесы; also translated as Demons or The Possessed) is Feodor Dostoevsky’s most explicit expose of and polemic against the revolutionary nihilism growing in late nineteenth-century Russia. Although, due to his own participation in a socialist plot aimed at educating and ultimately liberating the serfs, he often gave the benefit of the doubt to the moral idealism of the younger generation of radicals—assuming their hearts, if not their methods, were in the right place—in The Devils he nonetheless skewers the radical ideology and his generation and the next’s culpability for it.
While his main focus is on the characters’ psychologies and their symbolic significance, Dostoevsky nonetheless lays out many of the ideas populating late-nineteenth-century Russia, displaying a thorough understanding of them, their holders’ true motives (which, like those of that other ideological murderer Raskalnikov, are rarely the same as those consciously stated by their loudest advocates), and what would be the results if they were not checked. In several places, Dostoevsky unfortunately calls it right, and The Devils at times reads as a preview of the following fifty years in Russia, as well as of the modes and methods of radicalism in later places and times.
It would be too great a task to cite, here, all the places and times where Dostoevsky’s visions were confirmed; at best, after laying out a few of the many truths in The Devils, I can only note basic parallels with later events and trends in Russia and elsewhere—and let my readers draw their own additional parallels. Nonetheless, here are five truths from Dostoevsky’s The Devils:
1: The superfluity of the preceding liberal generation to progressive radicals.
The Devils is structured around the relationship between the older and younger generations of the mid-1800s. The book opens with an introduction of Stepan Trofimovich Verkhovensky, father to the later introduced radical Peter Stepanovich. A Westernized liberal from the 1840s generation, Stepan Trofimovich represents the upper-class intelligentsia that first sought to enlighten the supposedly backwards Russia through atheistic socialism (a redundancy in Dostoevsky).
However, despite his previously elevated status as a liberal and lecturer, by the time of The Devils Stepan Trofimovich—and, with him, the 1840s liberals who expected to be honored for opening the door to progress—has become superfluous. This is highlighted when his son returns to the province and does not honor his father with figurative laurels (when such a symbol is later employed literally it is in satirical mock).
Though never the direct butt of Dostoevsky’s satire, Stepan Trofimovich cannot (or refuses) to understand that his son’s nihilism is not a distortion of his own generation’s hopes but is the logical, inevitable product of them. The older man’s refusal to admit his ideological progeny in his literal progeny’s beliefs, of course, enables Peter Stepanovich to mock him further, even while he continues to avail himself of the benefits of his father’s erstwhile status in society. This “liberal naivete enabling radical nihilism” schema can also be seen in the governor’s wife, Yulia Mikhailovna von Lembke, who believes that she can heroically redirect the passions of the youth to more socially beneficial, less radical, pursuits but only ends up enabling them to take over her literary fete to ridicule traditional society and distract the local worthies while agents set parts of the local town ablaze. Stepan Trofimovich, Yulia Mikhailovna, and others show that, despite the liberal generation’s supposed love for Russia, they were unable to brake the pendulum they sent swinging towards leftism.
The same pattern of liberals being ignored or discarded by the progressives they birthed can be seen in later years in Russia and other nations. While it would historically be two generations between Belinsky and Lenin (who was born within months of Dostoevsky’s starting to write The Devils), after the 1917 Revolution, Soviet Russia went through several cycles of executing or imprisoning previous generations who, despite supporting the Revolution, were unfortunately too close to the previous era to be trusted by new, socialistically purer generations.
In a more recent UK, Dostoevsky’s schema can also be seen in the Boomer-led Labour of the ‘90s and ‘00s UK paving the way for the radical, arguably anti-British progressivism of the 2010s and ‘20s (which, granted, sports its share of hip Boomers). In America, it can be seen in the soft divide in congressional Democrats between 20th-century liberals like Nancy Pelosi and Chuck Schumer and “the squad” comprised of Alexandria Ocasio-Cortez, Ilhan Omar, and others who have actively tried (and arguably succeeded) in pushing the nation’s discourse in a left progressive direction.
2: Ideologies as active, distorting forces rather than merely passive beliefs.
“I’ve never understood anything about your theory…” Peter Stepanovich tells the serene Aleksei Nilych Kirillov later in the book, “I also know you haven’t swallowed the idea—the idea’s swallowed you…” The idea he is referring to is Kirillov’s belief that by committing suicide not from despair or passion but by rational, egotistic intention, he can rid mankind of the fear of death (personified in the figure of God) and become the Christ of the new utilitarian atheism (really, Dostoevsky intends us to understand, not without pity for Kirillov, an antichrist thereof). The topic of suicide—rising in Russia at the time of the book’s writing and a result, Dostoevsky believed, of the weakening of social institutions and national morality by the subversive nihilism then spreading—is a motif through the book. Countering Chernyshevsky’s romanticized revolutionary Rakhmetov from What is to Be Done?, Kirillov is Dostoevsky’s depiction of the atheist rational egotism of the time taken to its fullest psychological extent. Like others he had and would later write (Raskalnikov, Ivan Karamazov), Kirillov is driven mad by an idea that “swallows” him in monomania and which he has admitted to being obsessed with—the idea of a world without God.
Though Dostoevsky considered it the central issue of his day (which still torments Western culture), my focus here is not on Kirillov’s idea, itself, but on his relation to it. Countering the Western Enlightenment conceit that ideas are mere tools to be rationally picked up and put down at will, Dostoevsky shows through Kirillov that ideas and ideology (ideas put in the place of religion) are active things that can overwhelm both conscious and unconscious mind. Indeed, the novel’s title and Epigraph—the story of Legion and the swine from Luke 8—already suggests this; for Dostoevsky, there is little difference between the demons that possessed the pigs and the ideas that drive characters like Kirillov to madness.
Of course, a realist-materialist reading of Kirillov’s end (I won’t spoil it, though it arguably undercuts his serenity throughout the book) and the later Ivan Karamazov’s encounter with a personified devil would contend that there was nothing literally demonic to the manifestations, but for Dostoevsky that matters little; for him, whose focus is always on how the individual lives and experiences life, being possessed by an ideology one cannot let go of and being in the grasp of literal demons is nearly synonymous—indeed, the former may be the modern manifestation of the latter, with the same results. In his work, such things almost always accompany a lowering of one’s humanity into the beastial.
The problem with ideology, Dostoevsky had discovered in Siberia, was in their limited conception of man. By cutting off all upper transcendent values as either religious superstition or upper class decadence, the new utilitarian atheism had removed an essential part of what it meant to be human. At best, humans were animals and could hope for no more than thus, and all higher aspirations were to be lowered to achieving present social goals of food, housing, and sex—which Dostoevsky saw, themselves, as impossible to effectively achieve without the Orthodox Church’s prescriptions for how to deal with suffering and a belief in afterlife. Of the lack of higher impressions that give life meaning, Dostoevsky saw two possible results: ever-increasingly perverse acts of the flesh, and ever-increasingly solipsistic devotion to a cause—both being grounded in and expressions not of liberation or selflessness, but of the deepest egotism (which was a frankly stated element of the times’ ideologies).
From this view, Dostoevsky would have seen today’s growing efforts to legitimate into the mainstream things like polyamory, abortion, and public displays of sexuality and increasingly aggressive advocacy by groups like Extinction Rebellion or NOW (he predicted both movements in his other writing) as both being attempts to supply the same religious impulse—which, due to their being cut off by their premises from the transcendent metaphysic required by the human creature and supplied by Christianity, &c, is a doomed attempt.
3: Seemingly virtuous revolution motivated by and covering for private vices.
By the time he wrote The Devils Dostoevsky had seen both inside and outside of the radical movement; he had also depicted in Notes from Underground and Crime and Punishment characters who discover, to their angst and horror, that their actions were not motivated by humanitarianism, but by envy, cravenness, and the subsequent desire for self-aggrandizement. The Devils features the same depth of psychology beneath the main characters’ stated ideas and goals, and the book often shows how said ideas cannot work when applied to real people and real life.
As the chronicle unfolds, characters often speak of the petty vices that undermine the purity of the revolutionaries’ stated virtues and goals. “Why is it,” the narrator recounts Stepan Trofimovich once asking him, “all these desperate socialists and communists are also so incredibly miserly, acquisitive, and proprietorial? In fact, the more socialist someone is…the stronger his proprietorial instinct.” So much for those who seek to abolish property; one can guess to whom they wish to redistribute it! The revolutionary-turned-conservative Ivan Shatov later continues the motif, digging deeper into the radicals’ motives: “They’d be the first to be terribly unhappy if somehow Russia were suddenly transformed, even according to their own ideas, and if it were suddenly to become immeasurably rich and happy. Then they’d have no one to hate, no one to despise, no one to mock! It’s all an enormous, animal hatred for Russia that’s eaten into their system.”
Leftists might accuse Dostoevsky of merely wishing to make the radicals look bad with such an evaluation; however, as addressed by Joseph Frank in his chapter on the topic in Dostoevsky: The Miraculous Years, 1865-1871, the “bad for thee, fine for me” mentality of The Devils’s radicals (if their ideology doesn’t completely blind them to such inconsistency in the first place) was straight from the playbook of men like Nechaev: the Catechism of a Revolutionary. Far from trying to evade contradictory behavior, such a work, and other later analogues (Marcuse’s “Repressive Tolerance”; Alinsky’s Rules for Radicals) advocate being inconsistent and slippery with one’s principles for the sake of the revolution. Indeed, contradicting the rules one was trying to impose on others was and is seen not as an inconsistency but as a special privilege—of which several examples can be found, from upper party opulence in the USSR to modern champagne socialists who attend a $35,000-per-seat Met Gala while advocating taxing the rich.
4: Social chaos and purges as necessary and inevitable in achieving and maintaining utopia.
Perhaps the single most prophetic scene in The Devils occurs in the already mentioned chapter “‘Our Group’ Meets,” which depicts the various local radicals meeting under cover of a birthday party. A cacophony of competing voices and priorities, the scene’s humorous mix of inept, self-serving idealists is made grotesque by the visions they advocate. Most elaborate of the speakers is Shigalyov, whose utopian scheme for the revolution was insightful enough that Boris Pasternak and Alexander Solzhenitsyn both referred to the Russian government’s post-October Revolution policies and methods as “Shigalevism.”
While Shigalyov’s whole speech (and Peter Stepanovich’s commentary) is worth reading as a prophecy of what would happen less than fifty years after the book, here are some notable excerpts:
“Beginning with the idea of unlimited freedom, I end with unlimited despotism…One-tenth will receive personal freedom and unlimited power over the other nine-tenths. The latter must forfeit their individuality and become as it were a herd [through re-education of entire generations]; through boundless obedience, they will attain, by a series of rebirths, a state of primeval innocence, although they’ll still have to work…What I’m proposing is not disgusting; it’s paradise, paradise on earth—there can be none other on earth.”
A direct goal of the purges in Soviet Russia, and of the alienation of children from their parents, was to create a new, purely socialist generation unburdened by the prejudices of previous or outside systems.
“[We’ve] been urged to close ranks and even form groups for the sole purposed of bringing about total destruction, on the pretext that however much you try to cure the world, you won’t be able to do so entirely, but if you take radical steps and cut off one hundred million heads, thus easing the burden, it’ll be much easier to leap over the ditch. It’s a splendid idea…”
While hundred million murders may seem like hyperbole in the scene’s darkly comic context, in the end it was an accurate prediction of what communism would accomplish if put into systemic practice; however, we should also not miss the stated method of destabilizing society via conspiratorial groups aimed not at aid but at acceleration—a method used in early 20th-century Russia and employed by modern radical groups like Antifa.
“It would take at least fifty years, well, thirty, to complete such a slaughter—inasmuch as people aren’t sheep, you know, and they won’t submit willingly.”
Besides the time element, the identifying of the individual human’s desire for life and autonomy as a lamentable but surmountable impediment to revolution—rather than a damning judgment of the radicals’ inability to make any humanitarian claims—is chilling.
“[Shigalyov] has a system for spying. Every member of the society spies on every other one and is obliged to inform. Everyone belongs to all the others and the others belong to each one. They’re all slaves and equal in their slavery.”
A corrollary to the section above on freedom-through-slavery, this part accurately identifies the system of paranoid watchfulness in the first half of the USSR, as well as the system currently in place in the DPRK, among other places.
“The one thing the world needs is obedience. The desire for education is an aristocratic idea. As soon as a man experiences love or has a family, he wants private property. We’ll destroy that want: we’ll unleash drunkenness, slander, denunciantion; we’ll unleash unheard-of corruption… [Crime] is no longer insanity, but some kind of common sense, almost an obligation, at least a noble protest.”
Anti-traditional-family advocacy and the flipping of the criminal-innocent dichotomy as a means of destabilizing the status quo all took place in the early years of the Soviet Union. Unfortunately, they are all too familiar today in the West, whether we’re talking about the current argument in the US that children’s education belongs to the community (i.e. teachers, public unions, and the government) to the exclusion of parents, or the argument heard at several points in the 2020 that crimes and rioting committed during protests were an excusable, even “noble,” form of making one’s voice heard (while nicking a TV in the process!).
More recently and ongoing here in California (often uncannily parallel to the UK in certain policy impulses), our current District Attorney George Gascon, in an attempt to redefine the criminal-victim mentality in the state, has implemented policies that benefit criminals over victims by relaxing the definitions and sentences of certain crimes and refusing to try teenagers who commit felonies as adults (among other things); as many expected would happen, crime has risen in the state, with the Los Angeles PD recently advising residents to avoid wearing jewelry in public—which, to this resident, sounds oddly close to blaming the victim for wearing a short skirt by another name, and is certainly a symptom and example of anarcho-tyranny.
To nineteenth-century readers not as versed as Dostoevsky in the literature and ideas behind the Nechaev affair (which was publicly seen as merely a murder among friends, without the ideological significance Dostoevsky gave it), this section of The Devils would have seemed a comic exaggeration. However, to post-20th-century readers it stands, like a clarion pointing forward to the events later confirmed by Solzhenitsyn, as a dire warning not to forget the truth in the satire and not to dismiss the foolishly hyperbolic as impotent. Even in isolated forms, the ideas promoted by Shigalyev are real, and when applied they have been, as Dostoevsky predicted, disastrous.
5: Socialism not as humanitarian reason, but as religious poetry; revolution as primarily aesthetic, not economic.
An amalgam of, among other members of the 1840s generation, the father of Russian socialism Alexander Herzen, Stepan Trofimovich is, by the time of the 1860s setting of The Devils, an inveterate poet. This reflects Dostoevsky’s evaluation of his old theorist friend, whom he nonetheless cites as the enabler of men like the nihilist terrorist Nechaev, despite Herzen’s claims that the terrorist had bastardized his ideas (see truth number 1, above).
The brilliantly mixed critique of and homage to Dostoevsky’s own generation that is Stepan Trofimovich presents one of the book’s main motifs about the nihilist generation: that they are not pursuing a philosophically rational system of humanitarian goals, but a romantically poetic pseudo-religion. “They’re all bewitched,” cries Stepan Trofimovich about his son, “not by realism, but by the emotional and idealistic aspects of socialism, so to speak, by its religious overtones, its poetry.” Later, at the aforementioned pivotal meeting scene, Peter Stepanovich shows he is completely conscious of this fact—and willing to use it to his advantage. “What’s happening here is the replacement of the old religion by a new one; that’s why so many soldiers are needed—it’s a large undertaking.” In the next scene, Peter Stepanovich reveals to Stavrogin his desire to use the enchanting nobleman as a figurehead for revolution among the peasantry, intending to call him Ivan the Tsarevich to play off of the Russian folk legend of a messianic Tsar in hiding who will rise to take the throne from the “false” reigning Tsar and right all the world’s wrongs with his combined religious and political power.
Peter Stepanovich, himself, is too frank a nihilist to believe in such narratives; focused as he is on first destroying everything rather than wasting time pontificating about what to do afterwards, he even treats Shigalyov’s utopian visions with contempt. However, the rest of the radicals in the book are not so clear-sighted about the nature of their beliefs. Multiple times in the book, susceptibility to radical socialism is said to inhere not in reason but in sentimentality; showing Dostoevsky’s moderation even on a topic of which he was so passionately against, this critique often focuses on younger men and women’s genuine desire to good—which ironically makes them, like the naive and forthright Ensign Erkel, susceptible to committing the worst crimes with a straight, morally self-confident face.
It is this susceptibility to the art of revolution that causes Peter Stepanovich to be so sanguine about others’ romanticism, despite its falling short of his own nihilism. His intention to use others’ art for his own advantage can be seen most clearly in his hijacking of Yulia Mikhailovna’s literary fete to use it, through his cronies, as a screed against the social order and to mock artistic tradition. His doing so is just a follow-through of an earlier statement to Stavrogin that “Those with higher abilities…have always done more harm than good; they’ll either be banished or executed. Cicero’s tongue will be cut out, Copernicus’s eyes will be gouged out, Shakespeare will be stoned…it’s a fine idea to level mountains—there’s nothing ridiculous in that…we’ll suffocate every genius in its infancy.”
Against his son’s leveling of mountains, Stepan Trofimovich, to his infinite credit and speaking with his author’s mouth, declares, with the lone voice of tradition amidst the climactic fete, that “Shakespeare and Raphael are more important than the emancipation of the serfs…than nationalism…than socialism…than the younger generation…than chemistry, almost more important than humanity, because they are the fruit, the genuine fruit of humanity, and perhaps the most important fruit there is!” In this contrast between the Verkhovenskys, it is not different views on economics but on art—on Shakespeare, among others—that that lie at the heart of revolution, with the revolutionaries opposing the English Poet more viscerally than any other figure. This reflects Dostoevsky’s understanding that the monumental cultural shift of the 1800s was not primarily scientific but aesthetic (a topic too large to address here). Suffice it to say, the central conflict of The Devils is not between capitalists and socialists (the book rarely touches on economic issues, apart from their being used as propaganda—that is, aesthetically), nor between Orthodox and atheists (though Dostoevsky certainly saw that as the fundamental alternative at play), but between the 1840s late Romantics and the new Naturalist-Realists.
The prophetic nature of this aesthetic aspect of The Devils has many later confirmations, such as the 20th century’s growth of state propaganda, especially in socialistic states like Nazi Germany or the USSR, though also in the West (Western postmodernism would eventually make all art as interpretable as propaganda). Furthermore, the Stalinist cult of personality seems a direct carry over of Peter Stepanovich’s intended desire to form just such a pseudo-religious cult out of Nikolai Vsevolodovich.
Having written a novel on the threat posed to Shakespeare by the newest generation of the radical left (before reading of Verkhovensky’s desire to stone Shakespeare—imagine my surprise to find that Dostoevsky had called even the events in my own novel!), I hold this particular topic close to my heart. Indeed, I believe we are still in the Romantic-Realist crossroads, and in dire need of backtracking to take the other path that would prefer, to paraphrase Stepan Trofimovich, the beautiful and ennobling Shakespeare and Raphael over the socially useful pair of boots and petroleum. Like Stepan Trofimovich, I believe comforts and technical advancements like the latter could not have come about were it not for the culture of the former—and that they would lose their value were their relative importance confused to the detriment of that which is higher.
Conclusion
There are, of course, many other truths in The Devils that have borne out (the infighting of radical advocacy groups competing for prominence, radicalism as a result of upper-class boredom and idleness, revolution’s being affected not by a majority but a loud minority willing to transgress, self-important administrators and bureaucrats as enablers and legitimators of radicals…). While the increasingly chaotic narrative (meant to mimic the setting’s growing unrest) is not Dostoevsky’s most approachable work, The Devils is certainly one of his best, and it fulfills his intended purpose of showing, like Tolstoy had done a few years before in War and Peace, a full picture of Russian society.
However, while Tolstoy’s work looked backward to a Russia that, from Dostoevsky’s view, had been played out, The Devils was written to look forward, and, more often for ill than good, it has been right in its predictions. Not for nothing did Albert Camus, who would later adapt The Devils for the stage, say on hearing about the Stalinist purges in Soviet Russia that “The real 19th-century prophet was Dostoevsky, not Karl Marx.”
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Will The Amish Become Fashionable?
America is still young and, so far, remains the core of the proverbial ‘New World’. A brand-new world might, for some, require new thoughts and ideas taken from the ‘Old World’, or potentially, nearly new and separate religions. One might think of Mormonism or Scientology, but the rise of the Old World, emerging in the New, has found a solid foundation from the Anabaptists in the form of the Amish.
Finding their origins in the world of Dutch Calvinism, the Amish started as a series of small communities that spread rapidly. These communities were found within the Midwestern states, but in recent years, due to rapid population growth, have spread to over thirty states. This population growth in such a short space of time has left many wondering just how big the Amish population will be within the next few years across the United States.
As noted by Lyman Stone in 2018, it remains highly unlikely that the Amish will ever become a majority within the US largely due to structural factors relating to modernisation within certain groups and shifts from farming towards manufacturing. This is compounded by a lack of available farming areas for which they can use to move across the US. Most likely, in the coming decades, they will slowly become significant minority groups within many states, with Holmes County, Ohio most likely to become the first majority Amish County in the US this year, which will soon be followed by LaGrange County, Indiana.
For the Amish, all non-Amish are called ‘the English’. For the rest of this article, I will use the Amish’s own terminology (for my own sick amusement, knowing this article’s intended audience). The importance of this is because, at its core, what remains important is the examination of whether the Amish will bend to the knee to the English World or if the English World will learn anything from the Amish.
Will the Amish become fashionable as a cultural force that the English in America can rally around? Will they become fashionable, and can they not offer to help guide America back to its traditional roots? These are all important questions, which I hope might spark some debate amongst people and The Mallard readership. The good thing about writing online about the Amish, is knowing they will probably never see this.
Even prior to Covid, we have seen vast internal migration from around the US, from people fleeing states like California and New York towards that of Florida and Texas. Additionally, we are seeing a gradual return from the major built up cities towards the countryside. These trends are not unique to the US but it would seem that some kind of return to a more ‘tranquil’ and, dare I say, ‘traditional’ lifestyle has applied to many. Alongside this return to the countryside, the Amish have always, in one form or another, received attention from the body politic and general cultural zeitgeist of America. A friendly, devout, and non-violent group of Christians that merely wish to be left alone.
Following this, knowing that you have a high-trust, self-sustaining, and low crime faction of the population, may start paying dividends within certain states that have large major cities which suffer from various modern social ills (crime, drug abuse, etc.). As the Amish population grows, so too will the cultural weight they can throw around locally. Of course, we will never see Amish Congressman or Presidents. Instead, we will see a strong and firm cultural base in which a growing traditionalism-seeking group of people can find support within.
Will the Amish way of life ever become, by contemporary definitions, ‘popular’? Certainly not. However, similar to how people become Priests or Nuns, such paths may not be for them, but can be respected and admired. That admiration, the idea that such a group can do so much, may itself become fashionable; the Amish may come to symbolise a desirable form of of social stability, one situated in contrast to increasingly stormy issues emerging within American cities. As such, whilst the ‘full’ Amish way of life is not purely feasible for much of the population, elements may be worth emulating. A strong sense of local community identity, sustainability, and solidarity, as well as emphasising family and family-building; something that most agree is drastically needed.
In summary, will the Amish become a massive cultural force? It’s too soon to say. If demographic trends continue on their current trajectory, then within the next few decades, we may see the Amish become, not just a major cultural force, but the foundation of a parallel society; one providing an alternative to the excesses and drawbacks of globalised modernity.
It is entirely possible that the Amish, more than just playing a role as an increasingly culturally-influential Christian group within America, will come to provide a full-bodied blueprint for revitalising American ‘rugged individualism’. However, what is known for certain is that, in some distant rural parts of America, there still exist those who believe in the core values which made America into America – the will to flourish on the frontier of a new world.
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Islam as Arabism
‘Here the initiative individual […] regains his place as a formative force in history. […] If he is a prophet like Mohammed, wise in the means of inspiring men, his words may raise a poor and disadvantaged people to unpremeditated ambitions and surprising power.’
– Will and Ariel Durant, The Lessons of HistoryThat Islam is a sociopolitical ideology as well as a religion hardly requires demonstration. It included a political component from its very inception, since tradition has it that Muhammad was the Muslims’ worldly ruler as well as their spiritual leader. The caliphs succeeded him (‘caliph’ means ‘successor’) in that capacity: they, too, were political and religious rulers in one. If the caliphate had not been abolished in 1924, non-Muslims would likely be much less blind to Islam’s political side.
This political side is too rarely acknowledged. However, even less attention has been paid to the ethnic aspect of Islam’s politics. Hardly any commentators seem to mention the undercurrent of Arabism present in the Mohammedan creed – yet once one has noticed it, it is impossible to ignore. Islam is not just any ideology; it is a vehicle of Arab imperialism.
Some readers may not readily see any such ethnic element, but others will likely find it obvious. In Algeria, for instance, Islam is widely taken to be a facet of ‘Arabdom,’ which is why proud Berbers tend not to be passionate Muslims. It is not just non-Arabs who believe that Islam and Arabdom are intimately linked. Consider that Tunisia’s ‘Arab Muslim’ character is mentioned in the preamble to the country’s constitution. Likewise, Morocco’s constitution states that Moroccan national identity is ‘forged by the convergence of its Arab-Islamic, Amazigh and Saharan-Hassanic components.’ Such language underscores the essential connection between Arab identity and Islam. What follows is a brief overview of some aspects of this connection.
The Traditions
The traditional accounts of Islam’s early history, including the hadith, contain plenty of naked Arabism. In this context, we can largely set aside the question of whether these accounts are reliable. For the most part, it scarcely matters whether the traditions are true or fabricated; it only matters that they are believed.
Perhaps the most infamous racist hadith is the one in which Muhammad describes black people as seeming to have raisins for heads. The saying in question is Number 256 in Book 89 of volume nine of Bukhari’s anthology: ‘You should listen to and obey[…] your ruler even if he was an Ethiopian (black) slave whose head looks like a raisin.’
Some Muslims try to divert attention from the questionable physical description and onto the statement’s supposed egalitarianism. They claim this passage expresses a progressive sentiment that people of any race could be worthy rulers. However, one should bear in mind the context: the next two hadiths likewise extol obedience to rulers. For example, Number 257 has Muhammad say: ‘A Muslim has to listen to and obey (the order of his ruler) whether he likes it or not, as long as his orders involve not one in disobedience (to Allah).’ The common theme in these stories is the requirement to submit to those in power. Against this backdrop, the hypothetical Ethiopian ruler is clearly mentioned in order to emphasise how absolute this duty is: it applies even if the ruler belongs to an inferior ethnic group. Similar examples of racism in the hadith and other Islamic sources are listed by Isaac Marshall.
As Robert Spencer shows in Did Muhammad Exist?, early Arab politics under the Abbasid dynasty was marked by references to Muhammad’s example to promote various causes, notably including ‘the rapid expansion of the Arab Empire.’ This sometimes included strong ethnic undertones. As Spencer notes, Muhammad was reported to have said that Muslims would conquer ‘the palaces of the pale men in the lands of the Byzantines’ and to have announced: ‘the Greeks will stand before the brown men (the Arabs) in troops in white garments and with shorn heads, being forced to do all that they are ordered.’ Why mention the Byzantines’ lighter complexion? Presumably, this served to underscore their ethnic distinctness (non-Arabness) and, by implication, their inferiority. As for the second quote, it clearly portrays Muhammad as having wished for the Arabs specifically, rather than Muslims of any ethnicity, to dominate the Greeks.
According to tradition, having garnered only a handful of followers in Mecca, Muhammad achieved his first major success in Yathrib (later Medina). This milestone was made possible by an ethnic conflict between Arabs and Jews in which the former deemed him useful for their cause. ‘The Arabs of Yathrib,’ explains Ali Sina in Understanding Muhammad and Muslims, ‘accepted Muhammad readily, not because of the profundity of his teachings, […] but because of their rivalry with the Jews.’ It was in Medina that Islam’s trademark Jew-hatred truly began to burgeon.
Over a millennium later, the resources of Muslims worldwide are still being drained in service to an Arab struggle against Jews in Israel – and Islam is the tool through which those resources are extracted. Of course, not everyone in the Muslim world is content with this arrangement. In Iran, which is now a mostly non-Muslim country, protestors chant: ‘Forget about Palestine, forget about Gaza, think about us.’ Likewise, the Moroccan Amazigh Democrat Party (a Berber organisation now renamed ‘Moroccan Ecologist Party – Greens’) stands for both secularism and ‘normalizing relations with Israel.’ The more a group is free from Islam, it seems, the less need it feels to sacrifice its own interests in order to help Middle Eastern Arabs re-conquer Israel.
The History
Islam’s history shows it to be, from its beginnings, fundamentally intertwined with Arab identity. In Arabs: A 3,000-Year History of Peoples, Tribes and Empires, Tim Mackintosh-Smith provides such manifold examples of this pattern that it would be plagiaristic to reproduce them all here. Drawing on Muslim historian al-Baladhuri’s description of the Arab conquests of the seventh century AD, he writes that the Taghlib, despite being Christian, were made exempt from the ‘poll-tax’ which unbelievers must pay under Islamic law. The reason was that the Taghlib were Arabs, and could thus make the case that they were different from the ‘conquered barbarians’ to whom the tax was normally applied. ‘Islam in its expansive period had as much to do with economics and ethnicity as with ethics.’ During the later centuries of Islam, other groups – most notably, the Ottomans – appear to take the lead in the Muslim world. Nevertheless, ‘the centuries of “invisibility” in fact conceal an Arab expansion almost as remarkable for its extent as the first eruption of Islam,’ though this second phase occurred ‘through the Arab world’s back door, into the Indian Ocean.’
For Mackintosh-Smith, Islam should be viewed ‘as a unifying national ideology, and Muhammad as an Arab national hero.’ It may be worthwhile to mention, in this context, the theory that Muhammad never existed and was instead a character popularised decades after his supposed death. Robert Spencer summarises the case for this position in Did Muhammad Exist?. Despite dating Islam’s emergence to the early eighth century, Spencer notes that two inscriptions from Arab-ruled lands during the second half of the seventh century refer to some watershed moment which had occurred in 622. As he states, this is the traditional date of the Hijra, when Muhammad supposedly fled from Mecca to Medina. Interestingly, one of the inscriptions was made 42 years (on the lunar calendar) after 622, yet it purports to have been written in ‘the year 42 following the Arabs.’ Why the odd phrasing? Spencer argues that, in 622, the Byzantines inflicted a heavy defeat on the Persian Empire, sending it into decline. The Arabs were quick to take advantage of the resultant ‘power vacuum’ and soon conquered Persia. Consequently, he speculates: ‘What became the date of the Hijra may have originally marked the beginning of the Arabians as a political force to be reckoned with on the global scene.’ If this idea is correct – and it certainly makes sense of the strange phrase ‘the year 42 following the Arabs’ – then the very year with which the Islamic calendar begins, 622, may originally have been commemorated in celebration of Arab military expansion. This would also make it all the more ironic for anyone conquered by Arabs, and especially Iranians, to be a Muslim.
Still, the conquest of non-Arabs by Arabs is sanctified in Islam even if one utterly rejects the thesis Spencer propounds. Since the expansion of early Islam – and much of later Islam – was inseparable from Arab expansion into surrounding territories, being Muslim practically forces one to look back with approval on the conquests of non-Arabs by Arabs. (The spread of other world religions did not involve a comparable dependence on armed subjugation.) As Raymond Ibrahim has written, ‘the historic Islamic conquests are never referred to as “conquests” in Arabic and other Muslim languages; rather, they are futuhat—literally, “openings” for the light of Islam to enter.’
Throughout Islam’s history, jihadism and Islamic expansionism have gone hand in hand with Arab supremacism. This has perhaps been most apparent in Sudan and Mauritania, where Islamism has long been inextricably linked to racism and genocide against, and enslavement of, non-Arab blacks. Serge Trifkovic makes this point powerfully in The Sword of the Prophet, highlighting the irony of black Muslims in America who consider Islam a natural part of African heritage.
In addition to the racism already found in Islamic scriptures, the slave trade which has flourished under Islamic rule and been legitimised in conjunction with jihad ideology has also spawned racialist justifications. Trifkovic comments: ‘The Muslims’ view on their two main sources of slaves, sub-Saharan Africa and Slavic Eastern Europe, developed into the tradition epitomized by a tenth-century Islamic writer:
“The people of Iraq […] are the ones who are done to a turn in the womb. They do not come out with something between blond, blanched and leprous coloring, such as the infants dropped from the wombs of the women of the Slavs and others of similar light complexion; nor are they overdone in the womb until they are […] black, murky, malodorous, stinking, and crinkly-haired, with […] deficient minds, […] such as the Ethiopians and other blacks[.]”’
Islam’s Arab Character
Despite claims of divine revelation and the notion that the Qur’an existed from the beginning of time, Islamic doctrine is wholly permeated by mediaeval Arab culture and the paganism of pre-Islamic Arabia. Thus, Samuel Zwemer notes that the belief in jinn reflects a ‘substratum of paganism.’ Nor is this belief peripheral to Islam; numerous verses in the Qur’an discuss these supposed spirits and Muhammad is claimed, writes Zwemer, to have been ‘sent to convert the Jinn to Islam as well as the Arabs.’ It is also a well-known fact that the pilgrimage to Mecca goes back to pre-Islamic paganism.
The creed’s ethical teachings, furthermore, are deeply shaped by its origins among mediaeval Arabs. In many ways, it represents an alien culture imposed on other peoples by Arab conquest. One might object that Europe is Christian and Christianity is likewise an alien influence on it, having come from the Middle East. Yet Christianity’s Middle Eastern origins have been greatly exaggerated. It is a fundamentally European religion, having arisen in the Roman Empire and been shaped by Greek philosophy from its fount. Even pre-Christian Judaism had been heavily shaped by Hellenic thought, as Martin Hengel showed in his classic Judaism and Hellenism. In any event, Christianity is far less intrusive than Islam, which seems intent on micro-managing every aspect of the believer’s life.
An obvious example of how Islam imposes alien values on the societies it conquers is the role it mandates for women. Apostate Prophet, a German-American ex-Muslim of Turkish descent, avers that ‘the Turks […] treated their women much, much better before they converted to Islam.’ Current scholarship appears to bear this notion out. One author concludes that, in pre-Islamic times, ‘Turkish women ha[d] a much more free life than women of other communities and that women within Turkish communities [during that period] can be seen as sexless and they can take part in men’s positions.’ This is obviously far different from women’s role in Islamic societies. The difference was famously demonstrated by Turkey’s Deputy Prime Minister Bülent Arınç, founding member of the ruling Islamist group, the Justice and Development Party (AKP). On the occasion of the Islamic holiday Eid al-Fitr, Arınç urged Turks to pay greater heed to the Qur’an and stated that women should ‘not laugh in public.’ If conditions in Turkey are not as bad as in other Islamic countries, where practices like female genital mutilation are common, that is in large part thanks to the secularising revolution of Kemalism.
However, to say that Islam’s ethics fully reflect the norms of pre-Islamic Arabia would be unfair to the Arabs of the time. For instance, Ali Sina argues that, ‘prior to Islam, women in Arabia were more respected and had more rights than at any time since’ (Understanding Muhammad and Muslims). Even within the context of that undeveloped region, it seems that Islamisation represented a step back.
Islam’s Arab character has serious practical consequences which work to Arabs’ relative advantage and other groups’ relative disadvantage – although, naturally, adherence to Islam represents a net disadvantage for all groups. As Hugh Fitzgerald observes, Islam makes people ‘pray five times a day in the direction of Arabia (Mecca), ideally take Arab names, read the Qur’an in Arabic, and sometimes even construct a false Arab ancestry (as the “Sayeeds” of Pakistan).’ The requirement to fast throughout the day during Ramadan appears tailored to the Arabian Peninsula and is ill-suited to life in certain other regions. Moreover, Islam proves highly effective at funneling money from the whole Muslim world into Arabia. The required pilgrimage to Mecca earns Saudi Arabia ten to fifteen billion US dollars per annum; added to this are another four to five billion gained through ‘the umra, a non-obligatory pilgrimage to Mecca.’ ‘Pilgrimage income,’ adds the same source, ‘also accounts for the second largest share of [Saudi] government revenue after hydrocarbon sales.’
Will the Awakening Come?
‘Although Islam presents itself as a universal religion,’ writes Robert Spencer, ‘it has a decidedly Arabic character’ which has consistently aided ‘Arabic supremacists’ in Muslim areas. As stated, Islam is detrimental to all people, but it seems especially absurd that any non-Arab would be a Muslim. Hopefully, the other nations ensnared by this ideology will find the backbone to break free of it sooner rather than later.
Some such stirrings, though faint, can already be seen. As of this writing, Apostate Prophet’s video Islam is for Arabs has garnered nearly 200,000 views in five years. We have noted the distaste for Islam among many Algerian Berbers, and a similar pattern has been recorded in Morocco: ‘for some Berbers, conversion [to Christianity] is a return to their own roots.’ Should this trend continue, it could, in theory, become quite significant. As of 2000, Arabs constituted only 44% of Morocco’s population, just under the combined share of Arabised Berbers (24%) and other Berbers (21%).
Iran is an even more promising case. As mentioned, it appears that most of the country’s population is no longer Muslim. National pride seems to have played a part in this spectacular sea change, as evidenced by the popularity of Zoroastrianism among some Iranians. Perhaps Iran, once liberated, could act as a model for other non-Arab Muslim countries with a sense of dignity.
The national issue may not prove potent enough to de-Islamise societies completely. However, that may not be required. A major tipping point could be achieved simply by reaching a point at which criticism of Islam can no longer be stifled. Islam’s success depends on fear to prevent people from opposing it. Thus, in environments where adherence to it is not socially enforced – for instance, in Western societies –, deconversion rates tend to be high. Anywhere the compulsion to obey Islam is defeated, the main battle will have been won.
