magazine excerpt Archives

Economic Bondage Against the Family (Magazine Excerpt)

By Philip Diaz-Lewis — 9 months ago

In his 1936 Essay on the Restoration of Property, the author Hilaire Belloc recalls an image he had read two decades before and reproduces to the best of his memory. I’ll adapt it: imagine a single machine that produces everything society could possibly need. If this machine is owned by the collective, through a caste of bureaucrats, we have socialism. Everyone who tends the machine are regularly doled-out what they allegedly need by this bureaucratic caste. If the machine is owned not by many but by just one man, we have monopolistic capitalism, of the type resulting from complete laissez-faire. Most people work the machine and get a wage in return so they can buy its produce. Some others are employed in entertaining the owner, and all the rest are unemployed.

Belloc doesn’t say it, but we could imagine that working the machine involves just pushing a button repetitively. If technology did advance to the point that all which humans need could be provided by one machine, surely it could be worked by merely pushing one button repeatedly.

I rehearse this second-hand image because through it Belloc makes a point: these are capitalism and socialism as “ideally perfect” to themselves. If such a machine existed, this is what each system would look like.

Both monopoly capitalism and socialism share an agnosticism about the role of property and work in human life. Neither ideology views work nor property as ends in themselves but only means to further ends. For the socialist this end is consumption. Material needs are more important than freedom. To borrow again an image from Belloc, socialists view society as like a group stranded on a raft. The single overwhelming concern is not starving, so food is rationed and handed out according to a central plan. Perhaps a man finds fishing fulfilling and would lead a happy life honing the fishing craft. Maybe he would benefit from selling fish for a profit so he can support his craft. But the circumstances are extreme, so the group take collective ownership of his fishing rod and collective charge of distributing the fish. It’s for this reason that socialism is so appealing to ideologies that see existence as struggle.

For the monopolist this end is profit. Money-making is the only purpose of economic activity, separate from any human need or fulfilment from work. Property is good only if it generates money; not because it has any fixed purpose within human life. Work also is good only if it generates money, and if profits can be increased while reducing the amount of work needed, this is preferable. This is the reasoning Adam Smith uses to create the production line. The goods produced, further, also have no value apart from the profit they create.

Neither system recognises that humans are rational animals who flourish by both having and using private property as an extension of their intelligence. Thus, if a machine existed which could produce everything needed for life by repeatedly pushing a button, both systems would adopt it and consider themselves having achieved perfection. Everybody (or almost everybody) could be employed doing the same repetitive activity, differing only on the matter of whether their employer is private enterprise or the collective.

The worker pushing a button is akin to one working on a conveyor belt in a factory, or in bureaucratic pen-pushing. His livelihood consists in a single repetitive and mindless task which requires little intelligence to perform. A craftsman, on the other hand, creates something from start to finish by himself or as part of a team effort with other craftsmen. Intelligence runs all through the activity. Making a teapot, fixing a car engine, building a house, or ploughing a field, each requires applying a design with one’s hands, that has already been worked-out by one’s mind.

Another effect of this agnosticism involves the consumer. The sort of consumption monopolists think about is a limitless glut happening in a social vacuum. It is want unrelated to need, because the only way we can truly specify need is by defining a fixed purpose for human life. Human needs, on an ancient view, relate to the kind of life humans must live to be truly happy and flourishing. So, we need food, water, shelter, and other commodities. But we also need to exercise our uniquely human faculties, like creativity, aesthetic appreciation, imagination and understanding. We also need to know how much of a good or activity to have. After all, eating until we pass out isn’t good for us, and to sit around imagining all day may run into idleness.

As a result, neither system has much room for organic human community at the local level. Such communities depend on need which goes beyond the mere satisfaction of material wants. Work, for example, is more than just a way to get what we need to live. It’s a vocation, which taps into our rational human nature, and gives us joy through creating and shaping our surroundings.

This is an excerpt from “Nuclear”.

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Petty Nuisance: The Cure to Modern England (Magazine Excerpt)

By Brandon Ku — 10 months ago

From an aesthetic, or mannerism perspective, gentlemen had indeed almost entirely perished from the Isles. But the idea that no one should be seen confronting anyone, and a stiff upper lip must be kept at all times had passed onto generations after generations well and intact. But does a combination of that and an increasingly restrictive legal system means nothing can ever be done to rescue Great Britain from its managed decline?

Not really. But the struggle needs to start small, tiny first steps to ease everyone out of the mindset of being a ‘gentleman’.

Unfortunately, if you started pushing over idle motorcycles on your local taxi ranks and smashing windows on your local ‘souvenir shop’, you won’t last long until your own people (yes, your own people) will start reporting you to the KGB (Komitet-Gosudarstvennoy-Bezopasnosti Great Britain), and the government WILL be on your opposition’s side.

What you need to do what some may call a ‘petty nuisance’, completely within the boundaries of law. Or rather, practicing your rights to its maximum, and making the ENEMY’s life harder – cross a zebra crossing just as a Deliveroo rider or a matte-black tinted-window Range Rover arrives so they will have to stop, if they don’t, make them, it is YOUR right! There are much more ways to do this, the sky really is the limit.

Be an active petty nuisance to your enemy, this is your last resistance to those who are invading your life. It may sound humble, perhaps futile, but it keeps the spirit of resistance awake, reminds you that this is still an active struggle, it kills the gentlemanly mindset to give in, to compromise, it keeps a little bit of that fire alive. You will find yourself fighting back more and more as you become more and more comfortable with it. And eventually, perhaps hoping, you will find yourself winning, in this petit crusade, fought with petty nuisance.

This is an excerpt from “Nuclear”.

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Britain x Family (Magazine Excerpt)

By Samuel Martin — 10 months ago

In the last magazine, I outlined a Sensible Proposal for reforming the British state. It wasn’t exhaustive, but the meat and potatoes were there. In the proposal, I briefly mentioned the need to do exactly this. I suggested the BBC, if it wants to be spared abolition, should broadcast stuff worth watching – programs that will elevate, rather than demoralise, our great nation.

Specifically, I proposed broadcasting Spy x Family to the masses.

Far from being tongue-in-cheek, I sincerely believe that such a policy – and similar policies – would be excellent reforms for any government to implement.

For the uninformed, Spy x Family is a Japanese manga series created by Tatsuya Endo in 2019. The story follows a spy (Loid Forger, codename: Twilight) who has to “build a family” to execute a top secret mission. Unbeknownst to him, the girl he adopts as his daughter (Anya Forger) is a telepath, and the woman he agrees to be in a marriage with (Yor Forger, née Briar) is a skilled assassin.

As of March 2023, Spy x Family has over 30 million copies in circulation, making it one of the best-selling manga series in history. On April 9^th 2022, the Spy x Family anime was released. Like the manga, its popularity was instantaneous, obtaining around 7 millions views on its inaugural episode – an immense success for a new show.

Appealing across and within various demographics, topping the charts as Japan’s favourite anime of 2022, it has cultivated an eager international fanbase. Consisting of 25 episodes, a second season will premiere this year, as well as an anime film.

That said, whilst the media success of Spy x Family is there for all to see, little is said about its impact on Japanese society. Nine months after the show’s debut, Japan’s fertility rate experienced an uptick after consecutive years of stagnation and decline.

Sure, it was a very small uptick and Japan’s fertility rate remains far below the point of replacement. In all technicality, Japan’s continues to worsen, just at a less severe rate. Nevertheless, in less than a year, Japan has gone from another stereotypically infertile state to the most fertile nation in the Far East.

Coincidence? I think not!

As a matter of fact, one of the most common reasons for remaining childless, often surpassing financial concerns, is the presumption that having children will deplete one’s quality of life.

Considering how bad things are becoming in Britain, one would require a pretty pessimistic idea of what family entails. Indeed, when you realise what people think of when they hear the word “family”, it’s easy to see why.

At the beginning of the last century, positive portrayals of family life were hegemonic; portrayals that contrasted a more nuanced reality: family life was often less-than-picturesque. Consequently, more cynical (or realistic, depending on your exact stance) portrayals of the family became more commonplace.

I invite you to look at literally any TV show made over the past 30 years. Families are almost always portrayed as rowdy prisons, children are portrayed as nasty parasites, and divorce is portrayed as blissful liberation.

This is an excerpt from “Nuclear”.

To continue reading, visit The Mallard’s Shopify.

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‘The Bad Ethics of the Machine’ (Magazine Excerpt)

By Dinah Kolka — 11 months ago

With the recent debates surrounding AI improvement and the somewhat imminent AI takeover, I thought it would be interesting to return to the 20^th century to analyse the debates on the rise of the machine and what we can learn from it today.

The early 20^th century marked a time when the technological revolution was in full swing. With radio, mechanised factory work, and the First World War marked the new era of mechanised warfare, the intellectuals of the day were trying to make sense of this new modernised society. With the speed at which the changes occurred, people’s conception of reality was lagging.

The machine has narrowed spaces between people – the car allowed people to traverse space faster, and radio and telephone brought closer and practically instantaneous access to one’s family, friends, and acquaintances. The jobs were mechanised and people, as idealised by Marx, had the potential of being the ‘mere minders of the machine’. We are now entering another era. A time when Artificial Intelligence has the potential to replace most jobs. This is what Fisher in Post-Capitalist Desire has considered an opportunity for a post-scarcity society. But is this possible? Or rather should we heed Nick Land’s warning in Machinic Desire where he advised:

“Zaibatsus flip into sentience as the market melts to automatism, politics is cryogenized and dumped into the liquid-helium meatstore, drugs migrate onto neurosoft viruses, and immunity is grated-open against jagged reefs of feral AI explosion, Kali culture, digital dance-dependency, black shamanism epidemic, and schizolupic break-outs from the bin.” (Land, Fanged Noumena, 2011)

But let’s thrust away the shatters of this neo-automation and return to 1912, the time when this has only just begun.

Gilbert Gannan, in an article for Rhythm, wrote:

“Life is far too good and far too precious a thing to be smudged with mechanical morality, and fenced about with mechanical lies, and wasted on mechanical acquaintanceships when there are splendid friendships and lovely loves in which the imagination can find warm comradeship and adventure, lose and find itself, and obtain life, which may or may not be everlasting.” (Gannan, 1912)

In a quasi-perennial argument, he claims that mechanical morality and mechanism, in general, will never replace the real deal – the real concrete friendships and those we love.

This is an excerpt from “Mayday! Mayday!”. To continue reading, visit The Mallard’s Shopify.

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A Dirge for the Aristocracy (Magazine Excerpt)

By Philip Diaz-Lewis — 11 months ago

Culture is often a bearer of such practical wisdom. Indeed, the reason we listen to the experienced and wise, despite their lack of formal education, is that their experience has imparted practical wisdom. Theoretical wisdom is implicit in this down to earth practicality. Although the village elder might not be able to say why a certain behaviour is virtuous, her account, being correct, could be elaborated to reveal a true and natural principle. Extending this to an entire culture, we have one basis for social conservatism. The accumulated experience of ages has a sort of implicit wisdom to it, which can be potentially made into a theory, even though nobody may have yet done so. However, this isn’t enough, lest we be agnostic pragmatists like David Hume. For the one clinging to classical ideas, all practical wisdom has a theory behind it whose objective springs we can discover through reason.

One such cultural heirloom that is greatly misunderstood these days is aristocracy. Most cultures in human history have had aristocracies of some type. A noble class existed in ancient Mesopotamia, Persia, Mesoamerica, the Andes, Egypt, China, Japan, Greece, Rome, among the Celts, as well as mediaeval and early modern Europe. Indeed, aristocracy of some type has been one of the most common institutions of humanity across history. Yet in the last three hundred years, aristocracies have shrunk, from the predominant ruling elites of the world to disempowered and mocked cliques, clinging to privileges regarded as archaic.

Britain is one of the few countries that still has an institutional aristocracy. But its influence is ever diminishing, its numbers ever depleting, and its ideals waned to nothing. I doubt many would contradict me if I said its public image is far from positive. I believe the cause of this decline is that it is a remnant of a previous ethical outlook, one rooted in ancient Greek and Roman thought, and Christianised in the Middle Ages. This outlook collapsed in Britain during the eighteenth century (before it did in most of Europe). Whig liberal philosophers like John Locke chipped at its foundations. The aristocracy as a result became an institution without a purpose, embedded in a new society totally hostile to it.

So, what are these foundations? I think three: human goodness as function, a communitarian spirit, and a family-centred life. Really, it’s only the first, functional goodness, the latter two being elaborations of it.

Goodness as a function is simple. To be good is to function properly according to a species’ ideal. In the same way a good hammer is good at banging nails, and a good oven at baking bread, so a good human being is good at “human-ing” to coin a verb. The question ‘what is goodness?’ for ancient and mediaeval thinkers is almost invariably ‘what’s the function of humans?’ Yet because humans have reason, unlike animals who merely follow their instincts, our function involves more than survival and reproduction. We make art and science, and can appreciate the value of things through understanding. We are the animal that is happy with a garden and a library, as Cicero says.

This is an excerpt from “Mayday! Mayday!”. To continue reading, visit The Mallard’s Shopify.

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British Conservatism is Ignorant of History and has Forgotten its Past (Magazine Excerpt)

By Henry George — 11 months ago

This dictatorship of the present has been enabled by around thirty years of material abundance and relative peace following the conclusion to the Cold War. As John Keegan, the military historian put it, Britain and American can afford our universalist idealism and our fantasies of a benevolent world united and ameliorated through commerce, given our good geographical fortune of being separated from continents by bodies of water. We can forget that the tides of history have pulled whole cultures under in violence and war, instead indulging in an imagined progressive history, moving ever upwards towards ever greater enlightenment and prosperity.

Our leaders, if they deserve the name, have forgotten the lessons of history, because they do not know history. They do not know the fate of nations and peoples. They are ignorant of the importance of the landscape of the world and the moral landscape of the heart, and how the interplay between the two shapes the destinies of civilisation. It is not to engage in nostalgia for a vanished age that never existed to reckon with the fact that those who governed us in the past were well aware of life’s tragic nature, of the reality of necessity and the ultimate goal of the avoidance of anarchy, its own form of tyranny. Our leaders in the 19^th and up to the mid-20^th centuries had been baptised in the fires of historical experience and therefore knew that the maintenance of right order, in accordance with the good, true, and beautiful, was the precondition for any liberty. Utopian, romantic ideas of universal rights, spreading democracy and natural freedom were dangerous in their unbounded idealism, leading nations and government astray in the quest for moral perfection.

History never ended, in the sense Francis Fukuyama meant it. Hegel, and his disciple Alexander Kojeve, were both wrong in discerning a direction to human History that would see the creation of the perfect liberal democratic regime and state of being in our world. History is the story of the deeds men and women do and accomplishments achieved together as clans, tribes, cities, empires, and nations. It is a story that will only end at the end of all things. Awareness of the living past reminds us that our lives are part of the weave of time, stretching back across the years, our own lives and the actions we take adding the threads that continue into the future.

This is an excerpt from “Mayday! Mayday!”. To continue reading, visit The Mallard’s Shopify.

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A Sensible Proposal (Magazine Excerpt)

By Samuel Martin — 11 months ago

Britain is in decline. This much is true. Nobody would dare suggest otherwise – unless, of course, they wish to attest to pure ignorance or twisted glee.

Given this, we are very much in need of sweeping reform. Yet reform is not the product of drawn-out pontification. Ultimately, it is the sum of action: action moulded by proposition.

As such, dear reader, allow me to do just that. May I present to you: A Sensible Proposal.

Shrink the cabinet to its 5 or 6 most capable members, empower ministers to fire civil servants at will, and slash the civil service by at least 75% – it’s not technically Moldbuggian RAGE (Retire All Government Employees), but it’s of the same spirit.

Take the Civil Service Code and throw it on the regulatory bonfire, along with every obstructive procurement rule preventing us from becoming the AI capital of Europe.

Implement mandatory IQ tests for all new civil service hires and scrap the counter-intuitive stakeholder model of policy-making; ensuring government bureaucrats literally, not figuratively, live in The Real World.

Double the length of every sentence, especially for crimes which make civilised society impossible (murder, rape, theft, schmonking weed, etc.). Freedom, if nothing else, should mean the ability to go from A to B without being mugged, molested, or murdered.

Repeat offenders should receive at least one of the following: an extended sentence, a life sentence, chemical castration, or the death penalty. Tough on Crime, Tough on The Causes of Crime.

Abolish the Communication Act and its statutory predecessors to make speech free again. The less time the plod can spend harassing you for tweeting facts and logic, the more time they’ll dedicate to brutalising groomers of our nation’s children, vandals of our nation’s heritage, and abusers of animals.

Furthermore, abolish the Supreme Court and bring back the Law Lords – Tony Blair and Gordon Brown, eat your precious ‘modernising’ hearts out!

Speaking of which, if we can hand out titles to cronies, half-wits, and dodgy sorts, I’m sure we can take them away – put some actual aristocrats in Parliament; of spirit in the Commons and of blood in the Lords.

Abolish the TV licence fee and replace it with nothing. That or broadcast stuff worth watching – like reruns of Kenneth Clark’s Civilisation series or Spy x Family.

This is an excerpt from “Mayday! Mayday!”. To continue reading, visit The Mallard’s Shopify.

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Madness and Spectacle: The Yellow Vest Suite (Magazine Excerpt)

By Gio Pennacchietti — 12 months ago

At the time my personal motivation in doing a whole suite of works was the aesthetic superseding the political. I was captivated by the sensuous images of darkness and colour shades that I tried to capture in these paintings and drawings. Multitudes of people wearing a loose uniform of greenish yellow starkly contrasted with the burning embers of street fires, and thick black smoke from various car chemicals and building materials being immolated, darkening the sky. So many monuments to France’s history are contrasted by a new revolutionary fervour. I was attempting to create a sort of protest impressionism, colour swatches in the darkness of smoke and the light of fire.

But perhaps this is too a sort of romanticism, an aesthetic expression of a yearning for political possibilities outside of the confines of Globo-liberalism, because the political-aesthetic picture of current times produced by Globo-liberalism is so bland, Kitschy, its regime-approved protest art so vulgar and dehumanising, from flat design humans to Banksy. In other words, it sells you empty left-liberal sentimentalism. But my paintings are not meant to create a new counter political-aesthetic. In hindsight, these works are merely cartographic, depictions of a historical moment done as faithfully as I could. Art as a dramatic record of events, a window into vivid scenes that didn’t quite seem real.

Since the petering out of the Yellow Vests, and the periodic riots and public demonstrations in France, over everything from climate change to changes in pension law, there seems to be a jadedness and morose character to the “active politics” of the French. Each one seems to devolve into a public dance party, a more spectacle-driven and violent form of the same cynical and exhausted symbolic politics that lurches forth in most of the Western world. The same people smashing windows and lighting cars on fire went right back and voted for Macron again.

This calls into question the nature of a true syncretism between fringe left and right political coalitions that meet in the middle of society through public political rituals of demonstration and protest. Perhaps it is true that these sorts of protests and public events are merely vanities, and real politics in globalised liberalism is far away and above the direct means of resistance ordinary citizens have. In other words, managerialism, more than tyranny and ideological millenarianism could ever dream of, did away with the concerns and whims of the crowd.

But in the end, the Yellow Vests provided striking images, and for a time, provided an aesthetic politics which could provide a template for further populist movements which cross-cuts ideological and cultural boundaries. The Yellow Vests were very much of the times we are living in now, because it is the image, the aesthetic more than anything, especially in the online world, which informs and contorts the political.

This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.

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An Interview with Fen de Villiers (Magazine Excerpt)

By Samuel Martin — 1 year ago

Sam: A common criticism I hear from people on our side of the ‘cultural divide’, regarding Vorticists and Futurists, is that the avant-garde, as a concept, is antiquated. Do you think that’s true, or do you think people are being a bit too pessimistic about its potential?

Fen: Being pessimistic and cynical is something inherent to people who are more on the conservative spectrum, but I think that one must look back to go forward; you can clasp at the fire and the energy of a certain group or a certain movement, and then you can run forward with that. I don’t think it’s a case of saying, you look back at them and stay there.

I think that it’s going to take time, movements, and art styles to take a while to mature and find a new way. I don’t at all believe that we simply just have to take on what they do and just reside there.

Sam: In other words: “it’s not worship of the ashes, it’s the preservation of the fire.”

Fen: Yes, absolutely. I think what’s important is that if you are going to throw this forward – I mean, the futurists were, for example, very excited by the motorcar and the aeroplane and flight, because that was the period that they were in.

I don’t think we need to be excited by the aeroplane in the material sense. However, I think we can be excited about something. That visionary and Faustian spirit is deeply ingrained within our European psyche. I think we get excited about going on and going forward. I don’t think it’s a case of simply just regurgitating the platitudes or what they were doing. It’s about finding a place for that energy now.

It’s really about energy and celebrating force over death and decay; the latter of these is what the current regime works on. It’s the cult of the victim. This is not glorious stuff. This is not about going upwards towards something higher: this is about keeping you on the lowest level. For me, that is not how life is, that’s not how nature is: it is a lie. It’s not a culture that has any sort of fire in the belly. It doesn’t make you want to live.

This is an excerpt from “Blast!”. To continue reading, visit The Mallard’s Shopify.

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Populism and a Sense of Betrayal (Magazine Excerpt)

By Jake Scott — 1 year ago

Leading up to December 2022, when I was preparing for my PhD viva, I was told by colleagues – quite consistently – that populism was back on the academic agenda. Clearly, I had timed my PhD well, the covid pandemic aside.

Now, at the conclusion of the process, I have people ask me what my core conclusions are. The truth is, I say, populism is going to remain a permanent feature of our political system for a long time, to such an extent that I think, for all his mistakes and poor insights, Cas Mudde was right to describe our era as the ‘populist zeitgeist.’ I am not alone in making this prediction: in his farewell speech to the European Parliament, Nigel Farage said populism ‘was very popular’; and there abound many different academic attempts at explaining the likely enduring appeal of populism.

Among them I find particular value in Nadia Urbinati’s Democracy Disfigured (2014) and Me, The People (2019): the former is particularly focused on how democracy can be transformed, though populism is only part of that story. In that book, Urbinati attempts to analyse the role of what she calls the doxa in democracy, emphasising the linguistic and dialogical elements of democracy as methods of identifying conflict and resolving them; in response to this, says Urbinati, populism attempts to ‘fix’ the inevitability of conflict. It can do this because democracy (and politics in general) is actually about never attempting to remove conflict, merely attempting to ‘win’ the immediate conflict, whilst accepting that you may ‘lose’ the next one. The underlying unity is, as a result, quite thin, and little more than a general agreement on the process of conflict and resolution, rather than an agreement on the resolution of conflict specifically.

Populism, says Urbinati, works from within the logic of democracy to recognise the inherently conflictual nature of politics and democracy, and then seeks to deny it. Instead of attempting to win now, and accept the possibility of losing in the future, populism attempts to win forever, and deny the possibility of future conflict. In doing so, populism becomes anti-politics.

In the latter book, Urbinati delves deeper into populism specifically, and considers the internal mechanisms of populism, rather than just the impact it has on democracy. In doing so, Urbinati looks at the role of ‘antiestablishmentarianism,’ ‘antielitism’ and, crucially, the messianic leader, in the emergence of populism.

This is an excerpt from “Ides”. To continue reading, visit The Mallard’s Shopify.

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