This dictatorship of the present has been enabled by around thirty years of material abundance and relative peace following the conclusion to the Cold War. As John Keegan, the military historian put it, Britain and American can afford our universalist idealism and our fantasies of a benevolent world united and ameliorated through commerce, given our good geographical fortune of being separated from continents by bodies of water. We can forget that the tides of history have pulled whole cultures under in violence and war, instead indulging in an imagined progressive history, moving ever upwards towards ever greater enlightenment and prosperity.
Our leaders, if they deserve the name, have forgotten the lessons of history, because they do not know history. They do not know the fate of nations and peoples. They are ignorant of the importance of the landscape of the world and the moral landscape of the heart, and how the interplay between the two shapes the destinies of civilisation. It is not to engage in nostalgia for a vanished age that never existed to reckon with the fact that those who governed us in the past were well aware of life’s tragic nature, of the reality of necessity and the ultimate goal of the avoidance of anarchy, its own form of tyranny. Our leaders in the 19th and up to the mid-20th centuries had been baptised in the fires of historical experience and therefore knew that the maintenance of right order, in accordance with the good, true, and beautiful, was the precondition for any liberty. Utopian, romantic ideas of universal rights, spreading democracy and natural freedom were dangerous in their unbounded idealism, leading nations and government astray in the quest for moral perfection.
History never ended, in the sense Francis Fukuyama meant it. Hegel, and his disciple Alexander Kojeve, were both wrong in discerning a direction to human History that would see the creation of the perfect liberal democratic regime and state of being in our world. History is the story of the deeds men and women do and accomplishments achieved together as clans, tribes, cities, empires, and nations. It is a story that will only end at the end of all things. Awareness of the living past reminds us that our lives are part of the weave of time, stretching back across the years, our own lives and the actions we take adding the threads that continue into the future.
This is an excerpt from “Mayday! Mayday!”. To continue reading, visit The Mallard’s Shopify.
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How Diversity Hiring has ruined TV
Over the past few decades, the media has been obsessed with characters representing minorities in society who haven’t received much recognition on television before. The hope is that a person of colour might see a black Hermione or a girl might see a female Doctor Who and think “that could be me!” and feel represented in British Society.
Like most of British society, I hold the view that unless a character’s race is an important part of their role, we should give actors parts based on their skill and performance. I also believe that casting directors should be able to have the freedom to cast whoever they want in their movies. After all, if they make the wrong decision they will pay the price. For example, the Ghostbuster reboot which had an all-female main cast was widely reported to be a flop, warning future filmmakers of the consequences of casting on diversity for diversity’s sake.
The original argument was for minorities to be proportionately represented on television as they are in British society. However, same sex attracted people and ethnic minorities are now over represented on screen. BAME people account for 13% of the national workforce but 23% of on screen roles. Lesbian, gay and bisexual people are nearly twice as likely to appear on television.
In addition, the presence of LGBT and ethnic minorities on television is often dedicated to side characters. On some occasions, the producers try to lump as many diversity points onto one character while still having a white straight protagonist. For example in the series Sex Education, the three main people of colour are Eric, Ola and Jackson. Two of these characters have had same sex relationships and the other has two mums and attempts to get into a relationship with a “non-binary” Sudanese-American character introduced in the last season. Meanwhile, the two main characters, Otis and Maeve, are both white and straight. This identity points dumping ruined the character of Jackson, who is already dealing with the conflict of being a high achiever who can’t meet the expectations that he and his mums have for him. Instead of trying to figure out who he is, his main issue this season is getting with a rebellious “non-binary” girl who is annoyed at him for seeing her “as a girl” instead of “non-binary”.
This isn’t to say that there can’t be shows and movies which have BAME and LGBT people as the majority of the cast. It’s not unrealistic for a show about people in London for example to have an ethnic minority cast. For example, the show Chewing Gum, featuring a black main cast, was extremely funny and well produced. The show was created by Michaela Coel who grew up in East London so the reason behind the diversity casting is because of her own experience and background, rather than some white middle class liberal who wants to gain diversity points. This contrasts to the announcement of there being a production of Anne Boleyn on which the actress who plays Anne Boleyn is black. The show’s creators admitted to adopting a “race conscious” approach, rather than picking who could play a realistic Anne Boleyn or even a colour-blind casting of who is best for the role.
However, it seems that identity and virtue signalling is everything nowadays. The left even are trying to make horror villains gay icons. Vox published an article on “How the Babadook became the LGBTQ icon we didn’t know we needed”. In addition, even Chucky has shown his respect for the LGBT community as he accepts his “gender fluid” child, stating “I’m not a monster”. It’s odd that the LGBT community are so keen to relate themselves to monsters who are hostile towards children. Surely these aren’t characters you want to represent you?
Most recently, Doctor Who has fallen victim to diversity casting. Recently, Sex Education’s Ncuti Gatwa has been casted as the next Doctor, taking the place of Jodie Whittaker. In addition, a new character called Rose will be played by a biological man who calls himself a transgender woman. Many have scoffed at those who have had complaints about the Doctor and his companion changing identity. For example, The Guardian wrote:
“There is no way on earth that a shapeshifting ancient alien god and an interdimensional explorer trapped in a parallel dimension should be played by anything other than a white British guy and the woman from I Hate Suzie respectively.”
However, this shifts from the original idea that minorities need to be represented for people to see themselves in the characters. Modern media holds the conflicting ideas that identity is everything and to act ‘colour blind’ is racist and that a character can be any colour. Not only is it important that we display the voices and experiences of minorities, but it doesn’t matter if we replace traditionally played white characters with ethnic minorities.
Personally, I don’t need to share the same identity as a character in order to relate to them.When I was younger I used to dress up as Harry Potter and got offended when I went to The Making of Harry Potter and somebody thought I was dressed up as Hermione. That is because I identified with the character of Harry Potter. It didn’t matter that he was a boy as I aspired to be as brave as him when I was young.
Though I’m doubtful, I hope that the media sees the error of its ways and focuses on providing thought provoking entertainment that doesn’t rely on progressive pandering. Being purely identity-focused on unchangeable characteristics such as race, gender and sexuality is creating a generation full of narcissists. A movie shouldn’t be good because it has people who look like you; it should be good because of the message it sends.
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Britain could be left holding the bag over Ukraine
The new Defence Secretary, Grant Shapps, in his first newspaper interview since taking up the position, called for British weapons manufacturers to set up shop in Ukraine and revealed discussions with Zelensky about the Royal Navy getting more involved in the Black Sea.
The biggest potential escalation was his suggestion that British military instructors be moved into Ukraine.
“I was talking today about eventually getting the training brought closer and actually into Ukraine as well.”
As of yet, the UK and allies have avoided a formal military presence in the conflict due to the risk of direct conflict with Russia, so these were major policy changes being floated.
The same day, former Russian President and now deputy chairman of the country’s influential Security Council, Dmitri Medvedev, posted on Telegram that such moves bring World War Three closer.
‘[This will] turn their instructors into a legal target for our armed forces… understanding perfectly well that they will be ruthlessly destroyed. And not as mercenaries, but namely as British NATO specialists.’
Just over two hours later, the Prime Minister had pushed back at the Defence Secretary’s comments telling reporters on the first day of his party conference there were no immediate plans for this:
“What the defence secretary was saying was that it might well be possible one day in the future for us to do some of that training in Ukraine. But that’s something for the long term, not the here and now. There are no British soldiers that will be sent to fight in the current conflict.”
Leaving aside Mr Shapps’ questionable ministerial record and lack of obvious suitability for his brief, this incident (which was conveniently brushed under the carpet of the Tory conference) raises some serious questions about decision making at the MoD.
Was this interview cleared with No. 10 and if so, are they now backtracking? Or did the Defence Secretary go off script and unsuccessfully try to use his own initiative?
Or was this government floating an idea and testing the waters? If so, they got their answer quick.
The sight of British soldiers returning in body bags in an election year might not be a big vote winner.
Government’s decision to ramp up support for Ukraine and double down on its all-or-nothing position comes as cracks in the alliance grow wider by the day.
As all this was unfolding, Slovakia was electing its next parliament, with an anti-Ukraine party winning the election. The country has already halted military aid to Kiev, joining the Hungarians.
Just two weeks ago, one of Ukraine’s strongest allies, compared it to ‘a drowning man’.
A dispute over grain exports got so bad that the Polish president said:
‘The drowning man is really clinging to anything available and it is somehow what the situation between Poland and Ukraine is like today… it is clinging to anything available. Can we hold grudges against them? Of course, we can. Do we have to act in a way to protect ourselves from being hurt by a drowning one, of course, we have to act in a way to protect ourselves from being harmed by the drowning one, because once the drowning man hurts us, it will not get help from us.’
This was quickly followed by the Polish prime minister announcing: “We are no longer transferring weapons to Ukraine because we are now arming Poland with more modern weapons.”
Next week will see Poland have its own elections, and like Slovakia, an anti-Ukraine party is doing very well in the polls, with hopes to be kingmaker.
The United States is not immune from political division over the conflict, with various presidential candidates from Donald Trump and Vivek Ramaswamy to Robert F Kennedy Jr calling for its end.
Domestic political pressure and war fatigue aren’t the only factors creating friction between Western capitals. After 20 months of being told victory is round the corner, reality is starting to bite.
This week NATO’s most senior military official told the Warsaw Security forum the West is running out of ammunition for Ukraine. Admiral Rob Bauer said: “The bottom of the barrel is now visible.”
UK Defence Minister James Heappey also added that the West’s stockpiles were ‘looking a bit thin’.
This might explain the eagerness to have British weapons manufacturers ramp up production by setting up factories in Ukraine, but it does not explain the stubborn continuation of a failed strategy.
A policy should be judged by its results and as of writing, Ukraine has lost hundreds of thousands of its young men, millions more have fled, its economy is decimated, and its state is on life-support.
Russia, meanwhile, has weathered the sanction-induced storm which turned out to be a strong breeze rather than the predicted tornado. Its economy has not only held up but is on track to grow.
NATO’s eastern flank, be it Turkey, Hungary, now Slovakia and potentially Poland, is already publicly disagreeing and diverging from the Washington-London line, and this is likely to continue.
And the Washington line, as we have only seen too well over the last decade, is liable to change rapidly depending on the outcome of the next election.
So, can Britain afford to continue its Johnsonian zeal for trying to fight Russia down to the last Ukrainian, or is it time to take back control of our foreign policy and start thinking seriously about Europe’s long-term security architecture?
I would hope that the government concerned with ‘long-term decisions for a brighter future’ would be reassessing its policy.
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It’s Not Just Any Christmas, It’s a Little Shop of Horrors Christmas
What is Christmasy about setting fire to Christmas cards? What is festive about a giant Venus flytrap almost eating a small dog? Nothing, but apparently those are the kinds of Christmases two of the largest high-end retailers are trying to sell us, and we aren’t buying.
The release of Christmas ads in November launches the holiday season, and there are few greater British traditions than gathering around the kettle in the work kitchen to talk about the new John Lewis advert the day after it’s aired.
But the first major retailer to release its ad did not get the reaction it had hoped for. Marks & Spencer faced a backlash over its ‘Love Thismas, Not Thatmas’ ad, which sent the message that traditional Christmas needs to be burnt down, shredded, smashed, and go swimming with the fishes.
In one scene of the retailer’s clothing and home campaign, Sophie Ellis-Bextor turns her attention from browning marshmallows on a gingerbread house with a kitchen blowtorch to setting a stack of Christmas cards on fire. In another, paper hats get mulched into confetti, an elf gets launched off the roof of a house with a baseball bat – you get the idea.
It ends with the voiceover saying: ‘This Christmas, do anything you love.’
‘Do anything you love.’ Eschew the spirit of charity. Destroy Christmas and make it all about you. Not about family. Not about children. Reject tradition.
The John Lewis ad was worse. If the Little Shop of Horrors did Christmas ads, it would look like this.
In short, a boy’s Christmas tree seed grows into a giant voracious Venus flytrap with multiple sharp-toothed mouths, that at one point appears to snap after the family’s Pomeranian. Fearful of the carnivorous plant, the boy’s mother, grandmother, and sister take it outside.
But the narrative that you shouldn’t judge a predatory plant based on its natural inclination triumphs when the family joins the flytrap in the garden with their presents. And as if taking inspiration from the feverish delusions of a sick toddler, the ad ends with the plant snatching the wrapped gifts, gobbling at them, and spitting them back at the family, unwrapped.
John Lewis’s message is spelt out and very much the same as M&S: reject tradition. Or as the major retailer phrased it, the ad “celebrates the joy in the UK’s changing Christmas traditions.”
At one time, John Lewis set the standard for Christmas ads. Memorable favourites like Monty the Penguin (2014), the 2010 montage ad accompanied to Ellie Goulding’s rendition of ‘Your Song’, or the adventurous snowman ad of 2012, were warm, festive, and at times tear-jerking. They celebrated dreaming and childlike innocence. They felt like they were produced with true love for the season. While not all were cookie-cutter traditionally Christmasy in appearance, they conveyed those timeless values of family, sharing, hope, and gratitude. They were crafted with the skill of Don Draper.
The 2023 John Lewis ad is ugly nightmare fodder.
The affordable food retailers, however, embraced and celebrated the traditional messages of Christmas.
Asda leans enthusiastically into the festive season with its joyful, light-hearted ‘Make This Christmas Incredibublé’ ad, featuring Michael Bublé as a store quality officer.
Showing off turkey, mince pies, panettone, and enough cheeses to put a lactose intolerant into a coma, Bublé is funny and ostentatious. The sets are tastefully but festively decorated, and the ad is finished with the singer joining a choir of staff in an energetic rendition of ‘Walking in a Winter Wonderland’.
Asda struck the right chord and knew its audience. It knows they’re suffering under the cost-of-living crisis and says without saying: you can still afford to have a nice Christmas dinner this year.
The Aldi advert sees a return of Kevin the Carrot, this time in his adventures in a Christmas food-themed Willy Wonka’s factory. Narrated by British actor Jim Broadbent, lines of poetry convey deep-rooted values such as: ‘Only Kevin the carrot clearly understood the true meaning of Christmas and the importance of being good.’
And: ‘The season of goodwill was truly in the air, for Christmas is a time that’s sweeter when you share.’
But it was fellow German food retailer Lidl that stole the paper Christmas crown. A racoon who loves Christmas goes on a little hero’s journey to make sure a toy monkey gets delivered to the boy who he’s been watching through the window. While never discovered to be the creature that placed the toy under the tree, the raccoon is rewarded when the family dog takes a portion of Christmas dinner outside to share with him.
It was old John Lewis: full of innocence, adventure, mild peril, and generosity. It was moving and warm. It shared an important message: little gestures of kindness matter.
And the latter two retailers put their money where their mouth is: both Aldi and Lidl are part of the Neighbourly charity network to distribute unsold surplus food to local communities. Lidl is also hosting toy banks for donations in their stores and has said that it will be producing the monkey and raccoon toys for sale, with the proceeds going to Neighbourly.
These aren’t just empty words, but action. The desire to help comes through these ads and touches people. These are authentic expressions of the season of good will towards all men.
What I and people who took issue with in the M&S and John Lewis ads is not that some individuals reject traditional Christmas. People are free to have whatever unconventional Christmases they want and not be judged for it.
No, this is about people tired of being nudged by forces that shape our society and craft our media that our world must change. That even though we are in the majority, we must have our expression of our culture and tradition come second – or not at all – to unconventionality, modernity, and progression.
‘Don’t touch or break our Christmases,’ we’re saying.
These messages from John Lewis and Marks & Spencer were intentional, crafted by professional agencies that have been captured and work to serve the woke agenda and their ‘purpose-driven’ campaigns – sometimes at the expense of profit. While unconventional unChristmas ads are not woke in themselves, they originate from the same spiteful anti-tradition place.
But the fickle monster you feed eventually comes back to bite you over any perceived form of ‘hate’, slight, or microaggression. Case in point: Marks & Spencer had shared a still outtake from their ad to social media, showing paper hats burning in a fireplace, before quickly deleting it and apologising for any offence caused.
Not apologising to those Christmas-lovers who might have thought it mean spirited, but to pro-Palestinian activists. Yes, Marks & Spencer took seriously complaints that burning red and green paper hats was insensitive and stoking tensions because Palestinian flags also happen to feature red and green.
Let no good pandering go unpunished.
