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An Interview with Fen de Villiers (Magazine Excerpt)
Sam: A common criticism I hear from people on our side of the ‘cultural divide’, regarding Vorticists and Futurists, is that the avant-garde, as a concept, is antiquated. Do you think that’s true, or do you think people are being a bit too pessimistic about its potential?
Fen: Being pessimistic and cynical is something inherent to people who are more on the conservative spectrum, but I think that one must look back to go forward; you can clasp at the fire and the energy of a certain group or a certain movement, and then you can run forward with that. I don’t think it’s a case of saying, you look back at them and stay there.
I think that it’s going to take time, movements, and art styles to take a while to mature and find a new way. I don’t at all believe that we simply just have to take on what they do and just reside there.
Sam: In other words: “it’s not worship of the ashes, it’s the preservation of the fire.”
Fen: Yes, absolutely. I think what’s important is that if you are going to throw this forward – I mean, the futurists were, for example, very excited by the motorcar and the aeroplane and flight, because that was the period that they were in.
I don’t think we need to be excited by the aeroplane in the material sense. However, I think we can be excited about something. That visionary and Faustian spirit is deeply ingrained within our European psyche. I think we get excited about going on and going forward. I don’t think it’s a case of simply just regurgitating the platitudes or what they were doing. It’s about finding a place for that energy now.
It’s really about energy and celebrating force over death and decay; the latter of these is what the current regime works on. It’s the cult of the victim. This is not glorious stuff. This is not about going upwards towards something higher: this is about keeping you on the lowest level. For me, that is not how life is, that’s not how nature is: it is a lie. It’s not a culture that has any sort of fire in the belly. It doesn’t make you want to live.
This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.
Photo Credit: Fen de Villiers
My Vitalism (Magazine Excerpt)
In a world that is innately tragic, how does one remain cheerfully vital? There seems no end to the forces that wish to crush one’s joie de vivre. Whether it’s the deadening omnipotence of the modern technocratic mode of organisation, the overbearing coddling of our moralistic culture, or just the old-fashioned primordial fate of the great tragedians and philosophers, we cannot escape an assault of forces intent of making us submit to despair.
The world often feels like a great slimy toad, sitting on our chests and allowing its toxic ooze to envelope our nostrils and lungs until we choke. How many people give in to it I wonder? Millions? How many human beings surrender their souls to the devilish incubus that haunts them? This is the primary question of human existence and one that has become pertinent to the present moment in art. In a high culture full of worthless slush that threatens to drown us all in its mediocrity and potent purposelessness, the moment of choice is thrust upon us all as individuals: either we swim to sweet terra firma or fall beneath the murky surface.
Yet, as old King Canute once showed us, the tide is never-ending. In a deeper, spiritual sense the assault of despair will never end. We die and suffer. Our loved ones die and suffer. Religions are exhausted and nations fall to ruins. Given this, do we still have the strength to embrace life?
This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.
Wyndham Lewis and The Tyro (Magazine Excerpt)
A Tyro, defined by Lewis, is ‘an elementary person; an Elemental, in short.’ This was descriptive of his view of the artist in a post-war world, a being even more primitive and vital than the avant-garde mercenaries of Blast. The illustrations of Tyros provided by Lewis are haunting apparitions, truly wanderers of the shadow he saw cast over the world. In black and white, they dominate the pages on which they appear with absolution, and in turn an unwavering devilish grin dominates them. The near abstraction of many Vorticist works is superseded once again by representation, but this makes the Tyros’ presence all the more convincing. First there is the Cept, on the cover of the first issue of The Tyro, drawing the eyes of the reader to its piercing stare and eternal laugh. It rests halfway between a North American totem pole and Lewis’s self-depiction as a Tyro, and there it revels. Next arrives the stout Brombroosh, facing to the left but with one eye still watching ahead. Lewis does not declare this entity a Tyro, but it is not far off. Behind its teeth, it mocks you with words you will never hear. Lastly, the Tyros Mr. Segando and Phillip in conversation. These two are parodies of sentimentalism in contemporary art and the broader aesthetic stagnation which Lewis had failed to overturn before the Great War. ‘These partly religious explosions of laughing Elementals are at once satires, pictures, and stories’ according to Lewis, so the baffling short story Mr. Segando in the Fifth Cataclysm by John Rodker accompanies the Tyro on the next page.
In surveying the Tyros, much of the first issue of The Tyro has been covered, but the journal was not Lewis’s latest artistic fascination alone. Without Pound, T.S. Eliot became the other central figure of this project, having previously been published by Lewis in the second issue of Blast. Vorticists dominated the graphical submissions in both issues: William Roberts, David Bomberg, Jessica Dismorr, Edward Wadsworth, Frederick Etchells and Lewis himself. The written side of the journals saw notable output from a few new figures: the novelist Sidney Schiff, who financed the endeavour and published under his pseudonym Stephen Hudson, the aforementioned Rodker, Herbert Read and Robert McAlmon. Rodker and McAlmon both ran small presses, whereas Read was a poet and art critic.
The design of The Tyro reflected a general attenuation away from the purposeful outrage of Blast. Sans-serif was now reserved to the cover, leading to a more conventional appearance in the interior pages. There was no bold opening manifesto either; the age of that in art had passed. Tyros as a centrepiece were impressive on the cover but otherwise an uncertain and experimental installation in the context of their calmer and often un-satirical surroundings. For the first issue, this was salvaged by the fact it was released alongside Lewis’s exhibition Tyros and Portraits in April 1921. The subtitle of both issues, A Review of the Arts of Painting [,] Sculpture and Design, was less sympathetic to Tyros’ idiosyncrasy.
This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.
The Original “Original Right-Wing Gramscians”
Last year, The Mallard’s Chairman, Jake Scott, wrote two essays titled “The Original Right-Wing Gramscians”, detailing the history, ideology, and influence of free-market think-tanks in post-war Britain.
However, unlike the post-war free marketeers, whose “right-wing Gramscian” descriptor has been added retroactively, the French ‘New Right’ (Nouvelle Droite) openly characterised themselves, as did others, as “Gramscians of the Right” – both during their intellectual ascendancy in the 1970s, and during revived interest in their movement around the turn of the millennium.
Whilst technically established in 1968 with the foundation of the ‘Groupement de Recherche et d’Etudes pour la Civilisation Européenne’ (GRECE; Research and Study Group for European Civilization), the most recent attempt at a unified doctrine for the French (and, by extension, European) New Right is found in an essay titled “The French New Right in The Year 2000” (FNR2K).
A relatively short work, the FNR2K reads less as a political manifesto and more as an intellectual one. Granted, the content is political, but it doesn’t confine itself to the trappings of electoral politics. After all, the French New Right (FNR) grew out of electoral alienation, instigated by consecutive right-wing electoral defeats throughout the 1960s.
This prioritisation of intellectualism over electoralism is made clear off-the-bat when Alain De Benoist, often dubbed the FNR’s leading figure, dispels the idea that the FNR constitutes a “political strategy”. Instead, the FNR is defined as a “school of thought” attempting to “formulate a metapolitical perspective”.
Metapolitics, Benoist continues, is “not politics by other means”. Rather, it is the idea that “ideas play a fundamental role in collective consciousness”. All human actions, trivial or revolutionary, take place within a framework of “convictions, beliefs, and representations which provide meaning and direction”. These “convictions, beliefs, and representations” are the focus of the FNR’s work. In simpler terms, metapolitics is that which is outside, but shapes, the development of politics.
FNR2K is divided into three sections: Predicaments, Foundations, and Positions. ‘Predicaments’ is divided into three sub-divisions: What is Modernity?, The Crisis of Modernity, and Liberalism: The Main Enemy, all of which provide context to the FNR’s intellectual work.
‘Foundations’ establishes the FNR’s theoretical first principles in relation to a variety of topics: man, society, politics, economics, ethics, technology, the world, and cosmos. Throughout, these first principles are juxtaposed with the theoretical first principles found in liberal modernity.
Finally, ‘Positions’ summarises that which the FNR is for and against, as well as an additional 13th stand-alone commitment to promoting “independence of thought and a return to discussion of ideas”.
The FNR interprets Modernity as a convergence of five processes: Individualization (the destruction of traditional communal life), Massification (the adoption of standardised lifestyles), Desacralization (the replacement of religious understanding with scientific understanding), Rationalization (the hegemony of “instrumental reason” via capital and technology), and Universalization (the globalisation of assumed-to-be superior models of social organisation).
The Crisis of Modernity refers to the failure of these processes to produce their initial promises of Freedom and Equality. Freedom has been reduced to a procedural formality; it means to operate “within the marketplace, technoscience or communications without ever being able to influence their course”. Erstwhile, Equality has failed two-fold. It has both “betrayed” the people it allegedly sought to benefit (e.g. the murderous nature of communist regimes) and has been “trivialized” (e.g. growing economic inequality under capitalism). Specifically, this has happened despite Equality being the foundational principle of both communism (equal access to means of production) and capitalism (equal opportunity to prosper within a market economy).
As such, the end result of Modernity is “the most empty civilization mankind has ever known”. Contrary to a free and equal paradise, “the language of advertising serves as the paradigm for public discourse, the primacy of money has made commodities an omnipresent feature of society. Man has turned from a social animal to a hedonistic object; he occupies an unreal world of drugs, virtual reality, media-hyped sports” – he operates as a “solitary individual” amid an “anonymous and hostile crowd”.
Considered to be “the dominant ideology of modernity”, it follows that Liberalism is the FNR’s primary intellectual target. Attacked for reducing life to individualistic economic competition, erstwhile imposing a hypocritical notion of value-neutrality, the FNR considers Liberalism responsible for creating a barren existence: survival for the sake of survival, an existence devoid of higher purpose or aspiration.
However, Liberalism is not the only target. Whilst charitably described as a “legitimate reaction”, the FNR dismisses Marxism as a counter-productive and misdirected response to the problems arising from Liberalism, being rooted in common modern presuppositions.
As an example, Benoist points to the modern welfare state. Emerging as a reaction to the autonomous market, the welfare state does not restore historic communal ties undone by Liberalism. Rather, it assisted in re-engineering society to adhere to the matrix of mere production and consumption. Whilst Liberalism is nothing more than a “global system of production and reproduction”, Marxism has created conformity around “an opaque redistributive structure”, one which has “generalised irresponsibility” and has transformed members of society into “nothing more than recipients of the public system”.
In summary, Modernity has reduced humanity to the lowest-common denominator; to the barebones of production and consumption, supplementing its constituents with a hypermodern array of metastasized rights and a dehumanising system of welfare. Compounded, the end result is a frightful and depersonalised lumpen.
In response to this hellish existence, the FNR begins to lay the ‘Foundations’ of its counter-ideology. At bottom-level, this means recognising a distinction between Pluriversuum and Continuum; a distinction between what is diverse and particular (‘plural’) and what is constant and universal (‘continuous’).
Contrary to Modern depictions of man, either as an “infinitely malleable” atomised individual or the sum of a single specialised factor (i.e., economy; homo economicus) – man is neither wholly determinable or determined.
For example, one can’t change his ethnicity or family, but can, in a moral sense, choose to “go beyond himself or debase himself”. In this instance, the Pluriversuum of man is exemplified by the natural diversity of communities which exist in the world, whilst the Continuum of man is exemplified by his ability to engage in decisions, irrespective of his particular community and its customs. Neither is more key to man’s nature than the other; they are distinct but equally important aspects of what he truly is.
Against the backdrop of the first section, the FNR sees Modernity as reducing Earthly existence to Continuum (technical decision-making within a globalised system of production and consumption) at the expense of Pluriversum; liberal modernity means global homogenization (or, as it has become known in some circles: globohomo).
Given this, it follows that the origins of man, a social animal, as well as the affairs of his society, are also beholden to this logic. Society cannot be reduced to a homogenised collective or aggregated individuals, but a “body of communities” – families, neighbourhoods, localities, national ethnicities and supranational groups; they are distinct and defined by their respective, precise, and unique relation to each other.
Politics is an art, offering a vibrant plurality of forms, renditions, improvements and cultivations, unlike the Modern understanding which situates politics as a system of management; decisions are made to be purely technical and “neutral”, denying any fundamental alternatives to the machine, reducing politics to a matter of stability, rather than the deliberation and actualisation of ideas.
Economics (oikos-nomos; family law) must be recontextualised, from the narrow realm of immediate and quantifiable transaction to a broader understanding which incorporates distinctly qualitative values, such as beauty, ecology, family, and ethics.
Ethical values, whilst universally contingent on the distinction between good and bad, and other such related categories, must be allowed to organically develop into specific customs appropriate for particular societies. The universal reduction of morality to “practical materialism” must be resisted. This principle of striving towards excellence, provided specific meaning by context, is also true of different modes of life within a community; a good plumber is better than a bad philosopher.
Technology, whilst celebrated for its “Promethean” capabilities, must be harmoniously balanced with environmental custodianship. Concern for the natural world should stem not from government regulation or technophobia, but from a shared moral conscience; one which earnestly wishes for future generations to inherit a world “no less beautiful, no less rich, and no less diverse than the world we know today”.
Having established their given context and theoretical response to said context, the FNR2K concludes with its ‘Positions’ – what it is against and for:
Against Uprooting, For Strong Community Identities; Against Racism, For Difference; Against Immigration, For Cooperation; Against Sexism, For Gender; Against The New Class, For Bottom-Up Autonomy; Against Jacobinism, For a Federal Europe; Against Depoliticization, For Democracy; Against Productivism, For New Forms of Labour; Against Ruthless Economic Policies, For Economy at the Service of the People; Against Gigantism, For Local Communities; Against Megalopolis, For Cities on a Human Scale; Against Unbridled Technology, For Integral Ecology; For Independence of Thought and a Return to Discussion of Ideas.
Many of these points will be intuitively, if not immediately, understood, such as the first, third, ninth, tenth, eleventh, twelfth and thirteenth. After all, these are matters regularly discussed and supported by more traditional conservatives: social cohesion, national identity, strong borders, developing social and economic capital, aesthetical refinement of all kinds, and environmental custodianship.
Although there has been strong pushback against ‘gender ideology’ and corresponding issues (i.e. transgenderism), one shouldn’t be misinterpret De Benoist’s use of ‘gender’ – he’s saying very much the same thing: men and women are ontologically different and one cannot, and should not, become the other.
Even unfamiliar terms like “The New Class” immediately become familiar once De Benoist pins down a summary:
“…the manpower for the media, large national and multinational firms, and international organisations. This New Class produces and reproduces… the same type of person: cold-blooded specialists, rationality detached from day to day realities… engenders abstract individualism, utilitarian beliefs, a superficial humanitarianism, indifference to history, an obvious lack of culture, isolation from the real world, the sacrifice of the real to the virtual, an inclination to corruption, nepotism and to buying votes… The New Class depersonalises the leadership of Western societies and… lessens their sense of responsibility.”
All this said, some points are likely less understood from the get-go. Despite being listed second, the commitment to ‘difference’ is perhaps the central defining tenet of the FNR. Dubbed “the right to difference” De Benoist suggests, as a matter of principle, that diversity is good – diversity of people, cultures, systems, products, religions, and ideas.
Placing primary emphasis on ethnocultural diversity, the “right to difference” is meant to counteract what De Benoist sees and refers to as “the ideology of sameness” – an all-encompassing term for global homogenization and all its various forms: mass immigration, economic and cultural globalisation, philosophical universalism, egalitarianism, and so on.
However, whilst the “right to difference” forms the basis for the FNR’s support for group-based, individual, and ideological differences, it also provides a basis for conserving differences in a whole host of other domains.
Democracy is, first and foremost, understood as a rejection of universal equality; it recognises “a people” – defined by a common, but distinct, sense of membership – as the basis for legitimate deliberation and decision-making, both in the name of the common good and as an expression of individual agency. This is situated in contrast to depoliticization, which does not recognise the existence of a people, and by extension the sovereignty of the people, allowing bureaucrats, technocrats, and lobbyists to forego pluralism and disqualify certain political programs at will.
Similarly, instead of a “Europe of Nations” or a “European Nation”, the FNR2K poses organic regional secession from existing European nation-states, and the ‘bottom-up’ federalized along Eurocultural lines (including Russia), affording distinct identities and devolved powers to all principalities, with the exception of “those matters which escape the competence of the lower level” and apply to “all the federal communities” of Europe, such as major military, diplomatic, legal, environmental, and infrastructural matters.
The FNR believes: “the nation-state is now too big to manage little problems and too small to address big ones” – civilizational superorganisms, organised in a polycentric patchwork, albeit with integrated research, industry, communications, and currency, are necessary for securing autonomy, tranquillity, and difference.
Labour must be reinterpreted beyond a ‘productivist’ understanding – it must incorporate work that is conducted and valued for qualitative, rather than merely quantitative, reasons; this ranges from labours of love and duty to ensuring the fruits of labour strive for timelessness, rather than obsolescence.
Additionally, modernity has created a society “where payment by salary is the principal means of integration into social life”. As such, the mission of reimagining labour is two-fold: “to work less in order to work better and in order to have some time for oneself to live and enjoy life”.
Tell me: doesn’t it feel as though you’ve heard all of this before? That you have felt, read, or even articulated such sentiments yourself? To be clear: I am not remarking on the originality or unoriginality of the FNR2K. After all, what good would such a point prove? ‘Originality’ – the moralist insistence to reinvent, the insistence of newness as a virtue – is a cornerstone of modernity.
Rather, I am remarking on how a document published over 20 years ago still bears an uncanny resemblance to matters the British right has, seemingly, only begun to publicly engage with, even if only peripherally, over the past few years: disaffection with liberalism, deracination in a society struggling to be cosmopolitan, the ‘bloatedness’ of institutions, the sense of ennui amid barely managed decline, the ‘re-emersion’ of tribal and class antagonism, the vicious discourse surrounding hereditarian innateness and social malleability, the homogenisation of everything from brand logos to community identities, from the sound of music to values and customs, from architecture to our options at election time.
Despite this, Francophobia has become something of an informal cornerstone of the British right’s identity; THB Britain Should Invade France, etc. Such parochialism, whether sincere principle or hollow performance, does not aid our political or intellectual development.
If the British right is prepared to concede, as it has done so before, that despite historic animosity and cultural differences, Britain and France share common civilisational challenges (multi-faceted demographic change, the future of freedom, sclerotic and hostile institutions, etc.) then it should also be prepared to engage with and learn from French – and more broadly, European – interpretations of affairs.
It’s no debate. The French right talks about positive visions for the future, the British right talks about the Plank of the Week. Whilst the British right mobilised to find footage of Keir Starmer not wearing a seatbelt, the French right almost made Eric Zemmour president of the republic. In Britain, we’ve only just got around to discussing illegal immigration. By contrast, France is way ahead of us.
It’s clear that many of our problems are here at home, not with the “Cheese-Eating Surrender Monkeys”. Given how intellectually barren the political landscape is generally, particularly on the right, perhaps it wouldn’t hurt to look beyond the English Channel, and see what our continental adjacents can offer as inspiration.
The National Scandal That Never Was
In undoubtedly one of the most important and disturbing watches this year, the GB News documentary Grooming Gangs: Britain’s Shame is perhaps the best examination of this ongoing (and sadly ever-widening) scourge on Britain as a nation. The amount of detail and research Charlie Peters goes into is commendable, simultaneously making the matter horrifying and frustrating, given how little was done to tackle it up until the last decade.
It’s not simply the individual accounts of grooming victims that make it such an uncomfortable watch, nor the vast scale of the scandal that Peters exposes. Rather, it’s the clear institutional failings that occurred, as well as the Soviet-level attempted cover-up by the authorities, including intimidation campaigns against those trying to tell the truth.
It ends with an overall call to action for the government to take this matter more seriously and have more of those involved in the cover-up to be held to account.
Peters’ excellent work is one of several noticeable examples of mainstream culture attempting to shed some more light on the scandal, with others including the equally harrowing BAFTA-winning BBC drama Three Girls and an episode of the Denise Walsh true crime series Survivors where prominent victim Sammy Woodhouse gave an extensive interview on her own tragic story.
However, such contributions are noticeable in how few and far between they actually are. This, in turn, highlights a sinister truth about the scandal as a whole: despite how much of a major problem it was, and continues to be, it never quite gained the status of ‘national scandal’ it truly deserved.
The fact it hasn’t had such an impact is very troubling and should highlight how legitimately broken our current system is, politically and institutionally.
But before that, it’s worth examining a brief history of this scandal.
For several decades now, tens of thousands of young, mostly white girls, have been targeted in numerous towns and cities across the UK by gangs (generally of British Pakistani origin) for grooming, sex and rape.
Such girls would be coerced by various means – offers of drugs and alcohol, psychological manipulation, fake affection – by these gangs, and would later be abused.
Sometimes, those in positions of authority were also accused of engaging in such behaviour themselves, including Labour peer Lord Nazir Ahmed, who was (ironically enough) lauded for a speech condemning it.
To make matters much worse, such crimes were often ignored for decades by the authorities, from the local councils, to the police to the social services. It was later discovered that fears of being called ‘racist’ and ‘politically incorrect’ and ‘undermining community cohesion’ were given as justifications for to the ‘see no evil’ attitude of those in charge, because of the race dynamics of those involved (not least of which the victims themselves, often berated for being white by the preparators).
In a post-MacPherson Inquiry Britain (of which had questionably accused the Metropolitan Police of being ‘institutionally racist’ following their bungled investigation of Stephen Lawrence’s murder), fears around that sort of accusation lingered among many police forces – leading to the direct racist abuse of many white, Sikh and Hindu girls in the process.
Later on, Dan Hodges described those failed in Rotherham as those failed because of crying ‘racism’, as “[Rotherham Council] were standing back because the victims were white and the rapists were not.”
The scandal would remain an open secret for many years, whether it be the working-class mumbling in hushed tones about it or less-than-palatable political alternatives captalising on the problem to gain local support.
This would change in 2012 when Times journalist Andrew Norfolk blew the whistle, following extensive research and corroboration with the likes of Woodhouse. This, alongside further exposure in other areas of the country, brave individuals like Maggie Oliver openly highlighted the matter, further helping it into the mainstream.
How extensive this was and how far back this goes will probably never be known. In terms of time alone, there is much circumstantial evidence. The Sunday Mirror found that the Telford abuse goes back as far as the late 1970s and early 1980s. A Rotherham Advertiser article documented such abuse as far back as 1975. A memoir titled Call The Midwife dates the scandal even further back to 1950s London. During a 2021 Parliamentary debate on grooming, Rotherham’s Labour MP Sarah Champion noted that she had met victims who were 70 years old.
To make matters even bleaker, it seems that there are further revelations still to unfold – as one of the lawyers who helped to prosecute the Telford gangs stated, such matters in the town were simply the ‘tip of the iceberg’ for what was to come.
So if all of this is true, then why is it a scandal that has (once again) gone under the radar, kept on the down-low and sidelined to ‘dissident right’ Telegram chats?
There are several reasons for this, and none of them are good, shockingly enough.
Firstly, the ‘racism’ and ‘far-right’ stings and smears that made many turn away initially are still prevalent when discussing this stuff. Norfolk himself was worried about investigating the story initially when first hearing of it, stating in 2015 that his ‘liberal angst’ about the issue being a ‘dream story for the far-right’ made him nervous about tackling it.
Although such worries were somewhat justified, his reporting was originally dismissed by Rotherham Council as lies of the ‘[Rupert] Murdoch press’. Needless to say, if such concerns could make the likes of Norfolk (a hero in this story by all counts) nervous to start with, then why would anyone else senior want that to be their hill that they died on?
In 2015, when Nigel Farage as UKIP leader travelled to Rotherham to speak on the issue, there was a significant protest – but it wasn’t the gangs they had in their crosshairs. Instead, much hatred was directed against Farage for in part spreading ‘racism’.
Champion herself when calling out these problems in her constituency area in a hard-hitting 2017 Sun article received similar attacks. Beyond the death threats and deselection attempts, she was also criticized for being racist by MP Naz Shah (infamous for retweeting a parody account stating that the grooming victims should ‘shut their mouths for the good of diversity’) and her local Labour Party.
Meanwhile, Peters’ doc itself was targeted on similar grounds with University College London professor Ella Cockbain sending a complaint to Ofcom on the matter, as it promoted ‘racist tropes’ about ‘Pakistani men’ (thankfully to widespread backlash online as a result).
In short, if far-left campaign groups, certain trade unions, much of the Labour Party and academics among many others with ‘privileged’ status are still willing to shut down this debate with racism smears, why would those with much to lose campaign against it?
This highlights the second major reason as to why this never became a national scandal: it didn’t serve the interests of the political establishment at large (not least of which those involved in the original cover up, alongside specific councillors who made horrid remarks on it).
Writer Derek Turner once described political correctness as a ‘clown with a knife’, highlighting its funny aspects of which conceal its sinister totalitarian aims. The grooming gang scandal, alongside the infrequent spats of Islamic terrorism, are the most obvious times of such an idea playing out in such a fashion.
When the political establishment has their eggs in the baskets of political correctness, multiculturalism and mass immigration – policies and ideas of which the proliferation of grooming gangs couldn’t have happened without – why would they seriously want to tackle such a subject matter head on and deal with it?
Instead, they focus on supposed scandals that confirm their prejudices. When the grooming gang scandal was taking off in the mid-2010s, a completely made-up non-scandal was entertaining the eyes and ears of Westminster – that of the VIP pedophile ring alleged by fantasist Carl Beech. Senior MPs gave it Parliamentary space, LBC host James O’Brien gave it copious amounts of attention and many at the Met Police felt that Beech (under his pseudonym ‘Nick’) was ‘credible’. It went as far as then-Prime Minister David Cameron getting involved, with Douglas Murray describing how it created a ‘witch-hunt’ atmosphere in Parliament. Beech was found out later to be a fraud – sadly not before some were made homeless because of his claims and others died before their vindication.
It is easy to see why much of the Westminster bubble was so eager to give it attention, but not the grooming gangs. The Beech affair targeted the old British establishment they despised for their part in a traditional Britain ‘out-of-sync’ with the secular one of the current year they love (and have benefited greatly from).
Persecuting World War 2 generals like Lord Bramall and former MI5 heads, alongside the Tory old guard of Edward Heath and Harvey Proctor was very easy under this mentality. When the crimes and suspects involved violate the principles of secular Britain that becomes much harder to do.
As such, it isn’t surprising that the grooming gang scandal isn’t much use for the establishment at large. This is something blatantly seen with the generally scant media coverage it receives in comparison to other tragedies.
In Manufacturing Consent, Edward S. Herman and Noam Chomsky highlight the various ways in which the media manipulate events and frame stories in a way to set an agenda. This includes the notion of ‘Worthy and Unworthy Victims’, whereby the media will ‘portray people abused in enemy states as worthy victims, whereas those treated with equal and greater severity by their own government… as unworthy.’
Such an idea can be recontextualised in regards to how the media at large covers certain bleak stories, whether in Britain or abroad. For instance, the Grenfell Tower fire in 2017 was given much coverage in the half-decade since the disaster, and rightly so. One would hope this extended to the ramifications of such an event. It was, but not in the way one would think.
Instead of talk surrounding corporate negligence and the neo-feudal implications of the inherent setup, the discussions surrounding Grenfell consisted of how the government had failed the seemingly benevolent ideas of multiculturalism and diversity due to the building’s high-foreign born population, all the while blaming the Tories’ austerity supposedly causing the matter to occur (a blame shared by more than just one political party, it turned out).
In all, brave firemen were more likely to be criticised for the incident than those who built it in such poor conditions, despite endless complaints from the residents about it. Grenfell could therefore be cynically pushed in a way that celebrated diversity and mass immigration, making its victims worthy ones. The grooming gang scandal meanwhile does the complete opposite, hence its victims are unworthy, for the reasons explained earlier. Hence why there was a Question Time episode set in Kensington for the Grenfell anniversary, but none for the grooming gang hotspots.
One can only then, in response, protest. Why can’t we all share in these tragedies together? Why does politicking and ideology have any part of such quandaries? Can we not move beyond politics, sacred cows and petty point scoring to grieve, share anger and unite in such times of darkness? Unfortunately it seems that no, we cannot.
It is for that reason, alongside not being recognised as a national scandal, that in some areas, the problem has only worsened since its exposure a decade ago – not least of which is the fact that Rotherham is still a hotspot for this very crime.
The liberal-left establishment have at best sought to further minimize and downplay it, and at worst once again outright deny it’s a problem. In a particularly blunt instance of anarcho-tyranny in late 2022, one victim (Samantha Smith) was investigated by West Mercia Police for discussing her abuse on GB News.
This vapid ignorance was no better displayed than the reaction by polite society to the 2020 whitewashed Home Office report into the matter. The vested interests wanting the story to go away treated it like gospel, including one Guardian writer who exclaimed that it ‘dispel[ed] myth of ‘Asian grooming gangs’ popularised by far right’.
The fact that some of its contributors were displeased at the report and it left out several key witnesses (like initial whistleblower former Labour MP Ann Cryer and the Quilliam Foundation) didn’t matter. Meanwhile, the recent exposure of the fakery of Eleanor Williams was certainly given far more coverage than something like Telford.
Such attitudes permeate other high places as well from so-called ‘comedians’ who try to make disgusting light of it as well as former respected journalists playing ‘whataboutism’ when confronted with the issue. Other institutions, like the BBC will conduct hit pieces against you if you highlight the matter further.
However, despite all this, there is reason to be hopeful.
Although not treated with the severity it deserves, the matter is at least public knowledge now, and can be dealt with accordingly. The 2017 arrests in Newcastle that were pre-emptive against such gangs (alongside many others in recent years) shows that the police in some areas are getting mildly better at catching the perpetrators of these despicable acts.
Meanwhile, the fact that some high-profile Tories, such as Rishi Sunak and Suella Braverman, have made political hay of it in recent campaign and conference speeches is a positive sign – at the very least, it shows how much of a concern it is to many of their voters and the British right in general, even if one may argue its all cynical electoral-politicking.
Similar political concern could be fully seen in the 2021 Parliamentary debate on the matter, where there was clear cross-party support and sympathy to the victims and their plight, indicating the determination of some of them to want to do something to stop this from occurring again. There is circumstantial good news also such as the Rochdale 3 being possibly deported.
Such steps may be in the right direction, but more needs to be done.
The government needs to apologise to all of the victims and whistleblowers it let down, akin to David Cameron’s apology for Bloody Sunday following the Saville Inquiry.
Then, some genuine action needs to take place from the ground up. As Peters’ noted during the documentary, the National Crime Agency needs to do a complete investigation into the matter, especially in highlighting particular areas uncovered as of yet. Genuine accountability against those involved is also required – the groomers themselves should be deported if foreign-born, and if the death penalty can be re-institutionalised, it should be used against those we can’t deport.
Those in local government that were complicit in the cover-up should be removed from their positions, either by the ballot box or other means for officials and some should be imprisoned for perverting the course of justice.
This could all be done. The only thing stopping it is the cowardly Westminster consensus who instead of challenging such problems head-on would prefer to avoid, as Dominic Cummings stated, “awkward dinner party chats in London.”
It cannot be stressed enough that only the victims of this evil could deal with something that slight. Instead, they have their lives turned upside down, and in some cases ruined.
Rudyard Kipling once wrote about the Boer War that, “We have forty million reasons for failure, but not a single excuse.” The sooner we appreciate that sentiment with the grooming gang problem and tackle it in a serious way, the better we’ll be as a nation.
In the leadup to the GB News documentary, writer Ed West wrote that “There should be a national conversation about it in the way there was after the Lawrence inquiry.”
The time for that ‘conversation’ is now. While the suffering of the victims can not be reversed, we can at least stop such horrors from continuing, not only showing that Britain truly listened to those people, but that it will leave future generations better off as a result.
Oligarchic Oafs
British cultural critics, in my opinion, suffer from an insularity which prevents them from connecting the events of their own country to any wider patterns of civilisation. This is truest for those who are the most correct with their criticisms. Take for example Theodore Dalrymple, whose 1998 article Uncouth Chic in the City Journal was prophetic in diagnosing a distinctly British pathology. I give a lengthy quote to showcase the depth of his description:
“The signs — both large and small — of the reversal in the flow of aspiration are everywhere. Recently, a member of the royal family, a granddaughter of the queen, had a metal stud inserted into her tongue and proudly displayed it to the press. (…) Middle-class girls now consider it chic to sport a tattoo — another underclass fashion, as a visit to any British prison will swiftly establish. (…) Advertising now glamorizes the underclass way of life and its attitude toward the world. Stella Tennant, one of Britain’s most famous models and herself of aristocratic birth, has adopted almost as a trademark the stance and facial expression of general dumb hostility to everything and everybody that is characteristic of so many of my underclass patients.”
Dalrymple lays the blame for this “uncouth chic” on moral relativism: “… since nothing is better and nothing is worse, the worse is better because it is more demotic.” This much may be true, but it sidesteps an important matter. There’s an area where the British remain elitists: money. Whatever relativism now reigns upon our morality, it has areas of preferred emphasis. With manners we are relativists, but with cash we are a nation of absolutists who think being rich is better than being poor. Indeed, the very need to transform the uncouth into a type of chic (a word meaning sophisticated and fashionable) betrays such a mindset. Nobody is demanding unfashionable uncouth trash.
To be an elitist about your wallet and a vulgarian about your manners. I wager this combination isn’t accidental but vital. The latter flows from the former.
The Greek philosopher Aristotle, who defines a lot of things near-finally, defines an oligarch as someone who is both wealthy and has a wealth-based idea of goodness. That is, an oligarch isn’t just rich; he thinks being rich is identical with being good. This is why he thinks only the rich should hold political office, for example. So, it’s not that money is the root of all evil and the rich the wickedest. The one who has his character in order only benefits the more money he has, because he understands money as a tool for acquiring other goods. The oligarch grasps for money like an idolum and hates anybody who doesn’t have it.
But why does the oligarch think this? Hasn’t he observed all the good poor people in the world? Is he blind to the honest pauper? Aristotle’s answer is simple: the oligarch thinks money equals goodness because he thinks living well is gorging every appetite with no limit. “For where enjoyment consists in excess, men look for that skill that produces the excess that is enjoyed”[ii]. In other words, if the good of life is endless pleasure, and endless pleasure needs endless money to buy it, the good of life requires endless money. Those without money are unable to get endless pleasure, so the oligarch looks down on their lives as inferior.
The collection of norms we call “etiquette” or “manners” have emerged organically over a long period. Some are obviously arbitrary or meant to exclude people unjustly (the outmoded and snobbish dress code of “no brown in town” comes to mind). But a great many are there to limit personal behaviour, to channel action into a disciplined pattern.
Why chew with your mouth closed? Because it shows consideration for your fellow diners. Why take small bites? Because it controls you to eat at a healthy pace. Why not deliberately get drunk? To not impair your reason. Why avoid constant use of foul language? To show that your mind dwells on higher things than bodily functions. In all these there’s a standard of excellence, mental or physical, drilled into the person through control of their actions.
It’s a principle properly summarised in a line from Confucius: “Therefore the instructive and transforming power of ceremonies is subtle; they stop depravity before it has taken form, causing men daily to move towards what is good, and keep themselves farther apart from guilt, without being themselves conscious of it.”.
Is there then any reason for an oligarch to cultivate manners? I think none of weight. An oligarch might make a show of good manners, if he thinks this displays wealth. But once the cultural association of money with good manners is gone, he’ll stop this act. An oligarch who sees money as the means to swelling himself with pleasure actually has an incentive not to cultivate manners. Why would he cultivate something designed to limit his appetites? If the purpose of eating is to shovel as much food into your mouth as possible, and not to nourish yourself, then you can dispense with the cutlery, even possibly the plate.
But this leads to a further thought. Money for its own sake is necessarily vulgar because any constraint on it points to a standard other than pleasure. If we accept that the manners and etiquette we call aristocratic have developed over time as a way of disciplining wealth into excellence, then an oligarchy engorged on pleasure must reject them. Rather, manners that the underclass have adopted out of lack of correction or poverty now become the fascinations of the rich. A poor man wears ragged jeans because he can’t afford anything else. An oligarch wears designer torn jeans because money compels him to wear whatever he wants however he likes it. The expression of “general dumb hostility” which Dalrymple notes, may have been born from the Hobbesian nightmare of a slum; but for an oligarch, it’s the hostility of wealth to any external correction.
In an oligarchic society the top and bottom begin to resemble each other in customs even as they drift apart in income, and even as the top despises the bottom. We may explain the vulgarity of British elites in terms of class guilt, demoralisation, or political posturing. But the issue remains that love of gold doesn’t protect you from barbarism. It’s the passion that unites the highest emperor with the coarsest bandit.